REMASTERING NOTES FROM DAN Mc, DISC ONE --, A. Concatenated, then ran a speed change at -6% (linear), B. Used a multi-filter with 5 filters:, 1) de-clipper because of the over-saturation - set for `operational amp de-clipper'- threshold 30; slope .15; strength 3., 2) Spectral filter to eliminate the in-line hum and harmonics, set at 60, 120, 180, 240 and 300 Hz, 3) Channel blender set to blend to mono below 125 Hz, 4) Spectral exciter, set at 1021 Hz, with attack at 25 ms & release at 100; High Freq gain set at 8dB, 5) Expander set at attack 50 ms, release 58; output -16.5,ratio of 6.2, C. Re-cut the file on sector boundaries; I found the beginning of track 7 repeats audience applause, (well, it's from a different song or applause about something that was said - it's not an exact repeat, but extra material). I deleted that portion on the sector boundary so that the result is applause at the, end of track 6, but nothing extraneous before the song of track 7. I'm not certain where it was on the original, but it should be either at the end of track 6 or beginning of track 7., D. Re-normalized everything., DISC TWO --, Both of the audience files were treated in essentially the same manner:, Concatenated the files, then used the following in a multi-filter:, De-Clipper, for analog clipping, Channel Blender- blend to mono below 125 Hz, Paragraphic Equalizer, to roll off the bass and add more highs, Low Pass, below 3692Hz, with a 12 dB/octave slope, Averaging, 5 samples rolling average, Expander, to emphasize the low mids and hi mids, Paragraphic Equalizer, to round out the overall, frequency distribution, Exciter to add some of the missing highs as harmonics, Re-cut on sector boundaries.