Bob Dylan/The Band (early show)
01-14-74
Boston Garden, Boston, MA

Source: AUD > MC (Joe Maloney [maloneyjoe68_at_aol_dot_com) > 
        shn by Jamie Salerno  [jjs4_at_cwru_dot_edu]

    Disc I Set 1 [58:59]

 1. Rainy Day Woman #12 & 35 
 2. Lay Lady Lay 
 3. Just Like Tom Thumb's Blues 
 4. It Ain't Me, Babe 
 5. I Don't Believe You
 6. Ballad Of A Thin Man
 7. Stade Fright
 8. The Night They Drove Old Dixie Down
 9. King Harvest
10. This Wheel's On Fire
11. I Shall Be Released
12. Up On Cripple Creek
13  All Along The Watchtower
14. The Ballad Of Hollis Brown
15. Knockin' On Heaven's Door

    Disc II Set 2 [1:03:14]

 1. The Times They Are A' Changin'
 2. Don't Think Twice, It's Alright
 3. Gates Of Eden
 4. Just Like A Woman
 5. It's Alright Ma, (I'm Only Bleeding)
 6. Rag, Momma, Rag
 7. When You Awake
 8. The Shape 'm In
 9. The Weight
10. Forever Young
11. Something There Is About You
12. Like A Rolling Stone

   Encore

13. Most Likely, You Go Your Way (And I'll Go Mine)


Also included are Toast/Jam printouts for the CDs (so you can use the "Audio starts in Pause" timings to have a track end when the music stops and the subsequent track start when the music begins).


Notes:


Recorded on a Sony TC-110A, using the built-in microphone (see http://www.sciencetech.technomuses.ca/english/collection/cassette_rec.cfm).  Original cassettes were transferred to a Mac DAW using a Denon DR-M10HR. The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly and to remove "room boom" at around 80 MHz; & b) a Phase Linear Autocorrelator to remove hiss & expand the signal (the TC-110A did not have controls for recording; the recorder, designed for dictation, compressed the signal and recorded at a fixed level). Transferred to the Mac using a MOTU 896.  Bias Deck used to splice tape flips & even out volume levels.  Bias Peak used to transfer SDII files to WAV files for shn compression.  Shntool used to fix SBEs

This recording is one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community.  The bulk of the concerts recorded were in the Boston area, with some in Maine venues.