"On the Corner of 12th Street and Vine", 1st analogue generation ex master>CD>Flac, (CDs Courtesy of Court), B+, a bit bassy, audience clapping sounds thin. Some volume level issues., Except for tape-flip cuts, seamless; no track-per-disc breakdown imposed., 177:50.71, Complete concert., The only "Kansas City" by Bob Dylan (as of 15th May 2006)., (Trivia: Fifteen years later Dylan incorporated the line "12th Street and Vine" to his own "High Water (For Charley Patton)" on "Love And Theft". The significance of this junction explained in the attached "12thSt&Vine.txt" file.), The only performance of "Leopard-Skin Pill-Box Hat" in 1986., ------------------------------------------------------------, FLAWS:, t06 [0:38] d/o in right channel, t09 [2:37] d/o in left channel, t10 [2:16] flaw (mic bump/strange noise?), t13 [1:23] two bursts of static, [2:04-2:18] wind noises, t14 [2:21-2:36] wind noises (more later), [7:42] d/o (cut?), t16 [4:35] volume decrease, t17 [1:37] d/o in left channel, [4:53] volume increase, t19 [0:00] a couple of opening notes lost due to tape flip, t21 [4:00] mic bumps, t23 [5:31-5:33] diginoise (square waves), t25 [2:41] v small click, t26 [3:26] v small click, t27 [0:11] hiss increase, t29 [1:13, 1:22m, 4:21] wind noise, t30 [0:00] introduction partly cut (cf. BobTalk below); [0:41-1:05] distortions brought on by volume fluctuation; [3:43-3:49] wind noise, some occasional mic bumps|wind noise|talking b/n songs, ------------------------------------------------------------, FINGERPRINTS:, t07 [0:22] woman: "It's funny" twice., t14 [0:37] man: "Excuse me!", t21 [7:32] man: "Highway 61" (after Petty mentions Highway 441), t26 [0:04] man: "Highway 61... 61", t29 [0:08] man: "Jokerman... Jokerman... Jokerman"; other man: "Highway 61", t33 [1:30] man (hysterically): "All right! All right! Woooo!", ------------------------------------------------------------, MY INVOLVEMENT:, t01 [1:28-1:29] diginoise (square waveform) patched with an unknown-gen version of the same master., Unpatched track for purists in the "\Unpatched" directory. Both variants sector-aligned; so you can burn the show with either., t05 [0:43] analogue click REMOVED, t05 [3:12] analogue pop REMOVED, t05 [4:06] analogue pop REMOVED, t11 [3:53] analogue click REMOVED, t19 [1:24] analogue click REMOVED, t23 [1:56] analogue click REMOVED, t32 [1:16-1:23] volume reduction, CD-sourced 0-byte padding(s) deleted to make the recording seamless., --, -, Arturo el Duderino, 15 May 2006

Bob Dylan set 1, 01. [4:09.47] Kansas City (Jerry Leiber / Mike Stoller), 02. [4:29.25] All Along The Watchtower, 03. [3:07.22] Clean-Cut Kid, 04. [4:45.53] I'll Remember You, 05. [5:08.24] Shot Of Love, 06. [4:21.66] We Had It All (Donnie Fritts / Troy Seals), 07. [5:06.20] Masters Of War, Tom Petty & The Heartbreakers set 1, 08. [3:53.51] Listen To Her Heart (Tom Petty), 09. [4:02.38] Think About Me (Tom Petty), 10. [6:14.05] The Waiting (Tom Petty), (tape flip cut), 11. [7:27.56] //Breakdown (Tom Petty),

CD2

Bob Dylan set 2, 12. [4:13.51] To Ramona, 13. [3:53.72] One Too Many Mornings, 14. [7:50.05] A Hard Rain's A-Gonna Fall, 15. [3:49.16] I Forgot More Than You'll Ever Know (Cecil A. Null), 16. [5:29.31] Band Of The Hand, 17. [6:17.67] When The Night Comes Falling, 18. [4:32.17] Lonesome Town (Baker Knight), (tape flip cut), 19. [5:34.23] //Ballad Of A Thin Man, Tom Petty & The Heartbreakers set 2, 20. [5:08.29] Straight Into Darkness (Tom Petty), 21. [8:16.03] Spike (Tom Petty), 22. [5:35.62] Tonight Might Be My Night (?), (tape flip cut), 23. [5:36.02] Refugee (Tom Petty / Mike Campbell),

CD3

Bob Dylan set 3, 24. [3:48.15] Rainy Day Women #12&35, 25. [5:02.47] Seing The Real You At Last, 26. [5:53.27] Across The Borderline (Ry Cooder / John Hiatt / Jim Dickinson), 27. [6:54.70] I And I, 28. [5:07.08] Leopard-Skin Pill-Box Hat, 29. [6:27.69] Like A Rolling Stone, (tape flip cut), 30. [7:22.52] //In The Garden, Encore, 31. [5:33.72] Blowin' in the Wind, 32. [3:54.53] Shake a Hand (Joseph Morris), 33. [8:41.73] Knockin' on Heaven's Door