| Date | Location | CDR | Rating | Timing |
|---|
| 4/27/92 | Seattle, Washington, Paramount Theater | 2 | A | 55min+45min |
LTD; cut beginning Absolutely Sweet Marie, legendary taper D, Sennheiser MKE2002 -> portable DATrecorder - clone -> (digital transfer) m-audio delta audiophile 2496, -> Wavelab -> cdwave for tracking -> tlh, I did not harm the sound of the recording in any way
bittorrent download 01/08; different recording than LB-0333 and LB-3919 based on different crowd at d1t7 2:4x in 3-way comparison this has the warmest most upfront sound while LB-0333 and LB-3919 are harsher and more distant and LB-0333 also has some hiss; excellent sound [A]
light static d1t2 1:28; mic hit d2t5 0:04 followed by a long drop followed by resumption of song at 0:19 with levels too high and then they come down; mic noise beginning and end of d2t7
1 intro, 2 Rainy Day Women # 12 & 35, 3 I Don't Believe You (She Acts Like We Never Have Met), 4 Union Sundown, 5 Just Like A Woman, 6 Tangled Up In Blue, 7 She Belongs To Me, 8 Everything Is Broken, 9 Love Minus Zero/No Limit, 10 Little Moses (Bert A. Williams/Earle C. Jones), 11 A Hard Rain's A-Gonna Fall, 12 It's All Over Now, Baby Blue, 1 Cat's In The Well, 2 Idiot Wind, 3 The Times They Are A-Changin', 4 Highway 61 Revisited, 5 Absolutely Sweet Marie, 6 All Along The Watchtower, 7 Blowin' In The Wind
bd-19920427-Seattle.ffp.txt
bd-19920427-Seattle.md5.txt
bd1992-04-27-info.txt
bd92-04-27-LTD-LB-5774.txt
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