| LB | Date | Location | CDR | Rating | Description |
|---|
| LB-6829 | xx/xx/92 | Various | 2 | | BOOTLEG: Modern Minstrel; cd > ultraplex > eac > |
| LB-8868 | 1/18/92 | Radio City Music | 1 | B+ | Late night with David Letterman 10th anniversary |
| LB-12700 | 1/18/92 | Late night with | 1 | A- | jtt, (EX. MPG plus AUDIO) JTT, 'Late Night with |
| LB-4336 | 3/13/92 | Stuart Coope | 1 | B+ | from various locations: Los Angeles, CA and Sydney |
| LB-0855 | 3/18/92 | Perth | 2 | B+ | from mk recording, |
| LB-1037 | 3/18/92 | Perth | 2 | B+ | jl recordings, |
| LB-7644 | 3/18/92 | Perth | 2 | B+ | version "b"; FLAC files (dated 4 April 2005), |
| LB-8418 | 3/18/92 | Perth | 2 | B+ | net taper B, cut in The Lonesome Death Of Hattie |
| LB-8424 | 3/18/92 | Perth | 2 | A | dat; net taper B, cut before encore, mic problems, |
| LB-0856 | 3/21/92 | Adelaide | 2 | A- | from mk recording, |
| LB-1036 | 3/21/92 | Adelaide | 2 | B+ | jl recordings, |
| LB-7649 | 3/21/92 | Adelaide | 2 | A- | version "b"; FLAC files (dated 5 April 2005), |
| LB-8412 | 3/21/92 | Adelaide | 2 | A | net taper B, Sennheiser MKE2002 -> portable |
| LB-9221 | 3/21/92 | Adelaide, Australia | 2 | A- | mk lk d, <>, From MK master tape |
| LB-10713 | 3/21/92 | Adelaide, Australia | 2 | A- | version "e", Alternative recording 'MK' & 'JL'., |
| LB-10786 | 3/21/92 | Adelaide | 2 | A- | dolphinsmile, Uploaded by Dolphinsmile, master |
| LB-13689 | 3/21/92 | Adelaide | 2 | A- | jc cd, net taper M, Sennheiser MKE2002 -> portable |
| LB-0814 | 3/23/92 | Sydney | 2 | B+ | from mk recording, |
| LB-1035 | 3/23/92 | Sydney | 2 | B+ | jl recordings, |
| LB-10764 | 3/23/92 | New South Wales | 2 | A | version "c", Alternative recording 'MK' & 'JL'., |
| LB-0817 | 3/24/92 | Sydney | 2 | B+ | from mk recording, |
| LB-1047 | 3/24/92 | Sydney | 2 | B+ | jl recording, |
| LB-5252 | 3/24/92 | Sydney, Australia | 2 | B+ | version "a"; From MK master tape |
| LB-10771 | 3/24/92 | Sydney, Australia | 2 | A | version "d", Alternative recording 'MK' & 'JL'., |
| LB-14257 | 3/24/92 | Sydney, NSW | | A | ntm lta 48k, taper: NET Taper M, lineage:, Sony |
| LB-0815 | 3/25/92 | Sydney | 2 | B+ | from mk recording, |
| LB-1048 | 3/25/92 | Sydney | 2 | B+ | jl recording, |
| LB-10772 | 3/25/92 | Sydney, Australia | 2 | A- | version "c", Alternative recording 'MK' & 'JL'., |
| LB-0416 | 3/28/92 | Entertainment Centre | 2 | B | |
| LB-0863 | 3/28/92 | Brisbane | 2 | B | from mk recording, |
| LB-11945 | 3/28/92 | Brisbane | 2 | B | jlt lk, Recorded by JLT. Source : Les Kokay who |
| LB-0400 | 3/29/92 | Royal Theatre | 2 | A- | |
| LB-0864 | 3/29/92 | Canberra | 2 | B+ | from mk recording, |
| LB-8830 | 3/29/92 | Canberra | 2 | A- | version "c";, FLAC files labelled "Les Kokay |
| LB-11069 | 3/29/92 | Canberra | 2 | A- | version "d", Due to recent information (disc times |
| LB-0727 | 4/1/92 | Melbourne | 2 | A- | from mk recording, |
| LB-1558 | 4/1/92 | Melbourne | 2 | A- | JLT master transferred and mastered by LK |
| LB-4738 | 4/1/92 | Melbourne | 2 | A- | from lk set "Tony's Master" |
| LB-9723 | 4/1/92 | Melbourne, Australia | 2 | A- | version "d", From MK master tape |
| LB-12958 | 4/1/92 | Melbourne, VIC | | A- | ntb version "e" 48k, 16/48, taper: NET Taper B, |
| LB-14181 | 4/1/92 | Melbourne, VIC | | A- | ntb dat lta v2 48k, ***Second Transfer 31-May-2019 |
| LB-0730 | 4/2/92 | Melbourne | 2 | B | from mk recording, |
| LB-1559 | 4/2/92 | Melbourne | 2 | B | JLT master transferred and mastered by LK |
| LB-4745 | 4/2/92 | Melbourne | 2 | B | from lk set "Tony's Master" |
| LB-14293 | 4/2/92 | Melbourne, VIC | | A | ntm lta 48k, taper: NET Taper M, lineage:, Sony |
| LB-0731 | 4/3/92 | Melbourne | 2 | B+ | from mk recording, |
| LB-1538 | 4/3/92 | Melbourne | 2 | B+ | mk |
| LB-1561 | 4/3/92 | Melbourne | 2 | B+ | JLT master transferred and mastered by LK |
| LB-0406 | 4/5/92 | Palais Theatre | 2 | A- | |
| LB-0656 | 4/5/92 | Palais Theatre | 2 | A- | alternate version "a" |
| LB-1426 | 4/5/92 | Palais Theatre | 2 | A- | remaster |
| LB-1562 | 4/5/92 | Melbourne | 2 | A- | JLT master transferred and mastered by LK |
| LB-0774 | 4/6/92 | Melbourne | 2 | A- | from mk recording, |
| LB-1564 | 4/6/92 | Melbourne | 2 | A- | JLT master transferred and mastered by LK |
| LB-2812 | 4/6/92 | Melbourne, Australia | 2 | A- | IAR056, Improved Air Remaster 056, released April |
| LB-11073 | 4/6/92 | Melbourne | 2 | A- | BOOTLEG: melbourne 92 and the bromberg sessions; |
| LB-0779 | 4/7/92 | Melbourne | 2 | A- | from mk recording, |
| LB-1565 | 4/7/92 | Melbourne | 2 | A- | JLT master transferred and mastered by LK |
| LB-0865 | 4/10/92 | Launceston | 2 | A- | from mk recording, |
| LB-1570 | 4/10/92 | Launceston | 2 | A- | JLT master transferred and mastered by LK |
| LB-14040 | 4/10/92 | Launceston | | A | ntb lta 48k, ***Transfer 20-March-2019 by LTA***, |
| LB-0869 | 4/11/92 | Hobart | 2 | B+ | from mk recording, |
| LB-1569 | 4/11/92 | Hobart | 2 | B+ | JLT master transferred and mastered by LK |
| LB-14112 | 4/11/92 | Hobart, TAS | | A- | mk lta 48k, ***Transfer 25-April-2019 by LTA***, |
| LB-15543 | 4/11/92 | Hobart, Australia | | A- | dolphinsmile 48, Cass Master>Dat>Clone to me>, |
| LB-0820 | 4/13/92 | Sydney | 2 | A- | from mk recording, |
| LB-1566 | 4/13/92 | Sydney | 2 | B+ | JLT master transferred and mastered by LK |
| LB-0823 | 4/14/92 | Sydney | 2 | B+ | from mk recording, |
| LB-1568 | 4/14/92 | Sydney | 2 | A- | JLT master transferred and mastered by LK |
| LB-11956 | 4/14/92 | Sydney | 2 | B+ | rl lk, Shn's recieved from LK, Taped by RL no |
| LB-15619 | 4/14/92 | Sydney, Australia | | A- | jtt 24, 'New 48/24 Tape Transfer' (JTT), Excellent |
| LB-0398 | 4/15/92 | State Theatre | 2 | A- | |
| LB-0827 | 4/15/92 | Sydney | 2 | A- | from mk recording, |
| LB-1567 | 4/15/92 | Sydney | 2 | A- | JLT master transferred and mastered by LK |
| LB-4028 | 4/15/92 | Sydney | 1 | C+ | (incomplete soundboard recording), A rare |
| LB-5211 | 4/15/92 | Sydney | 2 | B | version "c"; Audience recording > Unknown transfer |
| LB-6121 | 4/15/92 | Sydney, Australia | 1 | B | version "d"; SBD > ? > CD > EAC > Soundforge 6.0 > |
| LB-7096 | 4/15/92 | Sydney, Australia | 2 | A- | version "e"; From MK master tape |
| LB-11957 | 4/15/92 | Sydney | 2 | A- | rl lk, Shn's recieved from LK, Taped by RL no |
| LB-0401 | 4/16/92 | State Theatre | 2 | | |
| LB-0826 | 4/16/92 | Sydney | 2 | B+ | from mk recording, |
| LB-1571 | 4/16/92 | Sydney | 2 | A- | JLT master transferred and mastered by LK |
| LB-1537 | 4/18/92 | Auckland | 2 | B- | non MK version |
| LB-4779 | 4/18/92 | Auckland | 2 | B- | from lk set "Tony's Master", The final track is a |
| LB-6488 | 4/18/92 | Auckland | 1 | C | JTT; (Partial Tape), BOB DYLAN, Super Pop Tent, |
| LB-11721 | 4/18/92 | Auckland | 2 | B- | lk cd, LK, ? -> cassette master, audio-CDs from |
| LB-3985 | 4/22/92 | Maui | 2 | A- | Lineage: Trade CDRs > EAC (no errors) > hdd > |
| LB-5386 | 4/22/92 | Maui | 2 | B | JTT; "2nd Generation Transfer, Possibly |
| LB-2724 | 4/24/92 | Waikiki | 2 | A- | I received this audience recorded show in the form |
| LB-5818 | 4/24/92 | Waikiki | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-6830 | 4/24/92 | Waikiki Shell | 2 | B+ | BOOTLEG: Paradise, Hawaiian Style; cd > ultraplex |
| LB-8679 | 4/24/92 | Waikiki, Hawaii | 2 | A- | pa; version "c";, PA-tape, end of Love Minus |
| LB-0333 | 4/27/92 | Paramount Theater | 2 | A- | Sonic Studios >D5. Seating was in the first row, |
| LB-3919 | 4/27/92 | Seattle | 2 | A- | version "a"; Size:540MB, Trade > CDR > Wav > |
| LB-5774 | 4/27/92 | Seattle | 2 | A | LTD; cut beginning Absolutely Sweet Marie, |
| LB-12779 | 4/27/92 | Seattle, WA | | A- | hce g canada dolphinsmile 48k, Taped on dat with |
| LB-3969 | 4/28/92 | Seattle | 2 | A- | Size:521MB, Trade > CDR > Wav > FLAC(Level:8), |
| LB-5387 | 4/28/92 | Seattle | 2 | B | JTT; "2nd Generation Transfer, Possibly |
| LB-5797 | 4/28/92 | Seattle | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-7578 | 4/28/92 | Seattle, Washington | 2 | A | version "c" |
| LB-9264 | 4/28/92 | Seattle | 2 | A- | jems, Source: Audience, Lineage: DAT(M)>WAV |
| LB-14041 | 4/28/92 | Seattle, WA | | A | g senn2002 dolphinsmile 48k, taped by Canadian G |
| LB-15634 | 4/28/92 | Seattle, WA | | A- | ltd lta 48, taper: LTD, lineage: Sennheiser |
| LB-1624 | 4/30/92 | SILVA CONCERT HALL | 2 | A- | Master Tape > DAT > CDR > Adaptec Create CD > FLAC |
| LB-3929 | 4/30/92 | Eugene | 2 | A- | version "a"; Size:560MB, Trade > CDR > Wav > |
| LB-5899 | 4/30/92 | Eugene, Oregon | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-16276 | 4/30/92 | Eugene, OR | | | c dolphinmile 48, taped by C with SennheierMK2002 |
| LB-5883 | 5/1/92 | Red Bluff | 2 | A | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-1578 | 5/2/92 | Sonoma County | 2 | A | from "Positively Potpourri" set; Artwork - |
| LB-4030 | 5/2/92 | Santa Rosa | 2 | A | version "a"; Size:501MB, Trade > CDR > Wav > |
| LB-5944 | 5/2/92 | Santa Rosa | 2 | A | LTF; source corrected by torrenter 04/12; original |
| LB-8503 | 5/2/92 | Santa Rosa | 2 | A | Taper: LTF, Audio disks (from taper>my source>me) |
| LB-6831 | 5/4/92 | Warfield, SF | 2 | A- | BOOTLEG: Tangled Up in Blue; cd > ultraplex > eac |
| LB-7087 | 5/4/92 | Warfield Theater | 2 | A- | BOOTLEG: The Warfield; Label: Flashback / 09.92 |
| LB-8505 | 5/4/92 | San Francisco, CA | 2 | A | Taper: LTF, Audio disks (from taper>my source>me) |
| LB-9888 | 5/4/92 | San Francisco | 2 | A- | sonyd5, Audience recording, Sony D5 > master |
| LB-13181 | 5/4/92 | San Francisco, CA | | A | cb dolphinsmile 48k, Taped by CB with Senn2002 and |
| LB-0041 | 5/5/92 | Warfield | 2 | A- | 48k, daud transfer from dat >midiman delta dio |
| LB-2297 | 5/5/92 | The Warfield Theater | 2 | A- | version "a"; Audience recording, CDR > EAC > wav > |
| LB-5931 | 5/5/92 | San Francisco | 2 | A- | LTD; Absolutely Sweet Marie and All Along The |
| LB-6182 | 5/5/92 | San Francisco Ca | 2 | A | Schoeppes MK4 DAT, DAT Clone->CDWav->Flac, |
| LB-7638 | 5/5/92 | San Francisco | 2 | A- | version "e"; Size:559MB, Trade > CDR > Wav > |
| LB-9885 | 5/5/92 | San Francisco | 2 | B+ | sonyd5, Audience recording, Sony D5 > master |
| LB-4008 | 5/7/92 | Berkeley Community | 2 | B+ | Lineage: CDRs from trade (audience recording) > |
| LB-5974 | 5/7/92 | Berkeley | 2 | A | LTF; source corrected by torrenter 04/12; original |
| LB-10022 | 5/7/92 | Berkeley, California | 2 | A | version "b", legendary taper D, Sennheiser MKE2002 |
| LB-10023 | 5/7/92 | Berkeley, California | 2 | A | gd, legendary taper F, Sennheiser MKE2002 -> |
| LB-15233 | 5/7/92 | Berkeley, CA | | A | cb dolphinsmile 48, taped by CB with Sony dat and |
| LB-3987 | 5/8/92 | Berkeley | 2 | A- | Lineage: CDRs from trade (audience recording) > |
| LB-5998 | 5/8/92 | Berkeley | 2 | A- | LTD; some applause edited out, legendary taper D, |
| LB-6832 | 5/8/92 | Bekekey | 1 | A- | BOOTLEG: From Broadway to the Milky Way; cd > |
| LB-8718 | 5/8/92 | Berkeley, CA | 2 | A- | neumann km4s d5scott;, Recorded by "Da Weez", |
| LB-9999 | 5/8/92 | Berkeley, California | 2 | A | gd cd, legendary taper F, start of Rainy Day Women |
| LB-0129 | 5/9/92 | Event Center Arena | 2 | A | |
| LB-4031 | 5/9/92 | San Jose State | 2 | A | version "a"; Size:592MB, Trade > CDR > Wav > |
| LB-4652 | 5/9/92 | San Jose | 2 | B+ | Pdub Master: Sonic Studios 6p mics > Sony D6 > |
| LB-6833 | 5/9/92 | San Jose, CA | 1 | A- | BOOTLEG: San Jose Revisted; cd > ultraplex > eac > |
| LB-8641 | 5/9/92 | San Jose, California | 1 | A- | BOOTLEG: Positivly 4th Street; (Crocodile Beat |
| LB-11026 | 5/9/92 | San Jose, California | 2 | A | nak cm300, Very decent sounding stereo audience |
| LB-5938 | 5/11/92 | Santa Barbara | 2 | A- | LTF; source corrected by torrenter 04/12; original |
| LB-6639 | 5/11/92 | Santa Barbara, CA | 2 | | BOOTLEG: Going To Arlington; cd > ultraplex > eac |
| LB-12553 | 5/11/92 | Santa Barbara, CA | 2 | A- | jems, JEMS Master, Recording Gear: Sony ECM-939 |
| LB-4192 | 5/13/92 | Los Angeles | 2 | A | Lineage: CDRs from trade (audience recording) > |
| LB-6060 | 5/13/92 | Hollywood | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-15255 | 5/13/92 | Hollywood | | A | senn2002 dolphinsmile 48, Dat Clone>File cloned in |
| LB-1577 | 5/14/92 | Los Angeles | 2 | B+ | |
| LB-4015 | 5/14/92 | Los Angeles | 2 | B+ | version "a"; Size:567MB, Trade > CDR > Wav > |
| LB-4012 | 5/16/92 | The Pantages Theater | 2 | B+ | Size:576MB, Trade > CDR > Wav > FLAC(Level:8), |
| LB-8902 | 5/16/92 | Los Angeles | 2 | B+ | version "a"; Copy of LB-4012, static and analog |
| LB-1312 | 5/17/92 | The Pantages Theater | 2 | B+ | taper: Unknown, CD mastering: Jeff |
| LB-1643 | 5/17/92 | PANTAGES THEATRE | 2 | B+ | version "a"; Master Tape > DAT > CDR > EAC > Cool |
| LB-6077 | 5/17/92 | Hollywood | 2 | B+ | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-4013 | 5/19/92 | Los Angeles | 2 | B | data trade flacs > azareus > torrent dime, sorry |
| LB-0964 | 5/20/92 | Los Angeles | 2 | C- | |
| LB-4032 | 5/20/92 | Los Angeles | 2 | D+ | version "a"; data trade SHN > azareus > torrent > |
| LB-12409 | 5/20/92 | Los Angeles | | C+ | version "b", 48k; From an old DAT (received in |
| LB-4068 | 5/21/92 | Los Angeles | 2 | A | Size:571MB, Trade > CDR > Wav > FLAC(Level:8), |
| LB-8926 | 5/21/92 | Los Angeles | 2 | A | version "a"; Copy of LB-4068, camera like noise |
| LB-12568 | 5/21/92 | Los Angeles, CA | | A | version "b" 48k, From a DAT (received 1992 -- |
| LB-1211 | 5/23/92 | Goldwyn Events | 2 | A- | MJS Master, Sonic Studios DSM6 >, Sony TCD-D3 DAT |
| LB-1167 | 6/xx/92 | Acme Recording | 1 | A- | |
| LB-1454 | xx/xx/92 | Acme Recording | 1 | A | Call it "The Lowgen Remaster", These were made |
| LB-1456 | xx/xx/92 | Acme Recording | 1 | B+ | and David Bromberg sessions, April/May 1992, Dan |
| LB-3542 | 6/xx/92 | ACME Studios | 1 | B | BOOTLEG: Kaatskill Serenade And Three More Songs; |
| LB-3544 | 6/xx/92 | Acme Recording | 1 | A | lowgen version "a"; Four Tunes from the Bromberg |
| LB-0480 | 6/26/92 | Lulea, Sweden | 2 | B- | Concert # 406 of The Never-Ending Tour. First |
| LB-5168 | 6/26/92 | Lule, Sweden | 2 | B | version "a"; Lineage: cassette tape (said to be A |
| LB-2267 | 6/28/92 | Gothenburg, Sweden | 2 | A- | Lineage: ? > CD-Rs > EAC secure mode > shntool > |
| LB-5080 | 6/28/92 | Gothenburg,Sweden | 2 | A- | Madhasse; Lineage: |
| LB-7692 | 6/28/92 | Gothenburg,Sweden | 2 | A- | version "b"; Lineage: |
| LB-12566 | 6/28/92 | Gteborg, Sweden | | A- | hce c dolphinsmile 48k, taped by HCE-c, my German |
| LB-0763 | 6/30/92 | Dunkerque, Kursaal | 2 | A | master, Sony D-7, Sennheiser microphones, |
| LB-0764 | 6/30/92 | Dunkerque, France | 2 | A- | alternate, upgrade, version "a" |
| LB-1597 | 6/30/92 | Dunkerque, France | 2 | A- | Remastered by Improved Air Remaster, December 22, |
| LB-4526 | 6/30/92 | Dunkerque | 2 | A | version "b"; Lineage: CD'rs received in trade -> |
| LB-7553 | 6/30/92 | Dunkerque, France | 2 | A | legendary taper J, Sennheiser MKE 2002 -> portable |
| LB-8947 | 6/30/92 | Dunkerque | 2 | B | A zimmy21 recording !!, Sound quality : A good |
| LB-14493 | 6/30/92 | Dunkerque | | A | lta 48k, taper: Legendary Taper A, location: |
| LB-15276 | 6/30/92 | Dunkerque, France | | A | dolphinsmile 48, Dat clone from taper>file cloned, |
| LB-2683 | 7/1/92 | Reims | 2 | A | AUD DAT Master [Sennheiser |
| LB-2840 | 7/1/92 | Reims | 2 | B | taper Paul Berry, source FUJI C100, |
| LB-12988 | 7/1/92 | Reims, France | | A | hce bp dolphinsmile 48k, Senn2002 and Dat |
| LB-14489 | 7/1/92 | Reims | | A | lta 48k, taper: Legendary Taper A, lineage:, |
| LB-14580 | 7/1/92 | Reims | | D | soundcheck lta 48k, soundcheck, soundcheck, taper: |
| LB-1889 | 7/2/92 | Belfort, France | 2 | B | Source: Audience, Lineage: CDR > EAC > FLAC |
| LB-3456 | 7/2/92 | Belfort | 1 | B+ | Source: Master mit Sony WMD6C + Microphon Sony ECM |
| LB-7482 | 7/2/92 | Belfort, France | 2 | A- | legendary taper J, Sennheiser MKE2002 -> portable |
| LB-7483 | 7/2/92 | Belfort, France | 2 | A- | local taper Germany: C, ?? -> portable DATrecorder |
| LB-10668 | 7/2/92 | Belfort, France | 2 | A- | version "d", Alternative recording to LB-1889 & |
| LB-14399 | 7/2/92 | Belfort, France | 2 | D | dolphinsmile, master>dat to me>cloned into |
| LB-14581 | 7/2/92 | Belfort | | A | lta 48k, taper: Legendary Taper A, location: |
| LB-1309 | 7/4/92 | Genoa | 2 | A- | |
| LB-5900 | 7/4/92 | Genua, Italy | 2 | A | legendary taper J, Sennheiser MKE 2002 (?) -> |
| LB-10453 | 7/4/92 | Genova, Italy | 2 | A- | BOOTLEG: genoa 1992; jtt, (Commercial CDRs) JTT, |
| LB-13231 | 7/4/92 | Genova - Italy | 2 | B- | version "d", Originally sourced by a DAT recording |
| LB-14618 | 7/4/92 | Genova | | A | lta 48k, ***New Transfer 19 December 2019 by |
| LB-15474 | 7/4/92 | Genova, Italy | 2 | B+ | zuma66, Recording & editing: Zuma66, Lineage: TCS |
| LB-4474 | 7/5/92 | Correggio | 2 | A- | Audience recording (Full spectrum) > Unknown |
| LB-8575 | 7/5/92 | Correggio, Italy | 2 | A | legendary taper J, cut before Don't Think Twice, |
| LB-12942 | 7/5/92 | Correggio, Italy | | B | version "b"; 48k, DAT > WAV > Sound Forge (split |
| LB-13063 | 7/5/92 | Correggio (RE) - | 2 | B+ | zuma66, zuma66 master, lineage: Sony TCS 430 whit |
| LB-1268 | 7/7/92 | Merano | 2 | A- | from Holy Grail series |
| LB-5972 | 7/7/92 | Merano, Italy | 2 | A | legendary taper J, Sennheiser MKE 2002 (?) -> |
| LB-6640 | 7/7/92 | Meran, Italy | 1 | | BOOTLEG: Meran 92; cd > ultraplex > eac > wav > |
| LB-12258 | 7/7/92 | Merano - Italy | 2 | B | zuma66, zuma66 master, lineage: Sony TCS 430 whit |
| LB-13670 | 7/7/92 | Merano, Italy | | A | senn2002 dolphinsmile 48k, Taped by a 'legendary |
| LB-14983 | 7/7/92 | Merano | | A | lta 48k, taper: Legendary Taper A, lineage:, |
| LB-2032 | 7/8/92 | Aosta | 2 | B | taper Paul Berry, source FUJI C100, |
| LB-3507 | 7/8/92 | Aosta | 2 | A | version "a"; Audience recording, CDR > EAC > WAV > |
| LB-9027 | 7/8/92 | Aosta, Italy | 2 | A | legendary taper J, Sennheiser MKE 2002 -> portable |
| LB-9406 | 7/8/92 | Aosta, Italy | 2 | A | version "c";, legendary taper J, Sennheiser MKE |
| LB-12943 | 7/8/92 | Aosta, Italy | | A- | version "d"; 48k;, DAT > WAV > Sound Forge (split |
| LB-15261 | 7/8/92 | Aosta, Italy | | A | dolphinsmile 48, Dat clone>File cloned, in |
| LB-16277 | 7/8/92 | Aosta, Italy | | | dolphinsmile 48, Dat Clone>file cloned in |
| LB-4557 | 7/10/92 | Leysin | 2 | B+ | AUD DAT Master [unknown equipment] > DAT clone(s) |
| LB-5773 | 7/10/92 | Leysin | 1 | B- | Off master, Taper: Vito, Source/Linage:, Sony |
| LB-5850 | 7/10/92 | Leysin | 2 | B+ | local taper DE D, ?? -> portable DAT-recorder - |
| LB-14984 | 7/10/92 | Leysin | | B+ | lta 48k, taper: Legendary Taper A, location: DFC |
| LB-2768 | 7/12/92 | Juan-Les-Pins | 2 | A- | off "sm" master; source: Sennheiser Mics > Sony |
| LB-5950 | 7/12/92 | Juan-Les-Pins | 2 | A- | source: Sennheiser Mics > Sony TC-D5M > Master |
| LB-6834 | 7/12/92 | Antibes, France | 2 | B | BOOTLEG: Lucky Not To Be Destoyed; cd > ultraplex |
| LB-8246 | 7/12/92 | Juan-les-Pins | 2 | B | BOOTLEG: Lucky not to be destroyed; version "c"; |
| LB-2372 | 8/17/92 | Massey Hall | 2 | B | sound is better than others in this time period.. |
| LB-9890 | 8/17/92 | Toronto | 2 | B | version "a", LosslessBob entry: LB-2372 |
| LB-11353 | 8/17/92 | Toronto | 2 | B | stevemtl, Acceptable recording of Bob Dylan and |
| LB-4467 | 8/18/92 | Toronto | 2 | B+ | Audience recording (Full spectrum) > Unknown |
| LB-11550 | 8/18/92 | Toronto | 2 | B- | stevemtl, Acceptable audience recording of Dylan |
| LB-4473 | 8/20/92 | Meadville | 2 | B | SHN files data disc trade, no info...NO EDIT, incl |
| LB-5913 | 8/20/92 | Meadville | 2 | B | FixedLB4473; SHN files data disc trade, no info.. |
| LB-12410 | 8/20/92 | Meadville | | B+ | version "b", 48k; From an old DAT (received in |
| LB-0795 | 8/21/92 | Hamilton Place | 2 | B+ | |
| LB-3068 | 8/21/92 | Hamilton | 2 | B+ | version "a"; Source: Low generation copy. No other |
| LB-9894 | 8/21/92 | Hamilton, Ontario | 2 | B | jtt, (Transfer from Low Generation Tapes, JTT), |
| LB-14209 | 8/21/92 | Hamilton | | B | stevemtl 24bit, Fair recording without audience |
| LB-3372 | 8/22/92 | Ottawa ON Landsdowne | 2 | A- | DM master?, D2t04 patched of two masters |
| LB-12693 | 8/22/92 | Ottawa, ON | 2 | A- | dolphinsmile, dat clone from taper>file cloned |
| LB-14204 | 8/22/92 | Ottawa | | B | stevemtl 24bit, Fine recording without audience |
| LB-15427 | 8/22/92 | Ottawa, ON | | | dolphinsmile 48, Dat clone>file cloned in |
| LB-4337 | 8/24/92 | Sudbury | 2 | B | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-14301 | 8/24/92 | Sudbury, ON | | B | ltf lta 48k, taper: Legendary Taper F, lineage:, |
| LB-4550 | 8/25/92 | Ontario | 2 | A- | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-5832 | 8/25/92 | Sault St. Marie | 2 | A- | version "a"; DATA DVD TRADE...just the flac |
| LB-14313 | 8/25/92 | Sault Ste. Marie, ON | | A- | ltf lta 48k, taper: Legendary Taper F, lineage:, |
| LB-1815 | 8/27/92 | Fort Williams Garden | 2 | B+ | Known features and flaws:, CDR from the master DAT |
| LB-14314 | 8/27/92 | Thunder Bay, ON | | B+ | ltf lta 48k, taper: Legendary Taper F, lineage:, |
| LB-2596 | 8/29/92 | Minneapolis | 2 | A- | from master |
| LB-4589 | 8/29/92 | Minneapolis | 2 | B+ | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-16113 | 8/29/92 | Minneapolis, MN | | | dolphismile 48, taped by G with SennheiserMK2002 |
| LB-2597 | 8/30/92 | Minneapolis | 2 | A- | from master |
| LB-6835 | 8/30/92 | Minneapolis | 2 | | BOOTLEG: Friend of the Devil; cd > ultraplex > eac |
| LB-2598 | 8/31/92 | Minneapolis | 2 | A- | from master |
| LB-11482 | 8/31/92 | Minneapolis, MN | 2 | B | version "b", Alternative recording to LB-2598., |
| LB-3225 | 9/2/92 | Minneapolis | 2 | A | from master |
| LB-7697 | 9/2/92 | Minneapolis | 2 | A | version "a" |
| LB-14566 | 9/2/92 | Minneapolis, MN | | A- | ltf lta 48k, (LTF), taper: Legendary Taper F, |
| LB-3223 | 9/3/92 | Minneapolis | 2 | A- | from master |
| LB-6289 | 9/3/92 | Minneapolis | 2 | A- | legendary taper F, cut after Rainy Day Women # 12 |
| LB-14567 | 9/3/92 | Minneapolis, MN | | A- | ltf lta 48k, (LTF), taper: LTF, lineage:, Sonic |
| LB-4584 | 9/5/92 | Omaha | 2 | A- | Taper: Glen Dundas, Source: AUdio disks from taper |
| LB-14326 | 9/5/92 | Omaha, NE | | A- | ltf lta 48k, taper: Legendary Taper F, lineage:, |
| LB-4495 | 9/6/92 | Kansas City | 2 | B+ | PDub Master: Sony D6 and sonic studios 6p mics > |
| LB-9051 | 9/6/92 | Kansas City | 2 | B | version "a"; Unknown recording, Good sound, some |
| LB-12778 | 9/6/92 | Kansas City, MO, | | B+ | hce jeff t dolphinsmile 48k, thanks, now it is |
| LB-5499 | 9/8/92 | Little Rock | 2 | A- | Taper: No information., Source: Audio disks of |
| LB-1487 | 9/9/92 | Municipal Auditorium | 2 | B+ | Improved Air Remasters 076 [tape sourced], Notes: |
| LB-4522 | 9/9/92 | Jackson | 2 | A- | PDub Master: Sony D6 / Sonic Studios 6p mics > |
| LB-10696 | 9/9/92 | Jackson, Mississippi | 2 | B | version "b", Alternative recording to PDub., |
| LB-12547 | 9/9/92 | Jackson, MS | | A- | hce p dolphinsmile 48k, Something sent to me by |
| LB-3599 | 9/11/92 | Pelham | 2 | A- | FLAC > azareus > torrent > dime > ......., data |
| LB-5396 | 9/11/92 | Birmingham | 2 | C+ | Stereo Recording, Lineage: DAT Master>Cass(XLIIS |
| LB-3235 | 9/12/92 | Pensacola | 2 | B+ | AUD Cassette Master>DAT>CD>WAV>Soundforge 6.0>CD |
| LB-13333 | 9/12/92 | Pensacola, Florida | | B+ | pdub dolphinsmile 48k, Taped by PDub with SonyD6 |
| LB-16216 | 9/12/92 | Pensacola, FL | | | pdub dolphinsmile 48, taped by PDub with Sonics |
| LB-3238 | 9/13/92 | Lafayette | 2 | B+ | from 1st gen pw tapes, AUD Cassette |
| LB-4990 | 9/13/92 | Lafayette | 2 | B+ | PDub Master: Sonic Studios 6p mics > Sony D6 > |
| LB-2946 | 10/9/92 | Pittsburgh | 2 | B | taped by "ag"; low-gen |
| LB-5578 | 10/9/92 | Pittsburgh | 2 | B- | version "a" |
| LB-12252 | 10/9/92 | Pittsburgh, PA | | B | version "b", From an old DAT (received in trade). |
| LB-0431 | 10/10/92 | Lock Haven | 2 | B- | |
| LB-0107 | 10/11/92 | Rochester | 2 | B+ | |
| LB-2953 | 10/11/92 | Rochester New York | 2 | A | Sonic Studios DSM-3 microphones > Sony D3 DAT |
| LB-14627 | 10/11/92 | Rochester, NY | 2 | B+ | version "d"; Alternative recording to LB-0107 & |
| LB-3428 | 10/12/92 | Binghamton | 2 | B | Complete concert. |
| LB-6836 | 10/12/92 | Binghampton, NY | 2 | B | BOOTLEG: Dust My Broome; cd > ultraplex > eac > |
| LB-7267 | 10/12/92 | Binghamton, New York | 2 | A- | net taper M, Sennheiser MKE2002 -> portable |
| LB-6837 | 10/16/92 | Madison Square | 2 | B+ | BOOTLEG: BobFest Rehearsals; cd > ultraplex > eac |
| LB-8790 | 10/16/92 | Madison Square | 2 | B+ | BOOTLEG: Celebration Night; celebration night; Bob |
| LB-8845 | 10/16/92 | Bobfest Rehearsals | 2 | B+ | bobfest rehearsals wilbury records;, Bob Dylan and |
| LB-11099 | 10/16/92 | New York, NY | 2 | B+ | BOOTLEG: this ones for you bob; Bootleg:This Ones |
| LB-11348 | 10/16/92 | 30th Anniversary | 1 | B+ | nicam stereo jtt, Incomplete Dylan Set UK TV |
| LB-11349 | 10/16/92 | 30th Anniversary | 1 | B+ | satellite mono jtt, 1. Complete Dylan Set |
| LB-15620 | 10/16/92 | Anniversary Concert | 2 | B+ | BOOTLEG: in the garden; Silver disc>EAC (secure |
| LB-3176 | 10/23/92 | Newark | 2 | B+ | Taper: J.C., CVR:, lots of gaps removed, track |
| LB-9087 | 10/23/92 | Newark, Delaware | 2 | B+ | version "a", Received in a trade with the infos |
| LB-12572 | 10/23/92 | Newark, DE | | A | version "b" 48k, From a DAT (received in trade |
| LB-3217 | 10/24/92 | Storrs | 2 | A- | Taper: J.C., CVR:, lots of gaps removed, track |
| LB-9922 | 10/24/92 | Storrs, Connecticut | 2 | B+ | jtt, (Transfer from Low Generation Tapes, JTT), |
| LB-9930 | 10/24/92 | Storrs, Connecticut | 2 | A- | version "b", CONTRAST CLAUSE: This is an alternate |
| LB-13242 | 10/24/92 | Storrs, CT | | | lte lta 48k, taper: LTE, lineage:, Sennheiser |
| LB-14327 | 10/24/92 | Storrs, CT | | A- | lte lta v2 48k, taper: Legendary Taper E, lineage: |
| LB-16424 | 10/24/92 | Storrs, CT | | | dolphinsmile 48, I have two versions of this, both |
| LB-1512 | 10/25/92 | PERFOMING ARTS | 2 | A | Remastered by Improved Air Remaster, December 22, |
| LB-4953 | 10/25/92 | Providence | 2 | A | version "a"; audio cd > xACT > FLACS > Azareus > |
| LB-4842 | 10/27/92 | Burlington | 2 | B+ | Lineage:, AUD Master (analog) > DAT Clone(s) > CD |
| LB-1510 | 10/28/92 | Paramount Performing | 2 | A- | CDR (clean, thanks Chad) > EAC V0.95pb4 > WAV > |
| LB-3180 | 10/28/92 | Springfield | 2 | | Taper: J.C.; cvr |
| LB-9085 | 10/28/92 | Springfield Mass | 2 | A- | version "b", from torrent description: "clone from |
| LB-10795 | 10/28/92 | Springfield | 2 | A- | nak700, 2 Nakamichi 700s and Teac DA-P20 DAT |
| LB-0665 | 10/30/92 | Beverly. MA | 2 | A- | |
| LB-1877 | 10/30/92 | Beverly. MA | 2 | A- | version "a" |
| LB-3181 | 10/30/92 | Beverly | 2 | A- | Taper: J.C.; cvr |
| LB-12980 | 10/30/92 | Beverly | 2 | A- | joncasper ntm, net taper M, Sennheiser MKE2002 -> |
| LB-12981 | 10/30/92 | Beverly, MA | 2 | B+ | dat from d master, DAT copy > WAV > Sound Forge |
| LB-1473 | 11/1/92 | F.M. Kirby Center | 2 | B+ | Improved Air Remasters 077 [tape sourced], Notes: |
| LB-3182 | 11/1/92 | Wilkes-Barre | 2 | A- | Taper: J.C.; cvr |
| LB-3208 | 11/1/92 | WILKES-BARRE | 2 | B | version "a" |
| LB-4095 | 11/1/92 | Wilkes-Barre | 2 | B | JTT; Very Good Audience Recording, This recording |
| LB-8670 | 11/1/92 | Wilkes Barre | 2 | B | version "d";, Very good quality audience recording |
| LB-11274 | 11/1/92 | Wilkes-Barre | 2 | B | bw cd, BW, cut before She Belongs To Me, Cat's In |
| LB-12846 | 11/1/92 | Wilkes-Barre, PA | | A- | hce p dolphinsmile 48k, cass masters>sent to HCE P |
| LB-3673 | 11/2/92 | Youngstown | 2 | A | BOOTLEG: Himself; bootleg cd > ultraplex > eac > |
| LB-7412 | 11/2/92 | Youngstown, Ohio | 2 | A | net taper H, ?? -> portable DATrecorder - clone -> |
| LB-12756 | 11/2/92 | Youngstown, Ohio | | A | hce pl dolphinsmile 48k, Taped by HCE PL with a |
| LB-4998 | 11/3/92 | Cincinnati | 2 | A- | Unknown Audience Recording>CDR>EAC> FLAC LEVEL 5 |
| LB-3293 | 11/8/92 | Coral Gables | 2 | A | |
| LB-1509 | 11/9/92 | Van Wezel Performing | 2 | A- | part of "Positively Potpourri" collection; Artwork |
| LB-2959 | 11/9/92 | Sarasota | 2 | A- | taped by "ag"; low-gen |
| LB-7585 | 11/9/92 | Sarasota, Florida | 2 | A- | version "b"; Source: Audience recording, Lineage: |
| LB-11010 | 11/9/92 | Sarasota, Florida | 2 | A- | BOOTLEG: gulf coast highway; (Commercial CDR) JTT, |
| LB-12845 | 11/9/92 | Sarasota, FL | | A- | hce ag dolphinsmile 48k, taped by HCE AG, who |
| LB-5046 | 11/11/92 | Clearwater | 2 | A- | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
| LB-6370 | 11/11/92 | Clearwater, Florida | 2 | A | NTH; Rainy Day Women # 12 & 35 slightly incomplete |
| LB-2205 | 11/12/92 | UCF Arena | 2 | B+ | Source: aud, Lineage: ? > CD-Rs > EAC secure mode |
| LB-6389 | 11/12/92 | Orlando, Florida | 2 | B+ | net taper H, ?? -> portable DATrecorder - clone -> |
| LB-13305 | 11/12/92 | Orlando, FL | | B+ | sonics dolphinsmile 48k, taped by A with Sony Dat |
| LB-2949 | 11/13/92 | Sunrise | 2 | B+ | taped by "ag"; low-gen; |
| LB-9098 | 11/13/92 | Sunrise, Florida | 2 | A- | version "a"; torrenters comments: "from my master |
| LB-12847 | 11/13/92 | Fort Lauderdale | | B+ | hce ag dolphinsmile 48k, Taped by HCE AG, the guy |
| LB-12890 | 11/13/92 | Fort Lauderdale | | A- | am dolphinsmile 48k, my analog masters> put on |
| LB-13842 | 11/13/92 | Sunrise, Florida | 2 | B+ | nth, cut before encore, several flaws, To Be Alone |
| LB-4985 | 11/15/92 | West Palm Beach | 2 | B+ | Audience recording (Full spectrum) > Unknown |
| LB-5041 | 11/15/92 | West Palm Beach | 2 | B- | version "a"; Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
| LB-9092 | 11/15/92 | West Palm Beach | 2 | A- | version "b"; torrenters comments: "I have 3-4 |
| LB-13596 | 11/15/92 | West Palm Beach, FL | | A- | dolphinsmile 48k, Taped by Dolphinsmile with Sony |