nak cm300, Very decent sounding stereo audience recording with not much near microphones audience during the music. Recorded from close seats making a lot of the mix from the on stage amps and if you listen on headphones, you feel like you're there. Not sure how much this show circulates and this is the first transfer from this source., Lineage: 2 x Nakamichi CM300 microphones with cardioid capsules sewn into shoulders of a jacket > custom mic. preamp > Sony NT-1 digital master > Beta PCM (Sony SL-HF900 with PCM-601ESD adaptor)., Transfer: Sony SL-HF1000 with PCM-601ESD adaptor > Macintosh with Digidesign Audiomedia III sound card (minor "nip and tuck" edits, normalization and tracking. No equalization or noise reduction) > xACT (Flac level 8 files with sector boundaries verified)

- 53:47, 101 [4:15] Rainy Day Women #12 & 35, 102 [5:17] Positively 4th Street, 103 [4:40] Union Sundown, 104 [5:50] Just Like A Woman, 105 [4:18] Drifter's Escape, 106 [4:40] Most Of The Time, 107 [5:27] Shelter From The Storm, 110 [3:47] Love Minus Zero No Limit, 109 [4:00] Little Moses, 110 [6:07] Boots Of Spanish Leather, 111 [5:26] It's All Over Now Baby Blue,

CD2

- 43:19, 201 [3:59] Cat's In The Well, 202 [9:03] Idiot Wind, 203 [6:37] The Times They Are A-Changin', 204 [6:12] Highway 61 Revisited > 1st encore break, 205 [5:26] Absolutely Sweet Marie, 206 [5:34] All Along The Watchtower > 2nd encore break, 207 [6:28] Blowin' In The Wind