LosslessBob LB-6144
DateLocationCDRRatingTiming
10/26/98Indianapolis, Indiana, Market Square Arena2A-67min+35min

Source: Greg Holtz's Master DAT, Show Recorded with Sonic Studio DSM Stereo Mics>Sony PCM-M1 DAT, Location: 5th row floor seating - stage right, Transfer Info:, Sony PCM-R300 Master DAT Playback>PC>CDR>EAC>FLAC Level 8


bittorrent download 05/08; same recording as LB-4567 based on same clapping at end of d1t1 with channels swapped and this has higher levels after the volume adjustment at d1t1 0:26 to make volume more consistent on track; the volume raise gives a few spots that just start to clip; this also fades in on beginning of d1t1 where that does not; that one has fade outs between d1 and d2 with overlap while this fades out and in between d1 and d2; this has more crowd at the end of d2; they have same noted flaws except mic hits on d2t2 more severe on that one while this one's 3rd mic hit on d2t2 1:39 is more of a square wav flaw; in comparison if turned up on dt17 this has a little more hiss; (did not listen to all of this)

(torrenters comments: "I did an early transfer from the master DAT shortly after the show, using Soundforge on a Pentium II 400MHz PC with a special order Soundblaster Live! sound card, WITH a coax digital input...this was a pretty fat setup back in 1999. I took those original wav files and burned audio CDs, and unfortunately I did not keep those files after I burned the CDs...AND the master DATs have since become filled with digital errors, so these CDs are all I have to work with.");

(another comment from taper: "Hi, I have been informed that this particular recording ( LB-4567), was sourced from my master DAT. I believe that I made ONE (1) clone of my master DAT, and gave it to my friend Terry Roeder (R.I.P.), he lived in Indianapolis, and we taped a lot of shows together. This LB-4567 recording must have been sourced down the line from that cloned DAT. My master DAT has suffered over time, and it is unusable for further transfers. Luckily, I transferred it shortly after the show, and burned audio CDs from the transferred 16/44 wavs. I no longer have the original wav files, so I had to use EAC on the master audio CDs to produce this seed., Again, I taped this show and I have seeded my transfer at shnflac.net and dimeadozen.org on May 30, 2008.")


discontinuity pop d1t9 3:36; mic hit d1t10 0:04, d2t2 1:36, 1:37, 1:39; drops between tracks
1. Gotta Serve Somebody, 2. I'll Remember You, 3. Cold Irons Bound, 4. Positively 4th Street, 5. Watching The River Flow, 6. Can't Wait, 7. Tomorrow Is A Long Time (acoustic) (with harp), 8. Desolation Row (acoustic), 9. Tangled Up In Blue (acoustic) (with harp), 10. She Belongs To Me, 11 short track CD2

1 Highway 61 Revisited, (encore), 2. Love Sick, 3. Rainy Day Women #12 & 35, 4. Blowin' In The Wind (acoustic), 5. Like A Rolling Stone


bd98-10-26-Sonics-Holtz-LB-6144.txt
DigiFlawFinder-bd98-10-26-Sonics-Holtz-LB-6144.flac16.wavf.html
Dylan-1998-10-26.Sonics.Holtz.ffp.txt
Dylan-1998-10-26.Sonics.Holtz.flac16.shntool.txt
Dylan-1998-10-26.Sonics.Holtz.info.txt
Dylan-1998-10-26.Sonics.Holtz.md5.txt
lbdir-bd98-10-26-Sonics-Holtz.flac16.md5.txt
lbdir-bd98-10-26-Sonics-Holtz.flac16.txt
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