LB | Date | Location | CDR | Rating | Description |
---|---|---|---|---|---|
LB-1138 | xx/xx/98 | MASTERS (BobDylan | 1 | A | BOOTLEG: MASTERS (BobDylan.com); 1CD (Wild Wolf), |
LB-6916 | 1/xx/98 | Madison Square | 2 | BOOTLEG: Does the Big Apple; cd > ultraplex > eac | |
LB-6917 | xx/xx/98 | Madison Square | 1 | BOOTLEG: Voices in the Garden; cd > ultraplex > | |
LB-6938 | xx/xx/98 | Various | 2 | BOOTLEG: From the Vaults; cd > ultraplex > eac > | |
LB-9106 | xx/xx/98 | various | 5 | B+ | Improved Air Catalog Number: IA34, TITLE:, "A 60th |
LB-10545 | xx/xx/98 | various may 1998 | 1 | B | BOOTLEG: nights of the living icons; Liberated |
LB-11039 | xx/xx/98 | Live tracks | 2 | A- | BOOTLEG: from the vaults vol2; Dandelion / DL |
LB-11363 | xx/xx/98 | various 98-99 | 1 | BOOTLEG: les bons moments; source: Live '98 & '99, | |
LB-11478 | xx/xx/98 | various | 1 | A | BOOTLEG: masters 1998 1999 soundboard collection; |
LB-15082 | 1/xx/98 | New York City | 1 | A- | BOOTLEG: way up on the avenue; VAN MORRISON - Way |
LB-15858 | xx/xx/98 | The Complete | complete bob dylan com captainacidremaster wavf, | ||
LB-1969 | 1/13/98 | Garde Arts Center | 2 | A- | this is a great show and includes a rarity. Bob |
LB-15557 | 1/13/98 | New London, CT | daud oldneumanntapr, Digital Audience, "Got the | ||
LB-2841 | 1/14/98 | New London | 2 | A | BOOTLEG: LOVE SICK; (1) Garde Arts Center (New |
LB-5964 | 1/14/98 | Garde Arts Center | 2 | BOOTLEG: Not Dark Yet; Waveband, Bonus: Madison | |
LB-6918 | 1/14/98 | Garde Arts Center | 2 | BOOTLEG: Not Dark Yet; version "b"; cd > ultraplex | |
LB-9082 | 1/14/98 | New London | 2 | A | version "c" |
LB-4351 | 1/16/98 | New York City | 2 | A- | Off DAT clone(s), Taper: Bach, Remarks:, Bach |
LB-6518 | 1/16/98 | New York City | 2 | A- | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-6946 | 1/16/98 | NYC | 2 | A- | BOOTLEG: Time And TIme Again; cd > ultraplex > eac |
LB-11123 | 1/16/98 | New York, NY | 2 | B | version "d", Audience > dat > Wav > Flac |
LB-13040 | 1/16/98 | New York, NY | A- | pc dolphinsmile 48k, Taped by PC with Dat recorder | |
LB-13441 | 1/16/98 | New York, NY | 2 | A | schoeps dolphinsmile, Taped by a buddy of mine |
LB-4352 | 1/17/98 | New York City | 2 | A | Off DAT clone(s), Taper: unknown |
LB-10423 | 1/17/98 | New York, New York | A | version "b"; torrent by dolphinsmile with no info | |
LB-15558 | 1/17/98 | New York City, NY | daud oldneumanntapr, Digital Audience, DAT clone(s | ||
LB-0896 | 1/18/98 | New York | 2 | A- | |
LB-2649 | 1/18/98 | New York City | 2 | B+ | version "a" |
LB-3190 | 1/18/98 | MSG | 2 | A | version "b"; FLAC, traded cdr>EAC>FLAC, Great |
LB-4358 | 1/18/98 | New York City | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Dat |
LB-6476 | 1/18/98 | New York City | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-15091 | 1/18/98 | Madison Square | 2 | A | csb kingrue, Source : CSB (omni) > Sony PCM-M1 > |
LB-16076 | 1/18/98 | New York, NY | csb dolphinsmile 48, CSB (omni) > Sony PCM-M1 > | ||
LB-4300 | 1/20/98 | New York | 2 | A | Recorded by Bobby Bourbon, Schoeps MK4V's>Sonosax |
LB-9109 | 1/20/98 | New York, NY | 2 | A | fob; version "a";, Source: Unknown Mikes>DAT |
LB-10583 | 1/20/98 | Madison Square | 2 | B+ | version "c", Alternative recording to Bourbon |
LB-11496 | 1/20/98 | New York City | 2 | A- | version "d" |
LB-15092 | 1/20/98 | Madison Square | 2 | A | csb kingrue, Source : CSB (mics) > Sony TCD-D8 |
LB-4363 | 1/21/98 | New York City | 2 | A- | Off DAT master, Taper: Bach, Lineage: OKM II |
LB-6477 | 1/21/98 | New York City | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-6919 | 1/21/98 | Madison Square | 2 | A | BOOTLEG: Madison Square Garden; cd > ultraplex > |
LB-10448 | 1/21/98 | New York, New York | 2 | A | schoeps, dat clone from the master, Schoeps mics |
LB-14973 | 1/21/98 | New York, NY | 1 | A- | version "f", Van Morrison, Source: Unknown |
LB-0884 | 1/23/98 | Boston | 2 | A- | |
LB-4645 | 1/24/98 | Boston | 2 | B+ | Audience recording (Full spectrum) > Unknown |
LB-4989 | 1/27/98 | Poughkeepsie | 2 | B- | Audience recording (Full spectrum) > Unknown |
LB-0962 | 1/28/98 | Syracuse | 2 | A | |
LB-7646 | 1/28/98 | Syracuse, New York | 2 | A | version "a" ;Unidentified taper, No source/no |
LB-15135 | 1/28/98 | Syracuse, NY | 2 | A | dolphinsmile, Taped by MPH, Schoeps>Sony D8>clone |
LB-15277 | 1/28/98 | Syracuse,New York | A | schoeps mk 4 dat fob terry sullivan master, | |
LB-1975 | 1/30/98 | Brookville | 2 | A | |
LB-5188 | 1/30/98 | Brookville | 2 | A | clete-fed; Schoeps Schoeps MK4V's>Schoeps KC5 |
LB-7259 | 1/30/98 | Brookville, NY | 2 | A | BOOTLEG: The Air Burns; THINMAN 088/89, Released: |
LB-10949 | 1/30/98 | Brookville, New York | 2 | A | mk4 dolphinsmile 48k, recorded with Schoeps |
LB-0905 | 1/31/98 | Atlantic City | 2 | A- | |
LB-4157 | 1/31/98 | Atlantic City | 2 | Taped By Bobby Bouron, Source: Schoeps | |
LB-15015 | 1/31/98 | Atlantic City, NJ | A- | steve f dolphinsmile 48, Taped by Steve F with Dat | |
LB-0894 | 2/1/98 | Newark, New Jersey | 2 | A- | |
LB-7647 | 2/1/98 | Newark, New Jersey | 2 | A- | version "a"; **** As far as I can see, this |
LB-8191 | 2/1/98 | Newark, NJ, USA | 2 | A- | version "b"; I received this in a trade (probably |
LB-15019 | 2/1/98 | Newark, NJ | A | stephen f dolphinsmile 48k, Stephen F taper Dat | |
LB-2532 | 2/2/98 | Springfield | 2 | B+ | |
LB-7648 | 2/2/98 | Springfield | 2 | B+ | version "a"; **** This recording is not identical |
LB-9181 | 2/2/98 | Springfield | 2 | A- | version "b" |
LB-11515 | 2/2/98 | Springfield | 2 | B+ | version "c", unknown source; sorry, no more |
LB-2247 | 2/14/98 | Public Hall | 2 | A | AUD > ? > CD-R > EAC (secure) > WAV > FLAC |
LB-3660 | 2/14/98 | Cleveland | 2 | A | Source: Schoeps CMC54 > Casio DA-R1000 DAT Master, |
LB-4154 | 2/14/98 | Cleveland | 2 | A | Taped by Travitz (my VMS02IB), Source: Schoeps |
LB-15667 | 2/14/98 | Cleveland, Ohio | A | schoeps dolphinsmile 48, Schoeps CMC54 > Casio | |
LB-6446 | 2/15/98 | Toledo, Ohio | 2 | A | net taper G, ?? - portable DAT-recorder - clone |
LB-6447 | 2/15/98 | Toledo, Ohio | 2 | A | BOOTLEG: A Knife, a Fork, a Bottle, a Cork; cd > |
LB-13082 | 2/15/98 | Toledo, OH | A | schoeps dolphinsmile 48, Schoeps Mics and Dat | |
LB-2391 | 2/17/98 | St. Louis, Missouri | 2 | A- | excellent audience recording |
LB-7653 | 2/17/98 | St. Louis, Missouri | 2 | A- | version "a"; **** This recording has no LB-number; |
LB-15594 | 2/17/98 | St. Louis, MO | A- | dolphinsmile 48, dat clone>file cloned in | |
LB-5205 | 2/19/98 | Cincinnati | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-5917 | 2/19/98 | Cincinnati | 2 | A- | version "a"; more requests, FLACS (level8) from a |
LB-15096 | 2/19/98 | Cincinnati, OH | 2 | A- | dolphinsmile, GW Master Dat, Nakamichi Mics and |
LB-0892 | 2/20/98 | Bristol | 2 | A- | |
LB-13837 | 2/20/98 | Bristol, TN | A- | hf dolphinsmile 48k, taped from the third row, in | |
LB-0893 | 2/22/98 | George Mason | 2 | A- | |
LB-12587 | 2/22/98 | Fairfax, VA | 2 | A | version "a", From a DAT (received in trade, 1998). |
LB-12676 | 2/22/98 | Fairfax, Virginia | A | hce jv schoeps dolphinsmile 48k, taped by HCE JV | |
LB-0228 | 3/30/98 | Miami | 2 | A- | |
LB-1596 | 3/30/98 | Cameo Theater | 2 | A- | CSBs> D7> SBAudigy> CDWave> Goldwave> Shorten> SHN |
LB-3486 | 3/30/98 | Miami Beach | 2 | A- | Additional sound mastering by Schubert |
LB-3522 | 3/30/98 | Miami Beach, Florida | 2 | A- | This was recorded with AKG 391s and transferred to |
LB-9212 | 3/30/98 | Miami Beach, Florida | 2 | A- | version "d", AKG 319 Sony dat d8 master |
LB-10178 | 3/30/98 | Miami Beach, Florida | 2 | A- | schubert asm version "e"; This is a Schubert |
LB-3498 | 3/31/98 | Miami Beach | 2 | A | Additional sound mastering by Schubert; My CDR > |
LB-3521 | 3/31/98 | Miami Beach | 2 | A | This was recorded with AKG 391s and transferred to |
LB-7654 | 3/31/98 | Miami Beach, Florida | 2 | A | version "b"; **** This recording is not LB-3498; |
LB-8749 | 3/31/98 | Miami, Florida | 2 | B | aplay;, Aplay DAT Master Series 009 / Geetarz |
LB-13798 | 3/31/98 | Miami Beach, FL | A | ds dolphinsmile 48k, Dolphinsmile Master Dat, | |
LB-8888 | 4/4/98 | Buenos Aires | 1 | C | Taper: Ricardo Ferrara (aka "Old Richard")., Owner |
LB-13732 | 4/11/98 | Rio De Janeiro | 2 | B | BOOTLEG: old friends from rio; The Rolling Stones, |
LB-7262 | 4/13/98 | Sao Paolo, Brazil | 1 | D | Unidentified taper, No source/no lineage |
LB-11996 | 4/15/98 | Santiago de Chile | 2 | B- | demux orginal video, Source: Videoregistration |
LB-0889 | 5/13/98 | The Rage | 2 | A- | |
LB-7081 | 5/13/98 | Vancouver | 2 | A- | version "a"; aud>?>cdr (x)>flac, md5 checked with |
LB-12868 | 5/13/98 | Vancouver, BC | A- | hce p dolphinsmile 48k, taped by a friend of HCE P | |
LB-2534 | 5/14/98 | General Motors Place | 2 | B+ | |
LB-7084 | 5/14/98 | Vancouver | 2 | B+ | version "a"; aud>?>cdr(x)>flac, md5 checked with |
LB-12793 | 5/14/98 | Vancouver, BC | 2 | B+ | hce pl dolphinsmile, clone off HCE PL dat. He did |
LB-4641 | 5/16/98 | GEORGE WASHINGTON | 2 | A- | Neumans km140 dat clone from master>cd ripped and |
LB-5464 | 5/16/98 | The Gorge | 2 | A- | version "a"; I received this show directly from |
LB-7260 | 5/16/98 | George, WA | 2 | A- | BOOTLEG: Above the Mighty Beast; THINMAN 086/87, |
LB-4665 | 5/17/98 | George WA, the GORGE | 1 | A | Neumann mics, fob, dat clone from master>ripped |
LB-10636 | 5/17/98 | George WA | 1 | A | version "a", Alternative recording to Neumann |
LB-13081 | 5/17/98 | George, WA | 1 | A | km140 dolphinsmile, Neumanns KM140s and Dat |
LB-13954 | 5/17/98 | George, WA | A- | mk4 teddyballgame 48, Joni Mitchell, Van Morrison | |
LB-14967 | 5/17/98 | George, WA | 1 | A | km140s dolphinsmile, Neumanns KM140s and Dat |
LB-0714 | 5/19/98 | San Jose | 1 | A | complete aud |
LB-3354 | 5/19/98 | San Jose, California | 1 | A | BOOTLEG: Sweet Marie; silver, SBD > Wav > Flac |
LB-7231 | 5/19/98 | San Jose, CA | 1 | A | BOOTLEG: SAN JOSE ''98 SOUNDBOARD; Commercial |
LB-7617 | 5/19/98 | San Jose, CA | 1 | A | A Bigfoot Disc recorded and mastered to cdr by |
LB-8673 | 5/19/98 | San Jose, California | 1 | A- | BOOTLEG: san jose calling; ("Exclusive Series" 016 |
LB-11305 | 5/19/98 | San Jose, California | 2 | A | km140s, source: Neumann KM140s>EAA PSP/2>Sony |
LB-12505 | 5/19/98 | San Jose | 1 | A- | BOOTLEG: absolutely sweet california,; From |
LB-15170 | 5/19/98 | San Jose | 1 | A | version "j", I discovered this recording while |
LB-15302 | 5/19/98 | San Jose, California | boiledgutsofbirds matrix 2444, A | ||
LB-1116 | 5/21/98 | Pauley Pavilion | 2 | A | FOB/Schoeps CMC641>SXM2>D100 |
LB-2485 | 5/21/98 | UCLA Pauley Pavilion | 2 | B+ | BOOTLEG: SICK LOVE; Zipperman Records |
LB-3128 | 5/21/98 | UCLA-Los Angeles, CA | 2 | A- | BOOTLEG: CALIFORNIA OR BUST; incomplete; From my |
LB-7657 | 5/21/98 | Los Angeles | 2 | A- | version "c";Taper: unidentified, Lineage: received |
LB-13161 | 5/21/98 | LOS ANGELES | 1 | B+ | version "d", D3 Cassette Master -> Untracked Aiff |
LB-13219 | 5/21/98 | Los Angeles, CA | A | pdub dolphinsmile 48k, taped by PDub, sonics and | |
LB-14078 | 5/21/98 | Los Angeles, CA | A | version "i", From a DAT (received in trade, 1998 | |
LB-5066 | 5/22/98 | Los Angeles | 1 | A- | Audience recording (Lossy) > Unknown transfer > |
LB-7652 | 5/22/98 | Los Angeles | 1 | A- | version "a"; **** This recording has no LB-number |
LB-12208 | 5/22/98 | Los Angeles | A- | dolphinsmile 48k, dat clone>microtrack>tracking in | |
LB-13162 | 5/22/98 | LOS ANGELES | 1 | B | d3 cassette master, D3 Cassette Master -> |
LB-13801 | 5/22/98 | Los Angeles, CA | B | dolphinsmile b 48k, dat master>clone to me>file | |
LB-4648 | 5/23/98 | Anaheim | 1 | A- | Audience recording (Full spectrum) > Unknown |
LB-12621 | 5/23/98 | Anaheim, CA | A- | neumann doplhinsmile 48k, Taped with Neumann mics | |
LB-12940 | 5/23/98 | Anaheim, CA | A- | pdub dolphinsmile 48k, PDub version, Taped by PDub | |
LB-0886 | 5/30/98 | Rock am Ring | 1 | A- | |
LB-3742 | 5/30/98 | Nurburgring, Germany | 2 | version "a"; datadvd(FLAC) > Azareus > Torrent > | |
LB-5424 | 5/30/98 | Nurburg - Germany | 1 | A | A zimmy21 recording !, Sound quality : Very good ! |
LB-6117 | 5/30/98 | Nurburgring, Germany | 2 | A- | version "c"; Recordet with 32 kHz. Convert 44.1 |
LB-3177 | 5/31/98 | Nurenberg | 1 | B+ | incomplete; From my original silver cds. One track |
LB-4399 | 5/31/98 | Nurenberg Germany | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony | |
LB-6113 | 5/31/98 | Nurenberg, Germany | 1 | A | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-4371 | 6/2/98 | Leipzig | 2 | A | Taper "Bach", Lineage: OKM II Rockversion > Sony |
LB-6457 | 6/2/98 | Leipzig | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-10637 | 6/2/98 | Leipzig, Germany | 2 | B+ | version "b", Alternative recording to 'Bach'., |
LB-13997 | 6/2/98 | Leipzig, Germany | A | okm dolphinsmile 48k, got this from one of the | |
LB-3325 | 6/3/98 | Berlin | 2 | A | Audience recording |
LB-4394 | 6/3/98 | Berlin, Germany | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-5610 | 6/3/98 | Berlin | 2 | A | net taper I, lineage, OKMII -> portable Sony |
LB-6440 | 6/3/98 | Berlin, Germany | 2 | A | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-10638 | 6/3/98 | Berlin, Germany | 2 | A- | version "e", Alternative recording to LB-3325 & |
LB-13487 | 6/3/98 | Berlin | lta fix 48k, source:, originally uploaded | ||
LB-15052 | 6/3/98 | Berlin, Germany | B+ | dat 2 48k, From an old DAT (received in trade, | |
LB-15053 | 6/3/98 | Berlin, Germany | A | dat 1 48k, From an old DAT (received in trade, | |
LB-1489 | 6/4/98 | Rostock | 2 | A | Schubert |
LB-4378 | 6/4/98 | Rostock | 2 | A | version "a"; Off DAT clone(s) |
LB-4470 | 6/4/98 | Rostock | 2 | A | Taper: Bach, Lineage: OKM II Rockversion > Sony |
LB-5734 | 6/4/98 | Rostock | 2 | A | net taper I, lineage, OKMII -> portable Sony |
LB-6459 | 6/4/98 | Rostock | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-6940 | 6/4/98 | Rostock, Germany | 2 | BOOTLEG: I've Got New Eyes; cd > ultraplex > eac > | |
LB-12192 | 6/4/98 | Rostock, Germany | 2 | A | version "f", dat clone from my friend CB who taped |
LB-4847 | 6/6/98 | Malmo | 2 | A- | Taper: Uncertain., Source: I received this flac |
LB-6941 | 6/6/98 | Malmo, Sweden | 1 | BOOTLEG: Shadows are Falling; cd > ultraplex > eac | |
LB-0907 | 6/7/98 | Frognerbadet | 2 | A | CDG: High sound quality, capturing the "cold" tone |
LB-4373 | 6/7/98 | Oslo | 2 | B+ | Taper.MM, Lineage: Marantz mics > DAT |
LB-8116 | 6/7/98 | Oslo, Norway | 2 | A | verison "b"' mis-identifies itself as:"Taper: Bach |
LB-10407 | 6/7/98 | oslo | 2 | B+ | version "c"; torrent from dolphinsmile with no |
LB-12492 | 6/7/98 | Oslo, Norway | 2 | A | oldtoad, An OldToaD remaster, BLOWIN' IN THE WOOD, |
LB-3983 | 6/9/98 | Globe Arena | 2 | A- | Core Sound Binaurals, Sharp MD-702, CDR, EAC, |
LB-4132 | 6/9/98 | Stockholm | 2 | A- | Core Sound Binaurals, Sharp MD-702, Philips |
LB-6920 | 6/9/98 | Stockholm, Sweden | 3 | A- | BOOTLEG: At the Globe Arena; cd > ultraplex > eac |
LB-0916 | 6/10/98 | Goteborg | 2 | A | |
LB-3033 | 6/10/98 | Goteborg | 2 | A | Taper: Unknown, Source: Unreleased Crystal Cat |
LB-11521 | 6/10/98 | Gteborg | 2 | A | version "b", unknown source; sorry, no more |
LB-1575 | 6/11/98 | Copenhagen, Denmark | 2 | B+ | BOOTLEG: I HAVE NO ONE TO MEET,; Waveband 10/11 |
LB-4406 | 6/11/98 | Copenhagen | 2 | A- | Off DAT clone(s), Taper: unknown |
LB-6157 | 6/11/98 | Copenhagen, Denmark | 2 | A- | local taper DK: A, ?? -> portable DATrecorder - |
LB-6308 | 6/11/98 | Copenhagen, Denmark | 2 | A- | MM, Marantz mics -> portable DATrecorder - clone |
LB-2600 | 6/12/98 | Hamburg, Germany | 2 | A- | BOOTLEG: Everything Looks Far Away; Exclusive |
LB-4436 | 6/12/98 | Hamburg | 2 | A | version "a"; Off DAT clone(s) |
LB-5800 | 6/12/98 | Hamburg | 2 | A | net taper I, lineage, OKMII -> portable Sony |
LB-6462 | 6/12/98 | Hamburg, Germany | 2 | A | ssrc; net taper I, OKMII -> portable Sony |
LB-6465 | 6/12/98 | Stadtpark | 2 | A | net taper F, OKMII -> portable Sony DATrecorder - |
LB-6942 | 6/12/98 | Hamburg, Germany | 2 | A- | BOOTLEG: Everything Looks Far Away; cd > ultraplex |
LB-9120 | 6/12/98 | Bob Dylan | 2 | A- | nim, recorded by NIM, OKM -> MZ-NH1 -> cooledit -> |
LB-2261 | 6/14/98 | Bremen | 2 | A- | |
LB-5505 | 6/14/98 | Bremen | 2 | A | net taper I, lineage, OKMII -> portable Sony |
LB-6494 | 6/14/98 | Bremen, Germany, | 2 | A | ssrc; net taper I, OKMII -> portable Sony |
LB-6499 | 6/14/98 | Bremen, Germany | 2 | A | net taper F, OKMII -> portable Sony DATrecorder - |
LB-10639 | 6/14/98 | Bremen, Germany | 2 | B+ | version "e", Alternative recording to LB-2261 & |
LB-10954 | 6/14/98 | Bremen, Germany | 2 | A- | BOOTLEG: you will remember my name; Label:, The |
LB-11522 | 6/14/98 | Bremen | 2 | A- | version "g", unknown source; sorry, no more |
LB-15221 | 6/14/98 | Bremen, Germany | A | ds archive 48, OKMII>Sony DAT>clone, to me>file | |
LB-0982 | 6/15/98 | Rotterdam | 1 | A- | BOOTLEG: He's Getting Ready For the Show; label |
LB-4490 | 6/15/98 | Rotterdam | 2 | A | version "a"; Off DAT clone(s), Notes:, d1t6 |
LB-6516 | 6/15/98 | Rotterdam | 2 | A- | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-6943 | 6/15/98 | Rotterdam | 1 | A- | BOOTLEG: He's Getting Ready For the Show; cd > |
LB-4317 | 6/16/98 | Essen - Germany | 2 | A | A zimmy21 recording, Sound quality : excellent !! |
LB-4383 | 6/16/98 | Essen | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-5985 | 6/16/98 | Essen | 2 | A | net taper I, lineage, OKMII -> portable Sony |
LB-6454 | 6/16/98 | Essen | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-6945 | 6/16/98 | Essen, Germany | 2 | BOOTLEG: Walking With You in My Head; cd > | |
LB-4319 | 6/17/98 | Brussels | 2 | A | A zimmy21 recording, Sound quality : excellent !! |
LB-4392 | 6/17/98 | Brussels | 2 | A | Taper: "Bach", Lineage. OKM II Rockversion > Sony |
LB-6469 | 6/17/98 | Brussels | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-6939 | 6/17/98 | Brussels | 2 | A | BOOTLEG: May Your Song Always Be Sung; cd > |
LB-5570 | 6/19/98 | Belfast | 1 | D+ | audio trade (marcel,ssad.....), no info, audio > |
LB-2259 | 6/20/98 | Newcastle | 2 | A- | BOOTLEG: Six Days in June Vol1; Doberman label |
LB-4477 | 6/20/98 | Newcastle | 2 | A- | version "a"; Off DAT clone(s) |
LB-4607 | 6/20/98 | Newcastle | 2 | A | version "b"; DAT-Clone > TASCAM DA-40 > HD > |
LB-6947 | 6/20/98 | Newcastle, England | 2 | A | BOOTLEG: Jack the cowboy went up North; cd > |
LB-8594 | 6/20/98 | Newcastle, England | 2 | A | (Bt), Taper: Bt, DPA 4061 microphones and Sony |
LB-4322 | 6/21/98 | Glasgow | 2 | B | Taper/lineage: unknown, Not the best recording, |
LB-4637 | 6/21/98 | Glasgow | 2 | A | version "a"; Off DAT clone(s), Source/Linage:, DAT |
LB-12071 | 6/21/98 | Glasgow, UK | 2 | A | version "b", Traded CDrs > EAC > Traders Little |
LB-4614 | 6/23/98 | Sheffield | 2 | A- | |
LB-6989 | 6/23/98 | Sheffield, England | 2 | B | JTT; Good Audience Recording, SOURCE: DAT > DAT > |
LB-8617 | 6/23/98 | Sheffield, England | 2 | A- | Taper: Bt, DPA 4061 microphones and Sony TCD-100 |
LB-10228 | 6/23/98 | Sheffield, England | 2 | B | version "c", Alternative recording to Lossless Bob |
LB-4794 | 6/24/98 | Birmingham | 2 | A- | Off DAT clone(s), Source/Linage:, (Sennheiser >) |
LB-6615 | 6/24/98 | Birmingham, England | 2 | B+ | version "a"; Audience Recording, SOURCE: CDRs > |
LB-6921 | 6/24/98 | Birmingham England | 2 | BOOTLEG: Bette Davies Style; cd > ultraplex > eac | |
LB-4898 | 6/25/98 | Manchester | 2 | A | Off DAT clone(s), Taper: LTJ (Legendary Taper J), |
LB-10640 | 6/25/98 | Manchester, England | 2 | A- | version "a", Alternative recording to 'LTJ'., |
LB-10823 | 6/25/98 | Manchester, England | 1 | A | bt inc, SOURCE:, Taper Bt, DPA 4061 microphones |
LB-4933 | 6/26/98 | Roskilde | 2 | B+ | Taper: Identity withheld., Source: Audio disks |
LB-5373 | 6/26/98 | Roskilde | 2 | B+ | version "a"; Taper unknown, Source/Linage:, Off |
LB-3440 | 6/27/98 | London | 2 | A- | DAT>CDr>EAC(secure mode)>FLAC(level 8)>Dime, A |
LB-4453 | 6/27/98 | London | 2 | B+ | version "a"; Audience: Panasonic capsules>Sony D3 |
LB-5043 | 6/27/98 | London | 2 | A- | Taper: Condor, Lineage: OKM II R > Sony DAT |
LB-5249 | 6/27/98 | London | 2 | B+ | version "b"; Off DAT clone(s), Remarks:, Taper |
LB-8586 | 6/27/98 | London, England | 2 | A | (Bt), SOURCE:, Taper Bt, DPA 4061 microphones and |
LB-10326 | 6/27/98 | London, England | 2 | B+ | BOOTLEG: forever young; Forever Young: Wembley |
LB-11620 | 6/27/98 | London | 2 | A- | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
LB-15462 | 6/27/98 | London, England | A- | dolphinsmile 48, Clone from dat master>file cloned | |
LB-4964 | 6/28/98 | Pilton | 1 | C | Taper: Unknown., Source: Audio disks > (dBpowerAMP |
LB-5160 | 6/28/98 | Pilton | 1 | C | version "a"; 1 CD - 66.22, Taper unknown - |
LB-15721 | 6/28/98 | Pilton, England, UK | 1 | C | fm, Aud>FM>?>CDr>EAC(secure)>TLH(flac8+sums)>Dime, |
LB-4795 | 6/30/98 | Paris | 2 | C+ | unknowm audience>CDR>EAC>FLAC LEVEL 5 |
LB-4959 | 6/30/98 | Paris | 2 | A | Off DAT clone(s), Taper: LTJ, Source/Linage:, DAT |
LB-6948 | 6/30/98 | Paris, France | 2 | BOOTLEG: Never Ending Tour 98 in France Vol 1 | |
LB-14765 | 6/30/98 | Paris | A | ltj lta 48k, taper: LTJ, lineage:, Sennheiser | |
LB-2057 | 7/1/98 | Dijon | 2 | A | titled "Still on the Road" |
LB-5181 | 7/1/98 | Dijon | 2 | A | Off DAT clone(s), Taper: LTJ, Source/Linage:, DAT |
LB-6949 | 7/1/98 | Dijon, France | 2 | BOOTLEG: Never Ending Tour 98 in France Vol 2 | |
LB-1406 | 7/3/98 | Stravinsky Hall | 2 | B+ | JT series, Transferred from a DAT master tape |
LB-4388 | 7/3/98 | Montreux | 2 | B- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-6472 | 7/3/98 | Montreux | 2 | B+ | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-7197 | 7/3/98 | Montreux | 2 | B+ | version "b"; Trade discs > EAC > flac level 6 > |
LB-2149 | 7/4/98 | Verone, Italy | 2 | A- | bootleg "Stars From The Darkest Night" without the |
LB-2508 | 7/4/98 | Villafranca | 2 | A | source: DAUD, notes: low sound level in first |
LB-4381 | 7/4/98 | Villafranca | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-6450 | 7/4/98 | Villafranca | 2 | A- | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-6950 | 7/4/98 | Verona, Italy | 2 | A- | BOOTLEG: Stars From the Darkest Night; cd > |
LB-12142 | 7/4/98 | Villafranca - Italy | 2 | B | version "e", CD RIP |
LB-15446 | 7/4/98 | Verona, Italy | A- | rs master, (RS MiniDisc Master), Transfer: | |
LB-1572 | 7/5/98 | Rome | 2 | B+ | Improved Air Remaster 26, "Ballerino Rugoso (The |
LB-4375 | 7/5/98 | Rome | 2 | A | Taper: "Bach", Lineage: OKMII Rockversion > Sony |
LB-6453 | 7/5/98 | Roma | 2 | A | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-7058 | 7/5/98 | ROMA, ITALY | 2 | B | (gnegno & fdo series #7) - uncirculated DAT master |
LB-1398 | 7/6/98 | Piazza Napoleone | 2 | A- | AKG C/407B(Front Row Center)>SONY |
LB-4400 | 7/6/98 | Lucca | 2 | A- | incomplete; Taper: "Bach", Lineage: OKM II |
LB-2073 | 7/9/98 | Torino | 2 | A- | |
LB-3584 | 7/9/98 | Torino | 2 | A | Audience recording, mic info: OKM, DAT > CDR > WAV |
LB-10641 | 7/9/98 | Torino, Italy | 2 | C | version "b", Alternative recording to LB-2073 & |
LB-0709 | 7/11/98 | Escalarre, Spain | 2 | D- | |
LB-7656 | 7/11/98 | Escalarre, Spain | 2 | D+ | version "a"; **** This recording has no LB-number |
LB-8579 | 7/11/98 | Escalarre, Spain | 2 | D+ | verson "b"; poor sound, has hiss |
LB-1402 | 7/12/98 | Frauenfeld | 2 | A | JT Series |
LB-4632 | 7/12/98 | Frauenfeld | 2 | A | Taper: "Vito", Equipment: OKM II R > Sony DAT TCD |
LB-5959 | 7/12/98 | Frauenfeld | 2 | B+ | version "b"; torrent desription added "received it |
LB-2539 | 8/19/98 | Mercury Lounge | 2 | B+ | dolbyXLII cassette > cooledit200 > CDR > EAC > |
LB-6053 | 8/19/98 | Melbourne | 2 | B | version "a"; Unidentified taper |
LB-7000 | 8/19/98 | Melbourne, Australia | 2 | B | BOOTLEG: Down Under The Lounge; Dandelion DL |
LB-2543 | 8/21/98 | Melbourne Park | 2 | B | dat > dolbyXLII cassette > cooledit200 > EQ+GE > |
LB-6056 | 8/21/98 | Melbourne | 2 | B- | version "a"; Unidentified taper |
LB-2827 | 8/22/98 | Melbourne | 2 | B- | dat > dolbyXLII cassette > cooledit200 > EQ+GE > |
LB-6058 | 8/22/98 | Melbourne | 2 | B- | version "a"; unknown taper, The lb 2827 is the |
LB-2553 | 8/24/98 | Adelaide | 2 | B+ | off master cassette > Cooledit200 > EQ+HR > CDR > |
LB-9444 | 8/24/98 | Adelaide, Australia | 2 | B- | tonsco, [MASTER], 1998-08-24, Recorded by tonsco, |
LB-11317 | 8/24/98 | Adelaide, Australia | 2 | B+ | ggb, Sony D6 pRO Walkman analogue Maxell Xls 2 |
LB-14051 | 8/24/98 | Adelaide | 2 | B+ | cd version "c", cut before Desolation Row, encore, |
LB-2562 | 8/26/98 | Burswood Dome | 2 | C- | CDR > EAC > Flac (Taper unknown), Thanks LK |
LB-2563 | 8/26/98 | Perth | 1 | C | (partial tape), CDR > EAC > Flac (Taper John) - |
LB-2834 | 8/28/98 | Darwin | 2 | D | partial; CDR > EAC > Flac (Taper unknown) |
LB-1714 | 8/30/98 | Townsville | 2 | C | |
LB-2816 | 9/1/98 | Brisbane | 2 | B+ | Dylan Set:, Dat > CDR > EAC > Flac (taper IN) |
LB-5110 | 9/1/98 | Brisbane | 2 | B+ | version "a"; Unknown Audience>CDR>EAQC>FLAC LEVEL |
LB-2817 | 9/3/98 | Sydney | 2 | B+ | Dat > CDR > EAC > Flac (taper IN) |
LB-5213 | 9/3/98 | Sydney | 2 | B | wm; Audience recording (Full spectrum) > Unknown |
LB-2818 | 9/4/98 | Sydney | 2 | B- | dat > dolbyXLII cassette > cooledit200 > EQ+GE > |
LB-1551 | 9/5/98 | Wollongong | 2 | B | CDR trade (clean, thanks Ken) > EAC V0.95pb4 > WAV |
LB-2819 | 9/5/98 | Wollongong | 2 | B | dat > dolbyXLII cassette > cooledit200 > EQ+GE > |
LB-15148 | 9/5/98 | Wollongong | 2 | B- | version "c", Alternative recording to |
LB-0796 | 9/7/98 | Glenfield | 2 | B+ | |
LB-2820 | 9/7/98 | Glenfield | 2 | B+ | (analogue) D6 > CoolEdit2000 > EQ > CDR > EAC > |
LB-2821 | 9/8/98 | Glenfield | 2 | B | (analogue) D6 > CoolEdit2000 > EQ > CDR > EAC > |
LB-2822 | 9/8/98 | Glenfield | 2 | A- | Dat > CDR > EAC > Flac (Taper LJK), (incomplete |
LB-2828 | 9/10/98 | Wellington | 2 | A | Dat > CDR > EAC > Flac (Taper LJK) |
LB-2829 | 9/10/98 | Wellington | 2 | B+ | (analogue), D6 > CoolEdit2000 > EQ > CDR > EAC > |
LB-2836 | 9/12/98 | Christchurch | 2 | B+ | Dat > CDR > EAC > Flac (Taper LJK) |
LB-2837 | 9/12/98 | Christchurch | 2 | B | D6 > CoolEdit2000 > EQ > CDR > EAC > Flac (Taper |
LB-5392 | 9/17/98 | Maui | 2 | B+ | audio trade, xACT > flacs > azareus > torrent > HC |
LB-4585 | 9/19/98 | Honolulu | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-3991 | 9/22/98 | Puyallup | 2 | C | ALD, |
LB-3995 | 9/22/98 | Puyallup | 2 | A | Audience recording |
LB-4875 | 9/22/98 | Puyallup | 2 | A | version "b"; Audience recording; excellent sound |
LB-6142 | 9/22/98 | Puyallup, Washington | 2 | B- | version "c" |
LB-7127 | 9/22/98 | Puyallup, Washington | 2 | A | BOOTLEG: Packin Up in Pullyup; Taper: Unidentified |
LB-0938 | 9/23/98 | Portland | 1 | A- | |
LB-5916 | 9/23/98 | Portland, Oregon | 2 | A- | version"a"; Source/Lineage: |
LB-7629 | 9/23/98 | Portland, Oregon | 2 | A- | version "b";**** This recording is derived from |
LB-5914 | 9/24/98 | Eugene | 1 | A- | Taper: LTG, Lineage: dat aud master> dat clone(s |
LB-15154 | 9/24/98 | Eugene, OR | 2 | B | version "c", Alernative recording to LB-5914 LTG, |
LB-2487 | 9/25/98 | Concord pavillion | 2 | A | CSHEB>D100, 14th row directly back from right |
LB-5739 | 9/25/98 | Concord pavillion | 2 | A | version "a"; Taper: Not certain. [Legendary Taper |
LB-2489 | 9/26/98 | Shoreline | 2 | A | CSHEB>D100, 20th row directly back from left |
LB-2491 | 9/26/98 | Mountain View | 1 | A | version "a", excellent audience recording, no |
LB-9170 | 9/26/98 | Mountain View | 2 | A | sony nt2, Very decent sounding audience recording |
LB-9850 | 9/26/98 | Mountain View | 1 | A | BOOTLEG: west coast mountain; Mainstream / MAST - |
LB-5737 | 9/27/98 | Reno | 2 | A- | Taper: Not certain. [This date was taped by |
LB-3802 | 10/20/98 | Regina | 2 | B+ | datadvd trade FLAC > azarues > torrent > DaD, no |
LB-6156 | 10/20/98 | Regina | 2 | B+ | version "a"; Unidentified taper |
LB-7105 | 10/20/98 | Regina | 2 | B+ | version "b"; Taper: Unidentified, Source: Audio |
LB-7113 | 10/20/98 | Regina, SK | 2 | B+ | LTA Remaster; Audience Recording, taper unknown, |
LB-2014 | 10/21/98 | Winnepeg | 2 | A- | from dat master |
LB-14950 | 10/21/98 | Winnipeg | 2 | B- | version "b", Alternative recording to LB-2014, |
LB-5432 | 10/22/98 | Duluth | 2 | B+ | Taper: Glen Dundas, Source: audio disks from taper |
LB-14951 | 10/22/98 | Duluth, MN | 2 | B+ | version "c", Alternative recording to LB-5432 Glen |
LB-1261 | 10/23/98 | Minneapolis Target | 2 | A | BOOTLEG: Eating Caviar In a King-Sized Bed,; |
LB-5347 | 10/23/98 | Minneapolis Target | 2 | B+ | Taper: Glen Dundas, Source: DAT master > audio |
LB-5911 | 10/23/98 | Minneapolis | 2 | B+ | net taper A, ?? - portable DAT-recorder - clone |
LB-9071 | 10/23/98 | Minneapolis | 2 | A | sbd version "d"; |
LB-15308 | 10/23/98 | Minneapolis | boiledgutsofbirds 2444, A "boiledgutsofbirds" | ||
LB-1700 | 10/25/98 | Chicago | 2 | A- | ALD ? or SBD ? Uncertain origins but one mighty |
LB-12707 | 10/25/98 | Chicago, IL | A- | pdub doplphinsmile retracked 48k, recorded by PDub | |
LB-14952 | 10/25/98 | Chicago, IL | 2 | B | version "e", Alternative recording to LB-1700 & |
LB-4567 | 10/26/98 | Indianapolis | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-6144 | 10/26/98 | Indianapolis | 2 | A- | Source: Greg Holtz's Master DAT, Show Recorded |
LB-3725 | 10/28/98 | Auburn Hills | 2 | B+ | |
LB-6168 | 10/28/98 | Auburn Hills | 2 | B+ | version "a"; Unidentified taper |
LB-6564 | 10/28/98 | AUBURN HILLS, MI | 2 | A- | G2 MASTER AUDIENCE RECORDING, SONY D8 DAT |
LB-7097 | 10/28/98 | Auburn Hills | 2 | A- | version "c"; Taper: Unidentified, Source: audio |
LB-12485 | 10/28/98 | Auburn Hills | A- | g2 version "e", G2 MASTER AUDIENCE RECORDING, 2016 | |
LB-2996 | 10/29/98 | Toronto | 2 | B | AKG CE5 Mic, Uher 240 deck, Source: Audience |
LB-5023 | 10/29/98 | Toronto | 2 | B | version "a"; Audience recording (Lego parapets) > |
LB-14900 | 10/29/98 | Toronto, Ontario | B | csb kingrue 24, Source : CSB mics > 9V power | |
LB-4546 | 10/30/98 | Kanata | 2 | B+ | Audience recording (Full spectrum) > Unknown |
LB-7478 | 10/30/98 | Kanata | 2 | B+ | BOOTLEG: Native Land; Sharing one of mine silvers: |
LB-8613 | 10/30/98 | Kanata | 2 | B+ | version "b"; Unidentified taper |
LB-12591 | 10/30/98 | Kanata | 2 | A- | version "c", From CDRs (received in trade, 1999). |
LB-1468 | 11/1/98 | Madison Square | 2 | A | Conversion: CDR>EAC(secure)>MKW Audio Compression |
LB-4230 | 11/1/98 | New York | 2 | A | Recorded By Bobby Bourbon, Source: Schoeps |
LB-15143 | 11/1/98 | New York | 2 | A- | version "d", Alternative recording to LB-1468 & |
LB-4103 | 11/2/98 | Syracuse | 2 | A | Recording: 7th Row Center: Schoeps mk4 > Sony |
LB-4104 | 11/2/98 | Syracuse | 2 | A | Audience recording (full spectrum) > Unknown |
LB-13019 | 11/2/98 | Syracuse, NY | 2 | A | x schoeps, Schoeps mks4 active cables - schoeps |
LB-15282 | 11/2/98 | Syracuse,New York | A | schoeps mk 4 dat fob terry sullivan master, | |
LB-4108 | 11/3/98 | Rochester | 2 | A- | Audience recording (full spectrum) > Unknown |
LB-4091 | 11/5/98 | College Park | 2 | A | Audience recording (full spectrum) > Unknown |
LB-5149 | 11/5/98 | College Park | 2 | A | bourbon; Schoeps MK4V's>Sonosax SX-M2>Sony |
LB-11003 | 11/5/98 | College Park, MD | 2 | A | BOOTLEG: disobeyed his orders; (Thinman-127/128), |
LB-3109 | 11/7/98 | Atlanta | 2 | B | Lineage:, Atlanta: Boot CDr's -> shn, A |
LB-5869 | 11/7/98 | Atlanta | 2 | B | Taper: NET Taper K, Source: Audio disks > |