Recorded by Roy Martin using a set of Sound Professionals Premium Binaural Microphones plugged, into a Sony MZ-R30 MiniDisc recorder., Original MiniDiscs transferred to 44.1kHz/16-bit WAV on March 14, 2011. Note that a previous, mastering of this show was assigned the Lossless Bob #LB-0486. This new "10th Anniversary", mastering of this show has no analog generation in it (LB-0486 has!) and thus is superior., Playback on Sony MDS-JE510 MiniDisc deck > TOSlink fiber optical output > optical/coax converter >, coax cable > M-Audio Microtrack 24-96 > compact flash card., Fade in's and fade out's using Cool Edit Pro., Large WAVs scanned with Tracer Tech Integrity software -> no unwanted dropouts exist., Large WAVs chopped up using CD Wave Editor., SBEs fixed using Trader's Little Helper ("-fixed" removed from filenames)., Encoded to FLAC (Level 7) using Trader's Little Helper., I'm so sorry for the noisy, chatty morons seated in front of me. I wanted to shoot them, in their fucking heads, but I didn't have my firearm with me. A bunch of fuckin' jerk-offs, drinking $8 beers and acting stupid for the rest of history to listen to., Otherwise, this is a nice capture featuring a wonderful setlist. This was the longest, Bob show I've ever been to - two and a half hours! I thought he wouldn't leave the stage!, At the very end, my MiniDisc was full, and I had to insert a third blank MD., Thus, I missed the very beginning of RDW.

(a bittorrent from 07/21 is the same recording based on same clapping wavs at end of d1t2 with less spectral view above 16k because of additional md transfer; described as "Transfer from MD MZ-R35 Line Out --> PCM-M10 Line In" with filenames like "01 Wait For The Light To Shine.flac"; xref-02038)