orr, ** 16 BIT **, Source: Sonic Studios DSM-6P w/3-way lo-cut filter, position unknown (most likely @ 80hz, middle setting) > Sony WM-D6, Transfer: Master cassettes (Sony UX-Pro 90's) > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > .WAV @ 16 bit/44.1 kHz, Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); splicing, minor edits, normalize, & fades] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging), Location: About 200 feet from the stage, in front of the right stack, on top of a little ridge, Recorded & transferred by: Steve "ballsdeep" Hagar, Mastered by: Dennis Orr, Show Notes:, We waited 25 years to hear this. Ladies and gentlemen, Mr. Bob Dylan., Mastering Notes:, - A fair amount of tape hiss, mostly noticeable during quiet sections. I tried various noise reduction plugins, but none worked well enough, so I, decided to leave the hiss as it is. If I tried a low setting the change was negligible, if I tried higher settings the music was adversely affected., - Tape flip at 7:09 of "It's All Over Now, Baby Blue" - approximately 10 seconds of music lost., - Tape flip during the "Encore Break" applause - no music lost.