LB | Date | Location | CDR | Rating | Description |
---|---|---|---|---|---|
LB-6210 | xx/xx/94 | Various | 1 | BOOTLEG: If My thought dreams could be seen; cd > | |
LB-4494 | 2/5/94 | Sendai | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-6855 | 2/5/94 | Sendai, Japan | 2 | A- | BOOTLEG: Jokerman and Queen Mary; cd > ultraplex > |
LB-10854 | 2/5/94 | Sendai, Japan | 2 | A | cos11pt, COS 11 PT -> D3 - clone -> (digital |
LB-15358 | 2/5/94 | Sendai-shi | A | cos 11 sebastian lta 48, taper: Sebastian, | |
LB-3252 | 2/7/94 | Yokohama | 2 | A | Source: low gen audio disks > dBpowerAMP > flac., |
LB-6856 | 2/7/94 | Yokohama | 2 | A- | BOOTLEG: Breakfast in Yokohama; cd > ultraplex > |
LB-10856 | 2/7/94 | Yokohama, Japan | 2 | A- | ht, HT, ? -> portable DATrecorder - clone -> |
LB-10857 | 2/7/94 | Yokohama, Japan | 2 | A | cos11pt, Sebastian, COS 11 PT -> D3 - clone -> |
LB-13612 | 2/7/94 | Yokohama, Japan | A- | okm dolphinsmile 48k, Taped with Sony Dat and the | |
LB-15359 | 2/7/94 | Yokohama | A | cos 11 sebastian lta 48, taper: Sebastian, | |
LB-3253 | 2/8/94 | Tokyo | 2 | A | Source: low gen audio disks > (dBpowerAMP) flac., |
LB-7513 | 2/8/94 | Tokyo, Japan | 2 | A- | "Hide" recording, ECM-959 > TCD D7, DAT-master > |
LB-10858 | 2/8/94 | Tokyo, Japan | 2 | A | cos11pt, Sebastian, COS 11 PT -> D3 - clone -> |
LB-15360 | 2/8/94 | Tokyo | A | cos 11 sebastian lta 48, taper: Sebastian, | |
LB-3261 | 2/9/94 | Tokyo | 2 | A- | Source: low gen audio disks > (dBpowerAMP) flac. |
LB-6857 | 2/9/94 | Tokyo | 2 | BOOTLEG: Lunch in Tokyo; cd > ultraplex > eac > | |
LB-10859 | 2/9/94 | Tokyo, Japan | 2 | A- | cos11pt, Sebastian, COS 11 PT -> D3 - clone -> |
LB-11020 | 2/9/94 | Tokyo, Japan | 2 | A- | BOOTLEG: positivery 4th night; Bonus:, Budokan |
LB-15357 | 2/9/94 | Tokyo | A | lta 48, taper: unknown, Mastered by LTA 1 December | |
LB-3260 | 2/11/94 | Nagoya | 2 | A | Source: low gen audio disks > (dBpowerAMP) flac., |
LB-7018 | 2/11/94 | Nagoya | 2 | B- | Taper: "Bach", Lineage: Sony PC-62 stereo >Sony |
LB-10861 | 2/11/94 | Nagoya, Japan | 2 | A | cos11pt; Sebastian, COS 11 PT -> D3 - clone -> |
LB-15361 | 2/11/94 | Nagoya-shi | A | cos 11 sebastian lta 48, taper: Sebastian, | |
LB-3266 | 2/12/94 | Osaka | 2 | A | Source: low gen audio disks > (dBpowerAMP) flac., |
LB-4552 | 2/12/94 | Osaka | 2 | A | Equipment & Lineage, COS-11PT > handmade power |
LB-6858 | 2/12/94 | Osaka | 2 | B | BOOTLEG: Dinner in Osaka; cd > ultraplex > eac > |
LB-6859 | 2/12/94 | Osaka | 2 | B | BOOTLEG: If Not for You; cd > ultraplex > eac > |
LB-7021 | 2/12/94 | Osaka | 2 | B | Taper: "Bach", Lineage: Sony PC-62 stereo >Sony |
LB-10867 | 2/12/94 | Osaka, Japan | 2 | A | cos11pt, Sebastian, COS 11 PT -> D3 - clone -> |
LB-15362 | 2/12/94 | Osaka | A | cos 11 sebastian lta 48, taper: Sebastian, | |
LB-3267 | 2/14/94 | Kokura | 2 | A- | Source: low gen audio disks > (dBpowerAMP) flac., |
LB-6860 | 2/14/94 | Fukuoka, Japan | 2 | A- | BOOTLEG: Japan 1994; cd > ultraplex > eac > wav > |
LB-7278 | 2/14/94 | Kokura, Japan | 2 | A- | version "b"; Taper: Not certain. Source: LB-3267, |
LB-10868 | 2/14/94 | Kokura, Japan | 2 | A- | ntm, net taper M, Sennheiser MKE 2002 -> portable |
LB-15234 | 2/14/94 | Kokura | A- | lta 48, lineage: taper unknown>most likely analog | |
LB-1769 | 2/15/94 | Kokura | 2 | A | Source: Audience, Lineage: CDR > EAC v.09b4 > WAV |
LB-10870 | 2/15/94 | Kokura, Japan | 2 | A | cos11pt, Sebastian, COS 11 PT -> D3 - clone -> |
LB-5202 | 2/16/94 | Hiroshima, Japan | 2 | A | COS-11PT; [flac](2CD), new transfer from DAT |
LB-6861 | 2/16/94 | Hiroshima | 2 | A- | BOOTLEG: Through a glass Darkly; cd > ultraplex > |
LB-10766 | 2/16/94 | Hiroshima, Japan | 2 | A- | version "b", Alternative recording to 'Hide' & |
LB-10872 | 2/16/94 | Hiroshima, Japan | 2 | A | cos11pt, Sebastian, COS 11 PT -> D3 - clone -> |
LB-11062 | 2/16/94 | Hiroshima, Japan | 1 | A- | BOOTLEG: sensei; Home Records / HR 5987-9, |
LB-14921 | 2/16/94 | Hiroshima, Japan | A | cos dolphinsmile 48k, COS-11PT and Dat | |
LB-15363 | 2/16/94 | Hiroshima | A | cos 11 sebastian lta 48, taper: Sebastian, | |
LB-3270 | 2/18/94 | Urawa | 2 | A | Source: low gen audio disks > (dBpowerAMP) flac., |
LB-9495 | 2/18/94 | Urawa, Japan | 2 | A | version "a", Unknown rec. Great sound, The start |
LB-10873 | 2/18/94 | Urawa, Japan | 2 | A | cos11pt, Sebastian, COS 11 PT -> D3 - clone -> |
LB-13319 | 2/18/94 | Urawa, Japan | A | m cos11 dolphinsmile 48, taped by M with COS 11 | |
LB-4517 | 2/20/94 | Tokyo | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-7690 | 2/20/94 | Tokyo, Japan | 2 | A- | version "a"; * Based on different tracking times, |
LB-8164 | 2/20/94 | Tokyo, Japan | 2 | A- | BOOTLEG: Triple Night; plus Fillers, Fillers:, * |
LB-10141 | 2/20/94 | Tokyo, Japan | 2 | B+ | BOOTLEG: last night stand; Silver |
LB-10219 | 2/20/94 | Tokyo, Japan | 2 | A- | BOOTLEG: triple night; version "d", ((Factory |
LB-10875 | 2/20/94 | Tokyo, Japan | 2 | A- | cos11pt, Sebastian, COS 11 PT -> D3 - clone -> |
LB-15364 | 2/20/94 | Tokyo | A | cos 11 sebastian lta 48, taper: Sebastian, | |
LB-15412 | 2/20/94 | Tokyo, Japan | A | cos 11 dolphinsmile 48, Sanken COS-11>Sony | |
LB-4977 | 2/24/94 | Singapore | 2 | C | Audience recording (Full spectrum) > Unknown |
LB-9213 | 2/24/94 | Singapore | 1 | C | version "a", Lineage: Audience recording (Full |
LB-10626 | 3/23/94 | Los Angeles | 1 | A | jjt, & TRISHA YEARWOOD - Tomorrow Night, (MPEG |
LB-4211 | 4/5/94 | Springfield | 2 | A | Good audience recording, trade cd-r's > eac > flac |
LB-8383 | 4/5/94 | Springfield | 2 | A | net taper A, ??? -> portable DATrecorder - clone |
LB-3430 | 4/6/94 | Davenport | 2 | A | unknown source, amplification adjusted, gaps |
LB-7961 | 4/6/94 | Davenport, Iowa | 2 | A | version "a"; ***** No LB-number; different source |
LB-8388 | 4/6/94 | Davenport, Iowa | 2 | A | net taper A, Jokerman incomplete, dropout in Lenny |
LB-2529 | 4/7/94 | Ames | 2 | B+ | Audience recording of a fine concert. May be near |
LB-8397 | 4/7/94 | Ames, Iowa | 2 | A | br, ??? -> portable DATrecorder - clone -> |
LB-15306 | 4/7/94 | Ames, IA | A | sonic dolphinsmile 48, Sonic Studio mics and Denon | |
LB-2134 | 4/9/94 | Lawrence, KS | 2 | A | Trade CDR > EAC > FLAC |
LB-6601 | 4/9/94 | Lawrence, Kansas | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-14644 | 4/9/94 | Lawrence, KS | A | sonic dolphinsmile 48k, taped by a top | |
LB-3062 | 4/10/94 | St. Louis | 2 | B+ | Source: unknown, low generation copy, very good |
LB-7186 | 4/10/94 | St. Louis, Mo, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D7, |
LB-2119 | 4/12/94 | Coronado Theatre | 2 | A- | incomplete; DAUD > ? > Cass/1 > Hhb 830 > EAC > |
LB-2121 | 4/12/94 | Coronado Theater | 2 | A- | daud |
LB-8374 | 4/12/94 | Rockford, Illinois | 2 | A- | net taper A, cut before All Along The Watchtower, |
LB-1485 | 4/13/94 | Peoria Civic Center | 2 | B | Improved Air Remasters 080 [tape sourced] |
LB-8399 | 4/13/94 | Peoria, Illinois | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-12939 | 4/13/94 | Peoria, Illinois | A | hce ms dolphinsmile 48k, Taped by HCE MS with | |
LB-5596 | 4/15/94 | Green Bay | 2 | A | net taper A, ??? -> portable DATrecorder - clone |
LB-9263 | 4/15/94 | Green Bay, WI | 2 | B+ | aud arf, master audience recording, no LB number |
LB-9474 | 4/15/94 | Green Bay, WI | 2 | B | version "b", Audience source, Alternative |
LB-0048 | 4/16/94 | Valparaiso | 2 | B | Recording: DAUD > DAT, Transfer: Sony TCD-D8 > M. |
LB-2098 | 4/16/94 | Athletic Recreation | 2 | B | version "a";, Stereo audience recording, Note:, |
LB-5771 | 4/16/94 | Valparaiso | 2 | A- | net taper A, ??? -> portable DATrecorder - clone |
LB-8405 | 4/16/94 | Valparaiso, Indiana | 2 | A- | NTA; net taper A, ?? -> portable DATrecorder - |
LB-15210 | 4/16/94 | Valparaiso, IN | A- | lta 48, taper: unknown, lineage: Maxell HS-4/60S | |
LB-3558 | 4/17/94 | Chicago | 2 | A | D.T. Master>DAT>CDr(0)>EAC(secure)>TLH(Flac lev8 + |
LB-7946 | 4/17/94 | Chicago, Illinois | 2 | A | version "a"; ***** No LB-number(?) *****, NOTES: |
LB-9481 | 4/17/94 | Chicago, IL | 2 | A | mjs, Audience source, Alternative recording to |
LB-2469 | 4/18/94 | Chicago | 2 | A | MJS Master |
LB-4268 | 4/18/94 | Chicago | 2 | A | Taper: D.T., Linage: Neumann KM140's>Neumann BS 48 |
LB-6862 | 4/18/94 | Chicago | 2 | B+ | BOOTLEG: Simple Man Keep Waiting; cd > ultraplex > |
LB-9955 | 4/18/94 | Riviera Theatre | 1 | A- | BOOTLEG: dont dream your life, live your dream; |
LB-2497 | 4/20/94 | Champaign | 2 | A | MJS (=wario) Master |
LB-8415 | 4/20/94 | Champaign, Illinois | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-15074 | 4/20/94 | Champaign, IL | A | b dolphinsmile 48k, Taped by B with Denon dat | |
LB-4231 | 4/22/94 | Fort Wayne | 2 | A | good audience recording - samples in comments, |
LB-8426 | 4/22/94 | Fort Wayne, Indiana | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-15189 | 4/22/94 | Fort Wayne | A- | sonic studio dolphinsmile 48, Famous Dylanogist, | |
LB-0874 | 4/23/94 | Milwaukee | 2 | A- | MJS Master |
LB-2505 | 4/23/94 | Milwaukee | 2 | A | version "a"; MJS Master |
LB-7192 | 4/23/94 | Milwaukee, Wi, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D7, |
LB-8384 | 4/23/94 | Milwaukee, WI | 2 | A- | arf; The Field Recording: Sonic Studios DSM-6P |
LB-8454 | 4/23/94 | Milwaukee, Wisconsin | 2 | A | net taper A ?, ?? -> portable DATrecorder - clone |
LB-9482 | 4/23/94 | Milwaukee, WI | 2 | A | version "f", Audience source, Alternative |
LB-1356 | 4/24/94 | Mayo Civic Center | 2 | A | NET Tapers Series #1 (Taper: NTA), off-master, |
LB-13384 | 4/24/94 | Rochester, MN | A | sonic doplhinsmile 48k, Taped by famous | |
LB-2458 | 4/26/94 | Sioux City | 2 | A | |
LB-8462 | 4/26/94 | Sioux City, Iowa | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-1552 | 4/27/94 | UNIVERSITY OF | 2 | B+ | from dat master |
LB-8465 | 4/27/94 | Lincoln, Nebraska | 2 | B+ | net taper A, ?? -> portable DATrecorder - clone -> |
LB-9483 | 4/27/94 | Lincoln, NE | 2 | B+ | AKG C451EB/ck1s (Row N Seat 15_ DFC/DIN/handheld) |
LB-12481 | 4/27/94 | Lincoln, Nebraska | 2 | B+ | akg descreamed, AKG C451EB/ck1s (Row N Seat 15_ |
LB-5569 | 4/28/94 | Topeka | 2 | B+ | audiotrade (hermann), no info, audio > HD > xACT > |
LB-6863 | 4/28/94 | Topeka, KS | 2 | B+ | BOOTLEG: The Real Voice of America; cd > ultraplex |
LB-12340 | 4/28/94 | Topeka, KS | 2 | A | nta lta, Topeka, KS (NTA) *** New transfer ***, |
LB-13213 | 4/28/94 | Topeka, KS | nta lta v2 48k, taper: NET Taper A, lineage:, | ||
LB-14207 | 4/28/94 | Topeka, KS | A | nta lta v3 48k, ***Third Transfer 10-June-2019 by | |
LB-4475 | 4/30/94 | Springfield | 2 | A | Audience recording (Full spectrum) > Unknown |
LB-0737 | 5/1/94 | Jesse Auditorium | 2 | A | Received CDR from the taper, After I got them:, |
LB-7142 | 5/1/94 | Columbia, Missouri | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-9125 | 5/1/94 | Columbia, MO | 2 | A- | iar047, Improved Air Catalog Number: IA47, TITLE: |
LB-13010 | 5/1/94 | Columbia, MO | A | x sonic studio dolphinsmile 48k, taped by X with | |
LB-15636 | 5/xx/94 | various | everything source bananly, 09 to 11 May 1994 | ||
LB-0819 | 5/3/94 | Evansville | 2 | A- | |
LB-7080 | 5/3/94 | Evansville, Indiana | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-1560 | 5/5/94 | Bristol University | 2 | A- | NET Tapers Series #4, This is an off-master |
LB-6136 | 5/5/94 | Bristol, Tennesse | 2 | A- | net taper A, ?? -> portable DATrecorder - clone -> |
LB-5640 | 5/6/94 | Spartenburg | 2 | A | net taper A, ??? -> portable DATrecorder - clone |
LB-9484 | 5/6/94 | Spartenburg, SC | 2 | B | version "a", Audience recording, Alternative |
LB-5650 | 5/7/94 | Chattanooga | 2 | A | net taper A, ??? -> portable DATrecorder - clone |
LB-7189 | 5/7/94 | Chattanooga, Tn, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D7, |
LB-9476 | 5/7/94 | Chattanooga, TN | 2 | A- | version "b", Audience source, Alternative |
LB-15045 | 5/7/94 | Chatanooga TN | A | b dolphinsmile 48k, Taped by B with Denon dat | |
LB-15635 | 5/7/94 | Chatanooga, TN | A | sonic dolphinsmile 48, Sonic Studio | |
LB-4313 | 5/8/94 | Memphis | 2 | A- | audience recording - samples in comments, trade |
LB-13422 | 5/8/94 | Memphis, TN | 2 | A- | pdub dolphinsmile, Sent to me by Pdub who taped |
LB-0558 | 5/xx/94 | The Great Music | 1 | BOOTLEG: Are You Experienced; Don't Ya Tell Henry | |
LB-5325 | 5/22/94 | Nara | 1 | A | Lineage: Digital satellite TV > DAT > CDR > PC > |
LB-6864 | 7/xx/94 | Live in 94 | 1 | BOOTLEG: Exclusive Series '94; cd > ultraplex > | |
LB-5163 | 7/3/94 | Paris | 2 | A | Taper: Legendary Taper J, Source: Transferred from |
LB-6865 | 7/3/94 | Paris, France | 2 | BOOTLEG: Napolean in Rags; cd > ultraplex > eac > | |
LB-15066 | 7/3/94 | Paris, France | dolphinsmile 48k, Dat clone>File cloned in, | ||
LB-1059 | 7/4/94 | Besancon, France | 2 | B- | DAT recording, |
LB-4033 | 7/4/94 | Besancon | 2 | version "a"; cd trade > xACT > Flac's > azareus > | |
LB-4034 | 7/4/94 | Besancon | 2 | version "b"; DAT AUD [Sony RK-136 > Sony TCD-D7] > | |
LB-4361 | 7/4/94 | Palais Des Sports | 1 | A | partial; DAT AUD [possibly Sennheiser mics] > DAT |
LB-7615 | 7/4/94 | Besancon, France | 2 | B+ | version "e"; This is most likely the circulated |
LB-9926 | 7/4/94 | Besancon, France | 3 | B- | jtt, (Transfer from Low Generation Tapes, JTT), |
LB-10877 | 7/4/94 | Besanon, France | 2 | B- | local taper de b, local taper DE B, cut before |
LB-15217 | 7/4/94 | Besanon | B- | bach lta 48, taper: bach, lineage:, Shure | |
LB-4369 | 7/5/94 | Lyon | 2 | A | Schubert asm (remaster) -, not found on |
LB-5144 | 7/5/94 | Lyon, France | 2 | B+ | version "a"; Cassette trade > audio cdr > Nero |
LB-5727 | 7/5/94 | Lyon, France | 2 | C+ | version "b"; request, data dvd trade just the flac |
LB-10878 | 7/5/94 | Lyon, France | 2 | B+ | local taper de b, local taper DE B, cut before |
LB-15630 | 7/5/94 | Lyon | A | bach lta 48, taper: "Bach", lineage:, Sony PC-162 | |
LB-3373 | 7/7/94 | San Remo | 2 | the bootleg cd "The Man, the Master" is missing | |
LB-6866 | 7/7/94 | San Remo, Italy | 2 | BOOTLEG: The Man the Master; cd > ultraplex > eac | |
LB-3333 | 7/8/94 | Milan, Italy Sonoria | 2 | A- | From DAT master - unknown taper |
LB-3571 | 7/8/94 | Milano, Italy | 2 | C | version "a"; data dvd trade (flac) > azareus > |
LB-5053 | 7/8/94 | Milano, Italy | 2 | C+ | radio;; aud; from a dat dvd source with no info |
LB-10800 | 7/8/94 | Milano - Italy | 2 | B+ | beyerdynamic, Source: Audience > Beyerdynamic MCE |
LB-15056 | 7/8/94 | Milan, Italy | B | dolphinsmile 48k, cassette masters put on dat and, | |
LB-15183 | 7/8/94 | Milano, Italy | 2 | B+ | biccio59 cdr, Audience stereo recording, Lineage: |
LB-2983 | 7/9/94 | Balingen, Germany | 2 | A | taped by sh; raw |
LB-5368 | 7/9/94 | Balingen | 2 | A- | version "a"; audience recording, alternative |
LB-8355 | 7/9/94 | Balingen, Germany | 2 | A | NTF; Maggie's Farm incomplete, net taper F, OKM II |
LB-10895 | 7/9/94 | Balingen, Germany | 2 | A | ltb, legendary taper B, OKM II -> portable |
LB-2984 | 7/10/94 | Rheinpark | 2 | A | taped by sh; raw |
LB-5357 | 7/10/94 | Cologne | 2 | A- | fixed; Taper: Legendary Taper B, Source: |
LB-6867 | 7/10/94 | Cologne, Germany | 2 | A- | BOOTLEG: Love Minus Zero; cd > ultraplex > eac > |
LB-7272 | 7/10/94 | Koln, Germany | 2 | A | version "b"; Source: Unknown Audience > DAT, |
LB-10896 | 7/10/94 | Koeln, Germany | 2 | A- | local taper de c, local taper DE C, Sony 155 t -> |
LB-5216 | 7/12/94 | Montreux | 2 | A | Taper: Legendary Taper J, Source: Low-gen audio |
LB-10905 | 7/12/94 | Montreux | 2 | A- | local taper de d, local taper DE D, Sennheiser MKE |
LB-11679 | 7/12/94 | Montreux | 2 | B+ | BOOTLEG: live at montreux 1994; Bonus:, Aberdeen |
LB-2986 | 7/14/94 | Graz | 2 | A | taped by sh; raw |
LB-3043 | 7/14/94 | Graz | Fix for d1t1; NOTES: This is the same recording as | ||
LB-4085 | 7/14/94 | Graz | 2 | A | Taper: Legendary Taper D, Souce: Audio disks |
LB-9489 | 7/14/94 | Graz, Austria | 2 | A- | version "c", Audience source, Alternative |
LB-2988 | 7/15/94 | Vienna | 2 | A- | taped by sh; raw |
LB-6543 | 7/15/94 | Vienna | 2 | A- | Taper: "Bach", Lineage: Sony ECM C100 >Sony Dat |
LB-6868 | 7/15/94 | Vienna, Austria | 2 | B+ | BOOTLEG: The Wiener Club of Spaulding; cd > |
LB-10917 | 7/15/94 | Vienna, Austria | 2 | A- | ltd, legendary taper D, cut before encore, |
LB-2917 | 7/16/94 | Prague | 2 | A- | A gesture to kan144 who asked for this recording; |
LB-6116 | 7/16/94 | Prague | 2 | C | Taper: "Bach", Lineage: Sony ECM 100 >Sony Dat |
LB-6131 | 7/16/94 | Prague | 2 | A- | LTD; mic problems 1st song, cut before encore, |
LB-2540 | 7/17/94 | Cracovia Football | 1 | A- | INSIDE THE RAIN (LIVE IN POLAND VOL. 1), Don't Ya |
LB-2913 | 7/17/94 | Krakow | 1 | A | Schubert Additional Sound Master (Schubert ASM), |
LB-7068 | 7/17/94 | Krak?w, Poland | 1 | A | BOOTLEG: Shelter from the Storm; THINMAN / 011, |
LB-10918 | 7/17/94 | Krakow, Poland | 1 | A- | ltd, legendary taper D, Sennheiser MKE 2002 -> |
LB-0789 | 7/19/94 | Warsaw | 2 | A | from 'Bob Dylan in Warszawa (Live in Poland v. 2)' |
LB-0989 | 7/19/94 | Warsaw | 2 | A- | |
LB-2898 | 7/19/94 | WARSAW | 2 | A | Audience recording, Schubert's Remaster |
LB-2989 | 7/19/94 | Warsaw | 2 | A- | taped by sh; raw |
LB-3112 | 7/19/94 | Warsaw | 2 | A | unknown source |
LB-4761 | 7/19/94 | Warszawa | 2 | A | lineage:, DAT master > DAT(x) > CDr(1) > EAC |
LB-8743 | 7/19/94 | Warsaw, Poland | 2 | A | schubert asm; version "f";, Additional |
LB-14603 | 7/19/94 | Warsaw, Poland | 2 | A | BOOTLEG: shelter from the storm vol2; From the |
LB-1786 | 7/21/94 | Grossegasten | 2 | B+ | |
LB-2990 | 7/21/94 | Dresden, Germany | 2 | B+ | Taper: no information; raw |
LB-8371 | 7/21/94 | Dresden, Germany | 2 | A- | NTF; Maggie's Farm a few seconds missing, net |
LB-2991 | 7/23/94 | Halle, Germany | 2 | B | taped by sh; CVR:, Track separation corrected, |
LB-4519 | 7/23/94 | Halle | 2 | B | Taper: "Bach", Lineage: cheap Sony Micro > Sony |
LB-5365 | 7/23/94 | Halle, Germany | 2 | A- | Taper: Legendary Taper B, Source: low-gen audio |
LB-5369 | 7/23/94 | Halle | 2 | A- | version "c"; audience recording, alternative |
LB-10922 | 7/23/94 | Halle, Germany | 2 | A | ntf, net taper F, cut before encore, OKM II -> |
LB-2992 | 7/24/94 | Gotha | 2 | A | taped by sh; CVR:, Track separaton corrected |
LB-8813 | 7/24/94 | Gotha, Germany | 2 | A | version "a"; Taper: S.H., 2CDR, Fixed LB-2992 |
LB-9491 | 7/24/94 | Gotha, Germany | 2 | A- | version "b", Audience source, Alternative |
LB-12705 | 7/24/94 | Gotha, Germany | 2 | A- | version "f", From cassettes (received in trade, |
LB-1481 | 7/25/94 | Ostseehalle | 2 | B+ | Improved Air Remasters 078 |
LB-5756 | 7/25/94 | Kiel | 2 | A | net taper I, OKM II -> portable DATrecorder - |
LB-6602 | 7/25/94 | Kiel, Germany | 2 | A | ssrc; net taper I, OKM II -> portable DATrecorder |
LB-6869 | 7/25/94 | Kiel, Germany | 2 | BOOTLEG: On a Night Like This; cd > ultraplex > | |
LB-10927 | 7/25/94 | Kiel, Germany | 2 | A | ntf, net taper F, end of Maggie's Farm missing, |
LB-2488 | 8/10/94 | State Theater | 2 | A | Lineage: presumably lowgen audio cdr> (feurio) wav |
LB-4609 | 8/11/94 | Patterson | 2 | B | Audience recording (Full spectrum) > Unknown |
LB-9523 | 8/11/94 | Patterson, NY | 2 | A- | version "b", Audience source, Alternative |
LB-5598 | 8/12/94 | Stratton | 2 | A- | Taper: Legendary Taper F (=Glen Dundas), Lineage: |
LB-10463 | 8/12/94 | Stratton, VT | 2 | A | nak700, 2 Nakamichi 700s and Teac DA-P20 DAT |
LB-16083 | 8/12/94 | Stratton | dolphinsmile 48, Dat clone>File cloned in | ||
LB-6870 | 8/14/94 | Woodstock Festival | 1 | A- | BOOTLEG: North Stage; cd > ultraplex > eac > wav > |
LB-6871 | 8/14/94 | Saugerties | 2 | B+ | BOOTLEG: Woodstock 1994; cd > ultraplex > eac > |
LB-11086 | 8/14/94 | West Saugerties, NY | 1 | B+ | BOOTLEG: master of woodstock; Publisher: SUBPOP |
LB-12497 | 8/14/94 | Saugerties NY | 1 | B+ | orr, ** 16 BIT **, Source: Sonic Studios DSM-6P |
LB-15079 | 8/14/94 | Saugerties, NY | 1 | BOOTLEG: decades 61 94 disk7; Woodstock 94 | |
LB-15169 | 8/14/94 | Various Artists | bbc radio gw, 1994-08-12 to 14, Recording: BBC | ||
LB-16005 | 8/14/94 | Saugerties, NY | B+ | tv feed joebeacon, Taper : Joe D'Amico ''AKA'' | |
LB-5668 | 8/16/94 | Lewiston | 2 | A | ??? -> portable DATrecorder -> (digital transfer) |
LB-6872 | 8/16/94 | Art Park | 2 | B+ | BOOTLEG: Just Because; cd > ultraplex > eac > wav |
LB-7280 | 8/16/94 | Lewiston, NY | 2 | B+ | SBD > ? > Cassette >, DAT > CD >, Exact Audio Copy |
LB-10761 | 8/16/94 | Lewiston, New York | 2 | B+ | sbd jtt, (Mono Soundboard) Uncirculated Tape |
LB-12706 | 8/16/94 | Lewiston, NY | 2 | B+ | senn2002 dolphinsmile, taped by a good friend of |
LB-12783 | 8/16/94 | Lewiston, NY | 2 | B+ | line rec master dolphinsmile, Hard of hearing |
LB-14230 | 8/16/94 | Lewiston, NY | B+ | lta sbd 48k, ALD, ALD, source:, Assistive | |
LB-5500 | 8/17/94 | Hershey | 2 | B+ | Taper: NET Taper K., Source: Audio disks of |
LB-5333 | 8/19/94 | Pittsburgh | 2 | B+ | bach; new Transfer from Master DAT August 2007, |
LB-6873 | 8/19/94 | Pittsburg | 1 | BOOTLEG: Pittsburg 94; cd > ultraplex > eac > wav | |
LB-10700 | 8/19/94 | Pittsburgh, PA | 1 | B+ | version "c", Alternative but incomplete recording |
LB-10757 | 8/19/94 | Pittsburgh, PA | 1 | C | version "d"; incomplete concert, vg+ to ex- low |
LB-13423 | 8/19/94 | Pittsburgh, PA | B+ | dolphinsmile 48k, cass master>dat>file cloned in | |
LB-13864 | 8/19/94 | Pittsburgh, PA | 2 | C | radioshack, Source: Radio Shack 33-1065 stereo mic |
LB-4518 | 8/20/94 | Cleveland | 2 | A | Taper: "Bach", Lineage: cheap Sony Micro > DAT |
LB-7174 | 8/20/94 | Cleveland, Oh | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D7, |
LB-9500 | 8/20/94 | Cleveland, OH | 2 | A | version "e", Audience source, Alternative |
LB-3569 | 8/21/94 | Columbus | 2 | A | data dvd trade (FLAC) > azareus > torrent > dime > |
LB-4560 | 8/21/94 | Columbus | 2 | B- | Taper: "Bach", Lineage: Micro Sony > DAT Sony TCD |
LB-3179 | 8/23/94 | Louisville | 2 | A | |
LB-3207 | 8/23/94 | PALACE THEATRE | 2 | A | version "a" |
LB-12887 | 8/23/94 | Louisville, KY | A | hce b dolphinsmile 48k, taped by HCE B aka MR W. | |
LB-3572 | 8/24/94 | South Bend | 2 | A | Data DVD Trade (FLAC) Azareus > Torrent > Dime, no |
LB-13744 | 8/24/94 | South Bend, Indiana | sonic b dolphinsmile 48k, taped by B, VIP | ||
LB-15477 | 8/24/94 | South Bend, IN | A | nta lta 48, taper: NET Taper A, lineage:, Sonic | |
LB-6577 | 8/26/94 | Merrillville | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-6583 | 8/26/94 | Bob Dylan | 2 | A | version "a"; Alternative recording to NTA version. |
LB-13485 | 8/26/94 | Merrillville, IN | nta lta 48k, taper: NET taper A, lineage:, Sonic | ||
LB-14329 | 8/26/94 | Merrillville, IN | A | nta lta v2 48k, taper: NET taper A, lineage:, | |
LB-5532 | 8/27/94 | Kalamazoo | 2 | A | Taper: NET Taper A, Lineage: ??? -> DAT clone ->-> |
LB-6586 | 8/27/94 | Kalamazoo, Michigan | 2 | A- | ssrc; net taper A, ?? -> portable DATrecorder - |
LB-7148 | 8/27/94 | Kalamazoo, Mi, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D7, |
LB-13131 | 8/27/94 | Kalamazoo, MI | A | sonic dolphinsmile 48k, taped with Sonic Studio | |
LB-5536 | 8/28/94 | Kalamazoo, Michigan | 2 | A- | Taper: NET Taper A, Lineage: ??? -> DAT clone ->-> |
LB-6616 | 8/28/94 | Kalamazoo, Michigan | 2 | A- | ssrc; net taper A, ?? -> portable DATrecorder - |
LB-7152 | 8/28/94 | Kalamazoo, Mi, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D7, |
LB-15247 | 8/28/94 | Kalamazoo, MI | 2 | A- | b with sonic ds archive, taped by B with Sonic |
LB-5530 | 8/29/94 | Detroit | 2 | A- | ??? -> DAT clone -> (digital transfer) m-audio |
LB-6598 | 8/29/94 | Detroit, Michigan | 2 | A- | version "a"; ?? -> portable DATrecorder - clone -> |
LB-6617 | 8/29/94 | Detroit | 2 | B+ | BOOTLEG: Always On My Mind Vol. 1; cd > ultraplex |
LB-12996 | 8/29/94 | Detroit, Michigan | A- | crownradioshack dolphinsmile 48, taped with | |
LB-5230 | 10/1/94 | Ithaca | 2 | B+ | Trade CD > EAC > dBpoweramp > HD > Hungercity > |
LB-9237 | 10/1/94 | Ithaca, NY | 2 | B+ | version "c", lineage : CDR trade>EAC>TLH>FLAC6 > |
LB-5684 | 10/2/94 | Amherst | 2 | A- | dropout in 'All Along The Watchtower', ?? -> |
LB-13229 | 10/2/94 | Amherst, MA | A- | senn2oo2 dolphinsmile 24bit 48k;, taped on Dat | |
LB-5620 | 10/4/94 | Portland | 2 | A | ??? -> portable DATrecorder -> (digital transfer) |
LB-5502 | 10/5/94 | Portland | 2 | B | Taper: No information., Source: AUdio disks of |
LB-9224 | 10/5/94 | Portland, Maine | 2 | B | version "a", Fixed version of LB-5502. I removed |
LB-14764 | 10/5/94 | Portland, ME | 2 | B | version "c", From a cassette (received in trade, |
LB-1972 | 10/7/94 | The Orpheum Theatre | 2 | A- | Field:, Core Sound Binaural > Battery Box > Sony |
LB-3588 | 10/7/94 | Orpheum Theatre | 2 | A | version "a"; Transferred from a DAT clone, no |
LB-9050 | 10/7/94 | Boston | 2 | A | version "b"; ?? -> portable DATrecorder - clone |
LB-9095 | 10/7/94 | Boston | 2 | A | version "c"; torrenter comment:"recorded by Glen G |
LB-9839 | 10/7/94 | Boston | 2 | A | version "d", This is actually LB-9095, but the |
LB-10561 | 10/7/94 | Boston, MA | 2 | B | version "f", There are 3 disparate recordings |
LB-15077 | 10/7/94 | Boston, MA | 2 | A | stevemtl, Excellent set from Bob and band. Torrent |
LB-3589 | 10/8/94 | Boston | 2 | A | Transferred from a DAT clone, no further lineage |
LB-6874 | 10/8/94 | Orpheum, Boston,MA | 2 | A- | BOOTLEG: Blue Eyed Boston Boy; cd > ultraplex > |
LB-13906 | 10/8/94 | Boston, MA | A | p dolphinsmile 48k, I have two sets from this run | |
LB-14075 | 10/8/94 | Boston, MA | A | sennheiser m8 dolphinsmile version g 48k, taped by | |
LB-15087 | 10/8/94 | Boston, MA | 2 | A | stevemtl, Superb performance and recording. Thanks |
LB-3592 | 10/9/94 | Orpheum Theatre | 2 | A | Transferred from a DAT clone, no further lineage |
LB-12928 | 10/9/94 | Boston, MA | A | hce gg dolphinsmile 48k, an excellent recording by | |
LB-15090 | 10/9/94 | Boston | 2 | A | stevemtl, Last night of three at the Orpheum and |
LB-0685 | 10/11/94 | Burlington, VT | 2 | B+ | BOOTLEG: In Like Flynn; |
LB-5352 | 10/11/94 | Burlington, VT | 2 | A | Taper: Glen Dundas, Source: Dat master > audio |
LB-12698 | 10/11/94 | Burlington, VT | A | hce g senn2002 dolphinsmile 48k, recorded by HCE | |
LB-12742 | 10/11/94 | Burlington | 2 | A | stevemtl, Audience recording of Dylan and band; |
LB-5656 | 10/12/94 | Providence | 2 | A- | net taper M, ??? -> portable DATrecorder -> |
LB-5755 | 10/12/94 | Providence | 2 | A- | Taper: Glen Dundas (=Legendary Taper F), Source: |
LB-15346 | 10/12/94 | Providence, RI | A- | sonics dolphinsmile 48, taped with Sonics/Sony Dat | |
LB-15554 | 10/12/94 | Providence, RI | sonic studios dolphinsmile oldneumanntapr, Sonic | ||
LB-5643 | 10/14/94 | Albany | 2 | B+ | taper Glen Dundas, ??? -> portable DATrecorder - |
LB-10579 | 10/14/94 | Albany, NY | 2 | B | inc b, Alternative but incomplete recording #1 to |
LB-10580 | 10/14/94 | Albany, NY | 2 | B+ | inc c, Alternative but incomplete recording #2 to |
LB-5571 | 10/15/94 | West Point | 2 | B+ | taper: Glen Dundas, ??? -> DAT -> (digital |
LB-5575 | 10/15/94 | West Point | 2 | B+ | speed corrected; taper Glen Dundas, ??? -> DAT - |
LB-15078 | 10/15/94 | West Point, NY | B+ | dolphinsmile 48k, Jokerman, If You See Her Say | |
LB-3595 | 10/16/94 | New Haven | 2 | B+ | FLAC, from that great data dvd trade, no info on |
LB-3600 | 10/16/94 | New Haven | 2 | A | version "a"; AUD DAT Master >clones>WAV>Soundforge |
LB-12647 | 10/16/94 | New Haven | 2 | A | mk4 kingrue, Source: (R.B.'s) Schoeps MK4's (In |
LB-14780 | 10/16/94 | New Haven, | 2 | A | BOOTLEG: promises of paradise; From the private |
LB-15286 | 10/16/94 | New Haven CT | A- | sonics dolphinsmile 48, Sonics mics/dat, Dat | |
LB-11362 | 10/17/94 | Madison Square | 3 | see Grateful Dead 10/17/94, Source:Schoeps CMC5 | |
LB-4184 | 10/18/94 | New York | 2 | A | Taped By Wklitz, Source: Schoeps MK4's>Rbox>Casio |
LB-5802 | 10/18/94 | New York City | 2 | A | local taper NY: A, lineage, ? -> portable |
LB-5803 | 10/18/94 | New York City | 2 | A | BOOTLEG: Roseland; cd > ultraplex > eac > wav > |
LB-9127 | 10/18/94 | New York City | 2 | A- | Improved Air Catalog Number: IA48, TITLE: untitled |
LB-13593 | 10/18/94 | New York, NY | A | mk4 dolphinsmile 48k, Taped by MrX with, Schoeps | |
LB-5740 | 10/19/94 | New York City | 2 | A | local taper NY: A, lineage, ? -> portable |
LB-5742 | 10/19/94 | NYC | 2 | A- | BOOTLEG: New York City 94; cd > ultraplex > eac > |
LB-6875 | 10/19/94 | Roseland Ballroom | 1 | BOOTLEG: Stuck inside of Roseland with the New | |
LB-8904 | 10/19/94 | New York City | 3 | A | BOOTLEG: Positively West 52nd Street; SBD |
LB-8906 | 10/19/94 | New York City, NY | 2 | A | sbd fix lbp51;, SBD Recording out of "Positively |
LB-8918 | 10/19/94 | New York City | 3 | A | sbd fix jtt;, Positively West 52nd |
LB-15292 | 10/19/94 | New York City | boiledgutsofbirds remix 2444, Source One: | ||
LB-5715 | 10/20/94 | New York City | 2 | A | local taper NY: A, lineage, ? -> portable |
LB-5794 | 10/20/94 | New York City | 2 | A | BOOTLEG: All Along the Roseland; cd > ultraplex > |
LB-15293 | 10/20/94 | New York City | boiledgutsofbirds remix 2444, Source One: | ||
LB-0307 | 10/22/94 | Rochester | 2 | A | |
LB-14110 | 10/22/94 | Rochester, NY | A- | akg ackerman noel t 2496, Ackerman's Archive, | |
LB-5690 | 10/23/94 | Syracuse | 2 | A | ??? -> portable DATrecorder - clone -> (digital |
LB-12701 | 10/23/94 | Syracuse, NY | A | senn2002s dolphinsmile 48k, taped on dat with sony | |
LB-14206 | 10/23/94 | Syracuse, NY | A | unknown lta 48k, taper: unknown, lineage:, DAT | |
LB-3633 | 10/25/94 | Wilkes Barre | 2 | A | FLAC files, no info!!, incl, fingerprint, txt file |
LB-9528 | 10/25/94 | Wilkes-Barre, PA | 2 | A- | version "b", Alternative recording to LB-3633, |
LB-5601 | 10/26/94 | Salisbury | 2 | B | 'I'll Remember You' and 'Maggie's Farm' incomplete |
LB-3294 | 10/27/94 | Upper Darby | 2 | A | |
LB-3431 | 10/28/94 | Upper Darby | 2 | A- | unknown source, amplification adjusted, gaps |
LB-3455 | 10/28/94 | Upper Darby, PA | 2 | A | version "a" |
LB-2373 | 10/30/94 | Warner Theater | 2 | A | BOOTLEG: WASHINGTON 1994; Amsterdam AMS 729), + |
LB-5905 | 10/30/94 | Washington | 2 | A | Taper: NET Taper A, Source: audio disks > |
LB-0114 | 10/31/94 | Washington DC | 2 | A- | |
LB-5904 | 10/31/94 | Washington DC | 2 | A | Taper: NET Taper A, Source: Transferred from DAT |
LB-13145 | 10/31/94 | Washington, DC | A | tarantula lta 48k, taper: tarantula, lineage:, | |
LB-13544 | 10/31/94 | Washington, DC | 2 | A | sonics b dolphinsmile, Taped by B with Sonics and |
LB-14851 | 10/31/94 | Washington, DC | A | ds dolphinsmile 48k, taped by a Dylanologist on | |
LB-3587 | 11/1/94 | Norfolk | 2 | A | data dvd (FLAC) > Azareus > torrent . dime > ..... |
LB-4100 | 11/1/94 | Norfolk | 2 | A- | Recorded By Wklitz, Source:Schoeps |
LB-13163 | 11/1/94 | Norfolk, VA | A | tarantula 48k, 16/48, taper: tarantula, lineage:, | |
LB-3747 | 11/2/94 | ROANOKE | 2 | A- | LINEAGE UNKNOWN |
LB-16075 | 11/2/94 | Roanoke, VA | b sonic studios dolphinsmile 48, taped by B with | ||
LB-5038 | 11/4/94 | Gainesville | 2 | A | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
LB-13157 | 11/4/94 | Gainesville, GA | A | sonics dolphinsmile 48k, taped by B with Sonics | |
LB-3452 | 11/5/94 | Knoxville | 2 | B+ | DAT>CDr(0)>EAC(secure)>FLAC(level8)>Dime, Very |
LB-6103 | 11/5/94 | Knoxville, Tennessee | 2 | A- | net taper A, ? -> portable DATrecorder - clone -> |
LB-12820 | 11/5/94 | Knoxville, Tennessee | 2 | B | bige, Analog Audience Recording- 44.1kHz/16bit |
LB-0706 | 11/6/94 | Asheville | 2 | ||
LB-9299 | 11/6/94 | Asheville | 2 | version "b", Close EAC-match on LB-706, (64min | |
LB-14705 | 11/6/94 | Asheville, NC | sonic dolphinsmile 48, taped with Denon portable | ||
LB-0960 | 11/8/94 | Nashville | 2 | A | |
LB-4293 | 11/8/94 | Nashville | 2 | A | version "a"; Audience recording > Unknown transfer |
LB-9298 | 11/8/94 | Nashville, Tennessee | 2 | B+ | version "d", One of the shows which roberts was |
LB-12762 | 11/8/94 | Nashville, TN | A | hce b dplphimsmile 48k, Taped by HCE B with Denon | |
LB-13158 | 11/8/94 | Nashville, TN | A | tarantula 48k, taper: tarantula, lineage:, Sonic | |
LB-3296 | 11/9/94 | Nashville | 2 | A | |
LB-4864 | 11/9/94 | Nashville | 2 | A | version "a"; Audience recording > Unknown transfer |
LB-6217 | 11/9/94 | Nashville | 2 | A | net taper A, ? -> portable DATrecorder - clone |
LB-15320 | 11/9/94 | Nashville, TN | A | sonic dolphinsmile 48, recored on dat with a Denon | |
LB-3454 | 11/10/94 | Jackson | 2 | A- | ?>EAC(secure)>FLAC(level8)>Dime, Very Good sound |
LB-0935 | 11/12/94 | New Orleans | 2 | B+ | |
LB-5669 | 11/12/94 | New Orleans | 2 | B | net taper A, ? -> portable DATrecorder - clone |
LB-5792 | 11/12/94 | New Orleans | 2 | B | PDub, ? -> portable DATrecorder - clone ->(digital |
LB-13897 | 11/12/94 | New Orleans, LA | B | b sonic dolphinsmile 48k, taped by B with Sonic | |
LB-5603 | 11/13/94 | New Orleans | 2 | B+ | net taper A, lineage, ? -> portable DATrecorder - |
LB-15430 | 11/13/94 | New Orleans, LA | B+ | sonic studio dolphinsmile 48, taped by B with | |
LB-0040 | 11/16/94 | Sony Music Studio | 1 | A | unplugged rehearsal, stereo, |
LB-7089 | 11/16/94 | Sony Music Studios | 1 | A- | BOOTLEG: Afternoon Acoustic; Track 14: MTV |
LB-12632 | 11/16/94 | Sony Music Studios | 1 | A- | BOOTLEG: rehearsals for mtv unplugged; Label: |
LB-6425 | 11/17/94 | MTV - THE MISSING | 1 | A- | The Tracks on this CDR ARE NOT included in the |
LB-6426 | 11/17/94 | MTV | 2 | A- | BOOTLEG: Completely Unplugged; cd > ultraplex > |
LB-12130 | 11/17/94 | MTV Unplugged - Sony | 2 | A- | BOOTLEG: ghost of electricity; Hollow Horn, |
LB-15581 | 11/17/94 | Sony soundstage in | A- | BOOTLEG: uncut unplugged; C-NINE Records 7-8 . |