rtm pink robert remaster, Preboards, Righteous To Me, Sound Remaster from Pink Robert, I want to thank Pink Robert for passing this remaster to me and also for his great effort. Here is what he writes:, "I am pretty satisfied with the results, although I did not spend a lot of time in doing this, since all pre-boards suffered from the same problem: it was too cold, so I put some warmth back by adding three frequency range I found lacking. Also, I corrected levels which were occasionally out of control and all gaps I found. All in all, now it is possible to relax and to listen as very nice soundboard recording, at least a lot of them. I added all missing tracks I had as audience recordings, some with better results, some with worse and I spent most of the time doing the comparisons of pre-boards and audience to make them as close as possible. I doubt that it would be possible to be done better.", The most obvious thing Pink Robert did in his remaster was implement a hard limit, probably to address the likely presence of clipping. RTM shows tended to be recorded hot so there was plenty of opportunity for clipping. What else he did is detailed opaquely below., This Pink Robert remaster of the 1993 Paris RTM Preboards has somehow eluded being assigned a LB number (with or without a xref number). And there is no explanation present to explain where Pink Robert found the patch to fill in the cut 'Everything Is Broken' & absent 'It Ain't Me, Babe' in the RTM release of this show.