LB | Date | Location | CDR | Rating | Description |
---|---|---|---|---|---|
LB-6838 | xx/xx/93 | Live in 93 | 1 | BOOTLEG: Exclusive Series '93; cd > ultraplex > | |
LB-6839 | xx/xx/93 | Various | 1 | BOOTLEG: Lucky 13; cd > ultraplex > eac > wav > | |
LB-8620 | xx/xx/93 | TV PERFORMANCES | 1 | A- | BOOTLEG: HIGHWAY OF DIAMONDS VOL. 2; (WWL014), |
LB-0098 | 1/17/93 | Blue Jeans Bash | 1 | B- | sbd, |
LB-12086 | 1/17/93 | Washington, DC | 1 | B+ | sbd lossy jtt, THE BAND, RONNIE HAWKINS & BOB |
LB-13865 | 1/17/93 | Bill Clinton | 1 | B | chimes carbonbit mpg, (MPG & FLAC Versions), Video |
LB-15111 | 1/17/93 | Washington, DC | B+ | see Dylan-Bob 01/14/74 partial sdb plus blue jean | |
LB-15612 | 1/17/93 | Bill Clinton | B+ | serge, lineage: reel > DAT >transfer 31 August | |
LB-6840 | 2/xx/93 | London - Hammersmith | 2 | BOOTLEG: Hammersmith Highlights; cd > ultraplex > | |
LB-2343 | 2/5/93 | The Point Depot | 2 | B- | another in the Righteous To Me Series, review by |
LB-6964 | 2/5/93 | Dublin, Ireland | 2 | B- | jtt; "Pre Board ?", Bob Dylan, The Point Depot, |
LB-12411 | 2/5/93 | Dublin, Ireland | B- | verison "b" 48k, Pre-Board from Righteous To Me | |
LB-14629 | 2/5/93 | Dublin, Ireland | 2 | D | version "d", **POOR RECORDING**, The 3 entries at |
LB-14630 | 2/5/93 | Dublin, Ireland | 2 | C | version "e" inc, The 3 entries at Lossless Bob |
LB-11318 | 2/6/93 | Dublin, Ireland | 1 | B- | guest, ** w/ Bob Dylan, Elvis Costello, Bono, |
LB-1343 | 2/7/93 | London Hammersmith | 2 | A- | Legendary Tapers Series #2, (Taper: LTB), |
LB-2325 | 2/7/93 | London | 1 | B- | from the Box Set Righteous to Me 1993 Preboards |
LB-3245 | 2/7/93 | Hammersmith Odeon | 2 | JTT; GENUINE, Previously Uncirculated (Other Than | |
LB-4216 | 2/7/93 | London | 2 | version "c"; Probably an LTB recording, but may be | |
LB-5882 | 2/7/93 | London, England | 2 | A- | LTA; cut before encore, legendary taper A, ?? -> |
LB-6967 | 2/7/93 | London | 1 | B | LTA remaster; Soundboard, Source:, "Righteous to |
LB-9428 | 2/xx/93 | London, UK | 2 | A- | BOOTLEG: tomorrow nights; (liberated bootleg), Feb |
LB-12768 | 2/7/93 | London, England, U.K | A- | hce c dolphinsmile 48k, taped by HCE C with | |
LB-1550 | 2/8/93 | Hammersmith, London | 2 | B | An off-master of a recording by Legendary Taper B. |
LB-3189 | 2/8/93 | London | 2 | version "a"; Source: Audience recording, File | |
LB-5884 | 2/8/93 | London | 2 | A | LTA; cut before Everything Is Broken, legendary |
LB-6841 | 2/8/93 | London - Hammersmith | 2 | B | BOOTLEG: Apollo Landing; cd > ultraplex > eac > |
LB-6842 | 2/8/93 | London - Hammersmith | 2 | A- | BOOTLEG: The Illusion of Time; cd > ultraplex > |
LB-14704 | 2/8/93 | London | A | version "g" 48k, From a DAT (received in trade, | |
LB-14975 | 2/8/93 | London | 2 | A | senn2002 dolphinsmile, Dat from taper(Senn2002/Dat |
LB-1463 | 2/9/93 | London | 2 | A | Legendary Tapers Series #6, Off-master copy of a |
LB-2359 | 2/9/93 | London | 2 | B+ | sbd |
LB-2779 | 2/9/93 | Apollo, London | 2 | B | BOOTLEG: Just Like Zimmerman; from silver bootleg |
LB-5545 | 2/9/93 | London | 2 | B | "Uncirculated JTT Master" Incomplete, Incomplete |
LB-5895 | 2/9/93 | London, England | 2 | A | LTA; cut before encore, legendary taper A, ?? -> |
LB-8660 | 2/9/93 | London | 2 | B+ | rtm remaster pr;, Preboard (RTM), Remaster from |
LB-10674 | 2/9/93 | London, England | 2 | A | version "i", Alternative recording to 'LTA |
LB-13531 | 2/9/93 | London, England | 2 | A | cb dolphinsmile, Taped by CB with Senn2002 and |
LB-15288 | 2/9/93 | London, England | boiledgutsofbirds mtx 2444, SBD+AUD Matrix, Source | ||
LB-2327 | 2/11/93 | London | 2 | C | sbd |
LB-3212 | 2/11/93 | Hammersmith Odeon | 2 | B- | JTT;, GENUINE, Previously Uncirculated (Other Than |
LB-4364 | 2/11/93 | London | 2 | B- | JTT version "a"; "New Transfer from Master", |
LB-5462 | 2/11/93 | Hammersmith Odeon | 2 | A- | Taper: Glen Dundas, Source: GD master > audio |
LB-5855 | 2/11/93 | London | 2 | A | LTA; cut before encore, legendary taper A, ?? -> |
LB-5858 | 2/11/93 | London | 2 | A- | BOOTLEG: If Not For You; cd > ultraplex > eac > |
LB-10410 | 2/11/93 | London | 2 | A | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
LB-12425 | 2/11/93 | London, England | 2 | C | version "j", 48k; Contrast Clause: This recording |
LB-15289 | 2/11/93 | London, England | boiledgutsofbirds mtx 2444, SBD+AUD Matrix, Source | ||
LB-2337 | 2/12/93 | London | 2 | A- | sbd |
LB-4228 | 2/12/93 | London | 2 | B | Recorded by JTT, Mastered & Artwork by JTT, |
LB-5923 | 2/12/93 | London | 2 | A | LTA; cut before encore, legendary taper A, ?? -> |
LB-6843 | 2/12/93 | Hammersmith | 2 | A- | BOOTLEG: Fifth Time Around; cd > ultraplex > eac > |
LB-10411 | 2/12/93 | London | 2 | A | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
LB-12426 | 2/12/93 | London, England | 2 | A- | version "f", 49k; Contrast clause: This recording |
LB-15290 | 2/12/93 | London, England | boiledgutsofbirds mtx 2444, SBD+AUD Matrix, Source | ||
LB-2319 | 2/13/93 | Hammersmith Apollo | 2 | B | From the Box Set :, Righteous To Me - 1993, |
LB-3265 | 2/13/93 | London | 2 | B- | JTT; GENUINE, Previously Uncirculated (Other Than |
LB-4367 | 2/13/93 | London | 2 | B | JTT version "a"; "New Transfer from Master", |
LB-5981 | 2/13/93 | London, England | 2 | A | LTA; cut before encore, legendary taper A, ?? -> |
LB-15291 | 2/13/93 | London, England | B- | boiledgutsofbirds mtx 2444, With this show that is | |
LB-16004 | 2/13/93 | London, UK | B | mr sifter remaster, Remixed & remastered by Mr. | |
LB-2336 | 2/15/93 | Utrecht | 2 | A- | sbd |
LB-2390 | 2/15/93 | Vredenburg | 2 | version "a"; discs from bobzilla, review by | |
LB-2483 | 2/15/93 | Utrecht | 2 | 1993 Preboard (RTM), Remaster from Pink Robert: "I | |
LB-5321 | 2/15/93 | Utrecht. | 2 | B+ | BOOTLEG: Moving On To Holland; (soundboard), |
LB-5947 | 2/15/93 | Utrecht | 2 | A- | LTJ; cut before encore, legendary taper J, |
LB-8123 | 2/15/93 | Utrecht, Netherlands | 2 | B+ | BOOTLEG: Moving On To Holland; version "e"; |
LB-8667 | 2/15/93 | Utrecht, Holland | 2 | A- | rr;, Different version*: this is an upload of my |
LB-9652 | 2/15/93 | Utrecht, Holland | 2 | B | version "g", Alternative audio source to LTJ & |
LB-2338 | 2/16/93 | Utrecht | 2 | A- | sbd |
LB-6011 | 2/16/93 | Utrecht (Holland) | 2 | B- | version "a"; Taped with a sony dat recorder type |
LB-6019 | 2/16/93 | Utrecht | 2 | B+ | LTJ; cut before encore, few seconds of Highway 61 |
LB-6844 | 2/16/93 | Utrecht, Holland | 2 | B | BOOTLEG: Shadows in the Sound; cd > ultraplex > |
LB-8668 | 2/16/93 | Utrecht, Holland | 2 | B+ | rr;, Source: Sennheisser MKE-40/6 (2) > Sony |
LB-8739 | 2/16/93 | Vredenburg, Utrecht | 2 | A- | rtm08 version "e";, Righteous To Me 08, SHN 0.5593 |
LB-9249 | 2/16/93 | utrecht holland | 2 | B | version "f", my first upload, of this show, was |
LB-15262 | 2/16/93 | Utrecht | B+ | lta 48, lineage:, Cassette>DAT>Maxell HS-4/60S | |
LB-15264 | 2/16/93 | Utrecht | 2 | A- | sbd lta, Soundboard, ***Mastered 15 August 2021 by |
LB-2342 | 2/17/93 | EindHoven | 2 | B | Preboard, Another from the "Righteous To Me" box. |
LB-2388 | 2/17/93 | EindHoven | 2 | B | sbd |
LB-7034 | 2/17/93 | Eindhoven | 2 | A- | version "b"; aud; ?? -> portable DATrecorder - |
LB-8361 | 2/17/93 | Eindhoven (NL) | 2 | B+ | BOOTLEG: The Never Ending TOUr; Manufacturer: Take |
LB-8677 | 2/17/93 | Eindhoven | 2 | A- | rr;, Source: Sennheisser MKE-40/6 (2) > Sony |
LB-11179 | 2/17/93 | Eindhoven | 2 | B+ | BOOTLEG: never ending tour; version "e", [Take It |
LB-12427 | 2/17/93 | Eindhoven | B | version "f" 48k, Contrast clause: This is a | |
LB-2322 | 2/18/93 | Hannover | 2 | A- | from the Box Set Righteous to Me 1993 Preboards; |
LB-5705 | 2/18/93 | Hannover | 2 | A | NETF; some applause edited out by the taper, net |
LB-6845 | 2/18/93 | Hanover, Germany | 2 | BOOTLEG: It Ain't Me Babe; cd > ultraplex > eac > | |
LB-15137 | 2/18/93 | Hannover, Germany | A | okm dolphinsmile 48k, OKM mics and dat>clone>File, | |
LB-0908 | 2/20/93 | Wiesbaden | 2 | A- | |
LB-2321 | 2/20/93 | Wiesbaden | 2 | A | from the Box Set Righteous to Me 1993 Preboards; |
LB-3380 | 2/20/93 | Wiesbaden | 2 | B+ | Source: Master Aud mit Sony WWD6C + Microphon Sony |
LB-5881 | 2/20/93 | Wiesbaden, Germany | 2 | A | NTF; cut before encore, net taper F, OKM II -> |
LB-8394 | 2/20/93 | Wiesbaden | 2 | A | version "d"; From the Righteous To Me -1993 set of |
LB-8592 | 2/20/93 | Wiesbaden | 3 | B+ | version "e"; Aud, gen: Master, Note: New Transfer |
LB-12428 | 2/20/93 | Wiesbaden, Germany | A | versiojn "h" 48k, Contrast clause: This torrent | |
LB-14823 | 2/20/93 | Wiesbaden | A | ltb lta 48k, (LTB), taper: local taper B, lineage: | |
LB-0931 | 2/21/93 | Petange | 2 | B+ | |
LB-2323 | 2/21/93 | Petange | 2 | A | from the Box Set Righteous to Me 1993 Preboards; |
LB-6846 | 2/21/93 | Petange, Luxembourg | 2 | B+ | BOOTLEG: And the Never Ending Tour Band; cd > |
LB-12429 | 2/21/93 | Petange, Luxembourg | A | version "d"; 48k, Contrast clause: This recording | |
LB-15153 | 2/21/93 | Petange, Luxembourg | 2 | A- | version "f", As usual I don't have source info for |
LB-0909 | 2/23/93 | Paris | 2 | A | |
LB-2324 | 2/23/93 | Paris | 2 | B | from the Box Set Righteous to Me 1993 Preboards; |
LB-4793 | 2/23/93 | Paris | 2 | B- | version "a"; Audience recording (Full spectrum) > |
LB-5651 | 2/23/93 | Paris | 2 | A | version "c"; audience recording, alternative |
LB-12430 | 2/23/93 | Paris, France | B | version "d" 48k, Contrast clause: This recording | |
LB-15013 | 2/23/93 | Le Znith, Paris | B | rtm13 lta 48k, soundboard, source: FLAC16/48 files | |
LB-15429 | 2/23/93 | Paris, France | 2 | rtm pink robert remaster, Preboards, Righteous To | |
LB-2326 | 2/25/93 | Belfast | 2 | B+ | sbd |
LB-12431 | 2/25/93 | Belfast | B+ | version "a"; 48k, This torrent is a Pre-Board from | |
LB-0184 | 4/12/93 | Louisville | 2 | A | |
LB-0879 | 4/12/93 | Louisville | 2 | A | MJS Master, |
LB-2313 | 4/12/93 | Robert S. Whitney | 2 | A | version "b" |
LB-12557 | 4/12/93 | Louisville, KY | A | hce p dolphinsmile 48k, recorded by HCE P with | |
LB-2332 | 4/13/93 | Nashville | 2 | B | sbd |
LB-5821 | 4/13/93 | Nashville | 2 | B | version "a"; From The Box Set:, Righteous To Me:, |
LB-12412 | 4/13/93 | Nashville | 2 | B+ | version "c", From old cassettes (received in trade |
LB-15966 | 4/13/93 | Nashville, TN | B+ | sonics dolphinsmile 48, taped with Sonics and | |
LB-2328 | 4/14/93 | Nashville | 2 | B | sbd |
LB-5385 | 4/14/93 | Nashville | 2 | B- | JTT, "2nd Generation Transfer, Possibly |
LB-7194 | 4/14/93 | Nashville | 2 | B+ | version "b"; lineage : CDR (received in a trade) > |
LB-15949 | 4/14/93 | Nashville, TN | B+ | b sonic studio dolphinsmile 48, taped by B with | |
LB-2330 | 4/16/93 | Radford | 2 | B- | sbd |
LB-12413 | 4/16/93 | Radford | 2 | B+ | version "b", From my cassettes (received in trade, |
LB-12577 | 4/16/93 | Radford, VA | A | hce p dolphinsmile 48k, another exc recording from | |
LB-2331 | 4/17/93 | Knoxville | 2 | C+ | sbd |
LB-2351 | 4/17/93 | Knoxville | 2 | version "a", From the Righteous To me - 1993 set | |
LB-2368 | 4/17/93 | Civic Auditorium | 2 | A | Audience recording |
LB-4677 | 4/17/93 | Knoxville | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-14647 | 4/17/93 | Knoxville, TN | A | pl dolphinsmile 48k, Taped by PL with Crown/Radio | |
LB-2334 | 4/18/93 | Asheville | 2 | B+ | sbd |
LB-4991 | 4/18/93 | Asheville | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-10543 | 4/18/93 | Asheville, NC | 2 | B | version "c", Alternate recording to LB-2334 (board |
LB-12636 | 4/18/93 | Asheville, NC | A | hce p dolphinsmile 48k, taped by HCE P with two | |
LB-15027 | 4/18/93 | Asheville NC | A | p dolphinsmile 48k, taped by P with Crown/Radio | |
LB-2329 | 4/19/93 | Huntsville | 2 | B | sbd |
LB-6847 | 4/19/93 | Huntsville, AL | 2 | A | BOOTLEG: Hard Times in Alabama; cd > ultraplex > |
LB-6992 | 4/19/93 | Huntsville, Alabama | 2 | A | jtt; Excellent Audience Recording, SOURCE: DAT > |
LB-8741 | 4/19/93 | Huntsville, Alabama | 2 | B | version "e";, From The Box Set:, Righteous To Me:, |
LB-12440 | 4/19/93 | Huntsville, Alabama | B | version "e: 48k, RTM Pre-Board, This torrent is a | |
LB-15246 | 4/19/93 | Huntsville, AL | A | aud lta 48, lineage:, audience recording>DAT | |
LB-2335 | 4/21/93 | Monroe | 2 | B+ | sbd |
LB-4653 | 4/21/93 | Monroe | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-7160 | 4/21/93 | Monroe, La, USA | 2 | A | version "b"; Source: Sonic Studio Mics > Sony D3, |
LB-2345 | 4/23/93 | New Orleans | 2 | B+ | sbd |
LB-4994 | 4/23/93 | New Orleans | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-7064 | 4/23/93 | New Orleans, La | 2 | A | Source: Sonic Studio Mics > Sony D3, Transfer: DAT |
LB-13543 | 4/23/93 | New Orleans, LA | 2 | A | pdub dolphinsmile, Clone directly off PDub master, |
LB-6848 | 6/xx/93 | Europe | 2 | BOOTLEG: Breadcrumb Sins; cd > ultraplex > eac > | |
LB-2348 | 6/12/93 | London | 1 | B- | sbd |
LB-2419 | 6/12/93 | Fleadh Festival | 1 | B | Audience recording: cdr>eac(secure |
LB-5787 | 6/12/93 | London | 1 | B+ | net taper I, lineage, OKMII -> portable Sony |
LB-7251 | 6/12/93 | Finsbury Park | 1 | A- | legendary taper J, Sennheiser MKE2002 -> portable |
LB-12571 | 6/12/93 | London, UK | 2 | B | version "d", From a cassette (received in trade, |
LB-1925 | 6/17/93 | Tel Aviv, Israel | 2 | C- | flac, bootleg --> EAC secure mode --> flac, 630 MB |
LB-1952 | 6/17/93 | Mann Auditorium | 2 | C | Master MC (C-90 x2) > DAT > CDr (no other CDr |
LB-2346 | 6/17/93 | Mann Auditorium | 2 | B | sbd |
LB-2350 | 6/17/93 | Mann Auditorium | 2 | B | version "a"; sbd |
LB-6408 | 6/17/93 | Tel-Aviv, Israel | 2 | C | Howlin' Husky, ; Soundboard recording., Starting |
LB-1929 | 6/19/93 | Beersheva, Israel | 2 | B- | flac, aud --> CDR --> EAC secure mode --> flac, |
LB-2072 | 6/19/93 | Beersheva, Israel | 2 | B- | aud --> CDR --> EAC secure mode --> flac, This is |
LB-2347 | 6/19/93 | Beersheba, Israel | 2 | B+ | Another from the "Righteous To Me" box. One listen |
LB-2349 | 6/19/93 | Beersheba, Israel | 2 | version "a" | |
LB-4574 | 6/19/93 | Beersheba | 2 | B+ | Taper: "Bach", Lineage: Sony Dat TCD-D3 / micro |
LB-1931 | 6/20/93 | Haifa, Israel | 2 | B | flac, AUD --> CDR --> EAC secure mode --> flac, |
LB-2354 | 6/20/93 | Haifa | 2 | A- | sbd |
LB-10760 | 6/20/93 | Haifa, Israel | 2 | A- | preboard jtt, (Mixing Desk Recording) JTT, Good |
LB-10768 | 6/20/93 | Haifa, Israel | 2 | A- | pink robert, From The Box Set:, Righteous To Me, |
LB-2353 | 6/22/93 | Athens | 2 | B | sbd |
LB-6002 | 6/22/93 | Athens, Greece | 2 | B+ | JB; 'Mr Tambourine Man' and 'Cat's In The Well' |
LB-2352 | 6/23/93 | Athens | 2 | B- | sbd |
LB-6036 | 6/23/93 | Athens, Greece | 2 | B | John Bauldie, analog master -> DAT - clone -> |
LB-3451 | 6/25/93 | Naples | 2 | B | Audience recording, Unknown generation Tape > CDR |
LB-4014 | 6/25/93 | Naples | 2 | B- | version "a" |
LB-11499 | 6/25/93 | Naples, Italy | 2 | B | jtt, (Uncirculated Tape Transfer) JTT, BOB DYLAN, |
LB-2355 | 6/26/93 | Pisa | 2 | B+ | sbd |
LB-3839 | 6/26/93 | Pisa | 3 | B+ | aud |
LB-8682 | 6/26/93 | Pisa, Italy | 2 | B+ | version "b";, Righteous to Me Box Set, discs from |
LB-12451 | 6/26/93 | Pisa, Italy | B+ | version "c"; 48k, Contrast clause: This torrent is | |
LB-0912 | 6/27/93 | Milano | 2 | A | |
LB-4883 | 6/27/93 | Milan | 2 | A | version "a"; Taper: Legendary Taper J, Source: DAT |
LB-4934 | 6/27/93 | Milan | 2 | B | bravo; Taper: Unknown., Source: Audio disks > |
LB-4963 | 6/27/93 | Milan | 2 | B | version "c"; alt; Taper: Unidentified., Source: |
LB-10590 | 6/27/93 | Milan, Italy | 2 | B- | version "d", Alternative recording to |
LB-13996 | 6/27/93 | Milano, Italy | A | senn2002 dolphinsmile 48k, taped with dat and | |
LB-15460 | 6/27/93 | Milan, Italy | 2 | B | zuma66, zuma66 master, Lineage: Sony TCS 430 whit |
LB-2356 | 6/29/93 | Marseille | 2 | B | sbd |
LB-5793 | 6/29/93 | Marseille, France | 2 | A- | version "a"; I believe this set is from the same |
LB-5810 | 6/29/93 | Marseille | 2 | A | LTJ fixed; cuts before Maggie's Farm, encore, last |
LB-5811 | 6/29/93 | Marseilles | 2 | A- | BOOTLEG: Hard Times in Marseilles; cd > ultraplex |
LB-8080 | 6/29/93 | Marseille, France | 2 | A- | version "d"; PA tape, master(?) -> DAT - clone -> |
LB-12464 | 6/29/93 | Marseille, France | B | e 48, RTM Pre-Board, Lineage: | |
LB-0913 | 6/30/93 | Toulouse | 2 | A | |
LB-2379 | 6/30/93 | Toulouse | 2 | B- | sbd |
LB-5878 | 6/30/93 | Toulouse | 2 | A | version "b"; cut before encore, ??? -> DAT (clone) |
LB-11079 | 6/30/93 | Toulouse, France | 2 | A | version "c" |
LB-2381 | 7/1/93 | Barcelona | 2 | A | sbd |
LB-2484 | 7/1/93 | El Pueblo Espa | 2 | A | Schubert Remaster, obviously done from the |
LB-6849 | 7/1/93 | Barcelona, Spain | 2 | A- | BOOTLEG: From the Coast of Barcelona; cd > |
LB-2394 | 7/2/93 | Vitoria | 2 | B+ | sbd |
LB-6078 | 7/2/93 | Vitoria, Spain | 3 | B- | taper Vito, analog master -> DAT - clone -> |
LB-8544 | 7/2/93 | Vitoria, Spain | 2 | C+ | From the Basque Country Vol2, Second show of Bob |
LB-2382 | 7/4/93 | Waterford | 2 | From The Box Set:, Righteous To Me:, 1993 | |
LB-2398 | 7/4/93 | Waterford | 2 | C- | sbd |
LB-14632 | 7/4/93 | Waterford, Ireland | 2 | B+ | version "c", The 2 entries at Lossless Bob |
LB-2380 | 7/6/93 | Huesca | 2 | B | sbd |
LB-7472 | 7/6/93 | Huesca, Spain | 2 | A- | legendary taper D, Sennheiser MKE2002 -> portable |
LB-2383 | 7/8/93 | Gijon | 2 | A- | sbd |
LB-5735 | 7/8/93 | Gijon | 2 | A | legendary taper D, Sennheiser MKE2002 (?) -> |
LB-5997 | 7/8/93 | Gijon | 2 | A- | version "b"; sbd; levels go down at begin of d1t2; |
LB-10717 | 7/8/93 | Gijon, Spain | 2 | B+ | version "c", Alternative recording to 'LTD' & |
LB-11077 | 7/8/93 | Gijon, Spain | 2 | B+ | version "d" |
LB-2384 | 7/9/93 | La Coruna | 2 | A- | sbd |
LB-5720 | 7/9/93 | La Coruna | 2 | A- | legendary taper D, Sennheiser MKE2002 (?) -> |
LB-6965 | 7/9/93 | La Coruna, Spain | 2 | A- | jtt; "Pre Board ?", BOB DYLAN, Xacobe Festival, |
LB-7095 | 7/9/93 | La Coruna, Spain | 2 | B+ | version "c"; received in a trade as REMASTER of |
LB-8410 | 7/9/93 | La Coruna, Spain | 2 | C | version "d"; Lineage Unknown received in trade, |
LB-3575 | 7/10/93 | Oporto | 2 | A- | DATA DVD TRADE (FLAC) > Azareus > torrent > Dime > |
LB-5714 | 7/10/93 | Oporto, Portugal | 2 | A- | legendary taper D, Sennheiser MKE2002 (?) -> |
LB-11498 | 7/10/93 | Oporto, Portugal | 2 | B | version "b", Alternative recording to Legendary |
LB-1212 | 7/12/93 | Merida | 2 | A- | cb master |
LB-2317 | 7/12/93 | Teatro Romano | 2 | A- | from the Box Set: Righteous To Me: 1993 Preboards |
LB-2395 | 7/12/93 | Merida | 2 | A- | sbd |
LB-5556 | 7/12/93 | Merida | 2 | A | legendary Taper: D, Lineage: Sennheiser MKE2002 -> |
LB-7296 | 7/12/93 | Merida, Spain | 2 | B+ | BOOTLEG: On the Rising Curve; Soundboard recorded |
LB-7311 | 7/12/93 | Merida, Spain | 2 | B+ | BOOTLEG: ON THE RISING CURVE; version "e"; |
LB-1757 | 7/13/93 | Cascais, Portugal | 2 | A- | |
LB-2374 | 7/13/93 | Pavilmao | 2 | A- | version "a"; Sound Good Aud. A-, Lineage : |
LB-2403 | 7/13/93 | Cascais, Portugal | 2 | A | sbd |
LB-4668 | 7/13/93 | Cascais, Portugal | 2 | A- | HT Remaster, Excellent audience recording; |
LB-5717 | 7/13/93 | Cascais | 2 | A | legendary taper D, Sennheiser MKE2002 (?) -> |
LB-9152 | 7/13/93 | Cascais, Portugal | 2 | A- | iar082 |
LB-2316 | 7/17/93 | Gurten Festival | 2 | A- | from the Box Set Righteous to Me 1993 Preboards |
LB-3210 | 7/17/93 | Bern | 2 | BOOTLEG: The End of Summer; Original Soundboard | |
LB-5642 | 7/17/93 | Bern | 2 | B+ | Lineage:, Taper: unknow, [?mic -> portable |
LB-11080 | 7/17/93 | Bern, Switzerland | B+ | version "c" | |
LB-4478 | 8/20/93 | Portland | 2 | B+ | Audience recording (Full spectrum) > Unknown |
LB-5366 | 8/20/93 | Portland | 2 | A- | version"a"; audience recording - excellent sound, |
LB-5853 | 8/20/93 | Portland | 2 | A- | local taper NW: A, ?? -> portable DATrecorder - |
LB-5036 | 8/21/93 | Seattle | 2 | A- | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
LB-13514 | 8/21/93 | Seattle, WA | 2 | A- | omni dolphinsmile, Recorded on Dat using Omni |
LB-3735 | 8/22/93 | Vancouver | 2 | A- | trade datadvd (SHN) > Azareus > torrent > dime > . |
LB-13499 | 8/22/93 | Vancouver | 2 | B | version "a", Got this from the original taper know |
LB-0600 | 8/25/93 | Englewood | 2 | B+ | |
LB-7371 | 8/25/93 | Englewood, Colorado | 2 | B+ | version "a"; Taper: unidentified, Source/Lineage: |
LB-11812 | 8/25/93 | Greenwood Village | 2 | B+ | sonic whiotrader, Here's one my buddy Maddog |
LB-0133 | 8/27/93 | Falcon Heights | 2 | corrected version with full cd2 | |
LB-5903 | 8/28/93 | Milwaukee | 2 | A- | ?? -> cassette master -> DAT - clone -> (digital |
LB-7173 | 8/28/93 | Milwaukee | 2 | B+ | version "a"; I received this concert in a trade as |
LB-16081 | 8/28/93 | Milwaukee, WI | B+ | dolphinsmile, taped by Pdub with Sonic mics and | |
LB-5880 | 8/29/93 | Chicago. Illinois | 2 | A- | 1st song incomplete, at end again from analog |
LB-5562 | 8/31/93 | Clarkston | 2 | A | I made a request suggested by a couple of friends |
LB-0356 | 9/2/93 | Toronto | 2 | A- | |
LB-8657 | 9/2/93 | Toronto | 2 | A- | ltm;, cut before encore, Rainy Day Women # 12 & 35 |
LB-14498 | 9/2/93 | Toronto, ON | B+ | stevemtl 24bit, Fine audience recording of the | |
LB-5417 | 9/3/93 | Syracuse, New York | 2 | B+ | no info file |
LB-14499 | 9/3/93 | Syracuse, NY | B | stevemtl 24bit, Fair audience recording of the | |
LB-15996 | 9/3/93 | Syracuse, NY | B+ | dolphinsmile 48, Cassette Master>Dat>file cloned | |
LB-0516 | 9/4/93 | Saratoga Springs | 2 | A- | |
LB-4548 | 9/4/93 | Saratoga Springs | 2 | A- | version "a" |
LB-7794 | 9/4/93 | Saratoga Springs | 2 | A- | version "b"; * This recording is the same as |
LB-10293 | 9/4/93 | Saratoga Springs, NY | 4 | A- | nak700, Wailing Souls Santana Bob Dylan, 2 |
LB-14271 | 9/4/93 | Saratoga Springs | B | stevemtl 24, Fine audience recording for your | |
LB-0595 | 9/5/93 | Scranton | 2 | B | |
LB-6095 | 9/5/93 | Scranton | 2 | B+ | GD; legendary taper F, Sennheiser MKE2002 -> |
LB-12344 | 9/5/93 | Scranton | B+ | partial sonics 48k, I'm pretty sure this was the | |
LB-3032 | 9/8/93 | Vienna | 2 | B+ | |
LB-6102 | 9/8/93 | Vienna | 2 | B+ | version "a"; inhouse line, many analog flaws in |
LB-6106 | 9/8/93 | Vienna | 2 | B- | BOOTLEG: Not Much Is Really Sacred; cd > ultraplex |
LB-6107 | 9/8/93 | Vienna | 1 | B+ | BOOTLEG: The Real Sound; cd > ultraplex > eac > |
LB-13957 | 9/8/93 | Vienna, VA | B+ | ald lta 48k, (Assistive Listening Device), source: | |
LB-15138 | 9/8/93 | Vienna, VA | 2 | B+ | hard hearing device dolphinsmile, Hard Hearing |
LB-15533 | 9/8/93 | Wolf Trap | 1 | BOOTLEG: hard and fast; Manufacturer: Hard Beat | |
LB-0274 | 9/9/93 | Vienna | 1 | sbd, | |
LB-3049 | 9/9/93 | VIENNA | 2 | B+ | Assisted Listening Device Recording |
LB-6105 | 9/9/93 | Vienna | 2 | B+ | version "b"; low gen ALD > DAT > CD > EAC > |
LB-6851 | 9/9/93 | Wolf Trap | 2 | BOOTLEG: No Time to Think; cd > ultraplex > eac > | |
LB-2405 | 9/10/93 | Jones Beach | 4 | A- | Two Nights at Jones Beach(September 10 & 11, 1993) |
LB-4599 | 9/10/93 | Wantagh | 2 | A- | Taper: Glen Dundas, Source: Audio disks from taper |
LB-10589 | 9/10/93 | Wantagh, NY | 2 | A | version "c", Alternative recording to LB-2405 & |
LB-2406 | 9/11/93 | Jones Beach | A- | ||
LB-2997 | 9/11/93 | Jones Beach | 2 | A- | Taped and Transfered by: gdplusmore@aol.com, |
LB-10443 | 9/11/93 | Wantagh, New York | 2 | A- | version "d", master dat to clone to upload, |
LB-14854 | 9/11/93 | Wantagh, New York | 2 | A- | version "g", AUD DAT Master [unknown equipment] > |
LB-1258 | 9/12/93 | Great Woods | 2 | A | BOOTLEG: Great Woods; |
LB-3499 | 9/12/93 | Great Woods | 1 | B | aud |
LB-3568 | 9/12/93 | Great Woods | 2 | A- | aud |
LB-12259 | 9/12/93 | Mansfield | 2 | B+ | aud ljk, I was discussing (with another collector) |
LB-3759 | 9/14/93 | Holmdel | 2 | B | dvd FLAC > azareus > torrent > dime, incl, txt |
LB-4405 | 9/14/93 | Holmdel | 2 | B+ | Taper: Glen Dundas, Source: Audio disks from taper |
LB-0591 | 9/17/93 | Charlotte | 2 | C- | |
LB-3646 | 9/17/93 | Charlotte | 2 | C+ | version "a"; FLAC files, no info, incl, txt file, |
LB-4398 | 9/17/93 | Charlotte | 2 | B | Taper: Glen Dundas, Source: AUdio disks from taper |
LB-4690 | 9/17/93 | Charlotte | 2 | A- | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-5795 | 9/18/93 | Atlanta | 2 | B | GD; legendary taper F, ?? -> portable DATrecorder |
LB-7092 | 9/18/93 | Atlanta, Georgia | 2 | B+ | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-10591 | 9/18/93 | Atlanta, GA | 2 | B- | version "b", Alternative recording to Dundas & |
LB-3644 | 9/19/93 | Raleigh | 2 | C | no info, incl, txt file, fingerprints, artwork |
LB-4340 | 9/19/93 | Raleigh | 2 | B | Taper: Glen Dundas, Source: Audio disks from taper |
LB-4995 | 9/19/93 | Raleigh | 2 | A- | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-0715 | 9/21/93 | Tampa | 2 | ||
LB-12531 | 9/21/93 | Tampa, FL | B | senn dolphinsmile 48k, I found this the other day, | |
LB-15954 | 9/21/93 | Tampa, FL | B | sennheiser mk2002 dolphinsmile 48, taped by | |
LB-0717 | 9/22/93 | Miami | 2 | B | |
LB-3629 | 9/22/93 | Miami, Florida | 2 | C+ | version "a"; SHN files !!!!, no info, incl, txt |
LB-10170 | 9/22/93 | Miami FL | 2 | B | senn, my master was taped with sennheiser mk 2002 |
LB-12579 | 9/22/93 | Miami, FL | 2 | B | senn dolphimsmile fixed, I previoulsy uploaded |
LB-5921 | 9/23/93 | West Palm Beach | 2 | B+ | LTH; cut before Mr. Tambourine Man, legendary |
LB-12629 | 9/23/93 | West Palm Beach | B+ | senn2oo2 dolphinsmile 48k, This show took place at | |
LB-3631 | 10/1/93 | Costa Mesa | 2 | B+ | SHN files!!!!, no info, incl, txt file, md5 files, |
LB-5966 | 10/1/93 | Costa Mesa | 2 | B+ | NETA; first song different master, dropout in |
LB-13772 | 10/1/93 | Costa Mesa, CA | B+ | schoeps dolphinsmile 48k, Schoeps Mics>dat>clone | |
LB-0117 | 10/2/93 | Los Angeles | 2 | B+ | |
LB-5820 | 10/2/93 | Los Angeles | 2 | A- | NETA; cut between discs, net taper A, ?? -> |
LB-6852 | 10/2/93 | Hollywood Bowl | 1 | BOOTLEG: Stumblin' Along; cd > ultraplex > eac > | |
LB-9943 | 10/2/93 | Los Angeles, CA | 2 | B | version "b", Alternative audio source to NTA & |
LB-12500 | 10/2/93 | Los Angeles, CA | A- | 48k; schoeps hecc dolphinsmile, taped by (code | |
LB-13144 | 10/2/93 | HOLLYWOOD, CA | 2 | B | version "e", D3 Cassette Master -> Untracked Aiff |
LB-3781 | 10/3/93 | San Diego | 2 | A- | datadvd trade SHN >azareus > torrent > DaD, no |
LB-5912 | 10/3/93 | San Diego | 2 | A- | net taper A, ?? -> portable DATrecorder - clone -> |
LB-5563 | 10/5/93 | San Bernadino | 2 | A | for the new global moderator DON LUIS, data dvd |
LB-5930 | 10/5/93 | San Bernardino | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-15313 | 10/5/93 | San Bernardino, CA | A | nta lta 48, taper: NET Taper A, lineage: Sonic | |
LB-1084 | 10/7/93 | Concord | 2 | A | |
LB-3632 | 10/7/93 | Concord | 2 | A | version "a"; FLAC FILES, no info, incl, txt files, |
LB-5973 | 10/7/93 | Concord | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
LB-10893 | 10/7/93 | Concord CA | A | version "c", dat clone from master ex aud, | |
LB-14233 | 10/7/93 | Concord, CA | A | schoeps dolphinsmile 48k, Schoeps mics and | |
LB-5764 | 10/8/93 | Sacramento | 2 | A- | ?? -> portable DATrecorder - clone -> (digital |
LB-5840 | 10/8/93 | Sacramento | 2 | A- | Scottsays; This is a nice true mono audience |
LB-14794 | 10/8/93 | Sacramento, CA | A- | teddy ballgame 48k, From the Teddy Ballgame | |
LB-3610 | 10/9/93 | Shoreline | 2 | A- | SHN files, renaming songtitles to acceptable DIME |
LB-4996 | 10/9/93 | Mountain View | 2 | B | version "a"; Audience recording > Unknown transfer |
LB-6526 | 10/9/93 | Mountain View, Ca | 2 | A | schoeps; I am seeding a DAT clone off of the |
LB-10988 | 10/9/93 | Mountain View | 2 | A | BOOTLEG: shoreline amphitheatre 1993; |
LB-0182 | 11/16/93 | Supper Club | 1 | A- | Late, sbd, |
LB-1060 | 11/16/93 | Supper Cub | 1 | Supperclub (16 Nov 1993) Vol 1, DTS (Ambisonics) 5 | |
LB-1651 | 11/xx/93 | Supper Club, NYC | 4 | A- | "The Supper Club Upgrade" dylantree.com project; |
LB-5406 | 11/16/93 | The Supper Club | 2 | A | BOOTLEG: (And It Ain't) In The Seats Of A Supper |
LB-5409 | 11/16/93 | The Supper Club | 1 | A | BOOTLEG: The Supper Club; late show; sbd; Silver |
LB-6207 | 11/16/93 | THE SUPPER CLUB | 4 | A | JTT; COMPLETE SUPPER CLUB "SOUNDBOARDS" November |
LB-6208 | 11/16/93 | Supper Club | 1 | A | BOOTLEG: Is this what you want ?; FLU-0012, |
LB-6853 | 11/16/93 | New York - Supper | 2 | B | BOOTLEG: First Supper; cd > ultraplex > eac > wav |
LB-9366 | 11/16/93 | The Supper Club | 2 | A | BOOTLEG: live at the supper club; November 16th |
LB-11321 | 11/16/93 | The Supper Club New | 4 | A | BOOTLEG: suppers ready; Lavel:Original Master |
LB-12625 | 11/16/93 | Supper Club | A | late twolf schoeps dolphinsmile 48k, (Late Show); | |
LB-13272 | 11/16/93 | Supper Club | 4 | B | BOOTLEG: complete supper club recordings; inc, |
LB-15089 | 11/16/93 | The Supper Club | 4 | A | acidproject 058, Unplugged At Supper Club |
LB-4454 | 11/17/93 | Supper Club | 2 | B+ | (Early Show), (Late Show - Incomplete), Taper: Lee |
LB-5407 | 11/17/93 | Supper Club, NYC | 1 | A | late; sbd; lowgen; Soundboard of the 4th Supper |
LB-6197 | 11/17/93 | The Supper Club New | 1 | A | early; sbd |
LB-6356 | 11/17/93 | The Supper Club | 1 | A | SM-RM; early; 8 pm, soundboard, Part of 05 |
LB-6854 | 11/17/93 | New York - Supper | 2 | BOOTLEG: Second Supper; cd > ultraplex > eac > wav | |
LB-12627 | 11/17/93 | The Supper Club NYC | A | earlytwolf schoeps dolphinsmile 48, early, taped |