| LB | Date | Location | CDR | Rating | Description |
|---|
| LB-0963 | xx/xx/00 | Hard To Find Vol. 5 | 1 | A | BOOTLEG: Hard To Find Vol. 5,; |
| LB-8524 | xx/xx/00 | Pathway to the Stars | 2 | | part of "Compilation series from 2001"; "I've |
| LB-8525 | xx/xx/00 | 10 | 2 | | Oct to Nov 2000 fan compilation; part of |
| LB-8526 | xx/xx/00 | TOMORROW IS HARD | 4 | | no label, fan compilation; September-October 2000 |
| LB-0440 | 3/10/00 | Anaheim | 1 | A | early |
| LB-2912 | 3/10/00 | Anaheim | 1 | A- | early show; From the original silver cd., iTunes > |
| LB-3779 | 3/10/00 | Anaheim | 1 | A | Late show, dataDVD SHN azareus > torrent, no info |
| LB-4380 | 3/10/00 | Anaheim | 2 | A | version "a", (Late Show), Size: 678MB, Trade > CDR |
| LB-7204 | 3/10/00 | Anaheim, Ca, USA | 1 | A | Early Show, Source: Sonic Studio Mics PA-6 > Sony |
| LB-8757 | 3/10/00 | Anaheim and Santa | 2 | A- | BOOTLEG: highlands 2000; (Bootleg), 2000-03-10 |
| LB-14402 | 3/10/00 | Anaheim, California | 1 | A | early ntd, Early show, net taper D ?, cut before |
| LB-14404 | 3/10/00 | Anaheim, California | 2 | A | late pdub, Late show, pdub, Sonics ? -> portable |
| LB-3635 | 3/11/00 | Cal Poly University | 2 | A- | Ecxellent audience recording of another, fine 2000 |
| LB-5835 | 3/11/00 | San Luis Obispo | 2 | B+ | source: soomlos, center ga floor, core-sound |
| LB-6328 | 3/11/00 | San Luis Obispo | 2 | B- | version "b"; Lineage: trade cdrs > EAC (no errors) |
| LB-7162 | 3/11/00 | San Luis Obispo | 2 | A- | Source: Sonic Studio Mics PA-6 > Sony D8, |
| LB-11330 | 3/11/00 | San Luis Obispo | 2 | A | km140s, source: Neumann KM140s>EAA PSP/2>Sony |
| LB-11340 | 3/11/00 | San Luis Obispo, CA | 2 | A- | nyquist oldneumanntapr, FOB: (8th Row Center), |
| LB-4018 | 3/12/00 | Bakersfield | 2 | B+ | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-4101 | 3/12/00 | Bakersfield | 2 | A- | titled "This World Can't Stand Long"; cdr > EAC > |
| LB-5034 | 3/12/00 | Bakersfield | 2 | A- | fixed "This World can't Stand Long"; source:, |
| LB-7157 | 3/12/00 | Bakersfield, Ca, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
| LB-7279 | 3/12/00 | Bakersfield | 2 | A- | version "e"; source:, Dyl-Dough Cdr Escape, DYL |
| LB-13151 | 3/12/00 | BAKERSFIELD | 2 | B | d3 cassette master, D3 or D6 Cassette Master -> |
| LB-14406 | 3/12/00 | Bakersfield | 2 | A- | ntd, net taper D ?, cut before encore, Schoeps ? |
| LB-14407 | 3/12/00 | Bakersfield | 2 | A | pdub, pdub, Sonics PA-6 -> portable DATrecorder - |
| LB-4117 | 3/14/00 | Visalia | 2 | A | Audience recording > Unknown transfer > CDR(x) > |
| LB-6898 | 3/14/00 | Visalia | 2 | B+ | version "c"; Fair/Good Audience Recording, SOURCE: |
| LB-2752 | 3/15/00 | Santa Cruz Civic | 2 | A | CSHEB>D100; 44k dat > analog input otari cdr10 > |
| LB-2777 | 3/15/00 | Santa Cruz | 2 | A | Schoeps MK21>BR Box>M1, from well vine seeded by |
| LB-3784 | 3/15/00 | Santa Cruz | 3 | A | source: digital audience, recorded with schoeps |
| LB-4727 | 3/15/00 | Santa Cruz | 3 | A | dylantree.com tree version, important note:, disc |
| LB-6403 | 3/15/00 | Santa Cruz | 2 | A- | source: soomlos, center ga floor, core-sound |
| LB-7166 | 3/15/00 | Santa Cruz, Ca, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
| LB-11914 | 3/15/00 | Santa Cruz | 2 | A | neumann ak40s, Source: Neumann AK40s >LC3 >KM-100s |
| LB-13930 | 3/15/00 | Santa Cruz CA | | | dolphinsmile 48k, and, Asleep at the Wheel, dat |
| LB-2753 | 3/16/00 | Santa Cruz Civic | 2 | A | CSHEB>D100; 44k dat > analog input otari cdr10 > |
| LB-2754 | 3/16/00 | Santa Cruz Civic | 2 | A- | version "a"; -I first got a copy of this show from |
| LB-2778 | 3/16/00 | Santa Cruz Civic | 2 | A | Schoeps MK5(card)>BR Box, from well vine seeded by |
| LB-3785 | 3/16/00 | Santa Cruz, CA | | | see Bob Dylan 3/15/00, source: digital audience, |
| LB-7616 | 3/16/00 | Santa Cruz, CA | 2 | A | A Bigfoot Disc recorded and mastered to cdr by |
| LB-9710 | 3/16/00 | Santa Cruz | 2 | B+ | Recorded by "Da Weez", Transferred and mastered to |
| LB-10898 | 3/16/00 | Santa Cruz | | B+ | 48k; stevef, recorded by Steve F with Sony Dat |
| LB-12691 | 3/16/00 | Santa Cruz, CA | | B+ | sonic studio dolphinsmile 48k, dat master recorded |
| LB-0936 | 3/17/00 | Reno | 2 | A | late show |
| LB-0954 | 3/17/00 | Reno | 1 | A | early |
| LB-5736 | 3/17/00 | Reno | 2 | A- | (late show), source: soomlos, fob, center table, |
| LB-7163 | 3/17/00 | Reno, Nv, USA | 2 | A | Early Show, Source: Sonic Studio Mics PA-6 > Sony |
| LB-7164 | 3/17/00 | Reno, Nv, USA | 2 | A | Late Show, Source: Sonic Studio Mics PA-6 > Sony |
| LB-10588 | 3/17/00 | Reno, Nevada | 2 | B- | late g, (late show), Alternative recording to |
| LB-15173 | 3/17/00 | Reno, NV | 3 | A- | sony, Source : Sony ECM MS-907 mic > Sony MZ R-55 |
| LB-4118 | 3/19/00 | Pocatello | 2 | A | Audience recording > Unknown transfer > CDR(x) > |
| LB-5695 | 3/19/00 | Pocatello | 2 | B+ | source: soomlos, left center grandstand, |
| LB-0009 | 3/20/00 | Nampa, ID | 2 | B+ | from well vine, |
| LB-2525 | 3/20/00 | Nampa, Idaho | 2 | A | version "a"; source unknown |
| LB-4065 | 3/21/00 | Pullman | 2 | A- | Audience recording > Unknown transfer > CDR(x) > |
| LB-5841 | 3/21/00 | Pullman | 2 | A- | source: soomlos, 16th row center, core-sound |
| LB-4006 | 3/22/00 | Missoula | 2 | A- | Audience recording > Unknown transfer > CDR(x) > |
| LB-14426 | 3/22/00 | Missoula, Montana | 2 | A- | version "a", some audience cut before encore, ? -> |
| LB-0942 | 3/24/00 | Bozeman, Montana | 2 | A- | |
| LB-7341 | 3/24/00 | Bozeman, Montana | 2 | A- | version "a"; Unidentified taper, Source/Lineage: |
| LB-14427 | 3/24/00 | Bozeman, Montana | 2 | A- | version "b", some audience cut before encore, |
| LB-0943 | 3/25/00 | Billings, Montana | 2 | B+ | |
| LB-7354 | 3/25/00 | Billings, Montana | 2 | A | version "a"; Unidentified taper, Source/Lineage: |
| LB-8612 | 3/25/00 | Billings Montana | 2 | B+ | version 'b"; Unknown Recording Set-up > CD-Rs |
| LB-8825 | 3/25/00 | Billings Montana | 2 | B+ | version "c"; Fixed LosslessBob-8612, 2CDR, LB-8612 |
| LB-10255 | 3/25/00 | Billings, Montana | 2 | B+ | version "d", Trade CD > EAC > dbpoweramp level 8 |
| LB-14428 | 3/25/00 | Billings, Montana | 2 | B+ | version "e", ?? -> portable DATrecorder - clone |
| LB-4007 | 3/26/00 | Casper | 2 | A | Audience recording > CDR(x) > EAC (Secure/Offset) |
| LB-7367 | 3/26/00 | Casper, Wyoming | 2 | A | version "a'; Unidentified taper, Source/Lineage: |
| LB-3977 | 3/27/00 | Rapid City | 2 | B+ | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-7980 | 3/27/00 | Rapid City | 2 | B | version "a"; ***** Didn't find an LB-reference. |
| LB-8605 | 3/27/00 | Rapid City | 2 | B+ | version "b"; MiniDisc> Computer Hard Drive -Tracks |
| LB-8606 | 3/27/00 | Rapid City | 2 | B+ | version "c"; (audience recording #2), MiniDisc > |
| LB-8623 | 3/27/00 | Rapid City | 2 | A- | version "d"; (audience recording #3), Unknown |
| LB-3502 | 3/29/00 | Bismark N.D | 2 | C+ | I got the discs in a trade. Extracted with |
| LB-4343 | 3/29/00 | Bismarck | 2 | A | version "a"; audience recording, trade cd-r's > |
| LB-3787 | 3/30/00 | Fargo | 2 | | Decent audience recording., cd>wav>flac |
| LB-3789 | 3/30/00 | Fargo, ND | 2 | A | version "a"; cdr trade > ultraplex > eac > wav > |
| LB-7374 | 3/30/00 | Fargo, North Dakota | 2 | A | version "b"; Unidentified taper, Source/Lineage: |
| LB-4019 | 3/31/00 | Rochester | 2 | A- | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-4022 | 3/31/00 | Rochester, MN | 2 | A- | 6th row center with Core Sound Binaurals > |
| LB-8293 | 3/31/00 | Rochester, Minnesota | 2 | A | sullylove; This was a weird set up on this night., |
| LB-14299 | 3/31/00 | Rochester, MN | 2 | A- | bk4021 dolphinsmile, B&K 4021 Microphones>Dat |
| LB-14494 | 3/31/00 | Rochester, Minnesota | 2 | A- | version "g", AUD DAT Master [unknown equipment] > |
| LB-4109 | 4/1/00 | Sioux Falls | 2 | B+ | Audience recording > ? > CDR(x) > EAC |
| LB-4110 | 4/1/00 | Sioux Falls | 2 | B+ | CSC (8th Row Center) > D8 > HHB 850 > DAE > Sound |
| LB-4906 | 4/1/00 | Sioux Falls | 2 | A- | Madhasse 2007 Remaster, Lossless |
| LB-3628 | 4/3/00 | Cedar Rapids | 2 | B+ | An excellent audience recording of a very good |
| LB-4000 | 4/4/00 | Omaha | 2 | A | Audience recording > ? > CDR(x) > EAC (Secure) > |
| LB-4001 | 4/4/00 | Omaha, NE | 2 | A- | 9th row and a little on the right side with Core |
| LB-7387 | 4/4/00 | Omaha, Nebraska | 2 | A- | version "b"; Unidentified taper, Source/Lineage: |
| LB-11261 | 4/4/00 | Omaha, Nebraska | 2 | B+ | version "c", Alternative recording to LB-4000 & |
| LB-3074 | 4/5/00 | Salina | 2 | A- | |
| LB-12512 | 4/5/00 | Salina, Kansas | 2 | A- | at933s, AT-933s w/ AT-853 cardioid capsules > D-8, |
| LB-2075 | 4/6/00 | Fillmore Auditorium | 2 | A | version "a" |
| LB-5957 | 4/6/00 | Fillmore Auditorium | 2 | A | |
| LB-6988 | 4/6/00 | Denver, Colorado | 2 | A | version "b"; Excellent Audience Recording, SOURCE: |
| LB-11832 | 4/6/00 | Denver, Colorado | 2 | A- | whotrader, Last show of the tour. I did not record |
| LB-15304 | 4/6/00 | Denver, CO | | A | mbho, Source:, MBHO KA200N>Actives>603a>MP-2>M1, |
| LB-1342 | 5/6/00 | Zurich, Switzerland | 2 | A | Schubert 01 |
| LB-7403 | 5/6/00 | Zurich, Switzerland | 2 | A | version "a"; no info about lineage and taper... |
| LB-7425 | 5/6/00 | Zurich, Switzerland | 2 | A | Schubert-recorded-ASM, from trade HD (thanks to |
| LB-7442 | 5/6/00 | Zurich, Switzerland | 2 | A | version "b"; alternate recording, Stereo audience |
| LB-14989 | 5/6/00 | Zurich, Switzerland | 2 | B+ | version "h", Alternative recording to |
| LB-1341 | 5/8/00 | Stuttgart | 2 | A | Schubert 02; with additional SoundMastering (a |
| LB-4219 | 5/8/00 | Stuttgart | 2 | A | BOOTLEG: I'll Be Your Baby Tonight; Silver discs > |
| LB-4825 | 5/8/00 | Stuttgart | 2 | A | Source: Soundman OKM-IIr > Sony SBM-1 > Sony |
| LB-6323 | 5/8/00 | Stuttgart | 2 | A | recorded by NIM, trade>cdr>wav>flac |
| LB-8199 | 5/8/00 | Stuttgart | 1 | A | version "c"; SCHUBERT REC + ASM, FLAC audio files, |
| LB-1435 | 5/9/00 | Oberhausen, Germany | 2 | A | recorded and mastered by Schubert; , Neumann |
| LB-9055 | 5/9/00 | Oberhausen | 2 | A- | nim;, recorded by NIM, OKM -> MZ-NH1 -> cooledit |
| LB-1190 | 5/11/00 | Cologne, Germany | 2 | A | Schubert's recording of Cologne May 11, 2000 |
| LB-3211 | 5/11/00 | Cologne, Germany | 2 | A- | (Rattlesnake 038/039) From my original silver cds. |
| LB-7454 | 5/11/00 | Cologne | 2 | B+ | BOOTLEG: DON'T TALK TO STRANGERS; Strange Records |
| LB-8203 | 5/11/00 | Cologne | 2 | A | version "f"; SCHUBERT REC + ASM, FLAC audio files, |
| LB-10081 | 5/11/00 | Koeln, Germany | 2 | A- | h2h rec; torrent description also included |
| LB-11926 | 5/11/00 | Cologne | 2 | A- | nim, recorded by NIM, OKM -MZ-NH1 -cooledit |
| LB-1155 | 5/12/00 | Hannover | 2 | A | Schubert's recording of Hannover, May 12, 2000, |
| LB-4618 | 5/12/00 | Hannover | 2 | A | version "c"; My copy of this show dates back to |
| LB-4619 | 5/12/00 | Hanover, Germany | 2 | A- | Sonic Studio DSM6-S>D7, (tao gaps were fixed |
| LB-5085 | 5/12/00 | Hannover | 2 | A | Taper: "Bach", Linieage: OKM II R > Sony Dat |
| LB-10803 | 5/12/00 | Hannover, Germany | 2 | B+ | version "d", Alternative recording to Schubert, |
| LB-11479 | 5/12/00 | Hannover | 2 | A | nim, recorded by NIM, trade>cdr>wav>flac |
| LB-14478 | 5/12/00 | Hannover, Germany | 2 | A | ltb, legendary taper B, ? -> portable DAT-recorder |
| LB-1434 | 5/13/00 | Lund | 2 | A | recorded and mastered by Schubert |
| LB-14988 | 5/13/00 | Lund, Sweden | 2 | B- | version "f", Alternative recording to LB-1434 |
| LB-3038 | 5/14/00 | Gothenburg | 2 | A- | A terrific recording*****, Lineage: CD Boot > EAC |
| LB-3979 | 5/14/00 | Scandinavium | 2 | A- | Core Sound Binaurals, Sharp MD-702, CDR, EAC, WAV, |
| LB-3984 | 5/16/00 | Helsinki | 2 | A- | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-11339 | 5/16/00 | Helsinki, Finland | 2 | A- | version "b", unknown source, sorry, no more |
| LB-1995 | 5/18/00 | Globe Arena | 2 | A | BOOTLEG: OH ME OH MY COUNTRY PIE; Crystal Cat |
| LB-3970 | 5/18/00 | Globe Arena | 2 | A | Core Sound Binaurals - Sharp MD-702 - CDR - EAC - |
| LB-8746 | 5/18/00 | Stockholm, Sweden | 2 | A | BOOTLEG: OH ME OH MY COUNTRY PIE; cc version "c";, |
| LB-1437 | 5/19/00 | Oslo | 2 | A- | Schubert |
| LB-3459 | 5/19/00 | Oslo, Norway | 2 | B+ | The End Of Time (has just begun) (off master), I |
| LB-4601 | 5/19/00 | Spektrum, Oslo | 2 | B+ | THB Off-Master, This is a different source than |
| LB-5703 | 5/19/00 | Oslo | 2 | A- | MM, lineage, Core Sound Binaurals -> DAT - clone |
| LB-2516 | 5/21/00 | Horsens Theater | 2 | A- | BOOTLEG: Horsens Theater; Crystal Cat / CC 526-27 |
| LB-5564 | 5/21/00 | Horsens | 2 | A- | Off DAT clone(s), NET Taper B, Source/Linage:, OKM |
| LB-5618 | 5/21/00 | Horsens | 2 | A- | Recorded by unknown, Lineage: unknown, Remastered |
| LB-5685 | 5/21/00 | Horsens | 2 | A- | schubert remaster 2008; Recorded by: unknown, |
| LB-5707 | 5/21/00 | Horsens NY Teater | 2 | A | Recorded by: bach, Lineage: OKM II -> TCD-D100, |
| LB-5796 | 5/21/00 | Horsens NY Teater | 2 | A | version "e"; Recorded by: bach, Lineage: OKM II |
| LB-7669 | 5/21/00 | Horsens, Denmark | 2 | A- | BOOTLEG: Horsens Teater; version "f"; Manufacturer |
| LB-1438 | 5/23/00 | Berlin | 2 | A- | Schubert |
| LB-4220 | 5/23/00 | Berlin Arena | 2 | A | BOOTLEG: Somebody Touched Me; Silver disc > EAC > |
| LB-4572 | 5/23/00 | Berlin; Germany | 2 | A | a schubert recording, with additional |
| LB-15017 | 5/23/00 | Berlin, Germany | 2 | B+ | version "d", Alternative recording to LB-1438 / |
| LB-3386 | 5/24/00 | Dresden, Germany | 2 | A- | BOOTLEG: Happy Birthday; SILVER CD > EAC > WAV > |
| LB-4446 | 5/24/00 | Dresden; Germany - | 2 | A | schubert; 60th Birthday Party, "I Will Remember |
| LB-5713 | 5/24/00 | Dresden, Germany | 2 | A- | Taper: "Bach", Linieage: OKM II R > Sony Dat |
| LB-13969 | 5/24/00 | Dresden, Germany | | A- | neumann dolphinsmile 48k; Neumann SKM140>DAT>clone |
| LB-15018 | 5/24/00 | Dresden, Germany | 2 | B+ | version "e", Alternative recording to |
| LB-1439 | 5/25/00 | Regensburg | 2 | A | Schubert |
| LB-10677 | 5/25/00 | Regensburg, Germany | 2 | A | version "b", Alternative recording to 'Schubert', |
| LB-1440 | 5/27/00 | Modena | 2 | A | recorded and mastered by Schubert |
| LB-4541 | 5/27/00 | Modena | 2 | A- | Taper: "Bach", Lineage > OKM II R > Sony DAT |
| LB-7481 | 5/27/00 | Modena, Italy | 2 | B+ | version "b'; Very Good Audience Recording, |
| LB-13270 | 5/27/00 | Modena | | | tarantula 48k, taper: tarantula, lineage:, Sonic |
| LB-15176 | 5/27/00 | Modena, Italy | 2 | B+ | biccio59 cdr, Audience stereo recording, Lineage: |
| LB-15310 | 5/27/00 | Modena, Italy | 2 | B+ | zuma66, zuma66 master, CD RIP |
| LB-2019 | 5/28/00 | Palavobis | 2 | A | from dat master |
| LB-3833 | 5/28/00 | Milano Palavobi | 2 | | version "a"; Excellent audience recording, an |
| LB-5180 | 5/28/00 | Milano | 2 | A | Taper: "Bach", Linieage: OKM II R > Sony Dat |
| LB-5250 | 5/28/00 | Milan | 2 | A | version "b"; Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
| LB-10199 | 5/28/00 | Milan, Italy | 2 | A | schubert asm |
| LB-1477 | 5/30/00 | Florence | 2 | A- | recording and soundmastering by Schubert |
| LB-5822 | 5/30/00 | FLORENCE | 2 | B | version "a"; EAC-Traders little helper-HC |
| LB-5825 | 5/30/00 | Florence, Italy | 2 | B | version "b" |
| LB-13271 | 5/30/00 | Firenze | | | tarantula 48k, taper: tarantula, lineage:, Sonic |
| LB-15020 | 5/30/00 | Florence, Italy | 2 | B+ | version "f", Alternative recording to LB-1477 |
| LB-3962 | 5/31/00 | Ancona | 2 | A- | Audience recording > ? > CDR(x) > EAC (Secure) > |
| LB-7408 | 5/31/00 | Ancona | 2 | A- | version "a"; No info about taper and lineage bou |
| LB-10220 | 5/31/00 | Ancona, Italy | 2 | A- | schubert asm |
| LB-14361 | 5/31/00 | Ancona | | B+ | tarantula lta 48k, taper: Tarantula-, lineage:, |
| LB-1443 | 6/2/00 | Cagliari, Italy | 2 | A | Schubert, |
| LB-1471 | 6/15/00 | Roseland Theater | 2 | B+ | Conversion: CDR>EAC(secure)>MKW Audio Compression |
| LB-2561 | 6/15/00 | Roseland Theatre - | 2 | A- | Neumann Km184>D8>Cdr>Eac>Goldwave>Cdwav>Flac, |
| LB-5361 | 6/15/00 | Portland | 2 | A- | version "b"; ROSELAND THEATER, no label 2CDR, |
| LB-6523 | 6/15/00 | Portland Oregon | 2 | B+ | version "d"; Taper: Unidentified, Source: audio |
| LB-6932 | 6/15/00 | Portland, Oregon | 2 | B+ | JTT; Although there have been a couple of copies |
| LB-8763 | 6/15/00 | Portland Oregon | 2 | B+ | version "e"; AUD > ? > SHN upload "This gem of a |
| LB-1666 | 6/16/00 | Portland, OR | 2 | A | version "a"; |
| LB-2549 | 6/16/00 | Portland Meadows - | 2 | A | Neumann Km184>D8>Cdr>Eac>Flac, Opened For Phil |
| LB-6530 | 6/16/00 | Portland, OR | 2 | A | version "c"; Taper: Unidentified, Source: audio |
| LB-6550 | 6/16/00 | Portland, OR | 2 | A | |
| LB-9225 | 6/16/00 | Portland, Oregon | 2 | A | BOOTLEG: it takes a lot to laugh; Nice quality |
| LB-10093 | 6/16/00 | Portland, Oregon | 2 | A | version "d"; no info file in torrent but |
| LB-0006 | 6/17/00 | George, WA | 2 | A | CSHEB w/ bass roll-off active > M1, trade cdr > |
| LB-3185 | 6/17/00 | George | 2 | A- | version "a";, CDR -> WAV -> FLAC, Not sure which |
| LB-4324 | 6/17/00 | George | 2 | A | version "b"; Taper/lineage: unknown, An excellent |
| LB-6544 | 6/17/00 | George | 2 | A | version "c"; Taper: Unidentified, Source: audio |
| LB-8768 | 6/17/00 | George, Washington | 2 | A | version "d"; Fixed LosslessBob LB-6544, Lineage:, |
| LB-8781 | 6/17/00 | George, Washington | 2 | A | version "e";, Fixed LosslessBob LB-8768, Lineage:, |
| LB-0005 | 6/18/00 | George, WA | 2 | A | CSHEB w/ bass roll-off active > M1 |
| LB-2135 | 6/18/00 | Washington State | 2 | A- | BOOTLEG: Columbia Recorded Artist; Review:, This |
| LB-6549 | 6/18/00 | George, WA | 2 | A | version "b"; Taper: Unidentified, Source: ausio |
| LB-9333 | 6/18/00 | George, Washington | 2 | A- | BOOTLEG: columbia recorded artist; version "c", |
| LB-10207 | 6/18/00 | George, Washington | 2 | A | schubert asm |
| LB-1664 | 6/20/00 | Medford, OR | 2 | A | version "a" |
| LB-2457 | 6/20/00 | Medford | 2 | A- | version "b", "Crash On the Levee", Source:, |
| LB-6553 | 6/20/00 | Medford | 2 | A | version "c"; Taper: Unidentified, Source: audio |
| LB-10208 | 6/20/00 | Medford, Oregon | 2 | A | schubert asm |
| LB-1373 | 6/21/00 | Marysville, CA | 2 | A | JT series |
| LB-1667 | 6/21/00 | Marysville, CA | 2 | | version "a" |
| LB-2740 | 6/21/00 | Marysville | 2 | A | DPA 4061's -> D8, seats: (Sec3, Row 11, Seat 3), |
| LB-6556 | 6/21/00 | Marysville, CA | 2 | A | version "d"; Taper: Unidentified, Source: audio |
| LB-6558 | 6/21/00 | Marysville, CA | 2 | A | version "b"; trade cdr > eac > wav > flac |
| LB-10209 | 6/21/00 | Marysville | 2 | A | schubert asm |
| LB-13152 | 6/21/00 | MARYSVILLE | 2 | B- | d3 cassette master, D3 Cassette Master -> |
| LB-15171 | 6/21/00 | Wheatland, CA | 1 | B+ | kingrue, Source : Sony ECM MS-907 mic > Sony MZ |
| LB-1408 | 6/23/00 | Concord | 2 | A | JT series |
| LB-2538 | 6/23/00 | Chronicle Pavilion | 2 | A- | CSHEB>D100>44k dat; 10th row, left of left hanging |
| LB-8158 | 6/23/00 | Concord, California | 2 | A | version "b"; Taper: Unidentified., Source: Audio |
| LB-10210 | 6/23/00 | Concord, California | | A | schubert asm |
| LB-11331 | 6/23/00 | Concord, California | 2 | A | mbhos, source: MBHO KA200s>EAA PSP/2>Sony |
| LB-13153 | 6/23/00 | CONCORD | 2 | B- | d3 cassette master, D3 Cassette Master -> |
| LB-14549 | 6/23/00 | Concord, California | 2 | A | mg cd, MG, Schoeps ? -> DAT, low gen audio discs |
| LB-14550 | 6/23/00 | Concord, California | 2 | A | mg, MG, Schoeps? -> portable DAT-recorder |
| LB-2541 | 6/24/00 | Mountain View | 2 | A | CSHEB>D100>44k dat; 15th row just to left of left |
| LB-2542 | 6/24/00 | Shoreline | 2 | A- | SOURCE : AUD recording of unknown generation, |
| LB-6490 | 6/24/00 | Mountain View | 2 | A | version "b"; Taper: Unidentified., Source: Audio |
| LB-11471 | 6/24/00 | Mountain View, CA | 2 | A | hu oldneumanntapr1, AKG C-61's (ORTF)->Active |
| LB-13154 | 6/24/00 | MOUNTAIN VIEW | 2 | B- | d3 cassette master, D3 Cassette Master -> |
| LB-0046 | 6/25/00 | Reno Hilton | 2 | A- | |
| LB-15177 | 6/25/00 | Reno, NV | 2 | A- | sony ecm, Source : Sony ECM MS-907 mic > Sony MZ |
| LB-3956 | 6/27/00 | Las Vegas | 2 | A | Audience recording > ? > Trade CDR > EAC (Secure) |
| LB-6479 | 6/27/00 | Las Vegas, Nevada | 2 | A- | version "b"; Taper: Unidentified., Source: audio |
| LB-6928 | 6/27/00 | Las Vegas, Nevada | 2 | A | JTT; Excellent Audience Recording, SOURCE: DAT |
| LB-10211 | 6/27/00 | Las Vegas, Nevada | 2 | A- | schubert asm |
| LB-3936 | 6/29/00 | Irvine, California | 2 | A | version "b"; trade cdrs > eac > wav > flac; |
| LB-3937 | 6/29/00 | Irvine | 2 | B+ | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-6929 | 6/29/00 | Irvine, California | 2 | B | JTT; Very Good Audience Recording, SOURCE: DAT |
| LB-13218 | 6/29/00 | IRVINE, CA | | B- | d3 cassette master, D3 Cassette Master -> |
| LB-0016 | 6/30/00 | Ventura | 2 | A | |
| LB-6734 | 6/30/00 | Ventura, California | 2 | B+ | JTT; Very Good Audience Recording, SOURCE: DAT |
| LB-13164 | 6/30/00 | VENTURA | | B- | d3 cassette master, D3 Cassette Master -> |
| LB-0008 | 7/1/00 | Del Mar Fairgrounds | 2 | A- | |
| LB-1695 | 7/1/00 | Del Mar Fairgrounds | 2 | A- | Source: Audience DAT recording, Lineage: DAT > |
| LB-6931 | 7/1/00 | Del Mar, California | 2 | B- | JTT; Fair/Good Audience Recording, SOURCE: |
| LB-8834 | 7/1/00 | Del Mar | 2 | A- | version "c";, Taper: Unidentified., Source: audio |
| LB-13165 | 7/1/00 | DEL MAR | | B- | d3 cassette master, Cassette Master -> Untracked |
| LB-2414 | 7/3/00 | Albuquerque | 2 | A | from dat master |
| LB-6545 | 7/3/00 | Albuquerque | 2 | B | version "a"; Taper: Unidentified., Source: audio |
| LB-15122 | 7/3/00 | Albuquerque, NM | 2 | A- | version "b", Alternative recording to LB-2414 / |
| LB-4004 | 7/6/00 | Oklahoma City | 1 | B | Audience recording > Unknown transfer > CDR(x) > |
| LB-6563 | 7/6/00 | Oklahoma City | 2 | B+ | version "a"; Taper: Unidentified, Source: audio |
| LB-3961 | 7/7/00 | Bonner Springs | 2 | A- | Audience recording > ? > Trade CDR > EAC (Secure) |
| LB-3963 | 7/7/00 | Bonner Springs | 2 | B | version "a" |
| LB-5068 | 7/7/00 | Bonner Springs | 2 | B+ | From Master Tapes, Sony D-6 w/ Sonic Studios>Cool |
| LB-6559 | 7/7/00 | Bonner Springs | 2 | A- | version "c"; Taper: Unidentified., Source: audio |
| LB-12507 | 7/7/00 | Bonner Springs | 2 | A- | at933, AT-933s w/ AT-953 cardioid capsules > D-8 > |
| LB-4017 | 7/8/00 | Maryland Heights | 2 | B | Trade > CDR > .Aiff > xACT > .FLAC |
| LB-5208 | 7/8/00 | Maryland Heights | 2 | B | version "a"; Audience MD recording > MD(m) > |
| LB-6996 | 7/8/00 | Maryland Heights | 2 | A | version "b"; Taper: Unidentified, Source: audio |
| LB-10224 | 7/8/00 | Maryland Heights | 2 | A- | schubert asm |
| LB-3971 | 7/9/00 | Noblesville | 2 | C+ | Audience MD recording > MD(m) > ?unknown transfer? |
| LB-3972 | 7/9/00 | Noblesville, IN | 2 | A- | version "a"; trade cdr > ultraplex > eac > wav > |
| LB-6997 | 7/9/00 | Noblesville, IN | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
| LB-3933 | 7/11/00 | Cincinnati | 2 | A- | Audience recording > ? > Trade CDR > EAC (Secure) |
| LB-6963 | 7/11/00 | Cincinnati | 2 | A- | version "a"; Taper: Unidentified, Source: audio |
| LB-12925 | 7/11/00 | Cincinnati, Ohio | 2 | A- | jobe, LUCIFER BURN Presents A New Series On DIME., |
| LB-3934 | 7/12/00 | Moline | 2 | B+ | Audience recording > ? > FLAC > Trade DVD > HD > |
| LB-14579 | 7/12/00 | Moline, Illinois | 2 | B+ | version "a", ? -> portable DAT-recorder - clone |
| LB-3953 | 7/14/00 | Minneapolis | 2 | B+ | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-7006 | 7/14/00 | Minneapolis, MN | 1 | A | sbd inc; Phil Lesh And Friends / Bob Dylan, |
| LB-7023 | 7/14/00 | Minneapolis, MN | 1 | A | Soundboard,, Incomplete; LTA remaster; Soundboard |
| LB-8856 | 7/14/00 | Minneapolis | 2 | B | version "c";, I have received this in a trade |
| LB-0030 | 7/15/00 | Alpine Valley Music | 2 | A- | Neumann KM-184s-> Denecke PS-2-> INBOX-> M1, FOB/ |
| LB-12503 | 7/15/00 | East Troy, Wisconsin | 2 | A- | sonic flacf, I got this show from an old head |
| LB-14925 | 7/15/00 | East Troy, WI | 2 | B+ | alt1, Alternative recording #1 to (LB-0030 Neumann |
| LB-14926 | 7/15/00 | East Troy, WI | 2 | A | alt2, Alternative recording #2 to (LB-0030 Neumann |
| LB-0004 | 7/16/00 | Clarkston, MI | 2 | | |
| LB-7106 | 7/16/00 | Clarkston | 2 | B+ | version "a"; No source information, Audio CDR to |
| LB-3104 | 7/18/00 | Toronto | 2 | A- | An additional sound master (ASM), Lineage: Audio |
| LB-5696 | 7/18/00 | Toronto | 2 | A- | Luisbp51; An additional sound master (ASM) by my |
| LB-13372 | 7/18/00 | Toronto | 2 | B+ | version "b", I'm filling in a few more gaps from |
| LB-3322 | 7/19/00 | Canandaigua | 2 | B | unknown source |
| LB-3323 | 7/19/00 | Canandaigua | 2 | A- | version "a"; trade cdr > ultraplex > eac > wav > |
| LB-7241 | 7/19/00 | Canandaigua | 2 | B+ | version "b"; Unidentified taper, Source/Lineage: |
| LB-10606 | 7/19/00 | CANANDAIGUA NEW YORK | 2 | B+ | krw co, A bigdaddybflo ANALOG MASTER KRW_CO |
| LB-3957 | 7/21/00 | Hartford | 2 | A | Audience recording > ? > CDR > EAC (Secure) > WAV |
| LB-6506 | 7/21/00 | Hartford | 2 | A | version "a"; Taper: Unidentified., Source: audio |
| LB-7242 | 7/21/00 | Hartford | 2 | A- | Olav ASM, Unidentified taper, Source/Lineage: no |
| LB-14698 | 7/21/00 | Hartford, CT | | A | akg ackerman noel 2448, Ackerman Archives, Source |
| LB-3168 | 7/22/00 | Mansfield | 2 | A- | Unwanted Man Music 009, "Don't Get Up Gentlemen", |
| LB-4221 | 7/22/00 | Mansfield | 2 | B+ | BOOTLEG: Things Have Changed; Commercial cdr > EAC |
| LB-6502 | 7/22/00 | Mansfield | 2 | A | versio "c"; Yaper: Unidentified, Source: Audio |
| LB-6503 | 7/22/00 | Mansfield, MA | 2 | B+ | version "d"; trade cdr > ultraplex > eac > wav > |
| LB-9061 | 7/22/00 | Mansfield | 2 | A | Taper: Bt, DPA 4061 microphones and Sony TCD-100 |
| LB-3960 | 7/23/00 | Saratoga Springs | 2 | A- | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-4471 | 7/23/00 | Saratoga Springs | 2 | B+ | version "a"; Source: DAT Master, FOB Audience |
| LB-6497 | 7/23/00 | Saratoga Springs | 2 | A | version "b";Taper: Unidentified., Mics: There is a |
| LB-11399 | 7/23/00 | Saratoga Springs | 2 | A | mrbill, Opened for Phil And Friends, Fresh |
| LB-14375 | 7/23/00 | Saratoga Springs NY | 2 | A | dsbd, Lineage, Dsbd > Cdr>Freerip> Cool edit Pro |
| LB-14388 | 7/23/00 | Saratoga Springs NY | 2 | A | sbd aud matrix, Lineage, Source 1(DSBD) + Source |
| LB-14631 | 7/23/00 | Saratoga Springs | 2 | A | BOOTLEG: Saratoga Springs 2000; cc, Label:Crystal |
| LB-14699 | 7/23/00 | Saratoga Springs, NY | | A | schoeps ackerman noel 2448, Ackerman Archives, |
| LB-1526 | 7/25/00 | Scranton | 2 | A- | (clean) > EAC V0.95pb4 > WAV > FLAC Installer v1.1 |
| LB-0519 | 7/26/00 | Jones Beach | 2 | B+ | |
| LB-2714 | 7/26/00 | Wantagh, NY | 2 | A- | version "a" |
| LB-6513 | 7/26/00 | Wantagh, NY | 2 | A- | version "c"; Taper: Unidentified, Source: Audio |
| LB-8224 | 7/26/00 | Wantagh, NY | 2 | B- | version "d" |
| LB-0002 | 7/28/00 | Camden, NJ | 2 | A | |
| LB-6508 | 7/28/00 | Camden, NJ | 2 | A | version "a", Taper: Unidentified, Source: audio |
| LB-4005 | 7/29/00 | Columbia | 2 | B | Audience recording > Unknown transfer > CDR(x) > |
| LB-5364 | 7/29/00 | Columbia | 2 | A- | version "a"; In honor of Bob's fifth show at |
| LB-7078 | 7/29/00 | Columbia, Maryland | 2 | A- | Luisbp51; Audience recording from a data DVD I |
| LB-7083 | 7/29/00 | Columbia, Maryland | 2 | A- | fixed Luisbp51; This is a fixed version of my |
| LB-9420 | 7/29/00 | Columbia, MD | 2 | A- | (Bt), SOURCE:, Taper: Bt (Net Taper P), DPA 4061 |
| LB-0003 | 7/30/00 | Stanhope, NJ | 2 | A | |
| LB-3256 | 7/30/00 | Stanhope | 2 | A | REMASTERED BY SCHUBERT, No information about the |
| LB-3566 | 7/30/00 | Waterloo Village | 2 | B+ | version "a" |
| LB-5179 | 7/30/00 | Stanhope | 2 | A | bourbon; Schoeps MK4V's>Sonosax SX-M2>Sony |
| LB-0050 | 9/13/00 | Dublin Vicar St | 2 | A | BOOTLEG: Bob Dylan - Dublin Vicar St; Crystal Cat |
| LB-5851 | 9/13/00 | Dublin | 2 | A | net taper A, CSHEB -> portable DAT-recorder - |
| LB-10212 | 9/13/00 | Dublin, Ireland | 2 | A | schubert asm |
| LB-11645 | 9/13/00 | Dublin | 2 | A | BOOTLEG: the fugitive; (tf CD 2004 a/B), MY |
| LB-14614 | 9/13/00 | Dublin, Ireland | 2 | A | nte, net taper E, Schoeps ? -> portable |
| LB-0049 | 9/14/00 | The Point Theatre | 2 | A | BOOTLEG: Bob Dylan - Dublin Point Theatre; Crystal |
| LB-4288 | 9/14/00 | Dublin | 2 | A | Taper: NTE |
| LB-4472 | 9/14/00 | Dublin | 2 | A- | Taper: Bach raw Version, Lineage: Neumann AK40 > |
| LB-6047 | 9/14/00 | Dublin, Ireland | 2 | A | recorded by Schubert, Neumann SKM140 -> Neumann |
| LB-6076 | 9/14/00 | Dublin, Ireland | 2 | A | raw schubert ssrc; recorded by Schubert, Neumann |
| LB-14633 | 9/14/00 | Dublin, Ireland | 2 | A | gd cd, legendary taper F, Sennheiser MKE2002 -> |
| LB-0029 | 9/16/00 | Aberdeen, Scotland | 2 | | Sonic Studios DSMs>D7, from well vine, |
| LB-0895 | 9/16/00 | Aberdeen Scotland | 2 | A | BOOTLEG: Aberdeen 2000; downloaded from a.b.m.s.d. |
| LB-1444 | 9/16/00 | Aberdeen Scotland | 2 | A | Schubert, |
| LB-4740 | 9/16/00 | Aberdeen Scotland | 2 | A | Taper: NET TAPER E, Source: Low-gen audio disks > |
| LB-0019 | 9/17/00 | Glasgow, Scotland | 2 | A | Neuman mics > 44k dats > midiman delta dio 2496 > |
| LB-1491 | 9/17/00 | Glasgow; | 2 | A | Schubert; with additional SoundMastering (a |
| LB-3291 | 9/17/00 | Glasgow | 2 | | BOOTLEG: Glasgow 2000; Crystal Cat (553-54), For |
| LB-4488 | 9/17/00 | Glasgow | 2 | A- | Taper: Bach, Lineage: Neumann AK40 > MTX 191 A > |
| LB-0051 | 9/19/00 | Telewest Arena | 2 | A- | BOOTLEG: Bob Dylan - Newcastle Telewest Arena,; |
| LB-4483 | 9/19/00 | Newcastle | 2 | A | Taper: Bach, Lineage: Neumann AK40 > MTX 191 A > |
| LB-0020 | 9/20/00 | Birmingham, England | 2 | A- | (AUD DAT-3), ([NEU], 48k dat>midiman delta dio |
| LB-1494 | 9/20/00 | Birmingham, England | 2 | A | Schubert |
| LB-2195 | 9/20/00 | Birmingham, England | 2 | A- | Schubert remaster (presumed since it is the |
| LB-2461 | 9/20/00 | Birmingham UK | 2 | A- | BOOTLEG: Birmingham 2000; Liberated Boot: C/Cat |
| LB-4458 | 9/20/00 | Birmingham; England | 2 | A | Schubert-Rec+ASM; Technical Information, Neumann |
| LB-4486 | 9/20/00 | Birmingham | 2 | A- | Taper: Bach, Lineage: Neumann AK40 > MTX 191 A > |
| LB-9066 | 9/20/00 | Birmingham, UK | 2 | A- | iar028;, Improved Air Catalog Number: IA28, TITLE: |
| LB-11665 | 9/20/00 | Birmingham | 2 | A | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
| LB-0015 | 9/22/00 | Sheffield | 2 | | Recording: Schoeps ccm4v > Sound Devices MP-2 > M1 |
| LB-2197 | 9/22/00 | Sheffield Arena | 2 | A | version "a" |
| LB-3598 | 9/22/00 | Sheffield Arena | 2 | A | BOOTLEG: Sheffield 2000; version "b"; Crystal Cat |
| LB-0047 | 9/23/00 | International Arena | 2 | A | BOOTLEG: Bob Dylan - Cardiff International Arena,; |
| LB-1653 | 9/23/00 | Cardiff | 2 | A | Schubert |
| LB-5686 | 9/23/00 | Cardiff | 2 | A | raw; Recorded by: schubert, Lineage: Neumann |
| LB-10139 | 9/23/00 | Cardiff | 2 | A | cc jtt, CC (JTT Version), Crystal Cat CC 561/562, |
| LB-11623 | 9/23/00 | Cardiff | 2 | A- | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
| LB-0014 | 9/24/00 | Portsmouth | 2 | A | Recording: CSHEB (DPA 4061) > DAT, Transfer: D8 > |
| LB-3804 | 9/24/00 | Portsmouth | 2 | A | Recording: Schoeps ccm4vs (same source as treed |
| LB-4862 | 9/24/00 | Portsmouth | 2 | A | BOOTLEG: First Evening; Crystal Cat 563-564, All |
| LB-7459 | 9/24/00 | Portsmouth, UK | 2 | A- | BOOTLEG: FROM PORTSMOUTH TO PARIS; TSE 2004-2 2D, |
| LB-11626 | 9/24/00 | Portsmouth Guildhall | 2 | A | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
| LB-13009 | 9/24/00 | Portsmouth, England | 2 | B+ | BOOTLEG: you might be called bono; incompete, TWO |
| LB-0034 | 9/25/00 | Portsmouth | 2 | A | Recording: Schoeps ccm4vs |
| LB-1897 | 9/25/00 | Guild Hall | 2 | A | BOOTLEG: Second Evening; crystal cat |
| LB-6043 | 9/25/00 | Portsmouth, England | 2 | A | version "b"; transferer now 99% sure this is |
| LB-9721 | 9/25/00 | Portsmouth, UK | 2 | B | BOOTLEG: rolling back the years; Iguana 003/004, |
| LB-1530 | 9/27/00 | Ahoy (Rotterdam | 2 | B+ | BOOTLEG: DON'T WASTE YOUR WORDS; Rattlesnake 45/46 |
| LB-1999 | 9/27/00 | The Ahoy | 2 | B+ | BOOTLEG: Don't Waste Your Words; Rattle Snake / |
| LB-4335 | 9/27/00 | Rotterdam | 2 | A- | br; Source: Sound Professionals SP-BMC-1 |
| LB-10656 | 9/27/00 | Rotterdam | 2 | A- | version "c", lternative recording to 'Don't Waste |
| LB-1156 | 9/28/00 | Hamburg | 2 | A | Schubert's recording of Hamburg, September 28, |
| LB-5268 | 9/28/00 | Hamburg | 2 | A | version "a"; request, audio trade > no info, audio |
| LB-10769 | 9/28/00 | Hamburg, Germany | 2 | A | version "b", Alternative recording to 'Schubert.', |
| LB-0052 | 9/29/00 | Jahrhunderthalle | 2 | A | BOOTLEG: Bob Dylan - Frankfurt Jahrhunderthalle; |
| LB-0920 | 9/29/00 | Frankfurt | 2 | A | Recorded by Mr. Schubert using 2 DATs with 4 mics, |
| LB-5718 | 9/29/00 | Frankfurt | 2 | A | Taper: "Bach", Lineage: Neumann AK40 > MTX 191 A > |
| LB-1553 | 10/1/00 | Munster, Germany | 2 | A | dat recording by Schubert |
| LB-2579 | 10/1/00 | Munster, Germany | 2 | A | BOOTLEG: Munster 2000; Crystal Cat Records |
| LB-4476 | 10/1/00 | Munster | 2 | A | BOOTLEG: True Love Needs No Company; Ecellent |
| LB-9537 | 10/1/00 | Mnster, Germany | 2 | A | BOOTLEG: Munster 2000; cc version "c";, Good |
| LB-1146 | 10/2/00 | Brussels | 2 | B | Schubert's recording, "with additional |
| LB-2198 | 10/2/00 | Voorst Nationaal | 2 | A | version "a" |
| LB-4330 | 10/2/00 | Brussels | 2 | A | A zimmy21 recording, Sound quality : very good !!, |
| LB-4839 | 10/2/00 | Brussels | 2 | A | Off DAT master, Taper: Vito, Source/Linage:, OKM |
| LB-6016 | 10/2/00 | Brussels | 2 | A | Schubert; with additional SoundMastering (a |
| LB-14710 | 10/2/00 | Brussels, Belgium | 2 | A | av, AV, encore 32 kHz, ? -> portable DAT-recorder |
| LB-15123 | 10/2/00 | Brussels, Belgium | 2 | A- | version "h", Alternative recording to (LB-1146) & |
| LB-0985 | 10/3/00 | Paris | 2 | A | BOOTLEG: Paris Le Zenith 2000; crystal cat version |
| LB-1557 | 10/3/00 | Paris | 2 | A | Schubert |
| LB-9544 | 10/3/00 | Paris, France | 2 | A | cc version "b", Good quality audience recording |
| LB-0013 | 10/5/00 | London | 2 | A | (AUD DAT-2), rated A, B&K 4061 mic sets in |
| LB-0922 | 10/5/00 | London Wembley Arena | 2 | A | BOOTLEG: First Evening 2000; Silver-sourced SHNs, |
| LB-1493 | 10/5/00 | London | 2 | A | Schubert |
| LB-15481 | 10/5/00 | London, UK | 2 | A | sony d8 dat, Audience: Sony D8 DAT> Soundforge> |
| LB-7851 | 10/6/00 | London UK | 2 | A | BOOTLEG: London Wembley Arena Second Evening; |
| LB-11109 | 10/6/00 | London | 2 | A | BOOTLEG: wembley arena london; Manufacturer: The |
| LB-11627 | 10/6/00 | London | 2 | A | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
| LB-4035 | 10/29/00 | Madison | 2 | A | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-4037 | 10/29/00 | Kohl Center, Madison | 2 | A | trade cdr > eac > wav > cooledit > wav > shntool > |
| LB-6566 | 10/29/00 | Madison | 2 | A | version "b"; Taper: Unidentified, Source: audio |
| LB-6589 | 10/29/00 | Madison, Wisconsin | 2 | A | version "c"; Alternative recording to Lossless Bob |
| LB-9519 | 10/29/00 | Madison, WI, WI | 2 | A | aud dsm6p, master audience recording, Recording |
| LB-10370 | 10/29/00 | Madison, Wisconsin | 2 | A | sullylove, 14th Row Dead center Isle Seat, Brel & |
| LB-3925 | 10/31/00 | Evanston | 2 | A- | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-4621 | 10/31/00 | Evanston | 2 | A | Taper: NET Taper A (a misnomer, as the taper in |
| LB-6569 | 10/31/00 | Evanston | 2 | A | version "b"; Taper: Unidentified, Source: audio |
| LB-7170 | 10/31/00 | Evanston, Il | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
| LB-11920 | 10/31/00 | Evanston IL | 2 | A- | csb, AUD:Coresound Binaurals>Sony SBM1>Sony PCM-M1 |
| LB-13806 | 10/31/00 | Evanston, Illinois | | A- | version "e" 48k, A good audience recording from a |
| LB-3529 | 11/1/00 | Bloomington | 2 | A | DAT>CDr(2)>EAC(secure)>TLH(Flac8+sums)>Dime, |
| LB-7119 | 11/1/00 | Bloomington | 2 | A | version "a"; Notes:, Low recordings levels at very |
| LB-0028 | 11/2/00 | W. Lafayette | 2 | A | Unknown DAUD* > CDR > SHN, * Though I can't |
| LB-6609 | 11/2/00 | West Lafayette | 2 | B+ | version "a"; Alternative recording to LB-28, Trade |
| LB-7120 | 11/2/00 | West Lafayette | 2 | A | version "b"; Notes:, Originally recorded to DAT at |
| LB-11915 | 11/2/00 | W. Lafayette IN | 2 | A | csb, AUD:Coresound Binaurals>Sony SBM1>Sony PCM-M1 |
| LB-3926 | 11/4/00 | Oxford | 2 | A | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), I |
| LB-11913 | 11/4/00 | Oxford, Ohio | 2 | A- | csc soomlos, source: soomlos, Main Floor / Row 10 |
| LB-0031 | 11/5/00 | Hill Auditorium | 2 | A- | Source: Neumann KM140 > Sonosax > TCD-D8; |
| LB-6677 | 11/5/00 | Ann Arbor | 2 | A- | version "a"; Audience Recording, SOURCE: CDRs > |
| LB-3927 | 11/6/00 | Pittsburgh | 2 | B+ | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-6572 | 11/6/00 | Pittsburgh | 2 | A- | version "a"; Taper: Unidentified, Source: audio |
| LB-9724 | 11/6/00 | Pittsburgh | 2 | A- | version "b", Lineage: Trade Audio CDR's -> EAC |
| LB-2176 | 11/8/00 | Stabler Arena | 2 | A | |
| LB-3554 | 11/8/00 | Bethlehem | 2 | A | Source: soomlos, FOB, Center, Core-Sound > Sony D8 |
| LB-5317 | 11/8/00 | Bethlehem | 2 | A | Taper: NET Taper E, Source: lo-gen audio disks > |
| LB-2901 | 11/10/00 | Boston | 2 | B | Taped by downfromtheglen from center-stage, row 14 |
| LB-5301 | 11/10/00 | Boston | 2 | A | Taper: NET Taper E, Source: low-gen audio disks > |
| LB-3170 | 11/11/00 | Lowell | 2 | A | Unwanted Man Music 011, "Searching for Kerouac's |
| LB-5311 | 11/11/00 | Lowell | 2 | A | Taper: NET Taper E, Source: low-gen audio disks > |
| LB-6614 | 11/11/00 | Lowell, MA | 2 | A- | version "b"; Alternative recording to Unwanted Man |
| LB-0032 | 11/12/00 | Kingston | 2 | A | Recording: Schoeps ccm4v > Sound Devices MP-2 > M1 |
| LB-3763 | 11/12/00 | Kingston R | 2 | | Jman; A+ Performance, Previously uncirculated |
| LB-5522 | 11/12/00 | Kingston | 2 | A- | source: soomlos, fob center floor, core-sound |
| LB-3272 | 11/13/00 | Lewiston | 2 | A- | unknown source |
| LB-7219 | 11/13/00 | Lewiston, Maine | 2 | A | version "a"; Unidentified taper, Source/Lineage: |
| LB-10718 | 11/13/00 | Lewiston, Maine | 2 | A | csc soomlos, source: soomlos, ga floor standing, |
| LB-15152 | 11/13/00 | Lewiston, Maine | 2 | A- | version "d", Alternative recording to LB-3272 & |
| LB-3928 | 11/15/00 | Salisbury | 2 | B+ | Trade CDR > EAC (Secure) > WAV > FLAC (Level 8), |
| LB-7978 | 11/15/00 | Salisbury, Maryland | 2 | B+ | version "a"; ***** This is MOST LIKELY the same |
| LB-3931 | 11/17/00 | Princeton | 2 | A- | Trade CDR > EAC (Secure) > WAV > Audacity > WAV > |
| LB-4186 | 11/17/00 | Princeton | 2 | B | version "a"; very special.........., audioCD (THX |
| LB-4391 | 11/17/00 | Princeton | 2 | A- | source: soomlos, fob, center, ga floor, core-sound |
| LB-10229 | 11/17/00 | Princeton | 2 | A- | schubert asm |
| LB-3275 | 11/18/00 | Atlantic City | 2 | A | Early show; no info about source |
| LB-3276 | 11/18/00 | Atlantic City | 2 | A | Late show, In cd1-track2 and cd1-track3 there are |
| LB-3550 | 11/18/00 | Atlantic City | 2 | A | Late show, Source: soomlos, FOB, Center Left, |
| LB-3585 | 11/18/00 | Atlantic City | 2 | B | version "a":(early show) |
| LB-5217 | 11/18/00 | Atlantic City | 3 | A | Taper: NET Taper E, Source: Low-gen audio disks > |
| LB-15231 | 11/18/00 | Atlantic City, NJ | | A | ccm 4v dolphinsmile 48, Schoeps CCM 4V > Sony |
| LB-0033 | 11/19/00 | Towson, MD | 2 | B+ | |
| LB-2232 | 11/19/00 | Towson | 2 | B | version "a"; Audience Recording Sound A/A+, Some |
| LB-6533 | 11/19/00 | Towson | 2 | A | version "c"; Taper: Unidentified., Source: audio |
| LB-7079 | 11/19/00 | Towson, Maryland | 2 | A- | version "d"; Alternative recording to those |
| LB-10833 | 11/19/00 | Towson, Maryland | 2 | B+ | SOURCE:, Taper Bt, DPA 4061 microphones and Sony |