LB | Date | Location | CDR | Rating | Description |
---|---|---|---|---|---|
LB-11367 | 3/31/14 | Tokyo, Japan | 2 | A | panasonic wm 60a, Type: Audience, recording:2nd |
LB-11368 | 3/31/14 | Tokyo, Japan | 2 | B | roland cs 10em, Roland CS-10EM > Edirol R-09 > PC |
LB-11377 | 3/31/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11378 | 3/31/14 | TOKYO, JAPAN | 2 | A | spot, 107 mins A SPOT Recording, CONTRAST CLAUSE, |
LB-11860 | 3/31/14 | Tokyo, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-12213 | 3/31/14 | Tokyo, Japan | A | arashi 24bit, Recording/Lineage, Audience | |
LB-11369 | 4/1/14 | Tokyo, Japan | 2 | B | roland cs 10em, Roland CS-10EM > Edirol R-09 > PC |
LB-11379 | 4/1/14 | TOKYO, JAPAN | 2 | A | spot, 106 mins A SPOT Recording, CONTRAST CLAUSE, |
LB-11380 | 4/1/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11388 | 4/1/14 | TOKYO, JAPAN | 2 | A | spot, 107 mins A SPOT Recording, CONTRAST CLAUSE, |
LB-11437 | 4/1/14 | Tokyo, Japan | 2 | B | audiowhore, recording details, taper: audiowhore, |
LB-11861 | 4/1/14 | Tokyo, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-12214 | 4/1/14 | Tokyo | A | arashi 24bit, Recording/Lineage, Audience | |
LB-11381 | 4/3/14 | TOKYO, JAPAN | 2 | A- | spot, 107 mins A SPOT Recording, CONTRAST CLAUSE, |
LB-11389 | 4/3/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11438 | 4/3/14 | Tokyo, Japan | 2 | A | audiowhore, recording details, taper: audiowhore, |
LB-11862 | 4/3/14 | Tokyo, Japan | 2 | A- | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-11370 | 4/4/14 | Tokyo, Japan | 2 | A- | panasonic wm 60a, Type: Audience, recording:3rd |
LB-11375 | 4/4/14 | Tokyo Japan | B+ | ifox 96, * Failed to rec opening 1 or 2 seconds. | |
LB-11382 | 4/4/14 | TOKYO, JAPAN | 2 | A | spot, 107 mins A SPOT Recording, CONTRAST CLAUSE, |
LB-11390 | 4/4/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11439 | 4/4/14 | Tokyo, Japan | 2 | A | audiowhore, recording details, taper: audiowhore, |
LB-11719 | 4/4/14 | Tokyo, Japan | 2 | A | BOOTLEG: Zepp Divercity Tokyo 2014; cc, 4, plus |
LB-11863 | 4/4/14 | Tokyo, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-11371 | 4/5/14 | Tokyo, Japan | 2 | B+ | mini, Lineage:, Sound Professionals |
LB-11383 | 4/5/14 | Tokyo, Japan | 2 | A | cos11 starlight, Lineage :, FOB behind almost |
LB-11384 | 4/5/14 | TOKYO, JAPAN | 2 | A | spot, 107 mins A SPOT Recording, CONTRAST CLAUSE, |
LB-11401 | 4/5/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11440 | 4/5/14 | Tokyo, Japan | 2 | A | audiowhore, recording details, taper: audiowhore, |
LB-11864 | 4/5/14 | Tokyo, Japan | 2 | B | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-11385 | 4/7/14 | Tokyo, Japan | 2 | A | mm hlsc 1 fab1, taper: fab1, microphone madness |
LB-11404 | 4/7/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11415 | 4/7/14 | TOKYO, JAPAN | 2 | A | spot, 107 mins A SPOT Recording, CONTRAST CLAUSE, |
LB-11865 | 4/7/14 | Tokyo, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-11376 | 4/8/14 | Tokyo, Japan | 2 | C | jtt lossy, (LOSSY), Capture, Editing and |
LB-11386 | 4/8/14 | TOKYO | 2 | A- | dsm 6s robert, LINEAGE> DSM-6S/EL > PCM-D50 > |
LB-11396 | 4/8/14 | TOKYO, JAPAN | 2 | A- | spot, 127 mins A SPOT Recording, PLEASE do not |
LB-11412 | 4/8/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11441 | 4/8/14 | Tokyo, Japan | 2 | B+ | tokyo nocut, Type: Audience, Taper: Toyot, source: |
LB-11866 | 4/8/14 | Tokyo, Japan | 2 | A- | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-11397 | 4/9/14 | Tokyo, Japan | 2 | B+ | sp cmc 19, SP-CMC-19/Sound Professionals> Sanyo |
LB-11398 | 4/9/14 | TOKYO, JAPAN | 2 | A | spot, 107 mins A SPOT Recording, Please wait 24 |
LB-11413 | 4/9/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11508 | 4/9/14 | Tokyo | 2 | A | arashi, Recording & Lineage:, Audience recoding by |
LB-11867 | 4/9/14 | Tokyo, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-11387 | 4/10/14 | Tokyo, Japan | 2 | A- | panasonic wm 60a, Type: Audience, |
LB-11414 | 4/10/14 | TOKYO, JAPAN | 2 | A | spot, 107 mins A SPOT Recording, Well here we are, |
LB-11416 | 4/10/14 | Tokyo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11520 | 4/10/14 | Tokyo, Japan | 2 | B | audiowhore, recording details, taper: audiowhore, |
LB-11868 | 4/10/14 | Tokyo, Japan | 2 | A- | BOOTLEG: Japanese Live Collection 2014; jlc, (18 |
LB-11442 | 4/13/14 | Sapporo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11872 | 4/13/14 | Sapporo, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-11443 | 4/14/14 | Sapporo, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11873 | 4/14/14 | Sapporo, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-11409 | 4/17/14 | NAGOYA | 2 | A | robert, LINEAGE> DSM-6S/EL > PCM-D50(24/96) > |
LB-11444 | 4/17/14 | Nagoya, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11874 | 4/17/14 | Nagoya, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-11445 | 4/18/14 | Nagoya, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11875 | 4/18/14 | Nagoya, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-11446 | 4/19/14 | Fukuoka, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11876 | 4/19/14 | Fukouka, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-11447 | 4/21/14 | Osaka, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11877 | 4/21/14 | Osaka, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-11448 | 4/22/14 | Osaka, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11878 | 4/22/14 | Osaka, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-11449 | 4/23/14 | Osaka, Japan | 2 | A | hide, Taper: Hide, Source: DPA 4061's > MMA6000 > |
LB-11535 | 4/23/14 | Osaka Japan | 2 | A | mk4 tj, (MK4&Nbox+)(T&J), (4) Disc Title & Catalog |
LB-11879 | 4/23/14 | Osaka, Japan | 2 | A | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-11450 | 4/26/14 | Kahului | 2 | A- | audio reality, Lineage: Audio Reality binaural |
LB-11468 | 4/26/14 | Kahului | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11880 | 4/26/14 | Maui, Hawaii | 2 | A- | BOOTLEG: Japanese Live Collection 2014 vol2; jlcv2 |
LB-15851 | 4/26/14 | Kahului | audio reality 24, Lineage: Audio Reality binaural | ||
LB-11460 | 4/29/14 | Honolulu, Hawaii | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11536 | 6/16/14 | CORK, IRELAND | 2 | A | spot, 107 mins Audience recording, First of the |
LB-11881 | 6/16/14 | CORK, IRELAND | 2 | A | BOOTLEG: live at the marquee 2014; 2CD Trifold, |
LB-11919 | 6/16/14 | Cork, Ireland | 2 | A | BOOTLEG: live at the marquee 2014; version "b", |
LB-11593 | 6/17/14 | Dublin, Ireland | 3 | A- | mm spot, This is the 16-bit edited version of this |
LB-11537 | 6/20/14 | ISTANBUL, TURKEY | 2 | A | spot, 108 mins Audience recording, First of the |
LB-11568 | 6/20/14 | Istanbul, Turkey | A- | lbp51 24, Taper: lbp51, Lineage: Edirol R09-hr | |
LB-12863 | 6/20/14 | Istanbul | lbp51, This is a new transfer. The original | ||
LB-11569 | 6/22/14 | THESSALONIKA | 2 | B- | spot comp, Hi, Heres something new from my mate |
LB-12085 | 6/23/14 | Athens, Greece | 3 | B- | inc mix, A Worried Mind In Greece, The Athens |
LB-11551 | 6/27/14 | Kosice, Slovakia | 2 | A | ccm4 hhtfp, lineage: Schoeps CCM 4(smp) > Tascam |
LB-11552 | 6/27/14 | Kosice | 2 | A | km140 romeo, Audience recording, Neumann km140 > |
LB-11570 | 6/27/14 | Kosice, Slovakia | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11850 | 6/27/14 | Kosice | 2 | A | bach, Taper: "Bach", Lineage: >Neumann AK40 |
LB-11544 | 6/28/14 | Vienna, Austria | 2 | B+ | diewal, Source: SP-CMC-u4 >SP-SPSB-10 >iRiver_H120 |
LB-11545 | 6/28/14 | Vienna, Austria | 2 | A | sp cmc 8, Sound Professionals SP-CMC-8 -> Battery |
LB-11558 | 6/28/14 | Vienna, Austria | 2 | A | ccm4 hhtfp, lineage: Schoeps CCM 4(smp) > Tascam |
LB-11871 | 6/28/14 | Vienna | 2 | A | bach, Taper: "Bach", Lineage: >Neumann AK40 |
LB-11912 | 6/28/14 | Vienna, Austria | 2 | A | asm mh, Contrast clause: Same recording made by |
LB-11546 | 6/29/14 | Burg Clam, Austria | 2 | A- | sp cmc 8, Sound Professionals SP-CMC-8 -> Battery |
LB-11571 | 6/29/14 | Klam, Austria | 2 | A | ccm4 hhtfp, Schoeps CCM 4(smp) > Tascam DR-100 > |
LB-11572 | 6/29/14 | Klam, Austria | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-15702 | 6/29/14 | Klam, Austria | bach, Taper: "Bach", Lineage: >Neumann AK40 | ||
LB-11553 | 7/1/14 | Munich | 2 | A | bach, Taper: "Bach", Lineage: >Neumann AK40 |
LB-11573 | 7/1/14 | Muenchen, Germany | 2 | A | 3dogs, Taper: 3dogs, AUD-Core Sound Binaural |
LB-11698 | 7/1/14 | Munich | A | dpa4061 24bit, Source: DPA4061>Edirol R09(24/96 | |
LB-11556 | 7/2/14 | Prague | 2 | A | tm, Technical Information:, Taper: TOM MOORE, |
LB-11574 | 7/2/14 | Prague | 2 | A | at853 soomlos, source: soomlos, audio technica |
LB-11575 | 7/2/14 | Prague, CZ | 2 | A | ccm4 hhtfp, lineage: Schoeps CCM 4(smp) > Tascam |
LB-11557 | 7/3/14 | Germany | 2 | A | tm, Technical Information:, Taper: TOM MOORE, |
LB-11576 | 7/3/14 | Zwickau, Germany | 2 | A | ccm4 hhtfp, lineage: Schoeps CCM 4(smp) > Tascam |
LB-11577 | 7/3/14 | Zwickau, Germany | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11970 | 7/3/14 | Zwickau, Stadthalle | 2 | A | condor, Condor, OKMII -> Sony TCD-D100 |
LB-11578 | 7/5/14 | Slupsk, Poland | 2 | D | jtt lossy, (FOR MASOCHISTS ONLY), Thanks To The |
LB-11610 | 7/5/14 | Slupsk, Poland | 2 | C- | mk lta, taper: Micha K, lineage:, unknown |
LB-11565 | 7/7/14 | Rostock, Germany | B- | olympus aws4you frontend edit 2 48k, Recorded with | |
LB-11579 | 7/7/14 | Rostock | 2 | A- | rc 205a aud okmiir m10, taped by: RCM, uploaded |
LB-11580 | 7/7/14 | Germany | 2 | A | tm, Technical Information:, Taper: TOM MOORE, |
LB-11591 | 7/7/14 | Rostock, Germany | 2 | A | ccm4 hhtfp, lineage: Schoeps CCM 4(smp) > Tascam |
LB-11978 | 7/7/14 | Rostock | 2 | A | condor, Condor, OKMII -> Sony TCD-D100 |
LB-15371 | 7/7/14 | Rostock | rc 205a aud remaster okmiir m10, NOTE/CONTRAST | ||
LB-11566 | 7/8/14 | Flensburg, Germany | B- | olympus aws4you frontend edit 2 48k, Recorded with | |
LB-11581 | 7/8/14 | Flensburg | 2 | A- | rc 206a aud okmiir m10, taped by: RCM, uploaded |
LB-11582 | 7/8/14 | Flensburg, Germany | 2 | B+ | sony ecm 121, Lineage: Sony ECM-121 => iRiver H320 |
LB-11583 | 7/8/14 | Flensburg, Germany | 2 | A | ccm4 hhtfp, : Schoeps CCM 4(smp) > Tascam DR-100 @ |
LB-11979 | 7/8/14 | Flensburg | 2 | A | condor, Condor, OKMII -> Sony TCD-D100 |
LB-15372 | 7/8/14 | Flensburg | rc 206a aud remaster okmiir m10, NOTE/CONTRAST | ||
LB-11567 | 7/9/14 | Aarhus, Denmark | B- | olympus aws4you frontend edit 2 48k, Recorded with | |
LB-11584 | 7/9/14 | Aarhus, Denmark | 2 | A- | joy, lineage: Panasonic cardioids WM-55A103 > |
LB-11585 | 7/9/14 | Aarhus, Denmark | 2 | A | ccm4 hhtfp,incomplete; note: recording incomplete |
LB-11625 | 7/11/14 | Stavern, Norway | 2 | B+ | handydandy jtt, (handydandy Recording), BOB DYLAN, |
LB-11676 | 7/11/14 | Stavern, Norway | 2 | B+ | handydandy jtt cg, (handydandy Recording)Complete* |
LB-11586 | 7/12/14 | Kristiansand, Norway | 2 | A | dag, (deebee Recording), Recorded by deebee, Aiwa |
LB-11590 | 7/12/14 | Kristiansand, Norway | 2 | B+ | as2005, This recording is different |
LB-11587 | 7/14/14 | Helsingborg, Sweden | 2 | A | spot, A Spot Recording, 107 mins A SPOT Recording, |
LB-11814 | 7/14/14 | Helsingborg, Sweden | 2 | A | BOOTLEG: Helsingborg 2014; cc, [Crystal Cat |
LB-11588 | 7/15/14 | Goteborg, Sweden | 2 | A | spot, A SPOT Recording, Well here we are again, |
LB-11815 | 7/15/14 | Gothenburg, Sweden | 2 | A | BOOTLEG: Gothenburg 2014; cc, [Crystal Cat |
LB-11607 | 7/17/14 | Pori, Finland | 2 | A- | tootai, Taper: Tootai, CA-11 cardoid mics -> Zoom |
LB-11608 | 7/17/14 | Pori, Finland | 2 | A- | tootai jtt, (Tootai Recording) JTT FIX, Tootai |
LB-11616 | 8/9/14 | Hamilton | 2 | B | lk, Sony D6c/ECM909 > TDKSA100 > Tascam102 > |
LB-11621 | 8/9/14 | Hamilton | 2 | A- | billie, Taper: Billie, Sony PCM50 with on board |
LB-11732 | 8/9/14 | Hamilton | 2 | C+ | lossy jtt, Posted at ExpectingRain.com by Like A |
LB-11617 | 8/10/14 | Hamilton | 2 | B | lk, Sony D6c/ECM909 > TDKSA100 > Tascam102 > |
LB-11622 | 8/10/14 | Hamilton | 2 | A- | billie, Taper: Billie, Sony PCM50 with on board |
LB-11750 | 8/15/14 | Perth Riverside | 2 | C | eg, The Recording., Taper EG .equipment unknown., |
LB-11663 | 8/18/14 | Melbourne | 2 | A- | brother ruprecht, Recorded By Brother Ruprecht, |
LB-11677 | 8/18/14 | 2 | B- | curfew gull, Source Info: AUD>MD>WAV>FLAC, | |
LB-12063 | 8/18/14 | Melbourne | 2 | A- | mango farmer, recording details-, taper: mango |
LB-11674 | 8/19/14 | Melbourne | 2 | C+ | curfew gull, Source Info: AUD>MD>WAV>FLAC, |
LB-12065 | 8/19/14 | Melbourne | 2 | B+ | mango farmer, recording details-, taper: mango |
LB-11688 | 8/20/14 | Melbourne | 1 | B- | curfew gull, Recording Malfunction didnt record |
LB-12067 | 8/20/14 | Melbourne | 2 | B+ | mango farmer, recording details-, taper: mango |
LB-12510 | 8/20/14 | Melbourne | 2 | B | this was now, downloaded from link at:, |
LB-11660 | 8/21/14 | Saint Kilda | 2 | B | curfew gull, Source Info: AUD>MD>WAV>FLAC, |
LB-12511 | 8/21/14 | Melbourne | 2 | B+ | this was now, downloaded from link at:: |
LB-11733 | 8/25/14 | Brisbane | 2 | A- | audiowhore, recording details-, taper: audiowhore, |
LB-11734 | 8/27/14 | Brisbane | 2 | A- | audiowhore, recording details-, taper: audiowhore, |
LB-11735 | 8/27/14 | Fortitude Valley | 2 | C | lossy jtt, (LOSSY) 'CORRECTED', Good Recording, |
LB-11651 | 8/29/14 | Canberra | 2 | A | dpa4011, Source Info: AUD>LPCM>WAV>FLAC [Matched |
LB-11678 | 8/31/14 | Adelaide | 2 | A- | sp cmc 25, Lineage: SP-CMC-25 Hyper cards > SP |
LB-12882 | 9/3/14 | Sydney, Australia | audiowhore, (show 1 of 5 in Sydney), recording | ||
LB-11664 | 9/4/14 | Sydney, Australia | 2 | B+ | woff, Shared by: Woff [WWWoff-137], Lineage: CA14 |
LB-11707 | 9/4/14 | Sydney, Australia | 2 | A- | audiowhore, recording details-, taper: audiowhore, |
LB-11697 | 9/5/14 | Sydney Australia | 2 | B+ | gjfatty, Position: Mezzanine Row D, left of centre |
LB-11708 | 9/5/14 | Sydney, Australia | 2 | A- | audiowhore, recording details-, taper: audiowhore, |
LB-11683 | 9/7/14 | Sydney, Australia | 2 | B+ | ca14, Recorded by Sir_James, Lineage: CA14 cards > |
LB-11711 | 9/7/14 | Sydney, Australia | 2 | A- | audiowhore, recording details-, taper: audiowhore, |
LB-11751 | 9/8/14 | Sydney Opera House | 2 | A- | audiowhore, recording details-, taper: audiowhore, |
LB-11681 | 9/10/14 | Christchurch | 2 | B | ljk, Sony D6c/ECM909 > TDKSA100 > Tascam102 > |
LB-11682 | 9/10/14 | Christchurch | 2 | B+ | billie, Taper: Billie, Sony PCM50 with on board |
LB-11724 | 10/18/14 | Seattle, WA | 2 | B+ | dgb, ** 16 BIT **, Source: Church Audio CA-11's |
LB-11752 | 10/24/14 | HOLLYWOOD, CA | 2 | B | ecm907, ECM907 (?) -> MD -> Untracked Aiff File -> |
LB-11736 | 10/26/14 | Hollywood, CA | 2 | A- | sonics jb, Third night of a three night stand. |
LB-15998 | 10/26/14 | Hollywood, CA | B+ | sony ecm 909a, ** 16 BIT **, Source: Sony ECM-909a | |
LB-11737 | 10/28/14 | Oakland, Ca | 2 | A | aud mk4 hurricane, Recorded by Hurricane, Uploaded |
LB-11738 | 10/29/14 | Oakland, Ca | 2 | A | aud mk4 hurricane, Recorded by Hurricane, Uploaded |
LB-13411 | 10/29/14 | Oakland, California | 2 | A- | km140s eaa, source: Neumann KM140s>EAA PSP/2>Sony |
LB-13412 | 10/29/14 | Oakland, California | km140s eaa 24, source: Neumann KM140s>EAA | ||
LB-11739 | 10/30/14 | Oakland, Ca | 2 | A | aud mk4 hurricane, Recorded by Hurricane, Uploaded |
LB-13481 | 10/30/14 | Oakland, California | 2 | A- | km140s_eaa, source: Neumann KM140s>EAA PSP/2>Sony |
LB-13482 | 10/30/14 | Oakland, California | km140s_eaa 24, source: Neumann KM140s>EAA | ||
LB-11740 | 11/1/14 | DENVER | 2 | A | spot, 108 mins a SPOT Recording, Slight surprise |
LB-11851 | 11/1/14 | Denver, Colorado | 2 | A | skm140 soomlos, ource: soomlos, neumann skm140 > |
LB-11741 | 11/4/14 | MINNEAPOLIS | 2 | A | spot, 108 mins a SPOT Recording, Mr Spots second |
LB-11744 | 11/4/14 | Minneapolis, MN | 2 | A | mk41 perks, Source: Schoeps MK41's > active cables |
LB-11742 | 11/5/14 | MINNEAPOLIS | 2 | A | spot, 108 mins a SPOT Recording, Mr Spots third |
LB-11852 | 11/5/14 | Minneapolis | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11747 | 11/6/14 | MINNEAPOLIS | 2 | A | spot, 109 mins a SPOT Recording, Mr Spots final |
LB-15631 | 11/6/14 | Minneapolis, MN | zoom h2, Audience Recording using Zoom H2 rear | ||
LB-11753 | 11/8/14 | Chicago, Illinois | 2 | A | hide, This is 16bit/44.1kHz version ---, Taper: |
LB-11754 | 11/9/14 | Chicago, Illinois | 2 | A | hide, This is 16bit/44.1kHz version ---, Taper: |
LB-11755 | 11/10/14 | Chicago, Illinois | 2 | A | hide, This is 16bit/44.1kHz version ---, Taper: |
LB-11756 | 11/12/14 | Cleveland, Oh. | 2 | A | csheb, Source: Core Sound HEBs (dpa 4061s) > C.S. |
LB-11757 | 11/14/14 | Boston | 2 | B | ipg, An Imperfect Gravy Recording (IPG-211), |
LB-11758 | 11/15/14 | Providence | 2 | B | ipg, An Imperfect Gravy Recording (IPG-212), |
LB-11760 | 11/15/14 | Providence | 2 | B+ | goodnitesteve, (Goodnitesteve Recording), All |
LB-11839 | 11/15/14 | Providence | B+ | fzmoi69 24, SOURCE:FOSTEX FR-2 > OCTAVIA MK-012, | |
LB-11904 | 11/15/14 | Providence | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11767 | 11/17/14 | Toronto | 2 | A- | senn, vodkadog, Sennheiser MKE 2002 - Sony M10, |
LB-11897 | 11/17/14 | Toronto | 2 | A- | jgb, Recorded by jgb, Taper's notes:, I made the |
LB-11761 | 11/18/14 | Toronto | 2 | A- | senn, vodkadog, Sennheiser MKE 2002 - Sony M10, |
LB-11898 | 11/18/14 | Toronto, Ontario | 2 | A- | jgb, Recorded by jgb, Taper's notes:, I made the |
LB-15347 | 11/20/14 | Pittsburgh | bluebros iphone, Note from taper "bluebros": "I | ||
LB-11770 | 11/21/14 | Philadelphia | 2 | A | bt, beginning of show missing, Taper Bt, DPA 4061 |
LB-11853 | 11/21/14 | Philadelphia | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11769 | 11/22/14 | Philadelphia | 2 | A | bt, Taper Bt, DPA 4061 microphones > Edirol by |
LB-11854 | 11/22/14 | Philadelphia | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11771 | 11/23/14 | Philadelphia | 2 | A | bt,, Taper Bt, DPA 4061 microphones > Edirol by |
LB-11827 | 11/23/14 | Experiment Ensam | A | private jtt wavf, Lossy .WAV (JTT), Bob Dylan | |
LB-11777 | 11/25/14 | Washington, D.C. | 2 | B+ | vwmule, Source: Church Audio 14 (cardiod) > Church |
LB-11844 | 11/25/14 | Washington, D.C. | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11773 | 11/26/14 | Newark | 2 | A | bt, Taper Bt, DPA 4061 microphones > Edirol by |
LB-11774 | 11/26/14 | Newark, New Jersey | 2 | B | the muse, This is a collection of recordings |
LB-11859 | 11/26/14 | Newark, New Jersey | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-11816 | 11/28/14 | Beacon Theatre, NYC | 2 | A | jf, Recorded by 'JF', Equipment: Sennheiser MKE |
LB-11817 | 11/28/14 | NEW YORK, NEW YORK | 2 | A | spot, 108 mins a SPOT Recording, Mr Spot due my |
LB-11903 | 11/28/14 | New York, New York | 2 | A | skm140 soomlos, source: soomlos, neumann skm140 > |
LB-13109 | 11/28/14 | Wantagh, NY | zoom h2, afilosa09, Post subject: 2014-11-28 | ||
LB-11818 | 11/29/14 | Beacon Theatre, NYC | 2 | A | jf, Recorded by 'JF', Equipment: Sennheiser MKE |
LB-11819 | 11/29/14 | NEW YORK, NEW YORK | 2 | A | spot, 108 mins a SPOT Recording, SPOT an I are old |
LB-13115 | 11/29/14 | New York, NY | zoom h2; afilosa09, Post subject: 2014-11-29 | ||
LB-11781 | 12/1/14 | New York, NY | 2 | A | mr railing, Recorded by: Mr. Railing, Source: |
LB-11820 | 12/1/14 | Beacon Theatre, NYC | 2 | A | jf, Recorded by 'JF', Equipment: Sennheiser MKE |
LB-11821 | 12/1/14 | NEW YORK, NEW YORK | 2 | A | spot, 108 mins a SPOT Recording, SPOT an I are old |
LB-11822 | 12/2/14 | Beacon Theatre, NYC | 2 | A | jf,, Recorded by 'JF', Equipment: Sennheiser MKE |
LB-11823 | 12/2/14 | NEW YORK, NEW YORK | 2 | A | spot, 108 mins a SPOT Recording, SPOT an I are old |
LB-11824 | 12/3/14 | Beacon Theatre, NYC | 2 | A | jf, Recorded by 'JF', Equipment: Sennheiser MKE |
LB-11825 | 12/3/14 | NEW YORK, NEW YORK | 2 | A | spot, 108 mins a SPOT Recording, SPOT an I are old |
LB-11840 | 12/3/14 | New York | 2 | A | goodnitesteve, (goodnitesteve Recording), |