LB | Date | Location | CDR | Rating | Description |
---|---|---|---|---|---|
LB-9915 | xx/xx/91 | Various 1991 & 1992 | 1 | B+ | BOOTLEG: food for your ears; Note: Venues and |
LB-0545 | 1/28/91 | Zurich | 2 | B+ | |
LB-7202 | 1/28/91 | Zurich, Switzerland | 2 | B- | Vito; Off tape master, Taper: Vito, Lineage:, |
LB-7729 | 1/28/91 | Zurich | 2 | A | version "c"; legendary taper D, PA problems tr 1, |
LB-9198 | 1/28/91 | Zrich, Switzerland | 2 | B+ | version "f", Reasonable quality audience recording |
LB-14107 | 1/28/91 | Zurich, Switzerland | B+ | from master dolphinsmile 48k | |
LB-15591 | 1/28/91 | Zurich | B | lta, taper: unknown, lineage: Cassette (1st gen) > | |
LB-3862 | 1/30/91 | Brussels | 2 | B+ | |
LB-4696 | 1/30/91 | Brussels, Belgium | 2 | B | JOHN COLTRANE MASTERPIECES, Rolling Thunder |
LB-8758 | 1/30/91 | Brussels | 2 | B+ | version "b";, "John Coltrane Masterpieces", d1 & |
LB-13788 | 1/30/91 | Brussels | 2 | B+ | version "f", Lineage: Trade cdrs > EAC > Flac |
LB-3510 | 1/31/91 | Utrecht | 1 | C+ | trade(audio) > xACT > FLAC > Azareus > torrent > |
LB-7206 | 1/31/91 | Utrecht | 2 | A- | LTD; cut between discs, legendary taper D, |
LB-1586 | 2/2/91 | Glasgow | 2 | A- | |
LB-4591 | 2/2/91 | Glasgow | 2 | A- | jtt; Very Good Audience Recording, Source: Trade |
LB-9138 | 2/2/91 | Glasgow, Scotland | 2 | B+ | version "b", Audience recording Xfered from tape. |
LB-1677 | 2/3/91 | Glasgow | 2 | B+ | |
LB-3688 | 2/3/91 | Glasgow | 2 | A- | version "a"; no source information available |
LB-4090 | 2/3/91 | Glasgow | 2 | B+ | JTT; Recording & Transfer by JTT, Sony |
LB-3863 | 2/5/91 | Dublin | 2 | B+ | |
LB-6201 | 2/5/91 | Dublin, Ireland | 2 | B+ | net taper B, ?? -> portable DATrecorder - clone |
LB-9140 | 2/5/91 | Dublin, Ireland | 2 | B | version "b", Good quality audience recording |
LB-1585 | 2/6/91 | Belfast | 2 | B+ | |
LB-2978 | 2/6/91 | Belfast | 2 | version "a"; Source: aud, Lineage: aud > ? > CD-R | |
LB-6200 | 2/6/91 | Belfast | 2 | B+ | net taper B, ?? -> portable DATrecorder - clone |
LB-0885 | 2/8/91 | London | 2 | B- | |
LB-1927 | 2/8/91 | Hammersmith Odeon | 2 | A- | Offmaster of an audience recording by Legendary |
LB-4205 | 2/8/91 | London | 2 | B- | "JTT Master", Recorded by JTT, Mastered by JTT, |
LB-8225 | 2/8/91 | Hammersmith Odeon | 2 | B | source: Aud, gen: Master, Source: Master Aud mit |
LB-9156 | 2/8/91 | London, England | 2 | B- | version "e", Fair but variable quality audience |
LB-10611 | 2/8/91 | London, England | 2 | A- | version "g", There are currently 5 disparate |
LB-0887 | 2/9/91 | London | 2 | B | |
LB-1938 | 2/9/91 | Hammersmith Odeon | 2 | A- | An offmaster copy of a audio recording by |
LB-4206 | 2/9/91 | London | 2 | B | "JTT Master", Recorded by JTT, Mastered by JTT, |
LB-8218 | 2/9/91 | London | 2 | B | source: Aud, gen: Master, Source: Master Aud mit |
LB-9157 | 2/9/91 | London, England | 2 | B | version "d", Fair quality audience recording, |
LB-10612 | 2/9/91 | London, England | 2 | A- | version "h", There are currently 4 disparate |
LB-13785 | 2/9/91 | London | 2 | A- | version "i", Lineage: Trade cdr > EAC > Flac |
LB-1930 | 2/10/91 | Hammersmith Odeon | 2 | A- | An offmaster copy of an audience recording by |
LB-4209 | 2/10/91 | London | 2 | B+ | "JTT Master", Recorded by JTT, Mastered by JTT, |
LB-7026 | 2/10/91 | London, England | 2 | A | legendary taper B, ssrc; cut before Man In The |
LB-7029 | 2/10/91 | London, England | 2 | A- | legendary taper J, cut before Man In The Long |
LB-8219 | 2/10/91 | London, state: U.K. | 1 | B+ | source: Aud, gen: Master, Tracklist total playtime |
LB-9158 | 2/10/91 | London, England | 2 | B | version "e", Fair quality audience recording. Some |
LB-10607 | 2/10/91 | London, England | 2 | B+ | version "h", There are currently 5 disparate |
LB-10609 | 2/10/91 | London, England | 2 | A | version "i", There are currently 5 disparate |
LB-0807 | 2/12/91 | London | 2 | B+ | |
LB-1940 | 2/12/91 | Hammersmith Odeon | 2 | B+ | An offmaster copy of an audience recording by |
LB-3209 | 2/12/91 | London | 3 | B | JTT;, GENUINE, Previously Uncirculated (Other Than |
LB-4210 | 2/12/91 | London | 2 | B | "JTT Master", Recorded by JTT, Mastered by JTT, |
LB-8220 | 2/12/91 | London, state: U.K | 2 | B | source: Aud, gen: Master, Source: Master Aud mit |
LB-9162 | 2/12/91 | London, England | 2 | B | version "e", Fair quality audience recording. Xfer |
LB-10613 | 2/12/91 | London, England | 2 | B+ | version "i", There are currently 4 disparate |
LB-0776 | 2/13/91 | London | 2 | B | |
LB-1939 | 2/13/91 | Hammersmith Odeon | 2 | A- | A copy of an offmaster audience recording by |
LB-4212 | 2/13/91 | London | 2 | B | "JTT Master", Disc One Recorded by JTT, Disc Two |
LB-9166 | 2/13/91 | London, England | 2 | B+ | version "c", Good quality audience tape., Xfered |
LB-10616 | 2/13/91 | London, England | 2 | A- | version "h", There are currently 4 disparate |
LB-0808 | 2/15/91 | London | 1 | B | |
LB-1943 | 2/15/91 | Hammersmith Odeon | 2 | A- | From an offmaster copy of an audience recording by |
LB-4213 | 2/15/91 | London, England | 2 | B | "JTT Master", Recorded by JanetTT, Mastered by JTT |
LB-9169 | 2/15/91 | London, England | 2 | B | version "c", Good quality audience recording. |
LB-10617 | 2/15/91 | London, England | 2 | A- | version "g", There are currently 4 disparate |
LB-0811 | 2/16/91 | London | 2 | B | |
LB-1942 | 2/16/91 | Hammersmith Odeon | 2 | A- | An offmaster copy of the audience recording by |
LB-4214 | 2/16/91 | London | 2 | B+ | "JTT Master", Recorded by JanetTT, Mastered by JTT |
LB-6819 | 2/16/91 | London - Hammersmith | 1 | BOOTLEG: They Don't Deserve It - Part 1; cd > | |
LB-9171 | 2/16/91 | London, England | 2 | B+ | version "d", Good quality audience recording. |
LB-10618 | 2/16/91 | London, England | 2 | B | version "g", There are currently 3 disparate |
LB-10619 | 2/16/91 | London, England | 2 | A | version "h", There are currently 3 disparate |
LB-0818 | 2/17/91 | London | 1 | B | |
LB-1941 | 2/17/91 | Hammersmith Odeon | 2 | A- | An offmaster copy of the audience recording by |
LB-4218 | 2/17/91 | London | 2 | B | "JTT Master", Recorded by JanetTT, Mastered by JTT |
LB-9175 | 2/17/91 | London, England | 2 | B+ | version "c", Fair quality audience recording. |
LB-10620 | 2/17/91 | London, England | 2 | A- | version "g", There are currently 3 disparate |
LB-4045 | 2/21/91 | Williamsport | 2 | B | Audience recording > Unknown transfer > CDR(x) > |
LB-1958 | 2/22/91 | Painter's Mill Music | 2 | B | Aud, Lineage: CD-Rs > EAC (secure mode) > CoolEdit |
LB-9556 | 2/22/91 | Owings Mills, MD | 1 | C | The Lostbrook Tape Series - Volume 61, Recording |
LB-13169 | 2/22/91 | Owings Mills, MD | 2 | A- | akg451 dolphinsmile, Taped on Dat with AKG 451 |
LB-8016 | 3/xx/91 | Westwood One Show | 3 | A | JTT; "The Bob Dylan Bootleg Tapes", Radio Station |
LB-8025 | 3/1/91 | Westwood One Show | 2 | A | HH; "The Bob Dylan Bootleg Tapes", Radio Station |
LB-8039 | 3/xx/91 | Westwood One Show | 2 | A | version "b"; "The Bob Dylan Bootleg Tapes", Radio |
LB-0860 | 4/19/91 | New Orleans | 1 | B+ | MJS Master, |
LB-3214 | 4/19/91 | New Orleans | 2 | C | version "a"; first show of tour. pretty rough |
LB-4678 | 4/19/91 | New Orleans | 2 | B+ | PDub Master: Sonic Studios 6p mics > Sony D6 > |
LB-12483 | 4/19/91 | New Orleans, LA | 1 | B+ | mjs lta, taper: MJS, lineage:, Sonic Studios |
LB-0822 | 4/20/91 | Pelham | 2 | B+ | |
LB-1681 | 4/20/91 | Pelham | 2 | B+ | version "a" |
LB-7110 | 4/20/91 | Pelham, Al, USA | 2 | B+ | Source: Realistic 33-1089 (pair) > Sony D6, |
LB-8053 | 4/20/91 | Pelham, Alabama | 2 | B+ | version "c"; NOTES:, Pelham MJS master was |
LB-0181 | 4/21/91 | Greenville | 2 | C | |
LB-5187 | 4/21/91 | Greenville | 1 | B- | version "a"; incomplete; 1st gen. Cass.(Maxell |
LB-9891 | 4/21/91 | Greenville | 1 | B- | version "b", LosslessBob LB-5187: version "a"; |
LB-12883 | 4/21/91 | Greenville | C+ | cm dolphinsmile 48k, Cass Master>Dat>Tascam Deck | |
LB-0632 | 4/23/91 | Atlanta | 2 | C | |
LB-16095 | 4/23/91 | Atlanta, GA | panasonic rq j36, Source: Panasonic RQ-J36 Stereo | ||
LB-0644 | 4/24/91 | Macon | 2 | D+ | master, |
LB-6433 | 4/24/91 | Macon | 2 | D | version "a"; I cannot find the drop d1t3 0:30 |
LB-0645 | 4/25/91 | Charleston | 2 | C | master, |
LB-8812 | 4/25/91 | Charleston | 2 | C | version "a" |
LB-0198 | 4/27/91 | Sunrise, FL | 2 | B | |
LB-12000 | 4/27/91 | Sunrise FL | 2 | B | senn 2002, from my master cassettes. sennheiser |
LB-10412 | 4/30/91 | Savannah GA | 1 | B- | inc; no info provided by dolphinsmile in torrent |
LB-0180 | 5/1/91 | Columbia | 2 | B- | |
LB-6437 | 5/1/91 | Columbia | 2 | C | version "a" |
LB-0100 | 5/2/91 | Salem | 2 | B- | |
LB-8820 | 5/2/91 | Salem, Virginia | 2 | B- | version "a";, ?>EAC(secure)>TLH(Flac8+checksums |
LB-12518 | 5/2/91 | Salem | 2 | B | version "b", From an old cassette (received in |
LB-4046 | 5/4/91 | Winston-Salem | 2 | C- | |
LB-8841 | 5/4/91 | Winston-Salem | 2 | C- | version "a";, Fixed LosslessBob LB-4046, >, WAV > |
LB-0625 | 5/5/91 | Raleigh | 1 | B+ | |
LB-0124 | 5/7/91 | Stony Brook | 2 | B- | |
LB-1686 | 5/8/91 | Albany | 2 | B | |
LB-8707 | 5/8/91 | Albany | 2 | B | version "a";, 2CDR, (54min+32min); lots of ongoing |
LB-10756 | 5/8/91 | Albany, NY | 2 | B | version "b", * lost left track for about 2 minutes |
LB-12819 | 5/8/91 | Albany, NY | B | lta, 24/48, taper: unknown, lineage:, Maxell | |
LB-4047 | 5/9/91 | Boston | 2 | B- | |
LB-9146 | 5/9/91 | Boston | 2 | B- | version "a", Good quality audience tape, slightly |
LB-4048 | 5/11/91 | Danbury | 1 | B | |
LB-5228 | 5/11/91 | Danbury | 1 | B | version "a'; 17 Tracks - 67:35, Unknown Taper > |
LB-8833 | 5/11/91 | Danbury, Connecticut | 1 | B | version "b" |
LB-12267 | 5/11/91 | Danbury, CT | 1 | B | version "c", taper: unknown, cassette gen |
LB-12392 | 5/11/91 | Danbury, CT | 1 | B+ | akg451 ssb v2, akg451.ssb.tc3 i, source: (2) AKG |
LB-12484 | 5/11/91 | Danbury, CT | 1 | B | serge, *Second New transfer***, Note: something |
LB-12618 | 5/11/91 | Danbury | 1 | B+ | hce gg nak doplphinsmile, taped by HCE-GG with |
LB-4049 | 5/12/91 | Amherst | 2 | B | |
LB-2811 | 6/6/91 | Roma Palaeur | 1 | B+ | from shn download phil's ftp server 11/01, |
LB-3583 | 6/6/91 | Roma, Palaeur | 1 | B+ | version "a"; AUD Cassette |
LB-4089 | 6/6/91 | Rome, Italy, Paleur | 1 | B- | JTT; Excellent Audience Recording, Transferred |
LB-10286 | 6/6/91 | Rome, Italy | 3 | B- | BOOTLEG: someday everything is gonna be different; |
LB-12326 | 6/6/91 | Rome | A- | dat transfer; 48k, From an old DAT (received in | |
LB-15633 | 6/6/91 | Palaeur, Roma | A- | ltj lta 48, taper: LTJ, lineage: Sennheiser | |
LB-1583 | 6/7/91 | Bologne | 2 | A- | |
LB-5775 | 6/7/91 | Bologna | 2 | C | Off master, Taper: Vito, Source/Linage:, Sony |
LB-8950 | 6/7/91 | Bologna | 2 | A- | version "b"; 2CD 94:06, FTP > HD >FLAC 0.6583 (19 |
LB-10175 | 6/7/91 | Bologna, Italy | 2 | A- | schubert asm, This is a Schubert Remaster of this |
LB-15548 | 6/7/91 | Bologna, Italy | A- | zuma66, zuma66 master, Lineage: Sony TCS 430 whit | |
LB-1837 | 6/8/91 | Milano | 2 | A- | Holy Grail |
LB-5342 | 6/8/91 | Milano | 3 | C+ | 38f; & Van Morrison, from master., Originally this |
LB-5836 | 6/8/91 | Milano | 2 | B- | Off master, Taper: Vito, Source/Linage:, Sony |
LB-10287 | 6/8/91 | Milano, Italy | A- | see 06/06/91 LB-10286 bootleg "someday everything | |
LB-11648 | 6/8/91 | Milano, Italy | 1 | B | vanm jtt, VAN MORRISON (Bob Dylan on Two Tracks), |
LB-13247 | 6/8/91 | Milano | ltj lta 48k, taper: LTJ, lineage:, Sennheiser | ||
LB-15073 | 6/8/91 | Milano | 2 | A- | mr lta, taper: M.R., lineage:, Sony ECM-909 |
LB-15855 | 6/8/91 | Milano, Italy | A- | zuma66, zuma66 master, Lineage: Sony TCS 430 whit | |
LB-1947 | 6/10/91 | Olympic Stadium | 2 | B+ | transferred this from tape myself to stand alone |
LB-4465 | 6/10/91 | Ljubljana | 2 | A | Taper: LTD |
LB-6820 | 6/10/91 | Ljubljana | 1 | A- | BOOTLEG: Ljubljana 91; cd > ultraplex > eac > wav |
LB-3676 | 6/11/91 | Stadion FK Zemun | 2 | Pink Robert; Live in Serbia 1991, Uncirculated | |
LB-3686 | 6/11/91 | Stadion FK Zemun | 2 | Captain Acid; Live in Serbia 1991, Uncirculated | |
LB-4403 | 6/11/91 | Belgrade | 2 | A- | Taper: LTD, Source: Audio disks (low-gen) > |
LB-6821 | 6/11/91 | Belgrad, Yugoslavia | 1 | A- | BOOTLEG: Belgrad 91; cd > ultraplex > eac > wav > |
LB-9186 | 6/11/91 | Belgrade, Yugoslavia | 2 | B+ | version "d", Reasonable quality audience recording |
LB-12342 | 6/11/91 | Belgrade, Yugoslavia | 2 | B+ | jtt, Transfer from 2nd Generation Tape (JTT), BOB |
LB-12968 | 6/11/91 | Belgrade, Yugoslavia | A- | cb dolphinsmile 48k, taped by HCE CB, the great | |
LB-1839 | 6/12/91 | Budapest | 2 | B+ | Holy Grail |
LB-6094 | 6/12/91 | Budapest, Hungary | 2 | A- | legendary taper J, cut before Knockin' On Heaven's |
LB-12517 | 6/12/91 | Budapest, Hungary | 1 | A- | hce c dolphinsmile, taped by a German friend of |
LB-0444 | 6/14/91 | Eissportshalle | 2 | A- | |
LB-1898 | 6/14/91 | Innsbruck | 2 | A- | Holy Grail |
LB-4385 | 6/14/91 | Innsbruck | 2 | A- | LTD; Taper: LDT, Equipment: Do not have details, |
LB-5868 | 6/14/91 | Innsbruck | 2 | C | Off master, Taper: Vito, Source/Linage:, Sony |
LB-6822 | 6/14/91 | Innesbruck, Austria | 1 | B+ | BOOTLEG: Olympic Pleasure; cd > ultraplex > eac > |
LB-9188 | 6/14/91 | Innsbruck, Austria | 2 | B | version "e", Pretty nice audience recording, but |
LB-15642 | 6/14/91 | Innsbruck | A | ltj lta 48, taper: LTJ, lineage: Sennheiser | |
LB-0213 | 6/15/91 | soundcheck | 1 | ||
LB-1838 | 6/15/91 | Linz | 2 | B+ | Holy Grail |
LB-3806 | 6/15/91 | Linz, Austria | 2 | B+ | version "a"; Exact Lineage unknown!, |
LB-6114 | 6/15/91 | Linz, Austria | 2 | A- | legendary taper J, Sennheiser MKE2002 -> portable |
LB-1842 | 6/17/91 | Stuttgart | 2 | A- | Holy Grail |
LB-4050 | 6/17/91 | Stuttgart | 2 | B+ | |
LB-6681 | 6/17/91 | Stuttgart, Germany | 2 | A | legendary taper J, Sennheiser MKE2002 -> portable |
LB-7787 | 6/17/91 | Stuttgart, Germany | 2 | A | legendary taper B, cut before It's All Over Now, |
LB-8367 | 6/17/91 | Stuttgart, Germany | 2 | A- | BOOTLEG: Name That Tune; (aka Name That Tune: The |
LB-14339 | 6/17/91 | Stuttgart, Germany | A | senn2002 dolphinsmile 48k, Taped by a German | |
LB-3487 | 6/18/91 | Essen, Grugahalle | 2 | B+ | Source: Master mit Sony WMD6C + Microphon Sony ECM |
LB-6823 | 6/18/91 | Essen, Germany | 2 | A | BOOTLEG: New Morning; cd > ultraplex > eac > wav > |
LB-10459 | 6/18/91 | Essen (Germany) | 2 | B+ | bobfather, (off DAT Master), SOURCE: Sony D3 Dat |
LB-1660 | 6/19/91 | Offenbach | 2 | A- | Holy Grail |
LB-3244 | 6/19/91 | OFFENBACH STADTHALLE | 2 | B | Source: Master Aud Sony WMD6C + Micro Sony ECM 155 |
LB-5343 | 6/19/91 | Offenbach | 2 | A- | Taper: Legendary Taper D., Source: low-gen audio |
LB-9203 | 6/19/91 | Offenbach, Germany | 2 | B+ | version "e", Pretty good quality audience |
LB-15755 | 6/19/91 | Offenbach, Germany | 2 | B | version "h", This version was, originally, the |
LB-1845 | 6/21/91 | Munich | 2 | B+ | Holy Grail |
LB-7180 | 6/21/91 | Munich | 2 | A | Taper: Legendary Taper J, Source: DAT clone > |
LB-8222 | 6/21/91 | Munich | 2 | B | source: Aud, gen: Master, Source: Master Aud mit |
LB-1851 | 6/22/91 | Bad Mergentheim | 2 | A | Holy Grail |
LB-5526 | 6/22/91 | Bad Mergentheim | 2 | A | version "a"; source: Aud, gen: Master, Source: Aud |
LB-7805 | 6/22/91 | Bad Mergentheim | 2 | A | legendary taper B, cut before Girl From The North |
LB-1849 | 6/23/91 | Hamburg | 2 | A- | Holy Grail |
LB-5984 | 6/23/91 | Hamburg | 2 | A- | NETF; source: Aud, gen: Master-Clone DAT, |
LB-9208 | 6/23/91 | Hamburg, Germany | 2 | B | version "c", Reasonable quality audience recording |
LB-0539 | 6/25/91 | Stockholm | 2 | B | |
LB-1581 | 6/25/91 | Cirkus (Stockholm | 2 | B | alternate "a" |
LB-7804 | 6/25/91 | Stockholm, Sweden | 2 | B | version "b"; cuts before Barbara Allen, Knockin' |
LB-12271 | 6/25/91 | Stockholm | 2 | B | version "c", *** New Transfer ***, taper: unknown, |
LB-1579 | 6/26/91 | Cirkus (Stockholm | 2 | B+ | |
LB-8873 | 6/26/91 | Stockholm, Sweden | 2 | B+ | version "a", taper: unknow, lineage: trade > |
LB-12265 | 6/26/91 | Stockholm | 2 | B+ | version "b", taper: unknown, cassette gen unknown |
LB-4051 | 6/28/91 | Kalvoya | 2 | B | |
LB-4879 | 6/28/91 | Kalvoya, Norway | 2 | B | version "a"; Suppose it is a B soundquality-wise |
LB-1685 | 6/29/91 | Ringe | 2 | B | soundboard.(SHN) (contains hearts of fire outtakes |
LB-1913 | 6/29/91 | Ringe, Fyn, Denmark | 2 | B | soundboard., Lineage:shn=>wavs=>cooledit=>noise |
LB-2615 | 6/29/91 | Ringe | 2 | B+ | Audience recording, CDR > EAC > WAV > SHN |
LB-6824 | 6/29/91 | Ringe, Denmark | 2 | cd > ultraplex > eac > wav > flac; Deep Records | |
LB-9115 | 6/29/91 | Ringe | 1 | B | BOOTLEG: midfyn; Full Flyte Records FF Cd1-92, |
LB-4052 | 7/4/91 | Lenox | 2 | B+ | |
LB-2717 | 7/5/91 | MANSFIELD | 2 | B- | Notes:, Silence between d1t09 and d1t10 |
LB-8784 | 7/5/91 | Mansfield | 2 | B- | version "a" |
LB-3199 | 7/6/91 | Nashua | 2 | B+ | SOURCE: 'BW' Cassette Master, Lineage: 'BW' |
LB-7181 | 7/6/91 | Nashua | 2 | A- | Taper: NET Taper M, Source: Transferred from first |
LB-4053 | 7/9/91 | Syracuse | 2 | B | |
LB-4776 | 7/9/91 | Syracuse | 2 | B | Taper: Glen Dundas, Source: Low-gen audio disks > |
LB-1924 | 7/10/91 | Lake Champlain | 2 | B | Source: Aud, Lineage: CD-Rs > EAC (secure mode) > |
LB-4699 | 7/10/91 | Essex Junction | 2 | B+ | Taper: Glen Dundas, Source: Low-generation audio |
LB-0035 | 7/11/91 | Jones Beach Theater | 2 | B | daud, rated A, |
LB-1950 | 7/11/91 | Jones Beach Theater | 2 | B+ | version "a"; Source: Aud, Lineage: CD-R's > EAC |
LB-4791 | 7/11/91 | Wantagh | 2 | B+ | Taper: Glen Dundas, Source: Low-gen audio disks > |
LB-9192 | 7/11/91 | Wantagh, New York | 2 | B+ | version "c", Good quality audience recording |
LB-15198 | 7/11/91 | Wantagh, NY | 2 | B | two of us, (Two Of Us Master Volume 45), Transfer: |
LB-2099 | 7/13/91 | Garden State Arts | 2 | B+ | Stereo audience recording |
LB-4777 | 7/13/91 | Holmdel | 2 | B+ | Taper: Glen Dundas, Source: Low gen audio disks > |
LB-12397 | 7/13/91 | Holmdel | B+ | dat 48k, From an old DAT (received in trade, c. | |
LB-12398 | 7/13/91 | Holmdel | B+ | analog sennheiser 48k, From an old DAT (received | |
LB-4054 | 7/16/91 | Pittsburgh | 2 | B- | |
LB-4568 | 7/16/91 | Pittsburgh | 2 | B | Taper: Glen Dundas, Source: Analog master > cdr > |
LB-7665 | 7/17/91 | Cleveland | 2 | B | not found any reference in the lb-archives, no |
LB-8344 | 7/17/91 | Cleveland, Ohio | 2 | B+ | legendary taper C, cut before Don't Think Twice, |
LB-9149 | 7/17/91 | Cleveland, Ohio | 2 | B+ | version "b", Fair quality audience recording. Some |
LB-2514 | 7/19/91 | Filene Center | 2 | B | |
LB-9150 | 7/19/91 | Vienna, Virginia | 2 | B | version "a", Fair quality audience recording. |
LB-4055 | 7/20/91 | Vienna | 2 | B- | |
LB-6825 | 7/20/91 | Vienna, VA | 1 | B | BOOTLEG: Wolftrap; cd > ultraplex > eac > wav > |
LB-9180 | 7/20/91 | Vienna, Virginia | 2 | B | version "b", First 13 tracks are from a soundboard |
LB-15209 | 7/20/91 | Vienna, VA | B | ald lta 48, ALD, source: Assistive listening | |
LB-1753 | 7/21/91 | Doswell | 2 | B | Source: Aud, Lineage: Aud > ? > CD-Rs > EAC > |
LB-4573 | 7/21/91 | Doswell | 2 | B+ | Taper: Glen Dundas, Source: Analog master > audio |
LB-4056 | 7/24/91 | Groton | 2 | B | |
LB-5428 | 7/24/91 | Groton | 2 | B | Taper: bw, Source: cassette master > audio disks > |
LB-9178 | 7/24/91 | Groton, Connecticut | 2 | B | version "b", Fair quality audience recording. Last |
LB-10184 | 7/24/91 | Groton, Connecticut | 2 | D+ | george, incomplete; New Source Circulated For The |
LB-0135 | 7/26/91 | Maple | 2 | ||
LB-2035 | 7/26/91 | Kingswood Music | 2 | A- | version "a" |
LB-0123 | 7/27/91 | Corfu | 2 | C | alternate, |
LB-4437 | 7/27/91 | Corfu | 2 | C | |
LB-4438 | 7/27/91 | Corfu | 2 | B | Taper: Legendary Taper G, Source Audio disks from |
LB-0663 | 8/8/91 | Buenos Aires | 1 | B | |
LB-0664 | 8/8/91 | Buenos Aires | 2 | B- | alternate version |
LB-8787 | 8/9/91 | Buenos Aires | 2 | C+ | cut/tape flip between cd1 and cd2, missing very |
LB-8794 | 8/9/91 | Buenos Aires | 2 | C+ | verion "a": "received in a cdr trade long |
LB-0296 | 8/10/91 | Buenos Aires | 2 | ||
LB-0297 | 8/12/91 | Montevideo | 1 | C | |
LB-0669 | 8/14/91 | Porto Alegre | 1 | D- | |
LB-0681 | 8/14/91 | Porto Alegre | 2 | radio broadcast, | |
LB-5568 | 8/14/91 | Puerto Alegre | 1 | D+ | version "b"; request (7x), data dvd trade; just a |
LB-0638 | 8/16/91 | Sao Paulo | 1 | ||
LB-0298 | 8/17/91 | San Paola | 2 | B+ | |
LB-0295 | 8/19/91 | Belo Horizonte | 2 | ||
LB-3731 | 8/19/91 | Belo Horizonte | 2 | B | This remaster was NOT done with T-Racks 2.0 ;), |
LB-0666 | 8/21/91 | Rio de Janeiro | 2 | ||
LB-2618 | 8/21/91 | Rio de Janeiro | 2 | D- | version "a"; Audience recording, CDR > EAC > WAV > |
LB-7655 | 10/17/91 | Sevilla, Spain | 1 | A- | tve broadcast; Mono transfer of my own capture of |
LB-7658 | 10/17/91 | Seville, Spain | 1 | A- | jtt; "Transfers From Master Stereo VHS, JTT" " DVD |
LB-9515 | 10/17/91 | Seville, Spain | 1 | A- | version "b", FM Broadcast by BBC Radio 1 (Over 5 |
LB-11271 | 10/17/91 | Seville, Spain | 1 | A- | jtt c, BOB DYLAN, KEITH RICHARD, ROBBIE ROBERTSON |
LB-12329 | 10/17/91 | Seville, Spain | 1 | version "d" jtt, KEITH RICHARDS, ROBBIE ROBERTSON | |
LB-12436 | 10/17/91 | Sevilla, Spain | 1 | B+ | BOOTLEG: something else; KEITH RICHARDS & FRIENDS |
LB-15194 | 10/17/91 | Guitar Legends | fm gw, Lineage: FM > Cassette > Transfer via Aiwa | ||
LB-1204 | 10/25/91 | Austin, TX | 2 | B+ | |
LB-3310 | 10/25/91 | Austin | 2 | B | version "a"; incomplete; In the beginning the |
LB-5241 | 10/25/91 | Austin | 2 | B | Nice To Be Up Here In Texas; This version here |
LB-7920 | 10/25/91 | Austin, Texas | 2 | B | version "c" |
LB-8887 | 10/25/91 | Austin | 2 | B | version "d", By request, In the beginning the |
LB-3027 | 10/26/91 | San Antonio | 2 | C- | Incomplete concert |
LB-3035 | 10/26/91 | San Antonio | 2 | C | version "a"; PEFORMANCE NOTES: I did notice that |
LB-8721 | 10/26/91 | San Antonio | 2 | C | version "b"; described with info from LB-3035 plus |
LB-0635 | 10/27/91 | Lubbock | 2 | C | |
LB-1687 | 10/30/91 | Tulsa | 2 | B+ | soundboard |
LB-3183 | 10/30/91 | Tulsa | 2 | B+ | BOOTLEG: Live At Brand Theater; Silver CD > EAC > |
LB-4114 | 10/30/91 | Tulsa | 2 | B+ | version "a'; Line recording > Unknown transfer |
LB-6826 | 10/30/91 | Tulsa, OK | 2 | B+ | BOOTLEG: Answer Me; cd > ultraplex > eac > wav > |
LB-12539 | 10/30/91 | Tulsa, OK | 2 | B+ | sbd lta, Soundboard, Soundboard, cassette unknown |
LB-15254 | 10/30/91 | Tulsa, Oklahoma | 2 | B | jtt, Excellent Stereo Audience Recording (Good |
LB-15473 | 10/30/91 | Tulsa, Oklahoma | 2 | B+ | acidproject, October 30th 1991, Acid Project 071, |
LB-3799 | 10/31/91 | Wichita | 2 | B- | |
LB-4697 | 10/31/91 | Wichita | 2 | A- | PDub Master: Sonic Studios 6p mics > Sony D6 > |
LB-0291 | 11/1/91 | Kansas City | 2 | B- | master aud, |
LB-4707 | 11/1/91 | Kansas City | 2 | B+ | PDub Master: Sonic Studios 6p mics > Sony D6 > |
LB-12535 | 11/1/91 | Kansas City, MO | 2 | B+ | ltf lta, (LTF) *** new transfer ***, Size: 716.4 |
LB-2498 | 11/2/91 | Ames | 2 | A- | |
LB-9177 | 11/2/91 | Ames, Iowa | 2 | B+ | version "a", Fair quality audience recording, with |
LB-12528 | 11/2/91 | Ames, IA | 2 | A- | ltf lta, taper: LTF, lineage: Sennheiser MKE-2002 |
LB-0854 | 11/4/91 | Evanston | 2 | B+ | MJS Master |
LB-6827 | 11/4/91 | Evanston, IL | 1 | B | BOOTLEG: Live in Evanston Illinois; cd > ultraplex |
LB-9168 | 11/4/91 | Evanston, Illinois | 2 | B+ | version "b", Fair quality audience recording. Xfer |
LB-12565 | 11/4/91 | Evanston, IL | 2 | B | version "c"; From a cassette (received in trade, |
LB-0873 | 11/5/91 | Madison, Wisconsin | 2 | B | MJS Master |
LB-6828 | 11/5/91 | Madison, Wisconsin | 1 | B | BOOTLEG: Madison 91; cd > ultraplex > eac > wav > |
LB-9174 | 11/5/91 | Madison, Wisconsin | 2 | B | version "b", Good quality audience recording |
LB-10660 | 11/5/91 | Madison, Wisconsin | 2 | A- | version "d", Alternative recording to 'MJS.', |
LB-12544 | 11/5/91 | Madison, WI | 2 | A- | ltf lta, taper: LTF, lineage: Sennheiser |
LB-0403 | 11/6/91 | South Bend | 2 | ||
LB-2166 | 11/6/91 | C. Morris Civic | 2 | B+ | version "a"; Source: unknown |
LB-7410 | 11/6/91 | South Bend, Indiana | 2 | B+ | net taper A ?, cut before John Brown, ?? -> |
LB-0427 | 11/8/91 | Louisville | 2 | B+ | |
LB-7405 | 11/8/91 | Louisville, Kentucky | 2 | B+ | legendary taper G, cut before Mr. Tambourine Man, |
LB-13344 | 11/8/91 | Louisville, KY | 2 | ltf lta, taper: Legendary Taper F, lineage:, | |
LB-0407 | 11/9/91 | Dayton | 2 | B | |
LB-0875 | 11/9/91 | Dayton | 2 | B+ | MJS Master |
LB-1732 | 11/9/91 | Memorial Hall | 2 | B+ | Source: Aud, Lineage: Aud > ? > CD-Rs > EAC secure |
LB-7402 | 11/9/91 | Dayton, Ohio | 2 | B+ | legendary taper F, cut before Boots Of Spanish |
LB-0027 | 11/10/91 | Murat Temple - | 2 | A- | daud, rated A, |
LB-6048 | 11/10/91 | Indianapolis, IN | 2 | B | Project ID - LMPP202, Source: Audience Recording, |
LB-6300 | 11/10/91 | Indianapolis | 2 | A- | vgersion "b"; ?? - portable DAT-recorder - clone |
LB-10605 | 11/10/91 | Indianapolis | 2 | B+ | version "c", Alternative recording to LB-0027, |
LB-15769 | 11/10/91 | Indianapolis, IN | A- | ltf lta, taper: LTF, lineage:, Sennheiser | |
LB-3773 | 11/12/91 | Detroit | 2 | B- | dataDVD SHN azareus > torrent > DaD, no info on |
LB-3786 | 11/12/91 | Detroit | 2 | A- | version "a"; unknown > dat > flac; |
LB-7419 | 11/12/91 | Detroit, Michigan | 2 | A- | legendary taper G, cut before Gates Of Eden, |
LB-0258 | 11/13/91 | Akron | 2 | C+ | master aud, |
LB-9163 | 11/13/91 | Akron, Ohio | 2 | B+ | version "a", Fair quality audience tape. Xfered |
LB-14994 | 11/13/91 | Akron, Ohio | 2 | B+ | doctorx, (Uncirculated doctorX DAT Master), |
LB-1205 | 11/15/91 | WilkesBarre | 2 | B+ | alternate version "a" |
LB-7413 | 11/15/91 | - Wilkes-Barre | 2 | C | "Transfer From 2nd Generation Tapes, JTT", Bob |
LB-3800 | 11/16/91 | New Haven | 2 | C | |
LB-7165 | 11/16/91 | New Haven | 2 | C | version "a"; |
LB-8915 | 11/16/91 | New Haven | 2 | C | version "b"; Fixed LB-7165, LB-7165 > WAV > Wave |
LB-10664 | 11/16/91 | New Haven | 2 | C | jtt, (Transfer from Low Generation Tape) JTT, |
LB-0096 | 11/18/91 | Utica | 2 | B- | aud, alternate version, |
LB-11589 | 11/18/91 | UTICA, NEW YORK | 2 | B- | version "b", unknown taper details, audience |
LB-0240 | 11/19/91 | Eerie | 2 | master aud, | |
LB-0803 | 11/19/91 | Eerie | 2 | C | |
LB-0105 | 11/20/91 | Charlottesville | 2 | aud, | |
LB-8879 | 11/20/91 | Charlottesville | 2 | D+ | version "b", Fixed LosslessBob-0105 xref-00501, > |