| LB | Date | Location | CDR | Rating | Description |
|---|
| LB-6876 | xx/xx/95 | Live in 95 | 1 | | BOOTLEG: Exclusive Series '95; cd > ultraplex > |
| LB-10722 | xx/xx/95 | various, | 5 | | BOOTLEG: 1995 european tour anthology; european |
| LB-1921 | 3/11/95 | Prague | 2 | A- | SOURCE: "off master" (aud) recording, LINEAGE: |
| LB-2926 | 3/11/95 | Prague | 2 | A | Norway Remaster; SOURCE: "off master" (aud) |
| LB-3539 | 3/11/95 | Prague | 2 | | Olav remaster, Off master, Taper: no info, Olav |
| LB-6877 | 3/11/95 | Prague | 2 | B+ | BOOTLEG: 12/- A Pound; cd > ultraplex > eac > wav |
| LB-7257 | 3/11/95 | Prague | 2 | A | legendary taper J, Sennheiser MKE2002 -> portable |
| LB-11778 | 3/11/95 | Prague | 2 | A- | version "h", Offmaster recording, unidentified |
| LB-1017 | 3/12/95 | Prague | 2 | A | |
| LB-1923 | 3/12/95 | Prague | 2 | A | version "a"; SOURCE: "off master" (aud) recording, |
| LB-2919 | 3/12/95 | Prague | 2 | A | version "b"; Simply, my very own all time favorite |
| LB-7261 | 3/12/95 | Prague | 2 | A- | Olav ASM; Unidentified taper, Source/Lineage: no |
| LB-11779 | 3/12/95 | Prague | 2 | B+ | alt version "j", My Low gen tape > Tascam 102 > |
| LB-12717 | 3/12/95 | Prague | | A | okm dolphinsmile 48k, taped on dat with OKM mics |
| LB-14289 | 3/12/95 | Prague | | A | dolphinsmile 48k, Dat clone from Master>File |
| LB-0837 | 3/13/95 | Prague | 2 | A | |
| LB-0972 | 3/13/95 | Prague | 2 | A | alternate "a" |
| LB-1920 | 3/13/95 | Prague | 2 | A- | version "b"; SOURCE: "off master" (aud) recording, |
| LB-3523 | 3/13/95 | Prague | 2 | | Olav ASM (volume-boost only), Lineage: FLAC DVD-R |
| LB-7093 | 3/13/95 | Prague | 2 | A- | BOOTLEG: License to Sing; THINMAN 052/53, Taper: |
| LB-15506 | 3/13/95 | Palc Kultury, Praha | | A | ntl lta 48, taper: Net Taper L, lineage:, |
| LB-1029 | 3/14/95 | Stadthalle | 2 | B+ | |
| LB-1922 | 3/14/95 | Stadthalle | 2 | A- | version "a"; SOURCE: "off master" (aud) recording, |
| LB-2972 | 3/14/95 | Furth | 2 | | version "b"; starting with LB-1922, all digital |
| LB-3483 | 3/14/95 | Stadthalle | 2 | A | Olav ASM; Offmaster audience recording., The 1st |
| LB-8517 | 3/14/95 | Fuerth, Germany | 2 | A | legendary taper B, OKMII -> portable DATrecorder - |
| LB-10655 | 3/14/95 | Fuerth, Germany | 2 | A | version "h", patched; ?? -> portable DATrecorder - |
| LB-13484 | 3/14/95 | Frth, Germany | 2 | A | okm dolphinsmile, Taped on dat with those OKM Mics |
| LB-0791 | 3/15/95 | Aschaffenburg | 2 | A- | |
| LB-1432 | 3/15/95 | Aschaffenburg | 2 | A | remastered by Schubert |
| LB-2939 | 3/15/95 | Aschaffenburg | 2 | A | Completely Flooded,; I got this recording from a |
| LB-3490 | 3/15/95 | Aschaffenburg | 2 | | Taper: no info, Olav ASM, Lineage: FLAC DVD-R > |
| LB-5830 | 3/15/95 | Aschaffenburg | 2 | A | legendary taper B, OKM II -> portable DATrecorder |
| LB-5873 | 3/15/95 | Aschaffenburg | 2 | A | net taper F, OKM II -> portable DATrecorder - |
| LB-6253 | 3/15/95 | Aschaffenburg | 2 | A | ssrc; legendary taper B, OKM II -> portable |
| LB-6297 | 3/15/95 | Aschaffenburg | 1 | A | ssrc; net taper F, OKM II -> portable DATrecorder |
| LB-6878 | 3/15/95 | Aschaffenburg | 1 | A- | BOOTLEG: Down in the Flood; cd > ultraplex > eac > |
| LB-10389 | 3/15/95 | Aschaffenburg | 2 | A | version "i", ?? -> portable DATrecorder - clone -> |
| LB-10394 | 3/15/95 | schaffenburg | 2 | A | lodec, local taper DE C, Sony 155 t -> Sony TCD3 |
| LB-0556 | 3/16/95 | Stadthalle | 2 | A | |
| LB-1618 | 3/16/95 | Bielefeld Germany | 2 | A | version "a"; off-master recording, (taper |
| LB-3491 | 3/16/95 | Bielefeld | 2 | | Taper: no info, Olav ASM, Lineage: FLAC DVD-R > |
| LB-5768 | 3/16/95 | Bielefeld | 2 | A | Net Taper: I, Lineage: OKM II R ->Sony |
| LB-11780 | 3/16/95 | Bielefeld, Germany | 2 | B- | version "l", My Low gen tape > Tascam 102 > Cool |
| LB-14858 | 3/16/95 | Bielefeld | | A | ltb lta 48k, taper: Legendary Taper B, lineage:, |
| LB-1702 | 3/18/95 | Groningen | 2 | A | Here's the Groningen 95-03-18 off-master from my |
| LB-3496 | 3/18/95 | Groningen | 2 | | Taper: no info, Olav ASM (volume-boost only), |
| LB-6879 | 3/18/95 | Groningen, Holland | 1 | A- | BOOTLEG: With One Hand Waving Free V2; cd > |
| LB-7862 | 3/18/95 | Groningen, Holland | 2 | A | legendary taper J, Sennheiser MKE2002 -> portable |
| LB-0365 | 3/19/95 | Rodahal | 1 | A- | |
| LB-1810 | 3/19/95 | Kerkrade, Holland | 1 | A | version a; SOURCE: "off master" (aud) recording, |
| LB-8942 | 3/19/95 | Kerkrade (The | 2 | A- | zimmy21;, A zimmy21 recording !!, Sound quality : |
| LB-11782 | 3/19/95 | Kerkrade | 1 | B+ | alt f, My Low gen tape > Tascam 102 > Cool Edit |
| LB-15862 | 3/19/95 | Kerkrade | | A | dolphinsmile 48, dat clone from master>file cloned |
| LB-5827 | 3/20/95 | Utrecht | 2 | A | legendary taper J, Sennheiser MKE2002 (?) -> |
| LB-5828 | 3/20/95 | Utrecht | 2 | A- | BOOTLEG: With One Hand Waving Free; cd > ultraplex |
| LB-6336 | 3/20/95 | Utrecht, Holland | 2 | A | ssrc; legendary taper J, Sennheiser MKE2002 -> |
| LB-13573 | 3/20/95 | Utrecht | | A | senn2002 dolphinsmile, taped by a German |
| LB-1023 | 3/22/95 | Zenith Arena | 2 | A | |
| LB-1662 | 3/22/95 | Lille | 2 | A | version "a"; This is another off-master recording |
| LB-3482 | 3/22/95 | Zenith Arena | 2 | | Olav ASM; ve always loved that great Prague |
| LB-1622 | 3/23/95 | Brussels | 2 | A- | This is another off-master recording from a |
| LB-3052 | 3/23/95 | Brussels | 2 | | (Olav66) Additional Sound Master (ASM) by yours |
| LB-6017 | 3/23/95 | Brussels, Belgium | 2 | A- | legendary taper J, Sennheiser MKE2002 (?) -> |
| LB-6296 | 3/23/95 | Brussels, Belgium | 2 | A- | ssrc; legendary taper J, Sennheiser MKE2002 -> |
| LB-6641 | 3/23/95 | Brussels, Belgium | 2 | A- | BOOTLEG: A Million Faces at my Feet; cd > |
| LB-1030 | 3/24/95 | Le Zenith | 2 | A- | |
| LB-1627 | 3/24/95 | Paris Zenith | 2 | A | version "a"; This is another off-master recording |
| LB-3506 | 3/24/95 | Le Zenith | 2 | | Olav ASM; Taper: no info, Lineage: FLAC DVD-R > |
| LB-13674 | 3/24/95 | Paris, France | | A- | s senn2002 dolphinsmile 48k, Taped by S with |
| LB-1031 | 3/26/95 | Brighton Centre | 2 | A- | |
| LB-1619 | 3/26/95 | Brighton | 2 | A | version "a"; This is another off-master recording |
| LB-5980 | 3/26/95 | Brighton | 2 | A | net taper M, ?? -> portable DATrecorder -> |
| LB-6256 | 3/26/95 | Brighton, England | 2 | A | ssrc; net taper M, Sennheiser MKE 2002 -> portable |
| LB-7066 | 3/26/95 | Brighton, UK | 2 | A | BOOTLEG: Train On Down to Brighton; Taper: |
| LB-11784 | 3/26/95 | Brighton, England | 2 | A- | version "f", My Low gen tape > Tascam 102 > Cool |
| LB-13686 | 3/26/95 | Brighton, England | | A | senn2002 dolphinsmile 48k, recorded by "legendary" |
| LB-1626 | 3/27/95 | Cardiff | 2 | A- | This is another off-master recording from a |
| LB-6004 | 3/27/95 | Cardiff, Wales | 2 | A- | net taper M, ?? -> portable DATrecorder -> |
| LB-7362 | 3/27/95 | Cardiff, Wales | 2 | A- | Off Master + Olav ASM, Source/Lineage: no info, |
| LB-11783 | 3/27/95 | Cardiff, Wales | 2 | A- | version "e", My Low gen tape > Tascam 102 > Cool |
| LB-15150 | 3/27/95 | Cardiff, Wales | 2 | B+ | version "f", Alternative recording to |
| LB-1615 | 3/29/95 | Brixton | 2 | A- | off-master recording, (taper unidentified at the |
| LB-2833 | 3/29/95 | London | 2 | A- | Jacktomthumb, GENUINE, Previously Uncirculated |
| LB-3534 | 3/29/95 | London | 2 | | Olav Asm; Off master, Taper: no info, IMHO, the |
| LB-5960 | 3/29/95 | London | 2 | A | local taper UK: A, cuts in audience noise, very |
| LB-6999 | 3/29/95 | London, England | 2 | A | ssrc; local taper UK: A, cuts in audience noise, |
| LB-11785 | 3/29/95 | London, England | 2 | A- | version "f", My Low gen tape > Tascam 102 > Cool |
| LB-14127 | 3/29/95 | London, UK | 2 | A- | sonics doberman, CDr > EAC > Traders Little Helper |
| LB-1866 | 3/30/95 | Brixton | 2 | A | NET Taper Series #6, Offmaster audience recording |
| LB-3535 | 3/30/95 | London | 2 | | Olav ASM; NET Taper Series #6, Offmaster audience |
| LB-5783 | 3/30/95 | London | 2 | B+ | Taper: "Bach", Lineage: cheap Sony Mics > Sony DAT |
| LB-5784 | 3/30/95 | London | 2 | A | BOOTLEG: F*** the Play List; cd > ultraplex > eac |
| LB-5961 | 3/30/95 | London | 2 | A | local taper UK: A, ?? -> portable DATrecorder - |
| LB-5963 | 3/30/95 | London | 2 | | BOOTLEG: Skipping Reels of Rhyme; cd > ultraplex > |
| LB-6250 | 3/30/95 | London, England | 2 | A | net taper M, Sennheiser MKE 2002 -> portable |
| LB-13198 | 3/30/95 | London | 2 | A | senn2002 dolphinsmile, taped with Senn2002 and dat |
| LB-14128 | 3/30/95 | London, UK | 2 | A | sonics doberman, CDr > EAC > Traders Little Helper |
| LB-1884 | 3/31/95 | Brixton | 2 | A- | NET Tapers Series #7, Offmaster audience recording |
| LB-3538 | 3/31/95 | London | 2 | | Olav ASM, NET Tapers Series #7, Off master |
| LB-5779 | 3/31/95 | London | 2 | B+ | Taper: "Bach", Lineage: cheap Sony Mics > Sony DAT |
| LB-5785 | 3/31/95 | London | 2 | A | BOOTLEG: Bob's Full House; cd > ultraplex > eac > |
| LB-5786 | 3/31/95 | London | 2 | A | BOOTLEG: Brixton Blues; cd > ultraplex > eac > wav |
| LB-5962 | 3/31/95 | London | 2 | A | local taper UK: A, ?? -> portable DATrecorder - |
| LB-7047 | 3/31/95 | London, England | 2 | A | ssrc; local taper UK: A, ?? -> portable |
| LB-10825 | 3/31/95 | Brixton Academy | 2 | A- | BOOTLEG: romantic facts of musketeers; d2t6-d210 |
| LB-14129 | 3/31/95 | London, UK | 2 | A- | sonics doberman, CDr > EAC > Traders Little Helper |
| LB-1613 | 4/2/95 | Aston Villa Leisure | 2 | A | Off-master, taper not identified (at the moment). |
| LB-6341 | 4/2/95 | Birmingham, England | 2 | A | LTD; cut before encore, before It Ain't Me, Babe, |
| LB-6342 | 4/2/95 | Birmingham, England | 2 | A- | BOOTLEG: One Hand Waving Free; cd > ultraplex > |
| LB-11786 | 4/2/95 | Birmingham, England | 2 | A- | version "c", My Low gen tape > Tascam 102 > Cool |
| LB-1032 | 4/3/95 | Labatts Apollo | 2 | A | |
| LB-1277 | 4/3/95 | Labatts Apollo | 2 | A | version "a" |
| LB-1912 | 4/3/95 | Labatts Apollo | 2 | A | version "b"; SOURCE: "off master" (aud) recording, |
| LB-5335 | 4/3/95 | Manchester | 2 | A- | version "c"; cd trade no info, audio > xACT > |
| LB-7196 | 4/3/95 | Manchester, England | 2 | A | legendary taper D, cut before encore, Sennheiser |
| LB-11787 | 4/3/95 | Manchester, England | 2 | A- | alt f, My Low gen tape > Tascam 102 > Cool Edit |
| LB-12069 | 4/3/95 | Manchester, UK | 2 | A- | soledriver, A Soledriver Recording..., Lineage |
| LB-15779 | 4/3/95 | Manchester, UK | 2 | A- | soledriver v2; A Soledriver Recording..., Lineage |
| LB-15888 | 4/3/95 | Manchester | | A | sennheiser dolphinsmile 48, Sennheiser MKE2002 and |
| LB-1276 | 4/4/95 | Labatts Apollo | 2 | B- | |
| LB-5336 | 4/4/95 | Manchester | 2 | B+ | version "a"; request, cd trade no info, audio > |
| LB-7109 | 4/4/95 | Manchester, England | 2 | A | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-11788 | 4/4/95 | Manchester, England | 2 | A- | alt d, My Low gen tape > Tascam 102 > Cool Edit |
| LB-12070 | 4/4/95 | Manchester, UK | 2 | B+ | soledriver, A Soledriver Recording..., Lineage |
| LB-15780 | 4/4/95 | Manchester, UK | 2 | A- | soledriver v2; A Soledriver Recording...LB-12070?, |
| LB-15877 | 4/4/95 | Manchester | | | sennheiser dolphinsmile 48, Sennheiser |
| LB-1789 | 4/5/95 | Manchester | 2 | A | SOURCE: "off master" (aud) recording, SOUND: |
| LB-6648 | 4/5/95 | Manchester, England | 2 | A | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-6649 | 4/5/95 | Manchester, England | 2 | A- | BOOTLEG: Songs of Darkness, Songs of Light; cd > |
| LB-15592 | 4/5/95 | Manchester | | A | ltd lta 48, taper: Legendary Taper D, lineage: |
| LB-15878 | 4/5/95 | Manchester | | | sennheiser dolphinsmile 48, Sennheiser MKE2002, |
| LB-1278 | 4/6/95 | Edinburgh Playhouse | 2 | A | |
| LB-1946 | 4/6/95 | Edinburgh Playhouse | 2 | A | version "a", SOURCE: "off master" (aud) recording, |
| LB-8294 | 4/6/95 | Edinburgh,Scotland | 2 | A | version "b"; Real good sound., This recording |
| LB-1279 | 4/7/95 | Edinburgh Playhouse | 2 | A | |
| LB-1609 | 4/7/95 | Edinburgh Playhouse | 2 | A | version "a" |
| LB-2613 | 4/7/95 | Edinburgh Playhouse | 2 | A | version "b" |
| LB-3560 | 4/7/95 | Edinburgh | 2 | A | version "c"; Offmaster audience recording., Taper: |
| LB-5945 | 4/7/95 | Edinburgh | 2 | A | legendary taper D, Sennheiser MKE 2002 -> portable |
| LB-0696 | 4/9/95 | Glasgow | 2 | A- | from source, GLASGOW 1995' possibly fan project or |
| LB-1945 | 4/9/95 | SECC Hall 3 | 2 | A- | version "a"; SOURCE: "off master" (aud) recording, |
| LB-4396 | 4/9/95 | Glasgow SECC | 2 | A- | LTD; Legendary Taper D's recording Off DAT clone; |
| LB-4401 | 4/9/95 | Glasgow | 2 | A | version "c"; AUD DAT Master>DAT>WAV>Soundforge 6 |
| LB-11789 | 4/9/95 | Glasgow | 2 | A- | version "e", Offmaster audience recording., Taper |
| LB-1280 | 4/10/95 | King's Hall | 2 | A | |
| LB-5861 | 4/10/95 | Belfast | 2 | A | version "a"; source/lineage:, I found this |
| LB-6263 | 4/10/95 | Belfast | 2 | A | legendary taper D, Sennheiser MKE2002 -> portable |
| LB-15263 | 4/10/95 | Belfast | 2 | A | c dolphinsmile, taped by C, Sennheiser |
| LB-15555 | 4/10/95 | Belfast | | | mke2002 dolphinsmile oldneumanntapr, taped by C, |
| LB-1918 | 4/11/95 | The Point Depot | 2 | A | NET Tapers Series #10, Offmaster audience |
| LB-6880 | 4/11/95 | The Point | 2 | B+ | BOOTLEG: Dylan Gets to the Point; cd > ultraplex > |
| LB-9912 | 4/11/95 | Dublin, Ireland | | B | elvis costello, Elvis Costello (solo & with Bob |
| LB-12285 | 4/11/95 | Dublin, Ireland | 2 | A | BOOTLEG: dublin final 1995; Non label |
| LB-12976 | 4/11/95 | Dublin, Ireland | | A | hce cb dolphinsmile 48k, Taped by HCE CB with |
| LB-14827 | 4/11/95 | Dublin | | B+ | lta 48k, taper: unidentified, lineage:, unknown |
| LB-3297 | 5/10/95 | San Diego | 2 | A | |
| LB-5084 | 5/10/95 | SAN DIEGO | 2 | B | version "a"; ANA 1 -> |
| LB-7494 | 5/10/95 | San Diego | 2 | A | version "b"; ?? -> portable DATrecorder - clone -> |
| LB-9577 | 5/10/95 | San Diego | 2 | A | jems, Lineage: DAT(M)>DAT(1)>WAV [48kHz/16bit]>WAV |
| LB-12207 | 5/10/95 | San Diego | | A- | dolphinsmile 48k, recorded on dat with sonic |
| LB-15060 | 5/10/95 | SAN DIEGO, CA | 2 | B+ | d3, D3 Cassette Master -> Untracked Aiff File -> |
| LB-1284 | 5/12/95 | The Joint | 2 | B | |
| LB-1914 | 5/12/95 | The Joint | 2 | B+ | Improved Air Remaster IA065, LINEAGE: |
| LB-5901 | 5/12/95 | Las Vegas | 2 | A | version "b"; by request, data dvd trade...FLACS !! |
| LB-12929 | 5/12/95 | Las Vegas, NV | | A | hce b 48k, taped by No 1 Post 1995 Dylanologist |
| LB-1283 | 5/13/95 | The Joint | 2 | B+ | |
| LB-1574 | 5/13/95 | Hard Rock Hotel | 2 | A- | version "a"; alternate, upgrade,; No |
| LB-1915 | 5/13/95 | The Joint | 2 | A- | Improved Air Remaster IA083 |
| LB-6881 | 5/13/95 | Las Vegas | 1 | B | BOOTLEG: The Day I Saved the Planet at the Hard |
| LB-10539 | 5/13/95 | Las Vegas, Nevada | 2 | A- | version "d", ?? -> portable DATrecorder - clone -> |
| LB-3840 | 5/15/95 | Palm Desert | 2 | A | Palm Desert, flac trade (THX Iceland) (FLAC) > |
| LB-0627 | 5/17/95 | Hollywood Palladium | 2 | A- | |
| LB-3835 | 5/17/95 | Los Angeles | 2 | A- | version "a"; flac trade (THX Iceland) (FLAC) > |
| LB-5358 | 5/17/95 | Los Angeles | 2 | A- | version "b"; Taper: (probably NET Taper A, but |
| LB-11790 | 5/17/95 | Los Angeles | 2 | B+ | version "d", My Low gen tape > Tascam 102 > Cool |
| LB-15132 | 5/17/95 | Los Angeles, CA | 2 | A- | dolphinsmile, Sonic Studio Mics and SonyD7>clone |
| LB-4958 | 5/18/95 | Los Angeles | 2 | A | Audience recording (Full spectrum) > Unknown |
| LB-11791 | 5/18/95 | Los Angeles | 2 | B | version "c", My Low gen tape > Tascam 102 > Cool |
| LB-3841 | 5/19/95 | Los Angeles | 2 | B- | flac trade (THX Iceland) (SHN) > azareus > torrent |
| LB-9496 | 5/19/95 | Los Angeles | 2 | B- | version "a", Lineage: flac trade (THX Iceland) |
| LB-3999 | 5/20/95 | Santa Barbara | 2 | A- | Lineage: Trade CDRs > EAC (no errors) > hdd > FA & |
| LB-7928 | 5/20/95 | Santa Barbara | 2 | A- | version "a'; ***** This is the same recording as |
| LB-11792 | 5/20/95 | Santa Barbara | 2 | A- | version "d", My Low gen tape > Tascam 102 > Cool |
| LB-15510 | 5/20/95 | Santa Barbara, CA | | | sonic dolphinsmile 48, taped with Sony D7 and |
| LB-15936 | 5/20/95 | Santa Barbara, CA | | A | mh, Source: Sonic Studios (DSM6) > Sony TCD-D7, |
| LB-4043 | 5/22/95 | The Warfield Theater | 2 | A | Lineage: Trade CDRs > EAC (no errors) > hdd > FA |
| LB-7372 | 5/22/95 | San Francisco | 2 | B | version "b"; Taper: unidentified, Source/Lineage: |
| LB-9295 | 5/22/95 | San Francisco | 2 | B- | version "c", Good quality audience recording from |
| LB-15935 | 5/22/95 | San Francisco, CA | | A | mh, Source: Sonic Studios (DSM6) > Sony TCD-D7, |
| LB-4044 | 5/23/95 | The Warfield Theater | 2 | A- | Lineage: Trade CDRs > EAC (no errors) > hdd > FA & |
| LB-12509 | 5/23/95 | San Francisco, CA | | A- | 48k, dat c, From an old DAT (received in trade |
| LB-15478 | 5/23/95 | San Francisco, CA | | A- | sennheisermk2002 dolphinsmile 48, taped by C from |
| LB-0450 | 5/25/95 | Berkeley Community | 2 | A | Rated A, audience, 44k dat > midiman delta dio |
| LB-3745 | 5/25/95 | Berkeley | 2 | A | version "a"; datadvd (trade, FLAC) > Azareus > |
| LB-9880 | 5/25/95 | Berkeley | 2 | A- | sonyd5, Audience recording, Sony D5 > master |
| LB-12174 | 5/25/95 | Berkeley, CA | | A | mk4 48, a teddy ballgame DAT Master -, Source: |
| LB-12354 | 5/25/95 | Berkeley Community | 2 | A | ntd, taper: NET Taper D, lineage:, Schoeps |
| LB-13214 | 5/25/95 | Berkeley, CA | | | ntd lta 2 48k, taper: NET Taper D, lineage:, |
| LB-2928 | 5/26/95 | Berkeley Community | 2 | A | SOURCE : Aud recording of unknown generation, |
| LB-5362 | 5/26/95 | Berkeley | 2 | A | version "a"; Taper: (probably NET Taper A), |
| LB-5367 | 5/26/95 | Berkeley | 2 | A | version "b"; audience recording, alternative |
| LB-12175 | 5/26/95 | Berkeley, CA | | A | mk4 48, a teddy ballgame DAT Master -, Source: |
| LB-13215 | 5/26/95 | Berkeley, CA | | | ntd lta 48k, taper: NET Taper D, lineage:, Schoeps |
| LB-14741 | 5/26/95 | Berkeley, CA | | A | version "g" 48k, From a DAT (received in trade, |
| LB-14859 | 5/26/95 | Berkeley, CA | | A | ntd v2 48k, taper: NET Taper D, lineage:, Schoeps |
| LB-4781 | 5/27/95 | Monterey | 2 | B+ | ??>CDR>EAC>FLAC LEVEL 5 |
| LB-6080 | 5/27/95 | Monterey | 2 | A | BOOTLEG: Loud and Strong; cd > ultraplex > eac > |
| LB-6882 | 5/27/95 | Monterrey, CA | 2 | | BOOTLEG: Guided by the Eternal Light; cd > |
| LB-7548 | 5/27/95 | Monterey, CA | 2 | B+ | BOOTLEG: GUIDED BY THE ETERNAL LIGHT; version "c"; |
| LB-9673 | 5/27/95 | Monterey, California | 2 | A | wgv jtt, SOUNDBOARD (Streaming Capture, JTT), |
| LB-11794 | 5/27/95 | Laguna Seca | 2 | B+ | aud f, This is the AUDIENCE tape. The two bootlegs |
| LB-12910 | 5/27/95 | Monterey, CA | | A | stereo soundboard ntd lta 48k, Stereo soundboard, |
| LB-14316 | 5/27/95 | Monterey, CA | | A | stereo soundboard ntd lta v2 48k, Stereo |
| LB-15067 | 5/27/95 | Monterey, California | | A | wgv tp, Soundboard Recording, Streaming Capture |
| LB-15068 | 5/27/95 | Monterey, California | | | wgv tp 24bit, Soundboard Recording, Streaming |
| LB-4986 | 5/28/95 | Reno | 2 | A- | Audience recording (Full spectrum) > Unknown |
| LB-4538 | 5/30/95 | Eugene | 2 | A | Audience recording (Full spectrum) > Unknown |
| LB-7359 | 5/30/95 | Eugene, Oregon | 2 | A- | version "a"; Taper: unidentified, Source/Lineage: |
| LB-11793 | 5/30/95 | Eugene, Oregon | 2 | B- | alt d, enter, My Low gen tape > Tascam 102 > Cool |
| LB-13583 | 5/30/95 | Eugene, OR | 2 | B | b sonics dolphinsmile, Taped by B with Sonics and |
| LB-3298 | 5/31/95 | Eugene | 2 | A- | |
| LB-4970 | 5/31/95 | Eugene | 2 | A | version "a"; Possibly the same source as LB-3298 |
| LB-1484 | 6/2/95 | Seattle | 2 | A | CDR (thanks Chad) > EAC V0.95pb4 > WAV > MKW 0 |
| LB-2289 | 6/2/95 | Paramount Theatre | 2 | B+ | version "a"; GENERATION, DAT(M) -> DAT(1) -> CDR(1 |
| LB-6388 | 6/2/95 | Seattle, Washington | 2 | A | local taper NW: A, ?? -> portable DATrecorder - |
| LB-12821 | 6/2/95 | Seattle WA | | A | ss dolphinsmile 48k, taped with Sonic studio mics |
| LB-14832 | 6/2/95 | Seattle, WA | | A | rg lta 48k, taper: RG, lineage: DPA 4061's>Casio |
| LB-3749 | 6/3/95 | Seattle | 2 | A | DATADVD (FLAC) > Azareus > torrent > dime, no |
| LB-4852 | 6/3/95 | Seattle | 2 | A | version "a";, This is NOT LB-3749, No info on |
| LB-7796 | 6/3/95 | Seattle, WA | 2 | A | Source: Audience, Lineage: dat master>Wav>flac, |
| LB-15301 | 6/3/95 | Seattle, Washington | | A | sonic dolphinsmile 48, Sonic Studios/Sony |
| LB-15556 | 6/3/95 | Seattle, WA | | | sonic studios dolphinsmile oldneumanntapr, Sonic |
| LB-4480 | 6/4/95 | Seattle | 2 | B+ | Audience tape recording (Full spectrum) > Unknown |
| LB-4863 | 6/4/95 | Seattle | 2 | A | version "a"; Unidentified taper/equipment, |
| LB-10683 | 6/4/95 | Seattle, Washington | 2 | A | lonwa, local taper NW: A, ?? -> portable |
| LB-10686 | 6/4/95 | Seattle, Washington | 2 | A | nta, net taper A, long drop in I Shall Be Released |
| LB-12837 | 6/4/95 | Seattle, WA | | A | hce b dolphinsmile 48k, taped by famed |
| LB-14949 | 6/4/95 | Seattle, WA | | A | sonic lta 48k, taper: unknown, lineage:, Sonic |
| LB-5005 | 6/6/95 | Portland | 2 | A | Trade CD > EAC > FLAC > HD > Hungercity > You |
| LB-7458 | 6/6/95 | Portland, Oregon | 2 | A- | version "a" |
| LB-11795 | 6/6/95 | Portland, Oregon | 2 | B | version "d", My 3rd gen tape > Tascam 102 > Cool |
| LB-5011 | 6/7/95 | Spokane | 2 | A | Trade CD > EAC > FLAC > HD > Hungercity > You |
| LB-6003 | 6/7/95 | Spokane, Washington | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
| LB-6261 | 6/7/95 | Spokane, Washington | 2 | A | net taper A, ?? -> portable DATrecorder - clone -> |
| LB-7281 | 6/7/95 | Spokane,Washington | 2 | B+ | russjcan; incomplete; Hat Mounted Realistic pzm's |
| LB-1177 | 6/15/95 | Franklin County | 2 | B+ | |
| LB-1199 | 6/15/95 | Franklin County | 1 | B | version "a" |
| LB-5039 | 6/15/95 | Highgate VT | 2 | B+ | AUD Source: Nakamichi CM-300's w/CP4 shotgun |
| LB-5040 | 6/15/95 | Highgate VT; | | B+ | 48k version; AUD Source: Nakamichi CM-300's w/CP4 |
| LB-8309 | 6/15/95 | Highgate, VT | 1 | C+ | version "d"; MA? > ? > CD, This is the show that |
| LB-11796 | 6/15/95 | Higate, Vermont | 2 | B+ | pa matrix g, My low gen tape > Tascam 102 > Cool |
| LB-11797 | 6/15/95 | Higate, Vermont | 2 | B+ | version "f", My 1st gen tape (Sennheiser 441s) > |
| LB-4782 | 6/16/95 | Boston | 2 | A | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
| LB-4865 | 6/16/95 | Boston | 2 | A | version "a" |
| LB-15705 | 6/16/95 | Boston | | A | gg sonics dolphinsmile 48, taped by GG with |
| LB-1414 | 6/18/95 | Giants Stadium East | 1 | A- | JT series, Transferred from a DAT master tape |
| LB-3552 | 6/18/95 | East Rutherford | 1 | B | version "a"; From a data dvd trade......, flac > |
| LB-4469 | 6/18/95 | East Rutherford | | A- | Schoeps CMC54's>Aerco>Sony TCD-D10PROII, DAT |
| LB-9962 | 6/18/95 | East Rutherford | 1 | B+ | boeditaper, Source:Marantz PMD 430 Cassette |
| LB-15139 | 6/18/95 | East Rutherford, NJ | 1 | B | alt1, Alternative recording #1 to LB-1414 |
| LB-15140 | 6/18/95 | East Rutherford, NJ | 1 | B | alt2, Alternative recording #2 to LB-1414 |
| LB-4468 | 6/19/95 | East Rutherford | 1 | A | Schoeps MK41's>Reutelhuber>Sony TCD-D10PROII, |
| LB-4723 | 6/19/95 | East Rutherford | 1 | B- | version "a"; unknown audience |
| LB-5142 | 6/19/95 | East Rutherford | | A | 48k version; Schoeps MK41's>Rbox>Sony TCD-D10PROII |
| LB-12638 | 6/19/95 | East Rutherford, NJ | | A | schoeps mk41s dolphinsmile 48k, Schoeps |
| LB-14543 | 6/19/95 | East Rutherford, NJ | | A | schoeps mk4 dolphinsmile 48, Schoeps |
| LB-15141 | 6/19/95 | East Rutherford, NJ | 1 | A | version "g", Alternative recording to LB-4468 |
| LB-5704 | 6/21/95 | Philadelphia | 2 | A | Source: Schoeps mk4v> VMS 5U> SBM-1> Sony D100 |
| LB-6260 | 6/21/95 | Philadelphia | 2 | A | net taper H, cut after Mr. Tambourine Man, ?? -> |
| LB-6883 | 6/21/95 | Philadelphia | 2 | A | BOOTLEG: The Pedlar Now Speaks; cd > ultraplex > |
| LB-11798 | 6/21/95 | Philadelphia, PA | 2 | B+ | version "c", My 3rd gen tape > Tascam 102 > Cool |
| LB-3314 | 6/22/95 | Philadelphia | 2 | A | incomplete; Schoeps, This is was a show at a very |
| LB-4987 | 6/22/95 | Philadelphia | 2 | B+ | version "a"; Audience recording (Full spectrum) > |
| LB-6262 | 6/22/95 | Philadelphia | 2 | A | net taper H, ?? -> portable DATrecorder - clone -> |
| LB-11799 | 6/22/95 | Philadelphia, PA | 2 | B+ | version "c", My 3rd gen tape > Tascam 102 > Cool |
| LB-0080 | 6/24/95 | RFK Stadium | 2 | A | |
| LB-1411 | 6/24/95 | RFK Stadium | 2 | A- | JT series, Transferred from a DAT master tape |
| LB-2179 | 6/24/95 | RFK Stadium | 2 | A | Source: FOB (AKG Microphones) > DATs, Transfer: |
| LB-4843 | 6/24/95 | Washington | 2 | | version "a" |
| LB-6031 | 6/24/95 | Washington, DC | 2 | A | Adam Gross; FOB Digital Audience Recording, |
| LB-6087 | 6/24/95 | Washington, DC | 2 | A | version "e"; Opener for Grateful Dead, June 24th |
| LB-6606 | 6/24/95 | Washington, DC | 2 | A | Ace Cubby; Schoeps CMC64's>Oade 148>Panasonic |
| LB-10263 | 6/24/95 | Washington, D. C. | 2 | A | version "g", CLONE DAT FROM THE MASTER DAT |
| LB-11800 | 6/24/95 | Washington, DC | 2 | B | version "j", My 1st gen tape (Sennheiser 441s) > |
| LB-12495 | 6/24/95 | Washington, DC | 2 | A | version "k", Taped by Mr X with Schoeps Mics on |
| LB-1413 | 6/25/95 | RFK Stadium | 2 | A | JT series, Transferred from a DAT master tape |
| LB-2180 | 6/25/95 | RFK Stadium | 2 | A | Source: FOB (Schoeps) > DATs, Transfer: DAT 60ES > |
| LB-2450 | 6/25/95 | R.F.K. Stadium | 2 | A | version "a"; Alternate Source, Excellent Audience, |
| LB-4447 | 6/25/95 | Washington | 2 | A | Schoeps MK41's>Rbox>Sony TCD-D10PROII, Recorded |
| LB-6607 | 6/25/95 | Washington, DC | 2 | A | Fkying Gonz; Schoeps MK41's>Rbox>Sony |
| LB-6884 | 6/25/95 | RFK Stadium & | 3 | | BOOTLEG: Bob and Jerry; cd > ultraplex > eac > wav |
| LB-6885 | 6/25/95 | RFK Stadium | 2 | | BOOTLEG: Summer Night 1995; cd > ultraplex > eac > |
| LB-10267 | 6/25/95 | Washington, DC | 2 | A | version "g"; no info file but torrent was |
| LB-12496 | 6/25/95 | Washington, DC | 2 | A | version "h", Found the 3 hr TDK dat with both |
| LB-2043 | 6/29/95 | Oslo | 2 | A | Offmaster audience recording., Taper unidentified. |
| LB-6886 | 6/29/95 | Olso, Norway | 2 | | BOOTLEG: Salt for Salt; cd > ultraplex > eac > wav |
| LB-0891 | 7/1/95 | Roskilde Festival | 2 | B+ | Notes, This is just recently arrived and so hasn't |
| LB-5507 | 7/1/95 | Roskilde | 2 | B | version "a";, request, i downloaded years ago, no |
| LB-6887 | 7/xx/95 | Europe | 1 | | BOOTLEG: Revisiting Autobahn 95; cd > ultraplex > |
| LB-11801 | 7/1/95 | Roskilde | 2 | B | version "e", My 2nd gen tape > Tascam 102 > Cool |
| LB-11813 | 7/1/95 | Denmark Festival | 2 | B | version "f", My 2nd gen tape > Tascam 102 > Cool |
| LB-14924 | 7/1/95 | Roskilde, Denmark | | B+ | lta 48k, taper unknown, source: analog DAT copy of |
| LB-3825 | 7/2/95 | Hamburg | 2 | A- | dvdtrade (FALC) > azareus > torrent > DaD, no edit |
| LB-5926 | 7/2/95 | Hamburg, Germany | 2 | A | legendary taper B, OKMII -> portable Sony |
| LB-6196 | 7/2/95 | Hamburg, Germany | 2 | A | ssrc; legendary taper B, OKMII -> portable Sony |
| LB-6317 | 7/2/95 | Hamburg, Germany | 2 | A | net taper F, drop, diginoise in intro, OKMII -> |
| LB-11802 | 7/2/95 | Hamburg, Germany | 2 | B+ | version "e", My Low gen tape > Nakamichi BX-300 > |
| LB-15268 | 7/2/95 | Hamburg, Germany | | A | okmii dolphinsmile 48, OKMII and Sony DAT>clone, |
| LB-3831 | 7/3/95 | Hannover | 2 | B+ | Audience recording., Taper/lineage unknown., |
| LB-5691 | 7/3/95 | Hannover | 2 | A | legendary taper B, OKMII -> portable Sony |
| LB-6244 | 7/3/95 | Hannover, Germany | 2 | A | ssrc; legendary taper B, OKMII -> portable Sony |
| LB-10669 | 7/3/95 | Hannover, Germany | 2 | A- | version "c", Alternative recording to LB-3831 & |
| LB-11803 | 7/3/95 | Hannover, Germany | 2 | B | version "d", My Low gen tape > Nakamichi BX-300 > |
| LB-15226 | 7/3/95 | Hannover, Germany | | A | okmii dolphinsmile 48, Taped with OKMII mics and |
| LB-1899 | 7/4/95 | Berlin | 2 | A | SOURCE: "off master" (aud) recording, LINEAGE: |
| LB-5681 | 7/4/95 | Berlin | 2 | A | net taper I, lineage, OKMII -> portable Sony |
| LB-5879 | 7/4/95 | Berlin | 2 | A | NTF; cut before last track, net taper F, OKMII -> |
| LB-7430 | 7/4/95 | Berlin, Germany | 2 | A | legendary taper B, OKMII -> portable Sony |
| LB-14928 | 7/4/95 | Berlin, Germany | 2 | A | version "d", Alternative recording to |
| LB-1932 | 7/7/95 | Glauchau, Germany | 2 | A- | SOURCE: "off master" (aud) recording, LINEAGE: |
| LB-6097 | 7/7/95 | Glauchau, Germany | 2 | A- | legendary taper B, OKMII -> portable Sony |
| LB-11804 | 7/7/95 | Glachau, Germany | 2 | B- | alt c, My Low gen tape > Tascam 102 > Cool Edit |
| LB-15955 | 7/7/95 | Glachau, Germany | | A | okmii dolphinsmile 48, OKMII -> portable Sony |
| LB-1863 | 7/8/95 | Munich | 2 | A- | SOURCE: "off master" (aud) recording, SOUND: |
| LB-5866 | 7/8/95 | Munich, Germany | 2 | A- | net taper I, lineage, OKMII -> portable Sony |
| LB-5953 | 7/8/95 | Munich, Germany | 2 | A | net taper F, OKMII -> portable Sony DATrecorder - |
| LB-6162 | 7/8/95 | Munich, Germany | 2 | A | ssrc; net taper F, OKMII -> portable Sony |
| LB-6205 | 7/8/95 | Munich, Germany | 2 | A- | ssrc; net taper I, OKMII -> portable Sony |
| LB-6888 | 7/8/95 | Munich | 2 | | BOOTLEG: Germany Summer Tour 95 Vol 1; cd > |
| LB-7227 | 7/8/95 | Munich, Germany | 2 | B | Off tape master, Taper: Vito, Lineage:, |
| LB-14588 | 7/8/95 | Munich | | A | okm dolphinsmile 48k, taped on Sony dat using the |
| LB-4788 | 7/10/95 | Stuttgart | 2 | B- | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
| LB-4866 | 7/10/95 | Stuttgart | 2 | A- | version "a"; Audience recording (Full spectrum) > |
| LB-5552 | 7/10/95 | Stuttgart | 2 | A- | net taper I, lineage, OKMII -> portable Sony |
| LB-6211 | 7/10/95 | Stuttgart, Germany | 2 | A- | ssrc; net taper I, OKMII -> portable Sony |
| LB-1710 | 7/12/95 | WESTFALENHALLE 2 | 2 | A | |
| LB-5958 | 7/12/95 | Dortmund, Germany | 2 | A | NETI; cut after My Back pages, net taper I, |
| LB-6014 | 7/12/95 | Dortmund, Germany | 2 | A | NTF; cut before encore, after My Back pages, net |
| LB-6202 | 7/12/95 | Dortmund, Germany | 2 | A | ssrc; net taper F, cut before encore, after My |
| LB-6235 | 7/12/95 | Dortmund, Germany | 2 | A | ssrc; NTI; cut after My Back pages, net taper I, |
| LB-6889 | 7/12/95 | Dortmond | 2 | B+ | BOOTLEG: Germany Summer Tour 95 Vol 2; cd > |
| LB-8842 | 7/12/95 | Dortmund, Germany | 2 | A- | A zimmy21 recording !!, Sound quality : Very Good |
| LB-6241 | 7/14/95 | Stratford-upon-Avon | 1 | B+ | TA, ?? -> portable DATrecorder - clone ->(digital |
| LB-6242 | 7/14/95 | Stratford-upon-Avon | 1 | B | BOOTLEG: Sounds Inside My Mind; cd > ultraplex > |
| LB-6243 | 7/14/95 | Stratford-upon-Avon | | B | BOOTLEG: Phoenix; cd > ultraplex > eac > wav > |
| LB-1949 | 7/16/95 | Plaza de Toros | 2 | A- | SOURCE: "off master" (aud) recording, LINEAGE: |
| LB-6023 | 7/16/95 | Bilbao | 2 | A- | version "a"; request, data dvd trade......just the |
| LB-1904 | 7/19/95 | Madrid | 2 | B+ | NET Tapers Series #8, Offmaster audience recording |
| LB-5558 | 7/19/95 | Madrid Spain | 2 | B+ | !!!Arde el Foro!!! (Spanish manners), Bootleg cd-r |
| LB-2046 | 7/20/95 | Puerto Deportivo de | 2 | A | NET Tapers Series #11, Offmaster audience |
| LB-2047 | 7/21/95 | Velodromo Luis Puig | 2 | A- | Offmaster audience recording., Taper unidentified. |
| LB-1230 | 7/24/95 | Barcelona, Spain | 2 | A- | |
| LB-2041 | 7/24/95 | Barcelona | 2 | A- | version "a"; Offmaster audience recording., Taper |
| LB-4997 | 7/24/95 | Barcelona | 2 | A- | version "b"; Remaster from offmaster audience |
| LB-6890 | 7/24/95 | Barcelona | 2 | A- | BOOTLEG: Maestro; cd > ultraplex > eac > wav > |
| LB-9966 | 7/24/95 | Barcelona-Catalonia | 2 | C- | jt carbobueno, aud recording, master audio tape > |
| LB-2052 | 7/25/95 | Zaragoza | 2 | A | Offmaster audience recording., Taper: identity |
| LB-0121 | 7/27/95 | Espace Grammont | 1 | | master aud, |
| LB-2725 | 7/27/95 | Montpellier | 1 | | version "a"; Source : Sony D7, micros Sennheiser. |
| LB-9596 | 7/27/95 | Montpellier, France | 1 | B | BOOTLEG: Rolling Stones Voodoo Minstrels; Silver |
| LB-15164 | 7/27/95 | Montpellier, France | 1 | F | version "e", Alternative recording to |
| LB-2059 | 7/28/95 | Theatre Romain | 2 | A | Offmaster audience recording., Taper unidentified. |
| LB-7285 | 7/28/95 | Vienne | 2 | A | Taper: "Bach", Lineage: Sennheiser Mono >Sony |
| LB-2070 | 7/30/95 | Nyon | 2 | A- | Offmaster audience recording., Taper unidentified. |
| LB-2693 | 7/30/95 | Nyon | 2 | | version "a"; Very fine audience recording., Taper |
| LB-12583 | 7/30/95 | Nyon, Switzerland | 2 | B | version "d", Alternative recording to |
| LB-15222 | 7/30/95 | Nyon | | A | lt de c lta 48, taper: LT DE C, lineage: Sony |
| LB-15461 | 7/30/95 | Nyon, Switzerland | | A- | dolphinsmile 48, Dat clone from Master>File cloned |
| LB-6891 | 9/2/95 | Rock & Roll Hall of | 1 | A- | BOOTLEG: Forever Young; cd > ultraplex > eac > wav |
| LB-7552 | 9/2/95 | Cleveland, Ohio | 1 | A- | version "b"; *** Opening of the Rock and Roll Hall |
| LB-8647 | 9/2/95 | Rock And Roll Hall | 1 | A- | BOOTLEG: rock n roll hall of fame; Bruce |
| LB-11835 | 9/2/95 | Cleveland, Ohio | 1 | A- | aud version "c", My Low gen tape > Tascam 102 > |
| LB-1260 | 9/23/95 | The Edge Ft | 2 | A- | Source:, Mics Unknown, DAT Audience x 2, |
| LB-6377 | 9/23/95 | Fort Lauderdale | 2 | A- | version "b"; cut after Silvio, 2 sources ?, ?? -> |
| LB-6892 | 9/23/95 | Ft. Lauderdale | 2 | B+ | BOOTLEG: The Midas Touch; cd > ultraplex > eac > |
| LB-10348 | 9/23/95 | Fort Lauderdale | 1 | B | d5scott, incomplete; Recorded by Mendo-Steve, |
| LB-4459 | 9/27/95 | Fort Myers | 2 | A- | Audience recording (Full spectrum) > Unknown |
| LB-7426 | 9/27/95 | Fort Myers, Florida | 2 | A- | version "a"; Taper: unidentified, Source/Lineage: |
| LB-7477 | 9/27/95 | Fort Myers, Florida | 2 | A- | version "b" |
| LB-4880 | 9/28/95 | SUNRISE FL | 2 | A- | master dat>burned and uploaded, sonic st mics>d8 |
| LB-5890 | 9/28/95 | Sunrise, Florida | 2 | A- | LTH; Off DAT clone(s) > CD, Taper: Legendary Taper |
| LB-12637 | 9/28/95 | Fort Lauderdale, FL | | A- | sonic dolphinsmile 48k, My master, taped this with |
| LB-4988 | 9/29/95 | Sunrise | 2 | B- | Audience recording (Full spectrum) > Unknown |
| LB-5941 | 9/29/95 | Sunrise | 2 | B | version "a"; tarantula, ?? -> portable DATrecorder |
| LB-12580 | 9/29/95 | Sunrise, FL | | B | sonic studios dolphinsmile 48, Sunrise, FL, I |
| LB-5019 | 9/30/95 | Tampa | 2 | A- | incomplete;, Trade CD > EAC > FLAC > HD > |
| LB-6052 | 9/30/95 | Tampa, Florida | 2 | A | net taper K (?), dropout in Highway 61 Revisited, |
| LB-7704 | 9/30/95 | Tampa, Florida | 2 | B+ | version "b"; ***** This recording does not seem to |
| LB-12774 | 9/30/95 | Tampa, FL | | A | hce ag dolphinsmile 48k, Taped by HCE AG, dude who |
| LB-3842 | 10/2/95 | Fort Pierce | 2 | A | FLAC TRADE, NO INFO, incl, txt file, fingerprints, |
| LB-5915 | 10/2/95 | Fort Pierce, Florida | 2 | A | Off DAT clone(s) > CD, Taper: Legendary Taper H |
| LB-6390 | 10/2/95 | Fort Pierce, Florida | 2 | A | net taper K, ?? -> DAT - clone ->(digital transfer |
| LB-7440 | 10/2/95 | Fort Pierce Florida | 2 | A | sonic studio; master dat recorded with Sony D7 and |
| LB-0402 | 10/5/95 | University Of | 2 | A- | from aud master, |
| LB-6487 | 10/5/95 | Orlando, Florida | 2 | A | version "b"; net taper K (?), Crash On The Levee |
| LB-15441 | 10/5/95 | Orlando, FL | | | ag dolphinsmile 48, taped by AG with Sonic Studio |
| LB-16219 | 10/5/95 | Orlando, FL | | | sonic dolphinsmile 48, Taped by AG with Sonic |
| LB-4802 | 10/6/95 | Jacksonville | 2 | B- | No LB-number!, A 10 minute Tangled and a 10, |
| LB-9133 | 10/6/95 | Jacksonville | 2 | A- | ntk, net taper K (?), cut before encore, ?? -> |
| LB-12558 | 10/6/95 | Jacksonville | | A- | ss cs 48k, on the last track, the dat recorder was |
| LB-2436 | 10/7/95 | Charleston | 2 | B+ | |
| LB-2626 | 10/7/95 | Charleston | 2 | B+ | version "a" |
| LB-2627 | 10/7/95 | Charleston | 2 | A- | version "b" |
| LB-7487 | 10/7/95 | Charleston | 2 | A- | jm, ??? -> portable DATrecorder - clone -> |
| LB-9135 | 10/7/95 | Charleston | 2 | A | legendary taper F, Sennheiser MKE 2002 -> portable |
| LB-16096 | 10/7/95 | Charleston, SC | | | dolphinsmile 48, Dat Clone>File cloned in |
| LB-2387 | 10/9/95 | Savannah | 2 | A- | Stereo audience recording., Taper unidentified |
| LB-6067 | 10/9/95 | Savannah | 2 | A- | version "a"; request, right from my audio trade |
| LB-6082 | 10/9/95 | Savannah, Georgia | 2 | A- | GD; legendary taper F, last 2 minutes 32 kHz, so |
| LB-9241 | 10/9/95 | Savannah, GA | 2 | A- | version "c", Lineage: request, right from my audio |
| LB-0718 | 10/10/95 | Augusta | 2 | A | |
| LB-3916 | 10/10/95 | Augusta | 2 | A | version "a"; Lineage: shn files on trade CDRs from |
| LB-4359 | 10/10/95 | Augusta | 2 | A | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-0769 | 10/11/95 | The Fox Theater | 2 | A- | |
| LB-12348 | 10/11/95 | Atlanta (The Fox | | A- | version "b"; 48k, From an old DAT (received in |
| LB-14157 | 10/11/95 | Atlanta, GA | | A- | b sonic dolphindmile 1648, taped by B with Sonic |
| LB-2146 | 10/12/95 | Dothan Civic Center | 2 | A | Stereo audience recording |
| LB-4783 | 10/12/95 | Dothan | 2 | A | version "a"; trade CDR -> EAC secure -> flac level |
| LB-3215 | 10/14/95 | Biloxi | 2 | B+ | |
| LB-7460 | 10/14/95 | Biloxi, Mississippi | 2 | B+ | legendary taper F, cut before Jokerman, encore, |
| LB-1486 | 10/15/95 | Thibodaux | 2 | A | excellent sound |
| LB-7137 | 10/15/95 | Thibodaux, La, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D7, |
| LB-2607 | 10/16/95 | New Orleans | 2 | A | |
| LB-7139 | 10/16/95 | New Orleans, La, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D7, |
| LB-11354 | 10/16/95 | New Orleans | 2 | A | version "c", Source: LB-7139, Lineage: Dime > PC > |
| LB-0824 | 10/18/95 | Alabama Theater | 2 | B | |
| LB-3547 | 10/18/95 | Birmingham | 2 | A | version "a: trade DVD/flac > zareus > torrent, no |
| LB-3736 | 10/18/95 | Birmingham | 2 | F | Mono Audience Recording, Linage: Sony deck(mono |
| LB-5400 | 10/18/95 | Birmingham | 2 | D+ | version "c"; Mono Audience Recording, Linage: |
| LB-7524 | 10/18/95 | Birmingham, Alabama | 2 | A | legendary taper F (?), Rainy Day Women # 12 & 35 |
| LB-15738 | 10/18/95 | Birmingham, AL | | A | incomplete dat 48, From my DAT; missing the last 2 |
| LB-2609 | 10/19/95 | Memphis | 2 | B+ | |
| LB-7453 | 10/19/95 | Memphis, Tennessee | 2 | A- | legendary taper F (?), Sennheiser MKE 2002 (?) -> |
| LB-1501 | 10/24/95 | Minneapolis | 2 | B- | CDR (clean, thanks Chad) > EAC V0.95pb4 > WAV > |
| LB-2625 | 10/24/95 | Minneapolis | 2 | A- | version "a"; |
| LB-13371 | 10/24/95 | Minneapolis | | B+ | sonic mrb dolphinsmile 24bit 48k, This dat was |
| LB-0017 | 10/25/95 | Rockford | 2 | A- | Recording: (Probably) Sonic Studios DSM Mics > |
| LB-2494 | 10/25/95 | Coronado Theater | 2 | A- | version "a"; ?Daud > DAT > Cass(2) > HHB 830 |
| LB-4923 | 10/25/95 | CORONADO THEATRE | 2 | A- | version "b"; dat master>clone>burned and uploaded, |
| LB-6155 | 10/25/95 | Rockford, Illinois | 2 | A | net taper A, last 2 long play 32 kHz, ?? -> |
| LB-3511 | 10/26/95 | Bloomington, IN | 2 | A- | BOOTLEG: Pledging My Time; Complete show from the |
| LB-6222 | 10/26/95 | Bloomington, Indiana | 2 | A- | version "a"; ?? -> portable DATrecorder - clone |
| LB-6893 | 10/26/95 | Bloomington, IN | 2 | A- | BOOTLEG: Pledging My Time; cd > ultraplex > eac > |
| LB-14179 | 10/26/95 | Bloomington, IN | | A- | nta lta 48k, taper: Net Taper A, lineage:, Sonic |
| LB-5054 | 10/27/95 | St. Louis | 2 | C+ | Audience recording (Lego parapets) > Unknown |
| LB-5698 | 10/27/95 | St. Louis | 2 | A- | net taper A, ??? -> portable DATrecorder - clone |
| LB-6194 | 10/27/95 | St. Louis, Missouri | 2 | A- | ssrc; net taper A, last track 32 kHz, ??? -> |
| LB-2610 | 10/29/95 | Springfield | 2 | A- | |
| LB-2645 | 10/29/95 | Springfield | 2 | A | version "b" |
| LB-6215 | 10/29/95 | Springfield | 2 | A | net taper A, last 3 tracks 32 kHz, ??? -> portable |
| LB-6231 | 10/29/95 | Springfield | 2 | A | version "c"; net taper A, last 3 tracks 32 kHz, ?? |
| LB-4924 | 10/30/95 | Little Rock | 2 | A- | |
| LB-5056 | 10/30/95 | Little Rock | 2 | A- | version "a'; Audience recording (Full spectrum) > |
| LB-11841 | 10/30/95 | Little Rock | 2 | B+ | version "b", My Low gen tape > Tascam 102 > Cool |
| LB-12486 | 10/30/95 | Little Rock, AR | 2 | A- | version "c", taped by BP with Denon portable and |
| LB-13211 | 10/30/95 | Little Rock, AR | 2 | A- | mrb sonic dolphinsmile, Taped by Mr B, with Sonic |
| LB-13816 | 10/30/95 | Little Rock, AR | | | b sonic dolphinsmile 48k, taped by B with Sonic |
| LB-4909 | 11/1/95 | Houston | 2 | B | Audience recording (Full spectrum) > Unknown |
| LB-7709 | 11/1/95 | Houston, Texas | 2 | A- | version "a"; ***** This recording does not seem to |
| LB-2859 | 11/3/95 | MAJESTIC THEATER | 2 | A- | |
| LB-8885 | 11/3/95 | San Antonio,Texas | 2 | A- | sony;, Another one pulled from the closet. Another |
| LB-13359 | 11/3/95 | San Antonio, TX | | A- | sonic dolphinsmile 48k, taped by a Texan Johnny |
| LB-5045 | 11/4/95 | Austin | 2 | A | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
| LB-11842 | 11/4/95 | Austin, Texas | 2 | B | version "b", 3rd gen (dat) > Tascam 102 > Cool |
| LB-0899 | 11/5/95 | Austin Music Hall | 2 | | |
| LB-3674 | 11/5/95 | Austin Music Hall | 2 | A | version "a"; with guests, Doug Sahm & Ian Moore, |
| LB-15248 | 11/5/95 | Austin, Texas | 2 | A | lb 3674 fmprm, LB-3674 Repaired & Re-mastered by |
| LB-0799 | 11/7/95 | Dallas Music Complex | 2 | B- | |
| LB-2883 | 11/7/95 | Dallas | 2 | B+ | version "b"; SOURCE: AUD recordings of unknown |
| LB-6969 | 11/7/95 | Dallas Music Complex | 2 | B+ | BOOTLEG: Cracked Bells in a Busted Barn; THINMAN |
| LB-6973 | 11/7/95 | Dallas, Texas | 2 | A | net taper A, last song long play (32 kHz), ??? -> |
| LB-7475 | 11/7/95 | Dallas, Texas | 2 | B+ | Merged by V4TX: Disc 1: June 2005/Disc 2: May 2009 |
| LB-8816 | 11/7/95 | Dallas, TX, Master: | 2 | A | sonic holbrook mallick;, Sonic Studio mics |
| LB-14899 | 11/7/95 | Dallas, TX | | A | nta lta 48k, lineage:, Sonic Studios DSM-6P >Sony |
| LB-2258 | 11/9/95 | Symphony Hall | 2 | A | Stereo audience recording |
| LB-4523 | 11/10/95 | Las Vegas | 2 | A- | Audience recording (Full spectrum) > Unknown |
| LB-9242 | 11/10/95 | Las Vegas, Nevada | 2 | A- | version "b", Lineage: Audience recording (Full |
| LB-12581 | 11/10/95 | Las Vegas, Nevada | 2 | A- | hce b sonic dolphinsmile, I got this from |
| LB-0115 | 11/11/95 | The Joint | 2 | B | |
| LB-7441 | 11/11/95 | Las Vegas, Nevada | 2 | B | version "b"; Taper: unidentified, Source/Lineage: |
| LB-8461 | 11/11/95 | Las Vegas, Nevada | 2 | A | version "c"; Lineage: cdrs > r9453 > EAC |
| LB-12743 | 11/11/95 | Las Vegas, NV | | A | hce b dolphinsmile 48, taped by Dylanologist |
| LB-7699 | 11/19/95 | Los Angeles | 1 | A | |
| LB-11502 | 11/19/95 | Frank Sinatra 80th | | A- | jtt wavf, Very nice quality with Italian Subtitles |
| LB-2310 | 12/7/95 | O'Neill Center | 2 | A | Audience recording by unknown taper, DAT > CDR > |
| LB-6042 | 12/7/95 | State University | 2 | A | net taper M, Sennheiser MKE2002 (?) -> portable |
| LB-6187 | 12/7/95 | Danbury, Connecticut | 2 | A | net taper M, Sennheiser MKE2002 -> portable |
| LB-10425 | 12/7/95 | Danbury, Connecticut | 2 | A | ntj, taper J, ?? -> portable DATrecorder - clone |
| LB-13515 | 12/7/95 | Danbury, CT | 2 | A | g dolphinsmile, Taped by G (not the Canadian G) |
| LB-3964 | 12/8/95 | Worcester | 2 | B+ | Lineage: trade CDRS > eac > hdd > frequency & |
| LB-6119 | 12/8/95 | Worcester | 2 | A | net taper J (?), cut before God Knows, encore, ?? |
| LB-15425 | 12/8/95 | Worcester, MA | | A- | dolphinsmile 48, Dat>clone to me>, File cloned in |
| LB-0534 | 12/9/95 | Boston | 2 | A- | Recording: Schoeps mk4 > ? > DAT > CDR > SHN, |
| LB-5710 | 12/9/95 | Boston | 2 | A | Source: DAUD Sheopps mk4 > DAT first row balcony |
| LB-6083 | 12/9/95 | Boston | 2 | A- | net taper J, cut before encore, ?? -> portable |
| LB-6104 | 12/9/95 | Boston | 2 | A- | bravo; Trade discs > EAC > frequency analysis (not |
| LB-10427 | 12/9/95 | Boston | 2 | A | ltf, legendary taper F, ?? -> portable DATrecorder |
| LB-15211 | 12/9/95 | Boston, MA | | A- | lta 48,, taper: unknown, lineage:, Hewlett Packard |
| LB-0947 | 12/10/95 | The Orpheum Theatre | 2 | A- | |
| LB-4344 | 12/10/95 | Boston | 2 | A | Taper: Glen Dundas, Source: Audio disks from taper |
| LB-5711 | 12/10/95 | Boston | 2 | A | Source: DAUD B & K 4011 > DAT first row balcony |
| LB-6089 | 12/10/95 | Boston | 2 | A | net taper J, ?? -> portable DATrecorder - clone |
| LB-9159 | 12/10/95 | Boston, MA | 2 | A- | Improved Air Catalog Number: IA53, TITLE: "Boston |
| LB-14298 | 12/10/95 | Boston | 1 | A | patti smith stevemtl, Patti Smith and band opening |
| LB-0108 | 12/11/95 | Beacon Theatre | 2 | A- | |
| LB-10363 | 12/11/95 | New York City, NY | 2 | C+ | version "a", **For Completists Only**, Alternative |
| LB-11843 | 12/11/95 | New York, New York | 2 | B+ | version "c", Low gen tape > Tascam 102 > Cool Edit |
| LB-1050 | 12/13/95 | Stabler Arena | 2 | B+ | Improved Air Release 061 (Improved Air Remaster) |
| LB-4341 | 12/13/95 | Bethlehem | 2 | B+ | Taper: Glen Dundas, Source: AUdio disks from taper |
| LB-4354 | 12/13/95 | Bethlehem | 2 | B+ | version "a" to fix flaws on LB-4341; Taper: Glen |
| LB-6232 | 12/13/95 | Bethlehem | 2 | B+ | version "c"; GD; legendary taper F, Sennheiser MKE |
| LB-10541 | 12/13/95 | Bethlehem, PA | 2 | B+ | version "d", The four LB recordings listed all |
| LB-13318 | 12/13/95 | Bethlehem, PA | | B+ | s sonic dolphinsmile 48k, DAT master. Originally |
| LB-4067 | 12/14/95 | Beacon Theatre | 2 | A- | Lineage: flac > DVD > hdd > wav > Trade CDRs > EAC |
| LB-6098 | 12/14/95 | New York City | 2 | A- | net taper M, Sennheiser MKE2002 -> portable |
| LB-9605 | 12/14/95 | New York City | 2 | B+ | version "b", Good quality audience recording from |
| LB-13972 | 12/14/95 | New York, NY | | A- | schoeps dolphinsmile 48k, taped by a friend of |
| LB-4366 | 12/15/95 | Philadelphia | 2 | A | Schoeps MK4's>Schoeps VMS02IB>Sony TCD-D3, Sony |
| LB-8026 | 12/15/95 | Philadelphia, PA | 2 | A | version "a"; Night 1 of 3 at the Shit Factory, |
| LB-10755 | 12/15/95 | Philadelphia, PA | 2 | A | version "d", Alternative recording to Schoeps., |
| LB-12585 | 12/15/95 | Philadelphia | | A | schoeps hce jt dolphinsmile 48k, taped with dat |
| LB-14413 | 12/15/95 | Philadelphia | 2 | A- | AUD DAT Master [unknown equipment] > DAT Clone > |
| LB-3996 | 12/16/95 | Electric Factory | 2 | A | Lineage: Trade CDRs > EAC (no errors) > hdd > FA & |
| LB-4384 | 12/16/95 | Philadelphia PA | 2 | A | Schoeps MK4's > Schoeps VMS02IB > Casio DAR-100, |
| LB-8027 | 12/16/95 | Philadelphia PA | 2 | A | version "b"; Night 2 of 3 Nights at the Shit |
| LB-11493 | 12/16/95 | Philadelphia, PA | 2 | A | version "e", Alternative recording to LB-3996 & |
| LB-14414 | 12/16/95 | Philadelphia | 2 | A- | version "g", AUD DAT Master [unknown equipment] > |
| LB-15321 | 12/16/95 | Philadelphia, PA | | A | schoepsinthehat lta 48, tapers: wklitz & travitz, |
| LB-15327 | 12/16/95 | Philadelphia | | A | schoepsinthehat er aiff |
| LB-15328 | 12/16/95 | Philadelphia, PA | 2 | A | schoepsinthehat er dbpoweramp cdwave, A |
| LB-4684 | 12/17/95 | Philadelphia | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
| LB-5164 | 12/17/95 | Philadelphia | 2 | A | bourbon; AKG 522>Teac DA-P20(@48khz), Transfer: |
| LB-6894 | 12/17/95 | Philadelphia | 2 | A- | BOOTLEG: Paradise Regained; cd > ultraplex > eac > |
| LB-9825 | 12/17/95 | Philadelphia, PA | 1 | B+ | d5scott, incomplete; Recorded by Mendo-Steve, |