LB | Date | Location | CDR | Rating | Description |
---|---|---|---|---|---|
LB-2114 | xx/xx/99 | ACE OF CLUBS | 5 | A | BOOTLEG: ACE OF CLUBS; Wild Wolf 99-001/2/3/4/5 |
LB-6951 | xx/xx/99 | Various | 1 | BOOTLEG: Boots of Spanish Treasure; cd > ultraplex | |
LB-11169 | xx/xx/99 | various | 2 | B+ | BOOTLEG: across the borderline; Original Torrent |
LB-1103 | 1/26/99 | Fort Myers | 2 | B+ | |
LB-6216 | 1/26/99 | Fort Myers, Florida | 2 | B- | version "a", Unidentified taper, This recording |
LB-9645 | 1/26/99 | Fort Myers, Florida | 2 | B+ | version "b", Taper & Equipment: unknown (possibly |
LB-7486 | 1/28/99 | Sunrise | 2 | B+ | *** Not listed in LosslessBob ***, Taper: |
LB-9136 | 1/28/99 | Sunrise | 1 | B | version "b" |
LB-9569 | 1/28/99 | Sunrise, Florida | 2 | B+ | version "c", Alternative recording to Lossless Bob |
LB-12197 | 1/28/99 | Sunrise | B+ | dolphinsmile 48, recorded by dolphinsmile with | |
LB-12202 | 1/28/99 | Sunrise | B+ | dolphinsmile remaster 48k; taped by DOLPHINSMILE | |
LB-3409 | 1/29/99 | Daytona Beach | 2 | B+ | Excellent Audience (or soundboard) |
LB-5067 | 1/29/99 | Daytona Beach | 3 | B+ | version "a"; Audience recording (Full spectrum) > |
LB-6221 | 1/29/99 | Daytona Beach | 2 | B+ | version "b"; this recording seems different from |
LB-10960 | 1/29/99 | Daytona Beach | 2 | B+ | version "e", Same recording as LB-5067 with same |
LB-13286 | 1/29/99 | Daytona Beach, FL | tarantula lta 48k, taper: tarantula, lineage:, | ||
LB-5010 | 1/30/99 | Tampa | 2 | B | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
LB-9625 | 1/30/99 | Tampa, Florida | 2 | A- | version "c", Taper & Equipment: unknown (LB-5010), |
LB-12578 | 1/30/99 | Tampa, FL | B | core sounds dolphinsmile 48k, taped on dat with | |
LB-13095 | 1/30/99 | Tampa, FL | 2 | B | sound pro binaurals, Source: (FOB) Sound Pro |
LB-15582 | 1/30/99 | Tampa, FL | B | dolphinsmile 48, Dat clone from taper>file cloned | |
LB-6071 | 2/1/99 | Tallahassee, Florida | 2 | B- | Off DAT master, Taper: Tarantula, Source/Lineage:, |
LB-9110 | 2/1/99 | Tallahassee | 2 | A- | IAR 041, Improved Air Catalog Number: IA41, TITLE: |
LB-14341 | 2/1/99 | Tallahassee, FL | B- | core sounds dolphinsmile 48k, I got this from the | |
LB-14359 | 2/1/99 | Tallahassee, FL | B | version "d", 48k, From a DAT (received in trade, | |
LB-1760 | 2/2/99 | Pensacola | 2 | B- | |
LB-4884 | 2/2/99 | Pensacola | 2 | B+ | source: soomlos, core-sound cardioids > sony d8 |
LB-12592 | 2/2/99 | Pensacola, Florida | A- | version "d" 48k, From a DAT (received in trade, | |
LB-3213 | 2/3/99 | New Orleans | 2 | A | Audience recording, CDR > EAC > wav > shn |
LB-7012 | 2/3/99 | New Orleans | 2 | A | version "a"; Taper: Unidentified, Source: audio |
LB-4462 | 2/5/99 | Memphis | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-7013 | 2/5/99 | Memphis | 2 | A- | version "a";Taper: Unidentified, Source: audio |
LB-12892 | 2/5/99 | Memphis, Tennessee | 2 | B+ | version "d", Taper: unidentified, Rating: A-, |
LB-5177 | 2/6/99 | Nashville | 2 | A | bourbon; Schoeps MK4V's>Sonosax SX-M2>Sony |
LB-6274 | 2/6/99 | Nashville, Tennessee | 2 | B | Taper: Tarantula, Off master, Source/Lineage:, |
LB-6980 | 2/6/99 | Nashville | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
LB-10643 | 2/6/99 | Nashville, TN | 2 | A- | version "e", Alternative recording to 'Bourbon' |
LB-15336 | 2/6/99 | Nashville | 2 | A | schoepsinthehat er cdwave, A SchoepsInThe Hat |
LB-15337 | 2/6/99 | Nashville | 2 | A | schoepsinthehat er lta, taper: "Bobby Bourbon", |
LB-6331 | 2/7/99 | Birmingham, Alabama | 2 | C | Audience recording>Lineage Unknown>Flac>md-5 |
LB-6983 | 2/7/99 | Birmingham, Alabama | 2 | A- | version "a"; Taper: Unidentified, Source: audio |
LB-15323 | 2/7/99 | Birmingham, AL | 2 | A | schoepsinthehat lta, source: Post by |
LB-15338 | 2/7/99 | Birmingham, Alabama | 2 | A | schoepsinthehat, Shared bij SchoepsInHat at WR as |
LB-4719 | 2/9/99 | Dayton | 2 | A | Trade CD > EAC > FLAC > HD > Hungercity > You, No |
LB-2437 | 2/10/99 | Veterans Memorial | 2 | A | Complete Show, Excellent Audience from CD Master, |
LB-10646 | 2/10/99 | Columbus, OH | 2 | A- | version "b", Alternative recording to Schoeps |
LB-4695 | 2/12/99 | Carbondale | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-7147 | 2/12/99 | Carbondale, Il | 2 | A | version "b"; Source: Sonic Studio Mics PA-6 > Sony |
LB-10647 | 2/12/99 | Carbondale, IL | 2 | A- | version "e"; Alternative recording to PDub., Trade |
LB-10648 | 2/12/99 | Carbondale, IL | 2 | A | version "f", DAUD, from ftp shn, shn > cdr > eac > |
LB-4797 | 2/13/99 | Redbird Arena | 2 | B | IS THIS NORMAL, no label, NOTE: Commercial clones |
LB-8015 | 2/13/99 | Normal, Illinois | 2 | A | sullylove; GA FLOOR ... WITH THE SHOE'S!!!, 25 |
LB-13587 | 2/13/99 | Normal, IL | 2 | A | version "d", From an old DAT (received in trade, |
LB-7529 | 2/14/99 | South Bend, Indiana | 2 | A | *** This recording does not yet have an LB-number |
LB-10183 | 2/14/99 | South Bend, Indiana | 2 | A | schubert asm, This is a Schubert Remaster of this |
LB-2042 | 2/15/99 | Van Andel Arena | 2 | A- | BOOTLEG: Honky Tonk Blues; & The Brian Setzer |
LB-15058 | 2/15/99 | Grand Rapids, MI | A- | version "b" 48k, From an old DAT (received in | |
LB-1764 | 2/17/99 | Cleveland | 2 | B | |
LB-2218 | 2/17/99 | CSU Convocation | 2 | B+ | version "a" |
LB-8761 | 2/17/99 | Cleveland, Ohio | 2 | B+ | v1 version "b"; ? -> portable DATrecorder - clone |
LB-8762 | 2/17/99 | Cleveland, Ohio | 2 | B+ | v2 version "c"; cut before 'Til I Fell In Love |
LB-9623 | 2/17/99 | Cleveland, Ohio | 2 | B+ | version "d", Derived from Olav66's torrent at dime |
LB-12922 | 2/17/99 | Cleveland, OH | B+ | version "e"; 48k, From a DAT (received in trade, | |
LB-5178 | 2/18/99 | Bethlehem | 2 | A | Schoeps MK4V's>Sonosax SX-M2>Sony SBM-1>Sony |
LB-7075 | 2/18/99 | Stabler Arena | 3 | B+ | BOOTLEG: Someone's Distant Cry; Thinman / |
LB-4250 | 2/19/99 | Binghamton | 2 | A | Recorded By Bobby Bourbon, Source: Schoeps |
LB-8766 | 2/19/99 | Binghamton, New York | 2 | A | Sonics -> Sony D-8 - clone -> (digital transfer) |
LB-9933 | 2/19/99 | Binghamton,N.Y. | 2 | B+ | boeditaper, Source:Sony D6 Cassette Master>Sony |
LB-10652 | 2/19/99 | Binghamton, NY | 2 | A | version "c", Alternative recording to 'Bourbon' |
LB-11320 | 2/19/99 | Binghamton | 2 | A | version "d" |
LB-15339 | 2/19/99 | Binghamton, NY | 2 | A | mk4v sxm2 sbm1 d100 schoepsinthehat er cdwave, A |
LB-15350 | 2/19/99 | Binghamton, NY | 2 | A | schoepsinthehat lta, taper: Bobby Bourbon, |
LB-3284 | 2/20/99 | Lake Placid | 2 | A- | source: FOB Schoeps MK4V > Sonosax SX-M2 > SBM-1 > |
LB-4251 | 2/20/99 | Lake Placid | 2 | A- | incomplete; Recorded By Bobby Bourbon, Source: |
LB-7017 | 2/20/99 | Lake Placid | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
LB-7024 | 2/20/99 | Lake Placid, NY | 2 | A- | bourbon LTA remaster; Taper: Bobby Bourbon, 14th |
LB-15340 | 2/20/99 | Lake Placid, NY | 2 | A- | schoepsinthehat er cdwave, A SchoepsInThe Hat |
LB-15341 | 2/20/99 | Lake Placid, NY | 2 | A- | schoepsinthehat lta 48, taper: "Bobby Bourbon", |
LB-0780 | 2/22/99 | Rensselaer Poly | 2 | A | |
LB-2367 | 2/22/99 | Rensselaer Polytech | 2 | A | BOOTLEG: The Lonely Graveyard Of My Mind; |
LB-4036 | 2/22/99 | Troy | 2 | A | Source: DAUD Master ATM-35 Hyper Cardioid Capsules |
LB-4544 | 2/22/99 | Troy | 2 | A | BOOTLEG: Lonely Graveyard of My Mind; version "a"; |
LB-15351 | 2/22/99 | Troy, NY | 2 | A | stevemtl, Fine set by Dylan and his excellent band |
LB-2839 | 2/23/99 | Buffalo | 2 | A- | |
LB-9651 | 2/23/99 | Buffalo, New York | 2 | A | version "b", Taper: unidentified, Source: CD audio |
LB-10694 | 2/23/99 | BUFFALO NEW YORK | 2 | B+ | bigdaddybflo, A bigdaddybflo MASTER KRW_CO |
LB-11325 | 2/23/99 | Buffalo, New York | 2 | A | version "d", CDr < XLD < flac < Electricladyland, |
LB-4457 | 2/24/99 | Amherst | 2 | B+ | Audience recording (Full spectrum) > Unknown |
LB-5700 | 2/24/99 | Amherst | 2 | A- | AT853H -> D7 -> Tascam CD-RW750 -> CD Wave -> FLAC |
LB-7019 | 2/24/99 | Amherst | 2 | A | version "b"; Taper: Unidentified, Source: audio |
LB-10587 | 2/24/99 | Amherst, MA | 2 | A | version "e", Alternative recording to Unwanted Man |
LB-13041 | 2/24/99 | Amherst, MA | 2 | A- | dolphinsmile, This one, and the night before, are |
LB-4452 | 2/25/99 | Portland | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-5683 | 2/25/99 | Portland | 2 | A | Recorded by Unwanted Man Music, AT853H -> Sony D7 |
LB-9627 | 2/25/99 | Portland, Maine | 2 | A- | BOOTLEG: dressed up like a squire; version "e", |
LB-12715 | 2/25/99 | Portland, ME | A- | hc gg akg451 dolphinsmile 48k, Taped by (HCE)-GG | |
LB-1363 | 2/27/99 | The Copa Room | 1 | A | late show, source: FOB/ORTF Schoeps |
LB-1364 | 2/27/99 | The Copa Room | 1 | A | Early show; source: FOB/ORTF Schoeps |
LB-3191 | 2/27/99 | Atlantic City, NJ | 2 | A | BOOTLEG: ATLANTIC CITY; |
LB-3283 | 2/27/99 | Atlantic City | 1 | Early Show, version "a"; source: FOB Schoeps mk4V | |
LB-3288 | 2/27/99 | Atlantic City | 1 | Late Show; version "a"; source: FOB Schoeps mk4V > | |
LB-11326 | 2/27/99 | Atlantic City | 3 | A | version "e", (Early & Late Show), Recorded By |
LB-15298 | 2/27/99 | Atlantic City, NJ | 1 | A | early bourbon lta, taper: bobby bourbon, source: |
LB-15342 | 2/27/99 | Atlantic City, NJ | A | early schoepsinthehat er wavf | |
LB-15343 | 2/27/99 | Atlantic City, NJ | 2 | A | late schoepsinthehat er cdwave, Late show, A |
LB-0493 | 3/1/99 | Rio Suite Hotel & | 2 | A- | |
LB-5276 | 3/1/99 | Las Vegas | 2 | A- | version "a"; Audio CD > EAC > dBpoweramp > HD > |
LB-7033 | 3/1/99 | Las Vegas | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
LB-4596 | 3/2/99 | Las Vegas | 2 | B+ | No LB-number, No info on taper; no lineage, NOTE: |
LB-4597 | 3/2/99 | House Of Blues | 2 | A | DAUD > CCM4 > SXM2 > SBM1 > D8 (FOB); from shn ftp |
LB-4960 | 3/2/99 | Las Vegas | 2 | A | version "b"; Audience recording (Full spectrum) > |
LB-12180 | 3/2/99 | Las Vegas, NV | A | teddyballgame, a teddy ballgame DAT Master -, | |
LB-14025 | 3/2/99 | Las Vegas | A | schoeps teddy ballgame t 48k, From the Teddy | |
LB-1192 | 4/7/99 | Lisbon | 2 | A | Schubert's remastering of Lisbon, April 7, 1999 |
LB-1862 | 4/7/99 | Lisbon, Portugal | 2 | A | Schubert Remaster; VOLUME 1 - Let Me Ask You One |
LB-14373 | 4/7/99 | Lisbon, Portugal | A | dolphinsmile 48k, dat clone>file cloned in | |
LB-0021 | 4/8/99 | Oporto, Portugal | 2 | A | |
LB-1867 | 4/8/99 | Oporto, Portugal | 2 | A | version "a"; VOLUME 2 - What's The Matter With Me? |
LB-4134 | 4/8/99 | Oporto (Porto) | 2 | A | lineage : dat > Schubert remaster > Me > Flac |
LB-4659 | 4/8/99 | Oporto | 2 | B+ | version "c"; Total running time: 50:55 - 51:42, , |
LB-11234 | 4/8/99 | Portugal | 2 | A | BOOTLEG: fourth time around in portugal; Durango. |
LB-0154 | 4/9/99 | Santiago de | 2 | ||
LB-1865 | 4/9/99 | Santiago de | 2 | A | version "a"; VOLUME 3 - How Does It Feel? from |
LB-4098 | 4/9/99 | Santiago de | 2 | A | lineage : master dat > Schubert > Me > Flac |
LB-6411 | 4/9/99 | Santiago de | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-1859 | 4/10/99 | Gijon, Spain | 2 | A- | VOLUME 4 - Which Side Are You On? from Lisbon to |
LB-4126 | 4/10/99 | Gijon | 2 | A | lineage : dat > Schubert remaster > Me > Flac |
LB-6395 | 4/10/99 | Gijon, Spain | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-7566 | 4/10/99 | Gijon, Spain | 2 | A | version "c"; Schubert's remastering of |
LB-15144 | 4/10/99 | Gijn, Spain | 2 | B+ | version "f", There are currently 4 LB#s |
LB-0132 | 4/11/99 | San Sebastian, Spain | 2 | B- | |
LB-1858 | 4/11/99 | San Sebastian, Spain | 2 | B | VOLUME 5 - Don't I Know Your Name? from Lisbon to |
LB-4208 | 4/11/99 | San Sebastian | 2 | A- | lineage : Flac files from Bach master, All your |
LB-6416 | 4/11/99 | San Sebastian, Spain | 2 | A- | ssrc;, Taper: "Bach", Lineage: OKM II Rockversion |
LB-0153 | 4/13/99 | Santander, Spain | 2 | A | |
LB-1868 | 4/13/99 | Santander, Spain | 2 | A | version "a"; VOLUME 11 - Are You Having A Good |
LB-4194 | 4/13/99 | Santander | 2 | A | lineage : Flac files from Bach master, All your |
LB-5725 | 4/13/99 | Santander | 2 | A | version "c"; Taper: "Bach", Linieage: OKM II R > |
LB-6420 | 4/13/99 | Santander, Spain | 2 | A | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-1857 | 4/14/99 | Madrid, Spain | 2 | A | VOLUME 7 - How Much Do I Know? from Lisbon to |
LB-4115 | 4/14/99 | Madrid | 2 | A | sh; I didn't write the name of the taper on the Cd |
LB-6407 | 4/14/99 | Madrid | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-12938 | 4/14/99 | Madrid, Spain | 2 | A- | version "d", Unidentified |
LB-1869 | 4/15/99 | Valencia, Spain | 2 | A- | VOLUME 8 - Is There Any Truth In That? from Lisbon |
LB-4171 | 4/15/99 | Valencia | 2 | A- | lineage : Flac files from Bach master, quality : |
LB-6402 | 4/15/99 | Valencia | 2 | A- | version "b"; Taper: "Bach", Lineage: OKM II |
LB-8870 | 4/15/99 | Valencia | 2 | B | version "c"; incomplete, Received in a trade, so |
LB-10971 | 4/15/99 | Valencia, Spain | 2 | A- | BOOTLEG: standing at valencias gate; Durango 00/01 |
LB-12954 | 4/15/99 | Valencia, Spain | 2 | B+ | version "f" |
LB-0144 | 4/17/99 | Malaga | 2 | A- | |
LB-1873 | 4/17/99 | Malaga, Spain | 2 | A- | version "a"; VOLUME 9 - Was That Some Kind Of |
LB-6401 | 4/17/99 | Malaga | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-0143 | 4/18/99 | Granda | 2 | ||
LB-1876 | 4/18/99 | Granada, Spain | 2 | VOLUME 10 - How Can I Explain? from Lisbon to | |
LB-6400 | 4/18/99 | Granada | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-0169 | 4/19/99 | Murcia, Spain | 2 | A- | |
LB-1880 | 4/19/99 | Murcia, Spain | 2 | B+ | version "a"; VOLUME 11 - Are You Having A Good |
LB-4093 | 4/19/99 | Murcia | 2 | A | sh; Back to Spain...for another excellent show of |
LB-6413 | 4/19/99 | Murcia | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-12998 | 4/19/99 | Murcia, Spain | 2 | A- | version "d", No lineage. No info. Taper |
LB-14929 | 4/19/99 | Murcia, Spain | 2 | B+ | version "f", Alternative recording to |
LB-1890 | 4/21/99 | Zaragoza, Spain | 2 | B+ | VOLUME 12 - What Good Am I? from Lisbon to |
LB-4094 | 4/21/99 | Zaragoza | 2 | A- | taper : Bach (S.H.) - excellent recording of a |
LB-6409 | 4/21/99 | Zaragoza, Spain | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-7158 | 4/21/99 | Zaragoza, Spain | 1 | C- | version "c"; Incomplete show, lineage>cd-r>flac |
LB-0170 | 4/22/99 | Barcelona | 2 | A | |
LB-1893 | 4/22/99 | Barcelona, Spain | 2 | B+ | version "a"; VOLUME 13 - Can This Really Be The |
LB-4139 | 4/22/99 | Barcelona | 2 | version "b"; about lineage :, I don't remember who | |
LB-6055 | 4/22/99 | Barcelona, Spain | 2 | B- | Off master, Taper: Tarantulla, Source/Lineage:, |
LB-6394 | 4/22/99 | Barcelona | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-9200 | 4/22/99 | Barcelona, Spain | 2 | B+ | BOOTLEG: restless hungry feelings; (Factory |
LB-9266 | 4/22/99 | BARCELONA-CATALONIA | 2 | C | jc carbobueno, ATTENDANCE:SOLD OUT, SOURCE:MASTER |
LB-0022 | 4/23/99 | Marseilles | 2 | A- | trade cdr > shn |
LB-2762 | 4/23/99 | Marseille | 2 | BOOTLEG: Back to Marseille; Released:, 1999, | |
LB-4183 | 4/23/99 | Marseilles | 2 | A | recording quality : top class, lineage : taper > |
LB-6522 | 4/23/99 | Marseille, France | 2 | A | legendary taper J, Sennheiser MKE 2002 -> DAT - |
LB-6527 | 4/23/99 | Marseille, France | 2 | A | net taper A, Sonic ? -> DAT - clone -> (digital |
LB-10186 | 4/23/99 | Marseille, France | 2 | A | schubert asm, This is the Schubert remaster of |
LB-10330 | 4/23/99 | Marseilles | 2 | B+ | BOOTLEG: keep on keeping on; plus Filler |
LB-2583 | 4/25/99 | Zurich | 2 | B+ | BOOTLEG: Masters of Zurich; |
LB-2616 | 4/25/99 | Zurich | 2 | A- | version "a"; daud |
LB-2620 | 4/25/99 | Zurich | 2 | A- | version "b"; daud |
LB-4099 | 4/25/99 | Zurich | 2 | A- | lineage : master dat > Schubert remaster > Me > |
LB-10685 | 4/25/99 | Zurich, Switzerland | 2 | B+ | version "d", Alternative recording to 'Masters of |
LB-1400 | 4/27/99 | Linz | 2 | A- | JT Series; Transferred from a DAT master tape |
LB-2291 | 4/27/99 | Sporthalle | 2 | A- | version "a" |
LB-4121 | 4/27/99 | Linz | 2 | A | lineage : master dat > Schubert remastered Cd > Me |
LB-4547 | 4/27/99 | Linz | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-6415 | 4/27/99 | Linz | 2 | A- | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-1262 | 4/28/99 | Hala Tivoli | 2 | A- | BOOTLEG: Roadmaps For The Soul; commercial |
LB-3570 | 4/28/99 | Ljubljana | 2 | A- | (DO NOT TORRENT) Schubert remaster 2006 -, This is |
LB-4105 | 4/28/99 | Ljubljana | 2 | A | taper : Bach, lineage : master dat > Cd > Me > |
LB-6422 | 4/28/99 | Ljubljana | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-2980 | 4/29/99 | Graz | 2 | A | Schubert ASM; SOURCE : AUD recording of unknown |
LB-4539 | 4/29/99 | Graz | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-5680 | 4/29/99 | Graz | 2 | A | Off master, Taper: Vito, Source/Linage:, Sony |
LB-6418 | 4/29/99 | Graz | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-1774 | 4/30/99 | Stadthalle, Vienna | 2 | A- | BOOTLEG: Rollin' Through Stormy Weather; plus |
LB-7731 | 4/30/99 | Wien, Austria | 2 | A- | version "a"; Source: Unknown > Audio CDR's > EAC |
LB-10187 | 4/30/99 | Wien, Austria | 2 | A- | schubert asm, This is the Schubert remaster of |
LB-0064 | 5/1/99 | Ischgl, Austria | 2 | B | from trade cdr > shn |
LB-4122 | 5/1/99 | Ischgl | 2 | A | lineage : master dat > Schubert remastered Cd > Me |
LB-4540 | 5/1/99 | Ischgl | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-6417 | 5/1/99 | Ischgl | 2 | A | ssrc; Taper: "Bach", Lineage: OKM II Rockversion > |
LB-6421 | 5/1/99 | Ischgl | 2 | A- | Taper: "Franconia", Lineage: OKM II Rockversion > |
LB-1358 | 5/2/99 | Munich | 2 | A | JT series |
LB-4123 | 5/2/99 | Munchen | 2 | B+ | version "a", master tape (equipt unknown) > CDR> |
LB-9546 | 5/2/99 | Mnchen, West Germany | 2 | B+ | version "b", Lineage: master tape (equipt unknown) |
LB-9642 | 5/2/99 | Munich, Germany | 2 | A | version "c", There are 3 LB entries for this date |
LB-12969 | 5/2/99 | Mnchen | 2 | A | version "d", No-LB-ref unknown taper, Rather |
LB-1573 | 6/5/99 | Fillmore Auditorium | 2 | A | |
LB-6957 | 6/5/99 | Fillmore Auditorium | 2 | A | version "a"; Taper: Unidentified, Source: audio |
LB-11826 | 6/5/99 | Denver, Colorado | 2 | A | whotrader, This was a warm-up gig for Bob as the |
LB-12870 | 6/5/99 | Denver, CO | A | dolphinsmiler 48k, Great sounding show. If my | |
LB-15366 | 6/5/99 | Denver, CO | 2 | A | kingrue, Source : unknown gear > Cassette Master |
LB-6224 | 6/6/99 | Colorado Springs, CO | 2 | B | Lineage: cdr's received in |
LB-9641 | 6/6/99 | Colorado Springs | 3 | B+ | version "a", Stereo audience recording. Most |
LB-4961 | 6/7/99 | Denver | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-6991 | 6/7/99 | Denver, Colorado | 2 | B+ | jtt; Very Good Audience Recording, SOURCE: DAT > |
LB-11831 | 6/7/99 | Denver, Colorado | 3 | A- | sonic whotrader, This was a frustrating show to |
LB-11941 | 6/7/99 | Denver, Colorado | 3 | B+ | BOOTLEG: live in denver 1999; & Paul Simon, ) |
LB-12978 | 6/7/99 | Denver, CO | A- | mrx dolphinsmile 48k, Taped by a local, encouraged | |
LB-15426 | 6/7/99 | Denver, CO | A- | csb dolphinsmile 48, CSB mics> Sony D8 dat>Clone | |
LB-0093 | 6/9/99 | Salt Lake City | 2 | B+ | |
LB-11352 | 6/9/99 | Salt Lake City, Utah | 2 | B+ | version "a", Source: derived from LB-0093, Taper & |
LB-0301 | 6/11/99 | Vancouver | 2 | B- | ALD sbd, |
LB-4356 | 6/11/99 | Vancouver | 2 | B- | version "a"; aud; Size: 658 MB, Time: 96:20, Trade |
LB-5531 | 6/11/99 | Vancouver | 2 | A- | version "b"; taper: not certain, lineage: DAT, |
LB-9064 | 6/11/99 | Vancouver | 2 | B- | Improved Air Catalog Number: IA27, TITLE: |
LB-12977 | 6/11/99 | Vancouver | 2 | B- | version "d", From the 4 LBs here:, http://jokerman |
LB-1534 | 6/12/99 | Rose Garden Portland | 2 | A- | BOOTLEG: THE SOUND OF SILENCE; |
LB-5547 | 6/12/99 | Portland | 2 | A- | version "a"; Taper: Not certain., Lineage:, DAT, |
LB-7499 | 6/12/99 | Portland, Oregon | 2 | A- | version "b"; *** This is the same set as LB-1534 |
LB-4431 | 6/13/99 | George | 2 | A- | SIZE: 567MB, TIME: 101:49, TRADE: CDR > FLAC8 |
LB-5540 | 6/13/99 | George | 2 | A- | taper: NET Taper G, lineage, DAT clone ->(digital |
LB-7112 | 6/13/99 | George, Washington | 2 | B+ | version "b"; Alternative recording to LB entries, |
LB-7143 | 6/13/99 | Columbia River Gorge | 3 | A- | Schoeps MK-4 >, Sony SBM-1 A/D Converter >, DAT @ |
LB-12718 | 6/13/99 | George, WA | A- | simon set jems, Paul Simon (w/ Bob Dylan), JEMS | |
LB-12749 | 6/13/99 | George, WA | 2 | A- | dylan set jems, JEMS Master, Taping Gear: |
LB-12983 | 6/13/99 | George, WA | A- | neumanns km140 48k, I received this back in 1999, | |
LB-12997 | 6/13/99 | George, Washington | 2 | B+ | version "g", NOTE: Paul Simon was the opening act, |
LB-15325 | 6/13/99 | George | C- | schoepsinthehat er wavf | |
LB-0193 | 6/14/99 | Eugene | 2 | DSBD > ? > CDRs > EAC > SHN | |
LB-1527 | 6/14/99 | E.M.U. BALLROOM | 2 | A | patched SOUNBOARD TAPE, The soundboard tape |
LB-1683 | 6/14/99 | Eugene Oregon | 2 | A | soundboard-aud recording mix., |
LB-2460 | 6/14/99 | Eugene, Oregon | 1 | A | BOOTLEG: All Aboard; incomplete; Liberated Boot - |
LB-11094 | 6/14/99 | Eugene, Oregon | 2 | A | BOOTLEG: down along the cove; Series: Commercial |
LB-4622 | 6/16/99 | Sacramento | 2 | A | Equipment:, COS-11PTs > CPS161(Pre amp) > TCD-D8 |
LB-7625 | 6/16/99 | Sacramento, CA | 3 | A- | A Bigfoot Disc recorded and mastered to cdr by |
LB-9620 | 6/16/99 | Sacramento | 3 | A | Taper: Hide, Source: Sanken COS-11PT's > CPS161 > |
LB-14208 | 6/16/99 | Sacramento, CA | A- | dolphinsmile 48k, Dat clone from taper>file cloned | |
LB-14986 | 6/16/99 | Sacramento, CA | 3 | A- | dolphinsmile, Dat clone>File cloned in Microtrack, |
LB-4111 | 6/18/99 | Concord Pavilion | 2 | A | CSHEB>D100, from 9th row on right just inside |
LB-4113 | 6/18/99 | Concord | 2 | B+ | I WALK THE LINE, A Dyl-Dough Cdr Release, DYL-101, |
LB-4715 | 6/18/99 | Concord | 2 | A | Source:, "Hide" recording, Equipment:, COS-11PTs > |
LB-6952 | 6/18/99 | Concord | 2 | A | version "c"; Taper: Unidentified, Source: audio |
LB-7271 | 6/18/99 | Concord | 2 | A- | russjcan;, Hat mounted Realistic PZM's with, Sony |
LB-4112 | 6/19/99 | Mountain View | 2 | A | CSHEB>D100, from 20th row on left, back from |
LB-5528 | 6/19/99 | Mountain View | 2 | A | Source:, "Hide" recording, Equipment:, COS-11PTs > |
LB-7025 | 6/19/99 | Mountain View | 2 | A | version "b"; Taper: Unidentified, Source: audio |
LB-15151 | 6/19/99 | Mountain View, CA | 2 | A | version "e", Alternative recording to LB-4112 |
LB-0857 | 6/20/99 | Anaheim | 1 | B+ | Missing Hallelujah, I'm Ready To Go @, Mr. |
LB-11925 | 6/20/99 | Anaheim | 1 | B+ | version "a", This is a fixed version of the |
LB-1767 | 6/22/99 | Hollywood | 2 | A- | |
LB-6961 | 6/22/99 | Hollywood | 2 | A | version "a"; Taper: Unidentified, Source: audio |
LB-9535 | 6/22/99 | HOLLYWOOD | 2 | B | (Sony Clip On -> D3 or D6) Cassette Master -> |
LB-3193 | 6/25/99 | Chula Vista | 2 | B+ | olav66 ASM;, A short, complete set (Paul Simon's |
LB-7048 | 6/25/99 | Chula Vista | 2 | A- | version "a"; This is probably same recording as |
LB-7543 | 6/25/99 | Chula Vista | 2 | A- | version "b"; incomplete |
LB-7562 | 6/25/99 | Chula Vista | 2 | A- | version "c"; fixed |
LB-12635 | 6/25/99 | Chula Vista, CA | 2 | A- | dolphinsmile, something i cloned to disc a few |
LB-1711 | 6/26/99 | Garden Arena | 2 | A- | |
LB-3411 | 6/27/99 | Phoenix | 2 | A | Olav ASM; Lineage: FLAC CD-R > WAV > TrackS 24 > |
LB-8779 | 6/27/99 | Phoenix, Arizona | 2 | A | This is the RAW version of the Olav ASM version, |
LB-6159 | 6/30/99 | New York City | 1 | C- | (Eric Clapton & Friends - Crossroads Centre |
LB-6163 | 6/30/99 | New York City | 1 | B+ | JTT; "Upgrade", This is Torrented as an Upgrade |
LB-7049 | 6/30/99 | New York City | 1 | B+ | version "b"; Disc 2 had bonus tracks named after |
LB-9518 | 6/30/99 | New York City, NY | 1 | B+ | jtt version "c", This is an alternate source to:, |
LB-10464 | 6/30/99 | New York, New York. | 1 | A- | BOOTLEG: crossroads; sbd version "d", 1-6. |
LB-11356 | 6/30/99 | New York | 3 | B+ | aplay1 geetarz remaster, Eric Clapton and Friends, |
LB-11969 | 6/30/99 | Madison Square | 1 | A- | sbd jtt, Crossroads Benefit, (SBD AUDIO), Eric |
LB-4062 | 7/2/99 | Minneapolis | 2 | B+ | Audience recording > Unknown transfer > CDR(x) > |
LB-6335 | 7/2/99 | Minneapolis | 3 | A- | Neumann KM140 with dat deck>clone from master> |
LB-14360 | 7/2/99 | Shakopee, MN | A- | neumann km140 dolphinsmile 48k, i think this is | |
LB-3508 | 7/3/99 | Duluth | 2 | A- | |
LB-3531 | 7/3/99 | Duluth | 2 | A | version "a"; Audience recording, Flaws, d1t2: |
LB-4672 | 7/3/99 | Duluth | 2 | A | version "b"; 2CDr received in trade> Flac 8 |
LB-9640 | 7/3/99 | Duluth, Minnesota | 2 | A | Taper: Bt (Net Taper P), DPA 4061 microphones and |
LB-10796 | 7/3/99 | Duluth, Minnesota | 3 | A | version "g", dat clones from master dats |
LB-5206 | 7/4/99 | Milwaukee | 2 | B+ | Audience recording (Full spectrum) > Unknown |
LB-5207 | 7/4/99 | Milwaukee | 3 | B+ | version "a"; Audience recording (Lossy) > Unknown |
LB-7682 | 7/4/99 | Milwaukee, Wisconsin | 2 | B+ | version "b"; * This recording is the same as |
LB-4962 | 7/6/99 | Detroit | 2 | B+ | Unknown audience>CDR>EAC>FLAC LEVEL 5 |
LB-4979 | 7/6/99 | Detroit | 2 | B+ | version "a"; Audience recording (Full spectrum) > |
LB-5443 | 7/6/99 | Detroit | 2 | B+ | DPA4061 - M1 - Zefiro ZA2 - Sound Forge - CDR - |
LB-9918 | 7/6/99 | Detroit, Michigan | 2 | B+ | version "c", "St. Andrew's Blues" |
LB-3259 | 7/7/99 | Clarkston | 2 | A | No information concerning source availalble |
LB-14275 | 7/7/99 | Clarkston, Michigan | 2 | A | version "a", ? -> portable DATrecorder - clone |
LB-14276 | 7/7/99 | Clarkston, Michigan | 2 | A | ntp, net taper P, cut before encore, DPA 4061 -> |
LB-1403 | 7/9/99 | Tinley Park | 2 | A- | |
LB-1540 | 7/9/99 | World Music Theatre | 2 | A- | alternate version "a"; Disc Two Track 10 ("BITW") |
LB-6321 | 7/9/99 | Tinley Park Illinois | 3 | A- | version "b"; dat master clone to cd and uploaded, |
LB-12677 | 7/9/99 | Tinley Park Illinois | 3 | A- | dolphinsmile deglitched, Here is something I |
LB-15876 | 7/9/99 | Tinley Park | B+ | sonic, & Paul Simon, Source: Sonic Studios DSM-6 | |
LB-0890 | 7/10/99 | Riverport | 3 | B+ | Source: Core Sound Carioids > Sony PCM-M1 > HHb |
LB-10665 | 7/10/99 | Maryland Heights, MO | 2 | A- | version "a", Alternative recording to Core Sound |
LB-12508 | 7/10/99 | Maryland Heights | A- | see Dylan-Bob 07/07/00 at933 LB-12507 where this | |
LB-15723 | 7/10/99 | Maryland Heights | B+ | csb, 20th row center in front of house speaker; | |
LB-1836 | 7/11/99 | Bogart's, Cincinnati | 2 | B+ | Source:, Oade Micro Mics > D8 (44.1), Transfer:, |
LB-5044 | 7/11/99 | Cincinnati | 2 | B+ | version "a"; CDR-EAC-Trader Little Helper (to flac |
LB-12612 | 7/11/99 | Cincinnati, Ohio | B | version "b"; 48k, From a DAT (received in trade, | |
LB-4156 | 7/13/99 | Virginia Beach | 2 | A | Taped by Bobby Bourbon, Source: Schoeps |
LB-9656 | 7/13/99 | Virginia Beach, VA | 2 | B- | version "a", Alternative recording to LB-4156, Not |
LB-10839 | 7/13/99 | Virginia Beach | 2 | A | SOURCE:, Taper Bt, DPA 4061 microphones and Sony |
LB-1765 | 7/14/99 | Raleigh | 2 | A | |
LB-4374 | 7/14/99 | Raleigh | 2 | B | version "a"; SIze: 649MB, Time: 99:09, Trade > |
LB-4302 | 7/16/99 | Bristow | 2 | A | Schubert Remaster |
LB-2213 | 7/17/99 | Camden, N.J. | 3 | A- | with Paul Simon set; Received in a trade. Pretty |
LB-4135 | 7/17/99 | Camden | 2 | A- | Recorded by Bobby Bourbon & Wklitz (Ticket & |
LB-6990 | 7/17/99 | Camden, New Jersey | 2 | A- | BOOTLEG: We Hear You Knockin'; (Thinman-064/65), |
LB-12655 | 7/17/99 | Camden, NJ | 3 | A- | hce bb schoeps dolpjinsmile, Taped by HCE BB, |
LB-14956 | 7/17/99 | Camden, NJ | 2 | A | version "c", Alternative recording to |
LB-9650 | 7/18/99 | Burgettstown | 3 | A | No LB Number Listed, Audio CD > EAC (Secure) > TLH |
LB-13929 | 7/18/99 | Burgettstown, PA | 3 | A- | sonic kingrue, Source: Sonic Studio DSM mics > |
LB-3075 | 7/20/99 | Albany | 2 | A | |
LB-9657 | 7/20/99 | Albany, NY | 2 | A | version "a", Alternative recording to LB-3075, |
LB-11393 | 7/20/99 | Albany, NY | 2 | A | mrbill, with PAUL SIMON, Fresh transfer from DAT |
LB-0085 | 7/22/99 | Mansfield | 2 | A- | |
LB-5731 | 7/22/99 | Tweeter Center | 2 | A- | Recorded by Unwanted Man Music, AT853H -> D7 -> |
LB-7041 | 7/22/99 | Mansfield | 2 | A- | version "b"; Taper: Unidentified, Source: audio |
LB-5724 | 7/23/99 | Mansfield | 2 | A- | Recorded by Unwanted Man Music, AT853H -> D7 -> |
LB-1771 | 7/24/99 | Hartford | 2 | A | |
LB-7488 | 7/24/99 | Hartford | 2 | A- | BOOTLEG: Hot & Humid Night; Bob Dylan was the |
LB-1195 | 7/26/99 | Tramps | 2 | A | Schubert's remastering of Tramps, NYC, July 26, |
LB-1263 | 7/26/99 | Tramps (New York | 2 | BOOTLEG: OH TRAMPS IT AIN'T NO LIE; | |
LB-3155 | 7/26/99 | New York City | 2 | version "a"; Source: Audience recording, File | |
LB-3204 | 7/26/99 | Tramps, New York, NY | 2 | version "b"; Lineage: daud->cdr->eac->flac, Sound | |
LB-4136 | 7/26/99 | New York, NY, Tramps | 2 | A- | Recorded by Bobby Bourbon & Mike Inhatt, Schoeps |
LB-6037 | 7/26/99 | Tramps, NYC | 3 | A- | BOOTLEG: No More Alibis; also Madison Square |
LB-7721 | 7/26/99 | New York; USA | 2 | A | version "e"; Schuberts remastering of: |
LB-9400 | 7/26/99 | New York City | 2 | version "h", Audience Recording | |
LB-11111 | 7/26/99 | Tramps, New York | 2 | A | lossy jtt, SOUNDBOARD ? (LOSSY) JTT, SOUNDBOARD |
LB-14446 | 7/26/99 | Tramps, NYC | 2 | A | d sbd, (D-sbd), The Recording:, Master: soundboard |
LB-15071 | 7/26/99 | New York City | wgv tp 24bit, Soundboard Recording, ***24 bit***, | ||
LB-15072 | 7/26/99 | New York City | 2 | A | wgv tp, Soundboard Recording, Streaming Capture |
LB-4857 | 7/27/99 | New York City | 2 | A- | Trade CD > EAC > FLAC > HD > Hungercity > You |
LB-5024 | 7/27/99 | New York City | 2 | A- | version "a"; Audience recording (Full spectrum) > |
LB-5025 | 7/27/99 | New York City | 2 | A- | Schubert ASM; Audience recording (Full spectrum) > |
LB-6038 | 7/27/99 | Madison Square | BOOTLEG: No More Alibis; see 7/26/99, LB-6037 | ||
LB-9658 | 7/27/99 | New York City | 2 | A- | version "f", Fixed LB-4857. Spotted drops patched |
LB-11332 | 7/27/99 | New York City | 2 | A- | version "g", (Schubert), lineage: trade cdrs > eac |
LB-0084 | 7/28/99 | Holmdel | 2 | B- | |
LB-2970 | 7/28/99 | Holmdel | 2 | B | Sound Mastering by Schubert |
LB-4703 | 7/30/99 | Wantaugh NY | 3 | B+ | SBD>DAT>CD>clone>EAC>FLAC, Audio:3, Media:3, I |
LB-5099 | 7/30/99 | Jones Beach, NY | 3 | B+ | BOOTLEG: Something Is Happening On Mr. Jones' |
LB-5100 | 7/30/99 | Jones Beach, NY | 2 | B- | A DoinkerTape; audience master; incomplete; SBD + |
LB-7200 | 7/30/99 | Wantaugh, NY | 2 | B+ | SBD/AUD Matrix by OctopusRider (Bob Dylan set only |
LB-9659 | 7/30/99 | Wantaugh New York | 3 | B+ | BOOTLEG: jones beach 1999; (Factory Pressed Discs) |
LB-9995 | 7/30/99 | Wantagh, New York | 3 | B+ | BOOTLEG: jones beach and the atlantic ocean; |
LB-5209 | 7/31/99 | Wantagh | 2 | A | Audience recording (Full spectrum) > Unknown |
LB-9708 | 7/31/99 | Wantagh, New York | 2 | A | version "b", Lineage: This appears to be derived |
LB-15145 | 7/31/99 | Wantagh, New York | 2 | B+ | version "e", Alternative recording to |
LB-15694 | 7/31/99 | Wantagh, NY | B+ | two of us, (Two Of Us Master Series Volume 141), | |
LB-0463 | 9/2/99 | Coral Sky | 2 | C+ | |
LB-7827 | 9/2/99 | West Palm Beach | 2 | C+ | version "a"; ***** Bob Dylan was the opening act! |
LB-10787 | 9/2/99 | West Palm Beach | 2 | A- | dolphinsmile luisbp51, A Dolphinsmile AUD |
LB-5383 | 9/4/99 | Atlanta | 2 | A- | AUD DAT clone(s) [unknown equipment] > WAV > |
LB-7822 | 9/4/99 | Atlanta, Georgia | 2 | B | version "a'; ***** No LB-reference found; also not |
LB-8819 | 9/4/99 | Atlanta, Georgia | 2 | A- | version "b", cut before All Along The Watchtower, |
LB-15158 | 9/4/99 | Atlanta, GA | 2 | B+ | version "c", Alternative recording to |
LB-16077 | 9/4/99 | Atlanta, GA | dolphinsmile 48, Dat clone>File cloned in | ||
LB-4903 | 9/5/99 | Charlotte | 2 | A- | Unknown Audience>CDR>EAC>FLAC Level 5 |
LB-5078 | 9/5/99 | Charlotte | 2 | A- | version "a"; Audience recording (Full spectrum) > |
LB-5079 | 9/5/99 | Charlotte | 2 | B | version "b"; Audience recording (Full spectrum) > |
LB-13556 | 9/5/99 | Charlotte, NC | A- | mj dolphinsmile 48k, Taped on dat D8 and Sonics by | |
LB-1532 | 9/8/99 | First American Music | 2 | A- | |
LB-3627 | 9/8/99 | Antioch, Tennessee | 2 | A- | neumann km140 > sonosax > pcm-m1 > trade cdrs > |
LB-6122 | 9/8/99 | Nashville,TN | 2 | A- | version "b"; My taping info:, Sony TCD-D8 w/ my |
LB-7077 | 9/8/99 | Antioch, Tennessee | 2 | A- | BOOTLEG: World Full of Lies; Thinman / 066/067, |
LB-12633 | 9/8/99 | Antioch, TN | 3 | A- | km140 dolphinsmile, neumann km140 > sonosax > |
LB-5073 | 9/9/99 | Noblesville | 2 | B+ | Audience recording (Full spectrum) > Unknown |
LB-6309 | 9/9/99 | Noblesville, Indiana | 2 | A- | version "a" |
LB-6473 | 9/9/99 | Noblesville, Indiana | 3 | A | Taped by: Terry Roeder (R.I.P), Equipment: Sonic |
LB-9668 | 9/9/99 | Noblesville, Indiana | 2 | A- | version "e", Lineage: No info, LosslesBob entry: |
LB-1462 | 9/11/99 | Memphis | 2 | B+ | BOOTLEG: Hangin With Paul Simon; |
LB-2007 | 9/11/99 | Memphis | 2 | A- | version "a"; from dat master |
LB-7091 | 9/11/99 | Memphis | 2 | A | version "b"; Taper: Unidentified, Source: audio |
LB-1483 | 9/12/99 | Lafayette | 3 | A- | occasional background talking on d1t1, d1t2, d1t3, |
LB-7008 | 9/15/99 | Austin, Texas | 2 | B | Taper: Unidentified, Source: audio disks > |
LB-7010 | 9/15/99 | Austin | 2 | B+ | version "a"; Taper: unidentified, Source: CD audio |
LB-0858 | 9/17/99 | The Woodlands | 2 | B+ | |
LB-7948 | 9/17/99 | The Woodlands | 2 | B+ | version "a"; source for fix = LB-858 (68min+47min) |
LB-7972 | 9/17/99 | The Woodlands | 2 | B+ | version "b"; Fix of LB-7948, LN notes for LB-7948 |
LB-3175 | 9/18/99 | Dallas | 2 | B+ | taped by pw; Greetings Claus (cevau = noon1503) |
LB-7007 | 9/18/99 | Dallas | 2 | B+ | version "a" Taper: unidentified, Source: audio |
LB-7011 | 9/18/99 | Dallas | 2 | B+ | Taper: V4TX, Source: MASTER DAT>CDR>EAC>FLAC, Sony |
LB-6541 | 10/12/99 | PLAY | 1 | A- | http://www.searchingforagem.com/BobUnrelP.htm, Two |
LB-2199 | 10/26/99 | Park West | 1 | A | Late show |
LB-3743 | 10/26/99 | Park West | 1 | A | Early |
LB-3750 | 10/26/99 | Chicago | 1 | late; ,version "a"; datadvd(trade) (FLAC) > | |
LB-4725 | 10/26/99 | Chicago | 1 | A | early show, version "a"; AUD DAT Master [unknown |
LB-4728 | 10/26/99 | Chicago | 1 | A | late show, version "b"; AUD DAT Master [unknown |
LB-7569 | 10/26/99 | Chicago | 2 | A | version "i"; AUDDAT > CD, Encoded by Dan Krass |
LB-8007 | 10/26/99 | Chicago, Illinoois | 1 | B+ | sullylove; Early show, FOR THIS SET I TAPED ON THE |
LB-8008 | 10/26/99 | Chicago, Illinoois | 1 | A | sullylove; lATE show, BECAUSE THE SOUND WAS NOT |
LB-11417 | 10/26/99 | Chicago, IL | 1 | B+ | early roy martin, Early Show, Recorded by Roy |
LB-13545 | 10/26/99 | Chicago, IL | 2 | A | early late bk4021 dolphinsmile, Brel & Kjr 4021 |
LB-1359 | 10/27/99 | Champaign | 2 | A | JT series |
LB-4683 | 10/27/99 | Champaign | 2 | A | pair of B+K 4021's 12th row, from taper: "....this |
LB-4844 | 10/27/99 | Champaign | 2 | A | version "b"; DAT AUD Master > DAT clone(s) > Wav > |
LB-11335 | 10/27/99 | Champaign, IL | 2 | A | version "c", Audience Recording: No Source Info, |
LB-1464 | 10/29/99 | Millett Assembly | 2 | A- | |
LB-2495 | 10/29/99 | University of Miami | 2 | B+ | Audience A, Schoeps CMC64 > Sonosax p/s > sv255 > |
LB-4029 | 10/29/99 | Oxford | 2 | A | version "c"; incomplete; audio cd trade > xACT > |
LB-4737 | 10/29/99 | Oxford | 2 | A | version "d"; AUD DAT Master [unknown equipment] > |
LB-7730 | 10/29/99 | Oxford | 2 | A | Schuberts remastering of |
LB-10680 | 10/29/99 | OXFORD OHIO | 2 | A- | bigdaddybflo, A bigdaddybflo MASTER, MANY THANKS |
LB-14374 | 10/29/99 | Oxford | B+ | schoeps dolphinsmile 48k, taped on Dat with | |
LB-0733 | 10/30/99 | Milwaukee Arena - | 2 | Fades in/out beg/end of sets--3 sec fade-in's and | |
LB-4739 | 10/30/99 | Milwaukee | 2 | A | version "a"; AUD DAT Master [Sonic Studios 6P] > |
LB-7193 | 10/30/99 | Milwaukee, Wi, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
LB-9972 | 10/30/99 | Milwaukee, WI | 2 | A | version "c", Alternative audio source to the 3 LB |
LB-13187 | 10/30/99 | Milwaukee, WI | A | bk4022 dolphinsmile 48k, DAUD/FOB B&K 4022 (ORTF) | |
LB-15781 | 10/30/99 | Milwaukee, WI | 2 | B+ | version "f", This is a fine showing for Bob and |
LB-1316 | 10/31/99 | UIC, Chicago,IL | 2 | B+ | coresounds > D8, about 30 ft from stage, center., |
LB-4742 | 10/31/99 | Chicago | 2 | A- | version "a"; AUD DAT Master [unknown equipment] > |
LB-5625 | 10/31/99 | Chicago | 2 | A | AUD DAT Master [Sonic Studios 6P] > DAT clone(s) > |
LB-7154 | 10/31/99 | Chicago, Il, USA | 2 | A | version "d"; Source: Sonic Studio Mics PA-6 > Sony |
LB-15136 | 10/31/99 | Chicago, IL | 2 | B+ | version "f", Alternative recording to LB-1316 |
LB-0023 | 11/2/99 | East Lansing, MI | 2 | ripped with EAC, Shn'ed with mkw | |
LB-2451 | 11/2/99 | Breslin Student | 2 | A | Excellent Audience, SchoepsMK4V > Schoeps Box > |
LB-4743 | 11/2/99 | East Lansing | 2 | A | version "b"; AUD DAT Master [Sonic Studios 6P] > |
LB-2496 | 11/3/99 | Schottenstein Center | 2 | A | Audience A, Schoeps CMC64 > Sonosax p/s > > SV255 |
LB-2794 | 11/3/99 | Columbus | 2 | Schoeps MK-4>KC5>CMC-6>VMS 52 UB preamp>D-7 @ 48 | |
LB-4749 | 11/3/99 | Columbus | 2 | A | version "b"; AUD DAT Master [Sonic Studios 6P] > |
LB-2200 | 11/5/99 | Civic Arena | 2 | A- | version "a" |
LB-2445 | 11/5/99 | Civic Arena | 2 | A- | Excellent Audience, Schoeps Mics, MasterDAT > CDR1 |
LB-3257 | 11/5/99 | Pittsburgh | 2 | A- | No information about the source |
LB-4608 | 11/5/99 | Civic Arena | 2 | A- | AT831 mics>M1dat>PC>CdR |
LB-3131 | 11/6/99 | State College | 2 | A- | SOURCE: Core Sound Cardiods(FOB |
LB-4758 | 11/6/99 | State College | 2 | A | version "a"; AUD DAT Master [Sonic Studios 6P] > |
LB-5145 | 11/6/99 | State College | 2 | A | bourbon; Schoeps MK4V's>Sonosax SX-M2>Sony |
LB-1772 | 11/8/99 | Baltimore Arena | 2 | A- | |
LB-2780 | 11/8/99 | Baltimore Arena, MD | 3 | A | CSB>D8 DAT>PC>CDR, row 28 on the floor, |
LB-4720 | 11/8/99 | Baltimore Arena, MD | 2 | A | daud fob sonic studios, tree trade 48k dat > |
LB-4858 | 11/8/99 | Baltimore | 2 | A | version "c"; AUD DAT Master [unknown equipment] > |
LB-11694 | 11/8/99 | Baltimore, Maryland | 2 | B+ | nak701s baker 131069 fixed, Phil Lesh And Friends, |
LB-15419 | 11/8/99 | Baltimore,Md. | 2 | B+ | nak 701s, Nak.cm701's>sony pcm-m1 dat |
LB-1401 | 11/9/99 | Philadelphia | 2 | A | |
LB-2064 | 11/9/99 | The Apollo of Temple | 2 | A | version "a"; Audience Recording, |
LB-2737 | 11/9/99 | Philadelphia | 2 | A- | version b"; Broad Street Traffic Jam, The Fall |
LB-4289 | 11/9/99 | Philadelphia | 2 | A | Recorded By Wklitz & Mike Inhatt, Schoeps |
LB-5194 | 11/9/99 | Philadelphia | 2 | A | bourbon; Schoeps MK4V's>Sonosax SX-M2>Sony |
LB-8730 | 11/9/99 | Philadelphia, PA | 2 | A | BOOTLEG: THE FUGITIVE; TF CD 2001 A/B, Silver |
LB-9841 | 11/9/99 | Philadelphia | 2 | A | d5scott, incomplete; Recorded by Mendo-Steve, |
LB-12657 | 11/9/99 | Philadelphia, PA | 2 | A | mk4v dolphinsmile, Schoeps MK4V's and Sony |
LB-0037 | 11/10/99 | New Haven Coliseum | B+ | DAT AUD>CDR>unknown extraction TAO>CDR>EAC>SHN - | |
LB-2438 | 11/10/99 | Veterans Memorial | 2 | A- | version "a" |
LB-3126 | 11/10/99 | New Haven | 2 | version "b"; AUD>DAT>CDR>EAC>WAV>Mkw 0 | |
LB-3766 | 11/10/99 | Veterans Memorial | 2 | B | a jmanproduction; stereo mic>MD(master)>CDR(1 |
LB-4634 | 11/10/99 | New Haven, CT | 2 | A | Sonic DSM6 ;48k trade dat > midiman deltadio 2496 |
LB-4770 | 11/10/99 | New Haven | 2 | A | version "c"; AUD DAT Master [unknown equipment] > |
LB-1773 | 11/11/99 | Civic Center | 2 | A- | version "a" |
LB-4773 | 11/11/99 | Augusta | 2 | A- | version "b"; AUD DAT Master [unknown equipment] > |
LB-7903 | 11/11/99 | Augusta, Maine | 2 | A- | version "c"; Source: AUD > CDR > FLAC |
LB-11014 | 11/11/99 | Augusta, Maine | 2 | A- | BOOTLEG: augusta 99; (Commercial CDR) JTT, |
LB-1479 | 11/13/99 | Continental Airlines | 2 | B+ | Core sound Cardiods->D8, recorded dead center, 50' |
LB-2763 | 11/13/99 | Meadowlands | 3 | A | CSB>D8 DAT>PC>CDR; excellent sound, behind the |
LB-2764 | 11/13/99 | East Rutherford | 2 | B | version "b"; lineage: daud->cd-r->eac->flac; Stuck |
LB-4260 | 11/13/99 | E Rutherford | 2 | A | Schoeps MK4V's>Sonosax SX-M2>Sony SBM-1>Sony |
LB-8136 | 11/13/99 | East Rutherford | 2 | B | Taper: TWilbury, Lineage: audio discs straight |
LB-0870 | 11/14/99 | Centrum Arena | 2 | A- | |
LB-3206 | 11/14/99 | Worcester | 2 | A | Unwanted Man Music 002, Centrum Performance: Live |
LB-4636 | 11/14/99 | Worcester, MA | 2 | A | from well vine trade cdr > ultraplex > eac > wav > |
LB-9655 | 11/14/99 | Worcester, MA | 2 | A | version "c", ** same recording as LB-870 **, |
LB-11024 | 11/14/99 | Worcester | 1 | A | BOOTLEG: highlands of worcester; Wild Wolf, |
LB-12807 | 11/14/99 | Worcester, MA | A- | hce th dolphinsmile 48k, Taped by HCE-TH with AT | |
LB-2175 | 11/15/99 | Barton Hall | 2 | A | version "a" |
LB-4780 | 11/15/99 | Ithaca | 2 | A | version "b"; AUD DAT Master [unknown equipment] > |
LB-10546 | 11/15/99 | Ithaca, NY | 2 | B- | version "c" alt2, There are currently 2 recordings |
LB-10547 | 11/15/99 | Ithaca, NY | 2 | A | version "d" alt3, There are currently 2 recordings |
LB-13037 | 11/15/99 | Ithaca, NY | 2 | A | m dolphinsmile, Taped by M, Schoeps mks4 active |
LB-13956 | 11/15/99 | Ithaca, NY | A | schoeps ackerman noel 24, Ackerman Archives, | |
LB-3263 | 11/17/99 | Durham | 2 | A- | |
LB-3264 | 11/17/99 | University Of New | 2 | A- | version "a"; from well vine > ultraplex > eac > |
LB-4784 | 11/17/99 | Durham | 2 | A- | version "b"; AUD DAT Master [unknown equipment] > |
LB-5455 | 11/17/99 | Durham | 2 | A- | Produced by Unwanted Man Music, in association |
LB-9139 | 11/17/99 | Durham | 2 | A- | version "d", dat deck with Audio Technica M35 mics |
LB-9538 | 11/17/99 | Durham | 1 | B | rlh inc, Uncirculated & incomplete, but a must |
LB-12869 | 11/17/99 | Durham, NH | A- | hce th dolphinsmile 48k, Taped by HCE-TH with AT | |
LB-2110 | 11/18/99 | Mullins Center | 2 | A | CD>WAV>SHN, Schoeps MK4, W/Phil Lesh, Jorma |
LB-4786 | 11/18/99 | Amherst | 2 | A | version "a"; AUD DAT Master [Schoeps |
LB-7900 | 11/18/99 | Amherst | 2 | A | version "b"; Source: AUD > CDR > FLAC |
LB-14072 | 11/18/99 | Amherst, MA | A- | mk41 dolphinsmile 48k, Schoeps | |
LB-3192 | 11/19/99 | Atlantic City, NJ | 2 | BOOTLEG: RAMBLIN' GAMBLIN' CASINO MAN; From my | |
LB-4158 | 11/19/99 | Atlantic City | 2 | A | Recorded By Bobby Bourbon, Source: Schoeps |
LB-4667 | 11/19/99 | Atlantic City | 2 | A | version "a"; cdr trade > eac > wav > cooledit > |
LB-7904 | 11/19/99 | Atlantic City | 2 | A | version "f"; Early & Late Shows, Source: AUD > CDR |
LB-15299 | 11/19/99 | Atlantic City, NJ | A | early schoepsinthehat lta 48, first show, source: | |
LB-15300 | 11/19/99 | Atlantic City | A | late schoepsinthehat lbp51 fix 48, Late Show, | |
LB-15344 | 11/19/99 | Atlantic City | A | early schoepsinthehat er wav48f | |
LB-15345 | 11/19/99 | Atlantic City | A | late schoepsinthehat er wav48f | |
LB-15352 | 11/19/99 | Atlantic City, NJ | A | late schoepsinthehat lta 48, taper: travitz, | |
LB-3421 | 11/20/99 | Newark | 2 | A- | Excellent recording, Taper: no info, Lineage: SHN |
LB-4824 | 11/20/99 | Newark | 2 | A | alt; version "a"; AUD DAT Master [unknown |
LB-4876 | 11/20/99 | Newark | 2 | A | version "b"; Audience recording (Full spectrum) > |
LB-5147 | 11/20/99 | Newark | 2 | A | Schoeps MK4V's>Sonosax SX-M2>Sony SBM-1>Sony |
LB-15146 | 11/20/99 | Newark, DE | 2 | A | mk4v bybourbon edtyre, schoeps mk4v > sonosax |