LB | Date | Location | CDR | Rating | Description |
---|---|---|---|---|---|
LB-1755 | xx/xx/78 | 1978 WORLD TOUR | 6 | BOOTLEG: 1978 WORLD TOUR ANTHOLOGY; Six 6cd set on | |
LB-1801 | xx/xx/78 | The (Nearly) | 5 | D+ | Soundchecks before concerts, 1978-00-00, |
LB-1827 | xx/xx/78 | More Complete | 3 | D | This is an addendum to Nearly Complete 78 |
LB-4734 | xx/xx/78 | London | 1 | B+ | from lk Earls Court 78 set vinyl boot |
LB-6012 | xx/xx/78 | 1978 Paris & | 2 | D+ | Lowgen; For collectors only!, These were taped |
LB-11184 | xx/xx/78 | paris soundchecks | 2 | D+ | paris soundchecks version "b", lineage: reel to |
LB-2802 | 1/27/78 | Street Tape - | 1 | D+ | Presumably recorded on a street outside of, |
LB-6732 | 1/27/78 | CA - Tour Rehearsals | 1 | B | BOOTLEG: Moving Violation; cd > ultraplex > eac > |
LB-9196 | 1/27/78 | Rundown Studios - | 1 | C- | outside alt edit lowgen, Rehearsals & tryouts for |
LB-6600 | 1/30/78 | Rundown Rehearsals | 1 | A- | BOOTLEG: Darkness at the Break of Noon; cd > |
LB-10314 | 1/30/78 | Rundown Studios | 1 | B | BOOTLEG: rundown to maggie; SOURCE: Studio, |
LB-15318 | 1/30/78 | Rundown Studios | 1 | A- | rundown rehearsal, Recording type: |
LB-12532 | 2/xx/78 | Santa Monica -Julia | 1 | C | julia orange interview australian radio, (0:13:45) |
LB-1018 | 2/20/78 | Nippon Budokan Hall | 2 | C+ | upgraded version |
LB-4760 | 2/20/78 | Tokyo | 2 | C- | version "a";This does not seem to be LB-1018 times |
LB-7290 | 2/20/78 | Tokyo Budokan Hall | 2 | B | lk series; This first concert of the 1978 tour |
LB-7591 | 2/20/78 | Tokyo, Japan | 2 | B- | version "c"; This Torrent is offered as an |
LB-8073 | 2/20/78 | Tokyo, Japan | 2 | C- | version "d"; This copy seems to be source labelled |
LB-15043 | 2/20/78 | Tokyo, Japan | 2 | C- | BOOTLEG: at budokan early chapter; CDR trade Bob |
LB-15050 | 2/20/78 | Tokyo, Japan | C+ | dolphinsmile 48k, Analog Masters>dat>clone | |
LB-15943 | 2/20/78 | Tokyo, Japan | C+ | jtt fix, Excellent Mono Recording, One of the Best | |
LB-1237 | 2/21/78 | Nippon Budokan Hall | 2 | B+ | Project '78 by Jason Hart (ripple01@comcast.net), |
LB-7291 | 2/21/78 | Tokyo Budokan Hall | 2 | B+ | lk series; I couldn't find any recordings of this |
LB-11035 | 2/21/78 | Tokyo, Japan | 4 | B+ | BOOTLEG: live in japan vol2; Tarantura TCDBD-2A 2B |
LB-1238 | 2/23/78 | Nippon Budokan Hall | 2 | B+ | Project '78 by Jason Hart (ripple01@comcast.net), |
LB-7292 | 2/23/78 | Tokyo Budokan Hall | 2 | B+ | lk series; I couldn't find any recordings of this |
LB-7417 | 2/23/78 | Tokyo | 2 | B | "Transfer From 2nd (?) Generation Tapes, JTT", Bob |
LB-11037 | 2/23/78 | Tokyo, Japan | 2 | B+ | BOOTLEG: live in japan vol3; (Tarantura TCDBD-3-1, |
LB-4133 | 2/24/78 | Osaka | 2 | B+ | Notes:, Half of the first verse is cut on Just |
LB-4143 | 2/24/78 | Osaka, Japan | 3 | B | BOOTLEG: Far East Tour 1978; silver cd > ultraplex |
LB-7293 | 2/24/78 | Osaka | 2 | B+ | lk series; This is from one of my CDs and not my |
LB-11745 | 2/24/78 | Osaka | 2 | B+ | lowgen, One of my favorite recording from the 1978 |
LB-12066 | 2/24/78 | Osaka, Japan, | 2 | B | lk alt complete, Recently, I realised I had an |
LB-15432 | 2/24/78 | Osaka Fu, Japan | B+ | master cass dolphinsmile 48, Master cass>dat>clone | |
LB-0344 | 2/25/78 | Osaka | 2 | B+ | AUD-M > CDR > EAC > SHN |
LB-3186 | 2/25/78 | Osaka Fu | 2 | B | BOOTLEG: Osaka; Thinman 009/010, Silver cd > wav > |
LB-7294 | 2/25/78 | Osaka | 2 | B+ | lk series; This is from one of my CDs and not my |
LB-9629 | 2/25/78 | Osaka Fu, Japan | 2 | B+ | lowgen, A good show, and a fine recording by TVB |
LB-3671 | 2/26/78 | Osaka | 2 | B- | Stereo audience recording, Transferred from a dat |
LB-4386 | 2/26/78 | Osaka | 2 | B- | lowgen version "a"; audience recording, This may |
LB-5891 | 2/26/78 | Osaka, Japan | 2 | B- | version "b"; My favorite show (if not the best |
LB-6733 | 2/26/78 | Osaka, Japan | 2 | B- | BOOTLEG: A Night to Remember; cd > ultraplex > eac |
LB-12064 | 2/26/78 | Osaka | 2 | B- | lowgen version "e", My favorite show from this |
LB-4141 | 2/28/78 | Tokyo | 2 | B+ | |
LB-4151 | 2/28/78 | Tokyo | 2 | B+ | version "a"; alternate |
LB-7300 | 2/28/78 | Tokyo, Japan | 2 | B | lk series;This recording is from my cassettes. I |
LB-10318 | 2/28/78 | Tokyo, Japan | B- | jtt, (Transfer from Tapes, JTT), Digital Copies | |
LB-0649 | 3/1/78 | Nippon Budokan Hall | 2 | B+ | master |
LB-7295 | 3/1/78 | Tokyo, Japan | 2 | B+ | version "a"; no lineage available, cdr > xact > |
LB-8809 | 3/1/78 | Tokyo, Japan | 2 | B+ | version "b";, The Man In Me incomplete, reel |
LB-10930 | 3/1/78 | Tokyo, Japan. | 2 | B+ | BOOTLEG: martial arena; martial arena, Source: Aud |
LB-0648 | 3/2/78 | Nippon Budokan Hall | 2 | B+ | |
LB-4190 | 3/2/78 | Tokyo | 2 | B+ | P1 version; [said to be first generation |
LB-7055 | 3/2/78 | Tokyo, Japan | 2 | B+ | BOOTLEG: Tokyo Legal; Label: Godfather Records, GR |
LB-7301 | 3/2/78 | Tokyo | 2 | B+ | lk series;This is from my cassette of the show, |
LB-9613 | 3/2/78 | Tokyo | 2 | C+ | BOOTLEG: another side of budokan; Source: Vg- |
LB-0646 | 3/3/78 | Nippon Budokan Hall | 2 | C+ | master |
LB-2375 | 3/3/78 | Tokyo | 2 | B- | BOOTLEG: Nippon Budokan Hall; version "a", |
LB-9603 | 3/3/78 | Tokyo, Japan | 2 | C+ | version "b", Audio CDR from the old time trade., |
LB-9614 | 3/3/78 | an | 2 | C+ | BOOTLEG: another side of budokan; Source: Vg+ |
LB-11856 | 3/3/78 | Tokyo | 2 | B- | version "d", One of the best Far East 1978 shows., |
LB-0647 | 3/4/78 | Nippon Budokan Hall | 2 | C | |
LB-2257 | 3/4/78 | Nippon Budokan Hall | 2 | C+ | lk's Remaster (2 source tapes), notes:, No extant |
LB-4639 | 3/4/78 | Tokyo Budokan Hall | 2 | C | Seeded on Dime March 2007 by Lowgen |
LB-7316 | 3/4/78 | Tokyo, Japan | 2 | C+ | lk series; version "c"; Les Kokay's Remaster (2 |
LB-9609 | 3/4/78 | Tokyo Japan | 2 | C+ | version "d", One of the better shows from Japan. |
LB-9615 | 3/4/78 | Tokyo | 2 | C+ | BOOTLEG: another side of budokan; Source: Vg- |
LB-4142 | 3/9/78 | Auckland | 2 | B- | |
LB-4769 | 3/9/78 | Auckland | 2 | B- | version "a"; Trade CD > EAC > FLAC > HD > |
LB-7317 | 3/9/78 | Auckland | 2 | B- | lk series; This is my compilation from 3 different |
LB-9206 | 3/9/78 | Auckland | 2 | B- | version "c", Lineage:, Note from LK: "This is my |
LB-3884 | 3/12/78 | Brisbane | 2 | C- | |
LB-7318 | 3/12/78 | Brisbane | 2 | B | lk series; This is from my 1st gen tape. same |
LB-9193 | 3/12/78 | Brisbane | 2 | B | version "b", Lineage:, From Les Kokay "This is |
LB-4159 | 3/13/78 | Brisbane | 2 | C+ | version "a" |
LB-4160 | 3/13/78 | Brisbane | 2 | C- | |
LB-7319 | 3/13/78 | Brisbane | 2 | C+ | lk series; This is from my 1st gen tape. The same |
LB-9220 | 3/13/78 | Brisbane | 2 | C+ | version "c", Lineage:, Note from LK- "This is from |
LB-4161 | 3/14/78 | Brisbane | 2 | C- | |
LB-7320 | 3/14/78 | Brisbane | 1 | C- | lk series; This is from my 1st gen tape. The same |
LB-1025 | 3/15/78 | Festival Hall | 2 | B+ | sbd, |
LB-2848 | 3/15/78 | Brisbane | 2 | B | speed corrected/right channel version, |
LB-6596 | 3/15/78 | Brisbane, Australia | 2 | B+ | JTT; "Soundboard" "Two Versions", Bob Dylan, |
LB-6597 | 3/15/78 | Brisbane, Australia | 1 | B | BOOTLEG: OK I Still Get Stoned; torrented along |
LB-7325 | 3/15/78 | Brisbane | 2 | B+ | lk series; This is based on the "OK I still get |
LB-9173 | 3/15/78 | Brisbane | 2 | B | iar052 |
LB-0923 | 3/18/78 | Adelaide, Australia | 2 | C- | |
LB-4163 | 3/18/78 | Adelaide, Australia | 2 | C+ | BOOTLEG: Live in Adelaide, 1978; |
LB-7326 | 3/18/78 | Adelaide, Australia | 2 | B- | lk series; good sound, in comparison to LB-923 on |
LB-4164 | 3/20/78 | Melbourne | 2 | C+ | |
LB-6092 | 3/20/78 | Melbourne, Australia | 2 | C+ | version "a"; unknown AUD [presumably low |
LB-6150 | 3/20/78 | Melbourne, Australia | 2 | C+ | version "b"; Fixed LB-6092, unknown AUD |
LB-7327 | 3/20/78 | Melbourne, Australia | 2 | C+ | lk series;incomplete; recording made from my 1st |
LB-5195 | 3/21/78 | Melbourne Myer Music | 2 | C- | lowgen; Mono recording transferred from a reel at |
LB-7328 | 3/21/78 | Melbourne, Australia | 2 | C- | lk series; recording made from my 1st gen tape. |
LB-11998 | 3/21/78 | Melbourne Myer Music | 2 | C- | lowgen b, By request. A very good show but a |
LB-0072 | 3/22/78 | Melbourne | 2 | ||
LB-1058 | 3/22/78 | Myer Music Bowl | 2 | B+ | ver. 1.00, Source: Master Audience Tape -> CDR, |
LB-0637 | 3/25/78 | Perth | 2 | D- | |
LB-7329 | 3/25/78 | Perth | 2 | D- | lk series; very poor sound, missing To Ramona |
LB-7330 | 3/25/78 | Perth | 1 | B- | lk series; alternate incomplete |
LB-9161 | 3/25/78 | Perth | 1 | B- | version "c", Lineage: LosslessBob LB-7330 lk |
LB-2810 | 3/27/78 | Perth | 1 | C | Lineage: ?>CD-Rs>me>you, Notes:, Krogsgaard '91 |
LB-4162 | 3/27/78 | Perth | |||
LB-7351 | 3/27/78 | Perth | 2 | F | lk series; very poor sound. |
LB-5184 | 4/1/78 | Sydney, Australia | 2 | C+ | BOOTLEG: Its All Right, Babe; glass bootleg cd > |
LB-6315 | 4/1/78 | Sydney Showgrounds | 2 | C- | with thanks to Ned Kelly |
LB-6528 | 4/1/78 | Sydney, Australia, | 2 | B+ | BOOTLEG: Beyond The Shadow Of A Doubt; "Transfer |
LB-7352 | 4/1/78 | Sydney Showgrounds | 2 | B+ | lk series; This is mastered from my uncirculated |
LB-7719 | 4/1/78 | Sydney Australia | B+ | lp incomplete bobcat flac24; bittorrent download | |
LB-0369 | 6/1/78 | Universal | 2 | B | aud master |
LB-7465 | 6/1/78 | Los Angeles, CA | 2 | B | from lk 78 set; aud master; very good sound, a |
LB-11613 | 6/1/78 | Los Angeles, CA | 1 | A | millard 1gen jems, incomplete; Mike Millard first |
LB-0214 | 6/2/78 | Universal | 2 | B | aud master, |
LB-6735 | 6/2/78 | Universal | 1 | B | BOOTLEG: Stop Crying; cd > ultraplex > eac > wav > |
LB-7466 | 6/2/78 | Los Angeles, CA | 2 | B | from lk 78 set; aud master, very good sound; a |
LB-9499 | 6/2/78 | Los Angeles | 2 | B- | BOOTLEG: life sentence vinyl; (Transfer From Vinyl |
LB-13589 | 6/2/78 | Los Angeles | 1 | B | BOOTLEG: sooner or later; (Strtebeker CD 05), |
LB-15948 | 6/2/78 | Los Angeles, CA | B+ | stop crying the complete show, Stop Crying: The | |
LB-0203 | 6/3/78 | Universal | 2 | B | aud master, |
LB-7467 | 6/3/78 | Los Angeles, CA | 2 | B | from lk 78 set; aud master, very good to excellent |
LB-11634 | 6/3/78 | Los Angeles, CA | 2 | A- | jems, incomplete; Mike Millard first gen via JEMS, |
LB-0226 | 6/4/78 | Universal | 2 | B | aud master, |
LB-7468 | 6/4/78 | Los Angeles, CA | 2 | B | from lk 78 set; aud master, very good sound; a |
LB-0227 | 6/5/78 | Universal | 2 | B | aud master, |
LB-7469 | 6/5/78 | Los Angeles, CA | 2 | B | from lk 78 set; aud master, very good sound; |
LB-15207 | 6/5/78 | Los Angeles | 2 | B+ | BOOTLEG: Los Angeles, California June 6th 1978 |
LB-0218 | 6/6/78 | Universal | 2 | B- | aud master, |
LB-7479 | 6/6/78 | Bob Dylan | 2 | B- | from lk 78 set; aud master, very good sound; |
LB-0215 | 6/7/78 | Universal | 2 | B+ | aud master, plus discontinuities between tracks |
LB-5105 | 6/7/78 | Los Angeles | 2 | B+ | version "a"; received this recording back in the |
LB-6552 | 6/7/78 | Los Angeles | 2 | B- | "Possibly Uncirculated" "JTT Transfer", Very Good |
LB-6736 | 6/7/78 | Los Angeles | 2 | BOOTLEG: Best Wishes; cd > ultraplex > eac > wav > | |
LB-7480 | 6/7/78 | Los Angeles, CA | 2 | B+ | from lk 78 set; aud master, very good to excellent |
LB-11702 | 6/7/78 | Los Angeles, CA | 2 | A- | millard 1gen jems, incomplete; Mike Millard first |
LB-11720 | 6/7/78 | Los Angeles, CA | 2 | A- | millard 1gen jemsb, incomplete; Mike Millard first |
LB-3433 | 6/15/78 | London | 2 | C | Complete concert. |
LB-4708 | 6/15/78 | London | 2 | C+ | from lk Earls Court 78 set as plain; also part of |
LB-4709 | 6/15/78 | London | 2 | D+ | from lk Earls Court 78 set as "alt - poor" |
LB-0148 | 6/16/78 | Earls Court | 2 | B- | master, |
LB-0651 | 6/16/78 | Earls Court, London | 2 | B- | incomplete |
LB-0961 | 6/16/78 | Earls Court, London | 2 | B | alternate version "b" |
LB-4712 | 6/16/78 | London | 2 | C- | from lk Earls Court 78 set as "alt - poor" |
LB-6554 | 6/16/78 | London, Earls Court | 2 | C | "Low Generation Transfer" "JTT", Fair/Good |
LB-7205 | 6/16/78 | England, UK | 2 | B- | version "e"; (?)>CDr>EAC(secure)>SoundForge 8.0 |
LB-7484 | 6/16/78 | London | 2 | B- | from lk 78 set |
LB-15147 | 6/16/78 | London | C+ | BOOTLEG: london dylan lp set; 2448, (First Time | |
LB-1693 | 6/17/78 | Earls Court | 2 | B | from Nigel Simms' master cassette recording; |
LB-4710 | 6/17/78 | London | 2 | B- | from lk Earls Court 78 set as "alt" |
LB-7485 | 6/17/78 | London, | 2 | B | from lk 78 set |
LB-13836 | 6/17/78 | London, England | 2 | C+ | version "c", Alternative incomplete recording to |
LB-15909 | 6/17/78 | London | B | jtt fix, Very Good Audience Recording, Fix of | |
LB-0650 | 6/18/78 | Earls Court, London | 2 | B- | |
LB-6737 | 6/xx/78 | London, England | 2 | BOOTLEG: Tales of Yankee Power; cd > ultraplex > | |
LB-7497 | 6/18/78 | Earls Court | 2 | B- | lk 78 set |
LB-0069 | 6/19/78 | Earls Court, London | 2 | B | |
LB-2854 | 6/19/78 | Earls Court, London | 2 | B- | Transferred From First Generation Tape by JTT, |
LB-4733 | 6/19/78 | London | 2 | C- | from lk Earls Court 78 set as "alt poor" |
LB-7503 | 6/19/78 | Earls Court | 2 | B | lk 78 set |
LB-11886 | 6/19/78 | London, England | 2 | B | BOOTLEG: earls court 1978; No label, BD 61978; see |
LB-3458 | 6/20/78 | London | 2 | B+ | Master R2R>MC(2)>CDR(1)>EAC(secure)>remastering |
LB-4731 | 6/20/78 | London | 2 | B | from lk Earls Court 78 set as plain |
LB-4732 | 6/20/78 | London | 2 | C+ | from lk Earls Court 78 set as "alt" |
LB-6548 | 6/20/78 | London, England | 1 | B+ | BOOTLEG: Earls Court; "Vinyl Transfer" "JTT", < |
LB-0655 | 6/23/78 | Rotterdam | 2 | B- | master |
LB-2115 | 6/23/78 | Rotterdam | 2 | C | version "a" |
LB-7511 | 6/23/78 | Rotterdam | 2 | B- | from lk 78 set; very good to excellent sound, |
LB-11276 | 6/23/78 | Rotterdam | 2 | B- | version "d", Alternative recording to |
LB-1105 | 6/26/78 | Dortmund | 2 | A- | |
LB-2842 | 6/26/78 | Dortmund | 2 | A- | version "a"; Source/Lineage: aud>?>CD-Rs>me>you, |
LB-7245 | 6/26/78 | Dortmund | 2 | A- | net taper B, cut before I Don't Believe You, Don't |
LB-0466 | 6/27/78 | Westfalenhalle | 3 | B+ | aud |
LB-3448 | 6/27/78 | Dortmund | 2 | B- | version "a"; (Trade CDr)>EAC (secure)>SoundForge 8 |
LB-5430 | 6/27/78 | Dortmund | 2 | B | version "b"; Taper unknown, Source/Linage:, |
LB-7520 | 6/27/78 | Dortmund | 2 | B | from lk 78 set; I couldn't find this show on the |
LB-1616 | 6/29/78 | Deutschlandhalle | 2 | B- | |
LB-2962 | 6/29/78 | West Berlin | 2 | B- | Remastered by The OldToaD on 21 June 2003, |
LB-3762 | 6/29/78 | Berlin | 2 | B- | Schubert ASM, Another great show for you lovers of |
LB-9218 | 6/29/78 | West Berlin | 2 | B- | version "c", lle, West Berlin, West Germany, 29 |
LB-0053 | 7/1/78 | Nuremberg | 2 | B+ | from tree, master audience tape |
LB-1088 | 7/1/78 | Nuremberg | 2 | B+ | |
LB-1691 | 7/1/78 | Zeppelinfeld | 2 | "Look Back", 1.00GB, FLAC, txt, and jpgs, a 'fin' | |
LB-2966 | 7/1/78 | Nuremberg | 2 | B+ | BOOTLEG: Trainload Of Fools; (mislabled) |
LB-7183 | 7/1/78 | Nuremberg | 2 | B+ | sb' *In The Pale Afternoon*, A Southside Butcher |
LB-7521 | 7/1/78 | Nuremberg | 2 | B+ | from lk 78 set; from tree, master audience tape, |
LB-7929 | 7/1/78 | Nuremberg | 2 | B+ | BOOTLEG; version "g"; From my collection, |
LB-11603 | 7/1/78 | Nurnberg, Germany | 2 | B | jtt, (Transfer from Low Generation Cassette) JTT, |
LB-1800 | 7/3/78 | Paris, France | D+ | ||
LB-1825 | 7/3/78 | Paris, France | D | ||
LB-3145 | 7/3/78 | Paris | 3 | A | Taper: Unknown, Lineage: Reel to Reel |
LB-4693 | 7/3/78 | Paris | 2 | A | JTT; "Source - Reel to Reel Master", Excellent |
LB-7522 | 7/3/78 | Paris, France | 2 | A | from lk 78 set; Taper: Unknown, Lineage: Reel to |
LB-8580 | 7/3/78 | Paris, France | 2 | A- | BOOTLEG: BORDER BENEATH THE SUN VOLUME 2; Thinman |
LB-11224 | 7/3/78 | Paris, Soundcheck | 1 | D+ | soundcheck lta, taper: LTA, location: edge of the |
LB-11236 | 7/3/78 | Paris | 2 | A | lta, taper: LTA, lineage:, Sennheiser MKE-2002 |
LB-14865 | 7/3/78 | Paris, France | A | dolphinsmile 48k, Analog Masters>Dat>File cloned | |
LB-14945 | 7/3/78 | Paris, France | 2 | A | ds lbp51 fix, Stereo Audience recording., This one |
LB-1799 | 7/4/78 | Paris, France | D- | ||
LB-3147 | 7/4/78 | Paris | 3 | A | Taper: Unknown, Lineage: Reel to Reel |
LB-4702 | 7/4/78 | Paris | 2 | A | JTT; "Source - Reel to Reel Master", Excellent |
LB-7523 | 7/4/78 | Paris, France | 2 | A | from lk 78 set; Taper: Unknown, Lineage: Reel to |
LB-14587 | 7/4/78 | Paris, France | A | BOOTLEG: my back pages; 24bit 48k, (Arts & | |
LB-1054 | 7/5/78 | Paris | 2 | A- | reel to reel master > dat > cdr, |
LB-1508 | 7/5/78 | Paris | B- | New Pony soundcheck; regular version from | |
LB-1798 | 7/5/78 | Paris, France | D+ | ||
LB-2932 | 7/5/78 | Pavillon De France | 3 | The Story Of My Life or L'Histoire de ma Vie; This | |
LB-3135 | 7/5/78 | Paris | 3 | A- | Taper: Unknown, Lineage: Reel to Reel |
LB-4724 | 7/5/78 | Paris | 2 | A- | JTT;"Source - Reel to Reel Master", Excellent |
LB-7536 | 7/5/78 | Paris, France | 2 | A- | from lk 78 set; Taper: Unknown, Lineage: Reel to |
LB-1797 | 7/6/78 | Paris, France | D+ | ||
LB-3148 | 7/6/78 | Paris | 3 | A- | Taper: Unknown, Lineage: Reel to Reel |
LB-4717 | 7/6/78 | Paris | 2 | A- | JTT;"Source - Reel to Reel Master", Excellent |
LB-6738 | 7/6/78 | Paris - pavillion de | 2 | A- | BOOTLEG: Border Beneath the Sun; cd > ultraplex > |
LB-7537 | 7/6/78 | Paris, France | 2 | A- | from lk 78 set; Taper: Unknown, Lineage: Reel to |
LB-9080 | 7/6/78 | Paris, France | 2 | A- | BOOTLEG: BORDER BENEATH THE SUN : DEFINITIVE |
LB-14955 | 7/6/78 | Paris, France | 2 | A- | dolphinsmile, real master reels>dat>me, File |
LB-1055 | 7/8/78 | Paris | 2 | A- | reel to reel master > dat > cdr, |
LB-1796 | 7/8/78 | Paris, France | D+ | ||
LB-1828 | 7/8/78 | Paris, France | D- | ||
LB-3136 | 7/8/78 | Paris | 3 | A- | Taper: Unknown, Lineage: Reel to Reel |
LB-4718 | 7/8/78 | Paris | 2 | A- | JTT; "Source - Reel to Reel Master", Excellent |
LB-7538 | 7/8/78 | Paris, France | 2 | A- | from lk 78 set; Taper: Unknown, Lineage: Reel to |
LB-15524 | 7/8/78 | Paris, France | A- | BOOTLEG: paris 1978 final night; m4a, / 2CD, | |
LB-1098 | 7/11/78 | Scandinavium | 2 | B+ | |
LB-1132 | 7/11/78 | Scandinavium | 2 | B+ | |
LB-7539 | 7/11/78 | Gothenburg, Sweden | 2 | B+ | from lk 78 set; Made from my CDRs master-> CDR -> |
LB-11165 | 7/11/78 | Gothenburg, Sweden | 2 | B+ | version "d", This was my first Bob consert, and |
LB-1101 | 7/12/78 | Scandinavium | 2 | B+ | |
LB-1805 | 7/12/78 | Scandinavium | D | ||
LB-2715 | 7/12/78 | Gothenburg | 2 | A- | version "a"; Source/Lineage: AUD |
LB-4193 | 7/12/78 | Gothenburg | 1 | D | Soundcheck, Unknown gen cassette |
LB-7559 | 7/12/78 | Gothenburg, Sweden | 2 | A- | from lk 78 set; mastered from my very low gen tape |
LB-10799 | 7/12/78 | Gothenburg, Sweden | 1 | B+ | BOOTLEG: going going gothenburg vinyl; (Incomplete |
LB-2849 | 7/15/78 | Blackbushe Aerodrome | 2 | B | Transferred From First Generation Tape by JTT, |
LB-5169 | 7/15/78 | Blackbushe, England | 3 | B+ | version "a"; source: 2nd gen. analogue audience |
LB-6665 | 7/15/78 | Blackbushe Aerodrome | 2 | B | BOOTLEG: Eric Clapton - Blackbushe; Beano 004, |
LB-6739 | 7/15/78 | Backbushe, England | 3 | BOOTLEG: Blackbushe; cd > ultraplex > eac > wav > | |
LB-6740 | 7/15/78 | Blackbushe, England | 2 | B | BOOTLEG: The Picnic at Blackbushe; cd > ultraplex |
LB-7560 | 7/15/78 | Blackbushe | 3 | B+ | from lk 78 set; Mastered from my low gen tape. |
LB-9969 | 7/15/78 | Blackbushe, England | 3 | B+ | captainacidremaster, by EasyMusic Dec. 31, 2010, |
LB-9976 | 7/15/78 | Blackbushe, England | 3 | C+ | captainacidremaster new source final, Hi Dylan |
LB-10530 | 7/15/78 | Blackbushe Aerodrome | 2 | B | BOOTLEG: zims picnic vinyl; No Label: UK 1979, |
LB-10704 | 7/15/78 | Blackbushe Aerodrome | 3 | C+ | BOOTLEG: blackbushe city limits; Label:Scorpio (UK |
LB-13517 | 7/15/78 | Blackbushe Aerodrome | eric clapton krw_co 24, From the collection of | ||
LB-13518 | 7/15/78 | Blackbushe Aerodrome | 2 | B- | eric clapton krw_co, From the collection of |
LB-13595 | 7/15/78 | Camberley | 2 | B | BOOTLEG: blackbushe 1978; (Thinman 018-019), |
LB-14965 | 7/15/78 | Blackbushe, England | 3 | B+ | upgrade2020_acidproject; Hi Dylan gang, here it is |
LB-1016 | 9/15/78 | Civic Center | 2 | B- | Master Cass>CDR |
LB-7573 | 9/15/78 | Augusta, Maine | 2 | B | from lk 78 set; mastered from my cassette |
LB-3476 | 9/16/78 | Portland, Maine | 2 | B | |
LB-4754 | 9/16/78 | Portland | 2 | B- | version "a"; Trade CD > EAC > FLAC > HD > |
LB-6483 | 9/16/78 | Portland, Maine | 2 | B | legendary taper E, ? -> analog master -> DAT - |
LB-0672 | 9/17/78 | Veterans Memorial | 2 | C+ | |
LB-1802 | 9/17/78 | War Memorial | D+ | ||
LB-1826 | 9/17/78 | New Haven | D+ | ||
LB-3475 | 9/17/78 | New Haven | 2 | C+ | version "a" |
LB-6741 | 9/17/78 | New Haven, CT | 2 | B- | BOOTLEG: Inside the Coliseum; cd > ultraplex > eac |
LB-7574 | 9/17/78 | New Haven | 2 | C+ | from lk 78 set; mastered from my cassette |
LB-13112 | 9/17/78 | New Haven, CT | 1 | D+ | soundcheck f, TDK AD-C90 Acoustic Dynamic Cassette |
LB-13113 | 9/17/78 | New Haven, CT | 2 | C+ | version "g", 2 x TDK AD-C90 Acoustic Dynamic |
LB-15934 | 9/17/78 | New Haven, CT | B+ | dolphinsmile 48, taped with Shure mics, I uploaded | |
LB-1106 | 9/19/78 | Montreal, Canada | 2 | B | |
LB-1235 | 9/19/78 | Montreal | 2 | B | CEDAR Shingles 003, This show survives in two |
LB-7575 | 9/19/78 | Montreal | 2 | B- | from lk 78 set; mastered from my cassette |
LB-8227 | 9/19/78 | Montreal, QC | 2 | C- | version "c"; Was talking to my neighbour at a |
LB-4506 | 9/20/78 | Boston | 2 | B | Audience recording > Unknown transfer > CDR(x) > |
LB-6470 | 9/20/78 | Boston | 2 | B | legendary taper E, It's Alright, Ma incomplete, ? |
LB-0579 | 9/22/78 | Onondaga County War | 2 | B | aud |
LB-1803 | 9/22/78 | Onondaga County War | D | ||
LB-3479 | 9/22/78 | Syracuse, New York | 2 | B | version "a"; "I'm Ready" and "Blowin' In The Wind" |
LB-9155 | 9/22/78 | Syracuse, New York | 2 | B | version "d", Lineage: Trade CD > EAC > FLAC > HD > |
LB-14087 | 9/22/78 | Syracuse, NY | D+ | soundcheck lta 48k, soundcheck, taper and lineage | |
LB-5048 | 9/23/78 | Rochester | 1 | B- | partial; I will not go into detail all the flaws |
LB-5638 | 9/23/78 | Rochester | 1 | B- | version "a"; Fixed LB-5048: only circulating |
LB-7580 | 9/23/78 | Rochester, New York | 1 | B- | from lk 78 set; incomplete recording |
LB-0077 | 9/24/78 | Binghampton | 2 | B | incomplete |
LB-0594 | 9/24/78 | Binghampton | 2 | B+ | alternate, incomplete |
LB-7582 | 9/24/78 | Binghampton | 2 | B+ | from lk 78 set; master > CDR > EAC > FLAC, |
LB-13034 | 9/24/78 | Binghamton, NY | 2 | B | 2gen, From cassettes (received in trade, 1993 -- |
LB-13994 | 9/24/78 | Binghamton, NY | 2 | B+ | lta, 48k; (new cassette transfer), ***Completed |
LB-0091 | 9/26/78 | Civic Center | 2 | B | alternate version a |
LB-0092 | 9/26/78 | Springfield | 2 | A- | alternate version b |
LB-7583 | 9/26/78 | Springfield | 2 | A- | from lk 78 set; master > CDR > EAC > FLAC, two |
LB-9230 | 9/26/78 | Springfield | 2 | A- | version "c", Fair quality audience recording taken |
LB-3434 | 9/27/78 | Uniondale | 2 | C | direct from DVD; * Senor is realy two time on the |
LB-4425 | 9/27/78 | Uniondale | 2 | C+ | JTT; "Transfer From 2nd Generation Tapes", Another |
LB-6534 | 9/27/78 | UNIONDALE,NY | 2 | B+ | version "c"; PREVIOUSLY UNCIRCULATED CASSETTE AUD |
LB-4561 | 9/29/78 | New York City | 2 | B- | |
LB-7576 | 9/29/78 | New York City | 2 | B | version "b"; master > CDR > EAC > FLAC |
LB-9730 | 9/29/78 | New York City | 2 | C- | jtt, (Transfer from Tape, JTT), Fair Audience |
LB-11890 | 9/29/78 | New York City, NY | B | BOOTLEG: madison square garden 1978; Bootleg: no | |
LB-1587 | 9/30/78 | Madison Square | 2 | A- | |
LB-5035 | 9/30/78 | New York City | 2 | D+ | version "a"; Trade CD > EAC > FLAC > HD > |
LB-7063 | 9/30/78 | New York City | 2 | A- | version "b"; Taper: Unidentified, Source: Audio |
LB-7584 | 9/30/78 | New York City | 2 | D+ | from lk 78 set; master > CDR > EAC > FLAC |
LB-4545 | 10/3/78 | Norfolk | 2 | B- | analog master [Reel ?] > ? > SHN > CD-R > EAC > |
LB-7601 | 10/3/78 | Norfolk, Virginia | 2 | C+ | from lk 78 series; my cassette > Cooledit pro > |
LB-5050 | 10/4/78 | Baltimore | 2 | C | Trade CD > EAC > FLAC > HD > Hungercity > You |
LB-7602 | 10/4/78 | Baltimore, Maryland | 2 | C | from lk 78 series; My cassette > CDR > EAC > Flac |
LB-4575 | 10/5/78 | Largo | 2 | C- | |
LB-5408 | 10/5/78 | Largo | 2 | C- | version "a" |
LB-9229 | 10/5/78 | Largo, Maryland | 2 | C- | version "b", Lineage: unknown audience/transfers > |
LB-9305 | 10/5/78 | Largo, MD | 2 | B+ | version "c", Made from the master cassettes, flac, |
LB-10362 | 10/5/78 | Largo, Maryland | 2 | B+ | BOOTLEG: maryland its alright; Silver cds>EAC |
LB-16206 | 10/5/78 | Largo | gen, From my vaults, stayed there several years, | ||
LB-0239 | 10/6/78 | The Spectrum | 2 | C- | 1st gen |
LB-0620 | 10/6/78 | The Spectrum | 2 | C- | version "a"; full show |
LB-7603 | 10/6/78 | Philadelphia | 2 | C- | from lk 78 series; My cassette > CDR > EAC > FLAC |
LB-8103 | 10/6/78 | Philadelphia | 2 | C- | (2nd Generation Tape Transfer, JTT "NEW"), Mono |
LB-8169 | 10/6/78 | Philadelphia | 2 | C- | version "d"; fix of jtt; Mono Audience Recording |
LB-11531 | 10/6/78 | Philadelphia | 2 | C- | jtt alternate, (Low Generation Tape Transfer) JTT, |
LB-12001 | 10/6/78 | Philadelphia | 2 | C- | version "f" |
LB-2471 | 10/7/78 | Civic Center | 2 | B+ | Source: aud, Lineage: ? > CD-Rs > me > you, Sound |
LB-4416 | 10/7/78 | Providence | 2 | B- | JTT; "Transfer From 2nd Generation Tapes", Very |
LB-7604 | 10/7/78 | Providence | 2 | B+ | from lk 78 series; master > CDR > EAC > FLAC |
LB-12970 | 10/7/78 | Providence | 2 | B+ | caspers pitched, Heres a nice surprise, The |
LB-1057 | 10/9/78 | Memorial Auditorium | 2 | B- | ver. 1.00, Source: Master Audience Tape -> CDR, |
LB-7618 | 10/9/78 | Buffalo, NY | 2 | C | lk 78 series; Source: my tape (not a good |
LB-1236 | 10/12/78 | Toronto | 2 | B+ | CEDAR Shingles 004, For years, the Toronto '78 |
LB-6742 | 10/12/78 | Toronto - Maple Leaf | 2 | BOOTLEG: I was Young When I Left Home; cd > | |
LB-7392 | 10/12/78 | Toronto | 2 | B+ | legendary taper G, cut before Like A Rolling Stone |
LB-12920 | 10/12/78 | Toronto, Ontario | B+ | cm dolphinsmile 48k, Back in the day, some | |
LB-5007 | 10/13/78 | Detroit | 2 | C | Cedar type fingerprint D1T1 the taper or someone |
LB-7619 | 10/13/78 | Detroit, Michigan | 2 | C- | lk 78 series; Source:my tape (not a very good |
LB-9228 | 10/13/78 | Detroit, Michigan | 2 | C | version "b", Lineage: Unknown audience > |
LB-4827 | 10/14/78 | Terre Haute | 2 | B- | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
LB-7620 | 10/14/78 | Terre Haute, Indiana | 2 | C+ | from lk 78 series; source: my tape (not excellent |
LB-4669 | 10/15/78 | Cincinnati | 2 | C- | Taper: BS, Source: Flac files from taper., |
LB-7621 | 10/15/78 | Cincinnati, Ohio | 2 | C- | from lk 78 series; Source: my tape; average |
LB-5289 | 10/17/78 | Chicago | 2 | B- | |
LB-7622 | 10/17/78 | Chicago, Illinois | 2 | B- | from lk 78 series; Source: my tape - excellent. |
LB-2190 | 10/18/78 | Chicago Stadium | 2 | B | |
LB-4097 | 10/18/78 | Chicago Stadium | 2 | B+ | 6th or 8th row left center main floor., Maxell XLI |
LB-7564 | 10/18/78 | Chicago, Illinois | 2 | B | BOOTLEG: False Idols Fall; Artwork Incluided, |
LB-7659 | 10/18/78 | Chicago Stadium | 2 | B- | lk 78 series; My tape: upgrade over torrents. |
LB-7664 | 10/18/78 | Chicago Stadium | 2 | B | BOOTLEG: Changing of a Religious Seeker; Artwork |
LB-2863 | 10/20/78 | Richfield | 2 | A- | Transferred From First Generation Tape by JTT, |
LB-5033 | 10/20/78 | Richfield | 2 | A- | version "a", Trade CD > EAC > FLAC > HD > |
LB-7660 | 10/20/78 | Richfield, Ohio | 2 | A- | lk 78 series; Source: my CD, possibly Transferred |
LB-9144 | 10/20/78 | Richfield, Ohio | 2 | A- | version "c", Fixed LosslessBob-7660, Lineage:, |
LB-10749 | 10/20/78 | Richfield, Ohio | 2 | A- | BOOTLEG: endless road; (Thinman 155-56), LINEAGE:, |
LB-0352 | 10/21/78 | Centennial Arena | 2 | B+ | master aud, |
LB-7661 | 10/21/78 | Toledo, Ohio | 2 | B- | lk 78 series; source: my tape (upgrade over |
LB-5290 | 10/22/78 | Dayton | 2 | B- | |
LB-7662 | 10/22/78 | Dayton | 2 | B- | lk 78 series; Source:my tape. |
LB-5313 | 10/25/78 | Indianapolis, IN | 2 | B | |
LB-7663 | 10/25/78 | Indianapolis, IN | 2 | B+ | lk 78 series; Source:my tape. |
LB-3285 | 10/27/78 | Kalamazoo | 2 | C | Lineage/Source: mono audience>?>CD-Rs>speed |
LB-3732 | 10/27/78 | Kalamazoo | 2 | B- | version "a"; master audience tape > ? > MAxell |
LB-4845 | 10/27/78 | Kalamazoo | 2 | C | version "b"; Trade CD > EAC > FLAC > HD > |
LB-1068 | 10/28/78 | Illinois State | 2 | A- | |
LB-1072 | 10/28/78 | Illinois State | 1 | soundcheck | |
LB-1808 | 10/28/78 | S.I.U. Arena | D+ | ||
LB-3317 | 10/28/78 | Carbondale | 2 | A- | version "a"; Notes: I used 2 versions of the same |
LB-4602 | 10/28/78 | Carbondale | 2 | B | JTT; "New Transfer From 2nd Generation Tapes", |
LB-7672 | 10/28/78 | Carbondale, IL | 2 | B+ | from lk 78 series; Source:my tape. |
LB-1592 | 10/29/78 | The Checkerdome | 2 | B | |
LB-1705 | 10/29/78 | St. Louis | 2 | Mad Dog Remaster | |
LB-1807 | 10/29/78 | The Checkerdome | D+ | ||
LB-1823 | 10/29/78 | St. Louis, Missouri | D+ | ||
LB-7678 | 10/29/78 | St. Louis | 2 | B- | from lk 78 series; Source:my tape. |
LB-0097 | 10/31/78 | Civic Center | 2 | B | |
LB-4798 | 10/31/78 | St. Paul | 2 | B+ | version "a"; Trade CD > EAC > FLAC > HD > |
LB-6682 | 10/31/78 | St. Paul, Minnesota | 2 | B+ | BOOTLEG: Coming From The Heart Of St Paul; Thinman |
LB-7673 | 10/31/78 | St. Paul, Minnesota | 2 | B | from lk 78 series; Source:my tape |
LB-9937 | 10/31/78 | St. Paul, Minnesota | 2 | B | version "d", Lineage: Source: my tape (LK), |
LB-15887 | 10/31/78 | St. Paul, Minnesota | 2 | audiowhore repair, audiowhore 45th anniversary | |
LB-0707 | 11/1/78 | Dane County Coliseum | 2 | B | Audience Master Cassette> PCM> Betamax, Betamax > |
LB-6128 | 11/1/78 | Madison, Wisconsin | 2 | B | version "a"; hi, this is my first try here, hope |
LB-7674 | 11/1/78 | Madison Wisconsin | 2 | B | from lk 78 series; very good to excellent sound, a |
LB-1816 | 11/3/78 | Exhibition Hall | 2 | A- | kc upgrade |
LB-2719 | 11/3/78 | Kansas City | 2 | A- | Lineaage: mono AUD>?>unknown generation tape, but |
LB-7722 | 11/3/78 | Kansas City | 2 | A- | from lk 78 series; Lineaage: mono AUD>?>unknown |
LB-11891 | 11/3/78 | Kansas City | 2 | A- | BOOTLEG: kansas city 1978; see info file for |
LB-0564 | 11/4/78 | Omaha NE | 3 | B | |
LB-1795 | 11/4/78 | Civic Auditorium | D+ | ||
LB-1822 | 11/4/78 | Omaha, Nebraska | D+ | ||
LB-4869 | 11/4/78 | Omaha | 2 | B | version "a"; Trade CD > EAC > FLAC > HD > |
LB-6127 | 11/4/78 | Omaha, Nebraska | 2 | B | version "b"; great 1978 show, 1st generation tape |
LB-7723 | 11/4/78 | Omaha NE | 2 | B | from lk 78 series |
LB-15962 | 11/4/78 | Omaha, NE | B | 2gen dolphinsmile, Second gen cassette>Dat>file | |
LB-0574 | 11/9/78 | Memorial Coliseum | 2 | C | |
LB-7724 | 11/9/78 | Portland, Oregon | 2 | C | from lk 78 series; 2CDR (77min+71min), good to |
LB-14898 | 11/9/78 | Portland, OR | 2 | B | jems acidproject; JEMS Master via Captain Acid, |
LB-1502 | 11/10/78 | Hec Edmondson | 2 | A- | BOOTLEG: Street Legal in Seattle; |
LB-6743 | 11/10/78 | Seattle, WA | 2 | A- | BOOTLEG: Live at the Pitstop 78 - Gaza Strip; cd > |
LB-7725 | 11/10/78 | Seattle, WA | 2 | A- | BOOTLEG: Live at the Pitstop 78 - Gaza Strip; from |
LB-9352 | 11/10/78 | Seattle | 2 | A- | dd jems, incomplete; Source: audience, Lineage: |
LB-9353 | 11/10/78 | Seattle | 2 | A | jems, Source: Audience, Lineage: Master Reels @ |
LB-2888 | 11/11/78 | VANCOUVER | 3 | C- | |
LB-4116 | 11/11/78 | Vancouver BC | 2 | B+ | version "a"; Lineage: Master cassette > cassette > |
LB-5299 | 11/11/78 | Vancouver | 2 | C- | version "b"; Trade CD > EAC > dBpoweramp > HD > |
LB-7726 | 11/11/78 | VANCOUVER | 2 | B+ | from lk 78 series; Source: My tape (an upgrade |
LB-9440 | 11/11/78 | Vancouver BC | 2 | B+ | (JTT Version), Thanks to Twin Within for uploading |
LB-0349 | 11/13/78 | Alameda County | 2 | C+ | |
LB-7607 | 11/13/78 | Oakland, CA | 2 | C+ | from lk series; good to very good sound |
LB-3574 | 11/14/78 | Oakland | 2 | B- | Low generation source > audio disks > dBpowerAMP > |
LB-0303 | 11/15/78 | The Forum | 2 | B+ | from aud master |
LB-3738 | 11/15/78 | L.A. Forum | 2 | B+ | "At The Forum", This one comes from dylantree.com. |
LB-5971 | 11/15/78 | Inglewood | 2 | B | version "b";, Audience., Equipment used : Teac |
LB-7734 | 11/15/78 | Los Angeles | 2 | B+ | from lk 78 series;This is a remaster of "At the |
LB-8094 | 11/15/78 | Inglewood, CA USA | 2 | B+ | BOOTLEG: One More Cup Of Coffee; Bootleg |
LB-8137 | 11/15/78 | Inglewood | 2 | B+ | (Alternate Transfer, JTT), NOTE: This version was |
LB-11231 | 11/15/78 | Los Angeles | 2 | B | BOOTLEG: manchester prayer tangerine vinyl; |
LB-12561 | 11/15/78 | Inglewood (Los | 2 | A- | lax, -----Includes a very rare Dylan song-----, |
LB-0641 | 11/17/78 | San Diego | 2 | C | |
LB-7735 | 11/17/78 | San Diego | 2 | C | from lk 78 series;, 2CDR, (66min+53min) incomplete |
LB-9231 | 11/17/78 | San Diego | 2 | C | version "b", Unknown audience/transfers > Trade |
LB-1209 | 11/18/78 | Arizona University | 1 | D- | Soundcheck before the show, Source:, Versions |
LB-1806 | 11/18/78 | A.S.U. Activities | D+ | ||
LB-1824 | 11/18/78 | Arizona University | D- | (see More Complete Soundchecks) Soundcheck before | |
LB-4886 | 11/18/78 | Tempe | 2 | B- | Unknown Audience Recording>CDR>EAC>FLAC LEVEL 5 |
LB-7736 | 11/18/78 | Tempe, Arizona | 2 | B | from lk 78 series; Source: my tape. |
LB-15353 | 11/18/78 | Tempe, AZ | C | dolphinsmile 48, analog master>Dat>file cloned in | |
LB-3576 | 11/19/78 | Tucson | 2 | B- | Audio disks (from low-generation source) |
LB-7739 | 11/19/78 | Tucson, Arizona | 2 | B- | lk 78 series; Source: my tape (upgrade to LB-3576) |
LB-4554 | 11/21/78 | El Paso | 2 | C- | |
LB-7740 | 11/21/78 | El Paso | 2 | C+ | lk 78 series; Source: My tape |
LB-11918 | 11/21/78 | El Paso, Texas | 2 | C- | version "b", CDR trade > XLD > flac, apa05 |
LB-0074 | 11/23/78 | LLoyd Noble Center | 2 | B- | |
LB-7741 | 11/23/78 | Norman, OK | 2 | B- | lk 78 series; very good sound, end of d1t10 |
LB-8875 | 11/23/78 | Norman, Oklahoma | 2 | C | inc jtt;, (incomplete) 1st Time Tape Transfer, JTT |
LB-12530 | 11/23/78 | Norman, OK | 2 | B | lta, taper: unknown:, lineage:, cassette unknown |
LB-2229 | 11/24/78 | TCCC Fort Worth TX | 2 | C+ | (I'm Not Ready To Be Put Out To Pasture Yet) |
LB-2294 | 11/24/78 | Fort Worth | 2 | C- | (First Sign of the Cross) (Flac), I received this |
LB-7742 | 11/24/78 | Fort Worth | 2 | C+ | lk 78 series; Source: my tape. I didn't like the |
LB-10573 | 11/24/78 | Fort Worth, TX | 2 | B | version "c", incomplete; Alternate but incomplete |
LB-5291 | 11/25/78 | Austin | 2 | D+ | |
LB-0194 | 11/26/78 | The Summit | 2 | B | aud 1st gen, |
LB-7752 | 11/26/78 | Houston, TX | 2 | B | from lk 78 series; aud 1st gen, very good to |
LB-9101 | 11/26/78 | Houston, TX | 2 | B | Improved Air Catalog Number: IA38, TITLE: untitled |
LB-2499 | 11/28/78 | The Coliseum | 2 | B+ | version "a"; Source: Aud, Lineage: ? > me > you, |
LB-7753 | 11/28/78 | Jackson | 2 | B+ | lk 78 series; my tape: excellent sound. Dedicated |
LB-16108 | 11/28/78 | Jackson, Mississippi | version "b", cut before It Ain't Me, Babe, To | ||
LB-2392 | 11/29/78 | L.S.U. Assembly | 2 | B+ | Source: Aud, Lineage: the great unknown > me > you |
LB-4537 | 11/29/78 | Jackson | 3 | B+ | |
LB-6412 | 11/29/78 | Baton Rouge | 2 | B+ | "From Low Generation Tape" JTT, Good Audience |
LB-7395 | 11/29/78 | Baton Rouge | 2 | B+ | legendary taper C, cut before I Don't Believe You, |
LB-0263 | 12/1/78 | Mid-South Coliseum | 2 | C | (bs) master aud, |
LB-4414 | 12/1/78 | Memphis | 2 | C | JTT; "Transfer from 2nd Generation Tapes", Good to |
LB-4662 | 12/1/78 | Memphis | 2 | C | version "a"; Taper: BS, Source: Flac files from |
LB-7754 | 12/1/78 | Memphis, Tennessee | 2 | C | lk 78 series; Source: my tape. I decided not to |
LB-0231 | 12/2/78 | soundcheck | 1 | ||
LB-1804 | 12/2/78 | Municipal Auditorium | |||
LB-4087 | 12/2/78 | NASHVILLE, TN | 3 | B | JTT; Mastered From 1st Generation Tape., Transfer |
LB-4407 | 12/2/78 | Nashville | 2 | B | Taper: BS, Source: Flac files from taper., |
LB-5672 | 12/2/78 | NASHVILLE, TN | 3 | B | Fixed LB-4087, JTT; Mastered From 1st Generation |
LB-8037 | 12/2/78 | Nashville, Tennessee | 2 | B | version "g"; "New Transfer From Fresh 1st |
LB-8716 | 12/2/78 | Nashville, Tennessee | 2 | B | verion "h";, I got this about six years ago., This |
LB-9975 | 12/2/78 | Interviews 12/78 | 1 | B | |
LB-0640 | 12/3/78 | Birmingham | 2 | C+ | |
LB-4543 | 12/3/78 | Birmingham | 3 | B | version "a" |
LB-7765 | 12/3/78 | Birmingham | 2 | C | lk 78 series; Source:my tape. |
LB-8206 | 12/3/78 | Birmingham, AL | 3 | B | version "c"; Source: AUD > ? > Trade CDR > |
LB-11999 | 12/3/78 | Birmingham, Alabama | 3 | B | version "d" |
LB-0626 | 12/5/78 | Mobile, AL | 2 | C+ | |
LB-4542 | 12/5/78 | Mobile | 2 | C | version "a" |
LB-7766 | 12/5/78 | Mobile, AL | 2 | C+ | lk 78 series; Source: my tape. I didn't like the |
LB-3477 | 12/7/78 | Greensboro | 2 | C | unknown lineage > trade cdr > eac > wav > flac; |
LB-3846 | 12/7/78 | Greensboro | 2 | B- | version "a"; analog master [Reel ?] > 2nd |
LB-7767 | 12/7/78 | Greensboro | 2 | B- | lk 78 series; Source:my tape as the LB one has a |
LB-8724 | 12/7/78 | Greensboro | 2 | B | version "d", Same recording as LB-7767. But I feel |
LB-4823 | 12/8/78 | Savannah | 2 | A- | Trade CD > EAC > FLAC > HD > Hungercity > you |
LB-5951 | 12/8/78 | Savannah, Georgia | 2 | A- | legendary taper C, cut after Maggie's Farm, Senor, |
LB-7768 | 12/8/78 | Savannah | 2 | B+ | lk 78 series; Source:my tape. I didn't compare |
LB-0247 | 12/9/78 | arolina Coliseum | 2 | A- | (bs) master aud, |
LB-0502 | 12/9/78 | Carolina Coliseum / | 3 | ||
LB-4629 | 12/9/78 | Columbia | 2 | A- | version "b"; Taper: BS, Source: Flac files from |
LB-7769 | 12/9/78 | Columbia, SC | 2 | A- | lk 78 series; (bs) master aud, excellent sound, |
LB-9154 | 12/9/78 | Columbia | 2 | A- | jtt fixed, LB-247 (Destructive Joins Fixed), THE |
LB-15370 | 12/9/78 | Columbia | 2 | A- | version "d", Source: Aud stereo ("off master"), |
LB-0245 | 12/10/78 | Charlotte Coliseum | 2 | A- | (bs) master aud, |
LB-3123 | 12/10/78 | Charlotte | 2 | B+ | maddog remaster of new transfer, This is not the |
LB-4625 | 12/10/78 | Charlotte | 2 | A- | version "a"; Taper: BS, Source: Flac files from |
LB-5533 | 12/10/78 | Charlotte | 2 | B+ | version "b" |
LB-7099 | 12/10/78 | Charlotte, NC | 2 | A- | BOOTLEG: Hush Hush, Sweet Charlotte; Source: AUD |
LB-15076 | 12/10/78 | Charlotte | 2 | A- | rs audiowhore, 42nd anniversary edition, Pitch and |
LB-15708 | 12/10/78 | Charlotte | jtt fix, SOURCE: LB-4625, Download Flac Files | ||
LB-0686 | 12/12/78 | various interviews | 1 | BOOTLEG: The Shelter From The Storm; 6 interviews, | |
LB-5659 | 12/12/78 | Atlanta | 2 | B- | |
LB-5816 | 12/12/78 | Atlanta | 2 | B- | incomplete; legendary taper C, lineage, ? analog |
LB-7054 | 12/12/78 | Atlanta, Georgia | 2 | B- | ssrc; legendary taper C, ? -> analog master -> DAT |
LB-7783 | 12/12/78 | Atlanta, Georgia | 2 | C | lk 78 series; Source:my tape. |
LB-15418 | 12/12/78 | Atlanta, GA | B- | old cassette tapes dolphinsmile 48, old cassette | |
LB-4878 | 12/13/78 | Jacksonville | 2 | B- | Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
LB-7784 | 12/13/78 | Jacksonville | 2 | C | lk 78 series; source: my tape. I didn't compare my |
LB-14038 | 12/13/78 | Jacksonville, FL | 2 | B- | dolphinsmile, very low analog>Dat>clone to me>, |
LB-0689 | 12/15/78 | Lakeland | 2 | C | |
LB-7785 | 12/15/78 | Lakeland | 2 | C- | lk 78 series; source:my cd |
LB-13598 | 12/15/78 | Lakeland, FL | C | lobito 48k, Low gen cassette>Nak Cassette | |
LB-0212 | 12/16/78 | Hollywood | 2 | B+ | aud master, |
LB-2486 | 12/16/78 | Hollywood | 2 | B+ | version "a"; Source: Aud mono, Sound quality: VG |
LB-7786 | 12/16/78 | Hollywood, FL | 2 | B+ | lk 78 series; Source: My CD - dedicated to John |
LB-10929 | 12/16/78 | Hollywood, Florida | 2 | B+ | BOOTLEG: stepped forth from sins shadow; (Chrome |
LB-12675 | 12/16/78 | Hollywood FL | B+ | dophinsmile 48k, analog |