LB | Date | Location | CDR | Rating | Description |
---|---|---|---|---|---|
LB-2295 | xx/xx/97 | various | 2 | BOOTLEG: SONGS FROM THE SOUNDBOARD '97; no label | |
LB-10181 | xx/xx/97 | Recorded live in the | 1 | BOOTLEG: mind out of time; cc, 1997-1998 Mind Out | |
LB-11241 | xx/xx/97 | various | 1 | B+ | BOOTLEG: not standing in the doorway; Not Standing |
LB-15134 | xx/xx/97 | various | 1 | BOOTLEG: e p collection 1997 98; No Label, Bootleg | |
LB-4411 | 2/9/97 | Tokyo | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-5058 | 2/9/97 | Tokyo | 2 | B+ | holy grail; Audience recording (Lego parapets) > |
LB-7700 | 2/9/97 | Tokyo, Japan | 2 | B+ | version "b", * This recording is the same as |
LB-11809 | 2/9/97 | Tokyo, Japan | 2 | A | cos11 whotrader, Here's the clone from 1997-02-09. |
LB-12893 | 2/9/97 | Tokyo | A | ltk lta 48k, 16/48, taper:Lgendary Taper K, | |
LB-14923 | 2/9/97 | Tokyo, Japan | 2 | A | version "h", Alternative recording to (LB-4411 |
LB-3279 | 2/10/97 | Tokyo International | 2 | A- | Lineage: FLAC disc I received in a trade |
LB-4412 | 2/10/97 | Tokyo | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-10056 | 2/10/97 | Tokyo, Japan | 2 | A | version "b", Source: Audience recording > OKM II |
LB-12897 | 2/10/97 | Tokyo | A | nts lta 48k, 16/48, taper: NET Taper S, lineage:, | |
LB-15051 | 2/10/97 | Tokyo, Japan | A- | version "f" 48k, From an old DAT (received in | |
LB-1547 | 2/11/97 | Tokyo | 2 | A- | Holy Grail Recording, Enjoy!, Chuck |
LB-4404 | 2/11/97 | Tokyo | 2 | A | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-12909 | 2/11/97 | Tokyo | A | arashi lta 48k, taper: arashi, lineage:, Sanken | |
LB-4633 | 2/13/97 | Kurashiki | 2 | A- | Taper: "Arashi recording", from DAT-Clone |
LB-6009 | 2/13/97 | Kurashiki, Japan | 2 | A- | Liberated Boot, Manufacturer : Oka 1327 1/2, |
LB-6910 | 2/13/97 | Kurasiki,Japan | 2 | A- | BOOTLEG: Hollis Brown At Ivy; cd > ultraplex > eac |
LB-12955 | 2/13/97 | Kurashiki, Japan | A- | hce m dolphinsmile 48k, taped by HCE M with DTR | |
LB-15485 | 2/13/97 | Kurashiki-shi | A- | arashi lta 48, taper: arashi, lineage: Sanken | |
LB-4461 | 2/14/97 | Fukuoka | 2 | B+ | Audience recording (Full spectrum) > Unknown |
LB-7636 | 2/14/97 | Fukuoka, Japan | 2 | A | version "b"; Taper & Equipment: unknown, Lineage: |
LB-15486 | 2/14/97 | Fukuoka | A | arashi lta 48, taper: arashi, lineage: Sanken | |
LB-4413 | 2/16/97 | Nagoya | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-8835 | 2/16/97 | Nagoya, Japan | 2 | A | version "b";, Taper: unidentified, Source/Lineage: |
LB-15487 | 2/16/97 | Nagoya-shi | A | arashi lta 48, taper: arashi, lineage: Sanken | |
LB-1563 | 2/17/97 | Osaka | 2 | B+ | Holy Grail recording - audience recording [no |
LB-10653 | 2/17/97 | Osaka, Japan | 2 | A- | version "a", Alternative to and much better |
LB-14177 | 2/17/97 | Osaka-Fu | A | ltk lta 48k, ***Transfer 27-May-2019 by LTA***, | |
LB-15489 | 2/17/97 | Osaka-Fu | A- | sk lta 48, taper: S. K., lineage: Sonic | |
LB-4484 | 2/18/97 | Osaka | 2 | A- | Audience recording (Full spectrum) > Unknown |
LB-4487 | 2/18/97 | Osaka | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-15490 | 2/18/97 | Osaka-Fu | A- | arashi lta 48, taper: arashi, lineage: Sanken | |
LB-4524 | 2/20/97 | Sendai | 2 | A | |
LB-4525 | 2/20/97 | Sendai,Japan | 2 | B+ | BOOTLEG: Northern Songs; silver bootleg > eac > |
LB-11810 | 2/20/97 | Sendai, Japan | 2 | A | cos11 whotrader, I have a few Bob Dylan masters to |
LB-12593 | 2/20/97 | Sendai, Japan | A | hce m doplhinsmile 48k, taped by my friend HCE-M, | |
LB-15491 | 2/20/97 | Sendai-shi | A | hwy19 lta 48, taper: hwy19, lineage: Sonic Studios | |
LB-4613 | 2/22/97 | Akita | 2 | A- | DatClone |
LB-15493 | 2/22/97 | Akita | A- | arashi lta 48, taper: arashi, lineage: Sanken | |
LB-4626 | 2/24/97 | Sapporo | 2 | A- | Off DAT clone(s), Flaws/Info, d2t3 small |
LB-8662 | 2/24/97 | Sapporo, Japan | 2 | A- | BOOTLEG: Forest City Night; cd-r>EAC (secure mode |
LB-15236 | 2/24/97 | Sapporo, Japan | A- | md, Transfer from MD MZ-R35 Line Out --> PCM-M10 | |
LB-15494 | 2/24/97 | Sapporo | A | arashi lta 48, taper: arashi, lineage: Sanken | |
LB-1856 | 3/31/97 | St. Johns | 2 | A | Holy Grail |
LB-2545 | 3/31/97 | St. Johns Memorial | 2 | A | version "a"; |
LB-9223 | 3/31/97 | St. John's | 2 | A | OKM II -> portable DATrecorder -> clone -> |
LB-12616 | 3/31/97 | St. Johns | 2 | ia101, Improved Air Remasters 101 | |
LB-12761 | 3/31/97 | St. Johns | A | hce b dolphinsmile 48k, taped on dat by HCE B with | |
LB-15536 | 3/31/97 | St. John's, NL | A | cba lta 48, taper: Cba, lineage: Soundman OKM II | |
LB-3355 | 4/1/97 | St. Johns | 2 | A- | |
LB-5474 | 4/1/97 | St. Johns | 2 | A- | Source: off master (audiocdrs directly from taper) |
LB-6911 | xx/xx/97 | Various mainly 4/97 | 2 | BOOTLEG: Bathed in a Stream of Pure Heat; cd > | |
LB-9205 | 4/1/97 | St. Johns | 2 | B+ | version "c", Holy Grail |
LB-9236 | 4/1/97 | St. John's | 2 | A- | version "d";, OKM II -> portable DATrecorder -> |
LB-15507 | 4/1/97 | St. John's, NL | A- | cba lta 48, taper: Cba, lineage: Soundman OKM II | |
LB-3344 | 4/5/97 | Moncton Coliseum | 2 | A | no more info on this one........, The "NET TAPER |
LB-3559 | 4/5/97 | Moncton | 2 | version "a"; Audience recording, Source: Trade > | |
LB-8854 | 4/5/97 | Moncton | 2 | A | net taper J, 2 sources, bad crackling in Crash On |
LB-9240 | 4/5/97 | Moncton | 2 | A | ntj version"c", Sennheiser MKE2002 -> portable |
LB-3387 | 4/6/97 | Halifax | 2 | A- | Holy Grail, (audio disc) Trade > xACT > FLAC > |
LB-9381 | 4/6/97 | Halifax | 2 | A | version "b", OKM II -> portable DATrecorder -> |
LB-12617 | 4/6/97 | Halifax | 2 | A- | ia104, Improved Air Remasters 104 |
LB-15218 | 4/6/97 | Halifax, NS | A | cba lta 48, taper: Cba, lineage:, Soundman OKM II | |
LB-1529 | 4/7/97 | Fredericton | 2 | A- | Holy Grail Recording |
LB-12622 | 4/7/97 | New Brunswick | 2 | A- | ia105, Improved Air Remasters 105 |
LB-14742 | 4/7/97 | Fredericton, NB | 2 | A | stevemtl, Excellent performance and fine recording |
LB-14906 | 4/7/97 | Fredericton, NB | A | oecourt lta 48k, taper: oecourt, lineage:, | |
LB-3356 | 4/8/97 | Saint John | 2 | A | AUD DAT Master [OKM]>A3 PreAmp>Sony TCD D7 or 8>, |
LB-6912 | 4/8/97 | Saint Johns | 2 | A | BOOTLEG: Million Miles; cd > ultraplex > eac > wav |
LB-14852 | 4/8/97 | Saint John, NB | A | oecourt lta 48k, taper: oecourt, lineage:, | |
LB-2897 | 4/9/97 | Bangor | 2 | A- | Taper: NET TAPER A, Source: low gen audio disks > |
LB-15237 | 4/9/97 | Bangor, Maine | A- | b sonic dolphinsmile 48, taped by B with Sonic | |
LB-2906 | 4/10/97 | Portland | 2 | A- | Taper: NET TAPER A, Source: low gen audio disks > |
LB-2961 | 4/10/97 | Portland | 2 | A- | version "b"; Audience recording, unknown taper, |
LB-14959 | 4/10/97 | Portland, ME | 2 | A- | sonics dolphinsmile, clone from taper(Sonics and |
LB-2910 | 4/11/97 | Durham | 2 | A- | Taper: NET TAPER A, Source: low gen audio disks > |
LB-2964 | 4/11/97 | Durham | 2 | A- | Unwanted Man (this is from another source, and is |
LB-3348 | 4/11/97 | Durham | 2 | A- | version "b"; No Taper info, Net Taper A again??? |
LB-3392 | 4/11/97 | Durham | 2 | A- | version "c"; hofzinser cdr rip |
LB-15238 | 4/11/97 | Durham, NH | inc lta 48, taper: unknown, lineage:, Maxell | ||
LB-2911 | 4/12/97 | Waltham | 2 | A- | Taper: NET TAPER A, Source: low gen audio disks > |
LB-3385 | 4/12/97 | Bentley College | 2 | B+ | version "b"; (audio disc) Trade > xACT > FLAC > |
LB-7645 | 4/12/97 | Waltham | 2 | B+ | version "c"; Source: Version "B" (LB-3385) but |
LB-12554 | 4/12/97 | Bentley College | A- | hce nne dolphinsmile 48k, Taped by HCE-NNE on Dat | |
LB-2914 | 4/13/97 | Wayne | 2 | B+ | Taper: NET TAPER A, Source: low gen audio disks > |
LB-3055 | 4/13/97 | Wayne | 2 | A- | BEL; Source: Schoeps MK4 > KC5 active cables > |
LB-7130 | 4/13/97 | Wayne, New Jersey | 2 | A | schoepsmk4v-fixed2; Taped By Bobby Bourbon, |
LB-15219 | 4/13/97 | Wayne, NJ | A | lta 48, taper: unknown, lineage:, Maxell HS-4/60S | |
LB-3377 | 4/15/97 | Northampton | 2 | A- | |
LB-5481 | 4/15/97 | Northampton | 2 | A- | NETA; Taper: My source attributes the recording to |
LB-3299 | 4/17/97 | Providence | 2 | A | |
LB-3357 | 4/17/97 | Providence | 2 | version "a"; Lineage: CDR > dae (eac) > wav > flac | |
LB-5493 | 4/17/97 | Providence | 2 | A | NETA; Taper: My source attributes this recording |
LB-1404 | 4/18/97 | State University Of | 2 | A- | JT series, Transferred from a DAT master tape |
LB-3349 | 4/18/97 | Albany | 2 | A | version "a"; No set-up....NET TAPER A again??? |
LB-8395 | 4/18/97 | Albany, New York | 2 | A | net taper A, ? -> portable DATrecorder - clone -> |
LB-12193 | 4/18/97 | Albany, New York, A | 2 | A | version "d", CONTRAST CLAUSE: This is an upgrade |
LB-15329 | 4/18/97 | Albany, NY | A- | schoepsinthehat lta 48, taper: travitz, lineage:, | |
LB-15330 | 4/18/97 | Albany | A- | mk4 schoepsinthehat er wav48f | |
LB-1895 | 4/19/97 | Hartford | 2 | B- | Holy Grail |
LB-3110 | 4/19/97 | Hartford | 2 | A- | BOOTLEG: Wicked Messenger; Manufacturer / Catalog |
LB-7232 | 4/19/97 | West Hartford, CT | 2 | A- | Taped: NAK CM300>DAT @ 44.1, Location: SBD, 80 |
LB-10818 | 4/19/97 | West Hartford | 2 | A- | BOOTLEG: wicked messenger; version "f" |
LB-12478 | 4/19/97 | Hartford, CT | 2 | A- | sonic dolphinsmile, recorded on dat with sonic |
LB-12620 | 4/19/97 | Hartford | 2 | A | ia115, Of Hartford, Improved Air Remasters 115 |
LB-14991 | 4/19/97 | Hartford, CT | A- | nak dolphinsmile 48k, Nakamichi Mics and dat | |
LB-15709 | 4/19/97 | Hartford CT | A- | version "k" | |
LB-16098 | 4/19/97 | Hartford, CT | dolphinsmile 48, Schoeps Mics and Dat | ||
LB-2870 | 4/20/97 | West Long Branch | 2 | A- | Taper: NET TAPER A, Source: low gen audio disks > |
LB-4153 | 4/20/97 | West Long Branch | 2 | A- | Taped by Travitz & Wklitz, Source: Schoeps |
LB-15097 | 4/20/97 | West Long Branch, NJ | 2 | A- | shure mic, (Two Of Us Master Series Volume 26), |
LB-15331 | 4/20/97 | West Long Branch | A- | mk41 sxm2 sbm1 d7 schoepsinthehat er wav48f | |
LB-2879 | 4/22/97 | Indiana | 2 | A | Taper: NET TAPER A, Source: low gen audio disks > |
LB-8215 | 4/22/97 | Indiana | 2 | A | version "a"; my master recording, section left, |
LB-2881 | 4/24/97 | Utica | 2 | A | Taper: NET TAPER A, Source: low gen audio disks > |
LB-0849 | 4/25/97 | Reilly Center Arena | 2 | B+ | |
LB-2885 | 4/25/97 | Olean | 2 | B+ | Taper: NET TAPER A, Source: low gen audio disks > |
LB-10765 | 4/25/97 | OLEAN, NEW YORK | 2 | B+ | bigdaddybflo analog master, TOM DEAN ANALOG MASTER |
LB-1992 | 4/27/97 | Boalsburg | 2 | A- | from dat master |
LB-2886 | 4/27/97 | Boalsburg | 2 | A- | Taper: NET TAPER A, Source: low gen audio disks > |
LB-5138 | 4/27/97 | Boalsburg | 2 | A- | Schoeps MK4V's>Sonosax SX-M2>Sony SBM-1(@44.1khz |
LB-12775 | 4/27/97 | Boalsburg, PA | A- | schoeps dolphinsmile, Schoeps MK4V's > Sonosax | |
LB-1998 | 4/28/97 | Capitol Music Hall | 2 | A- | from dat master |
LB-3353 | 4/28/97 | Wheeling | 2 | A- | version "a"; Taper: NET TAPER A, Source: low gen |
LB-11509 | 4/28/97 | Wheeling | 2 | A- | version "d", Lineage:Unknown, received in a trade |
LB-13868 | 4/28/97 | Wheeling, WV | 2 | A- | sonic, Source: Sonic Studio DSM mics > battery box |
LB-2887 | 4/29/97 | Muncie | 2 | A- | Taper: NET TAPER A, Source: low gen audio disks > |
LB-13302 | 4/29/97 | Muncie, Indiana | A- | version "c" 48k, From a DAT (received in trade, | |
LB-2920 | 5/1/97 | Evansville | 2 | B- | Taper: NET TAPER A, Source: low gen audio disks > |
LB-8664 | 5/1/97 | Evansville, Indiana | 2 | C+ | version "b";, NO INFO ON THIS ONE |
LB-3375 | 5/2/97 | Memphis | 2 | B | Audience recording |
LB-7556 | 5/2/97 | Memphis, Tennessee | 2 | B | version "a"; ?? -> portable DATrecorder -> DAT - |
LB-7557 | 5/2/97 | Memphis, Tennessee | 2 | B | net taper A, ?? -> portable DATrecorder -> DAT - |
LB-7637 | 5/2/97 | Memphis, Tennessee | 2 | B | version "c"; Taper & Equipment: unknown, Lineage: |
LB-1970 | 5/3/97 | Huntsville | 2 | B | have had a go at boosting the levels. Have also |
LB-3412 | 5/3/97 | Huntsville | 2 | A- | version "a" |
LB-3415 | 5/3/97 | Huntsville, AL | 2 | A- | version "b" |
LB-7528 | 5/3/97 | Huntsville, Alabama | 2 | A- | net taper A, ?? -> portable DATrecorder -> DAT - |
LB-13301 | 5/3/97 | Huntsville, Alabama | A- | version "e" 48k, From a DAT (received in trade, | |
LB-2729 | 5/22/97 | Beverly Hills | 1 | A- | This is from my pre cd dates, got it as an |
LB-6913 | xx/xx/97 | Various | 1 | BOOTLEG: Tour Diary 97 - On the Road to the | |
LB-2956 | 8/3/97 | Lincoln | 2 | A | raw, taped by "rb-canada"; low-gen |
LB-9132 | 8/3/97 | Lincoln | 2 | B+ | version "b", NEUMann Mics and dat deck; |
LB-14853 | 8/3/97 | Lincoln, NH | A | rb canada lta 48k, taper: rb-canada, lineage:, | |
LB-2955 | 8/4/97 | Lenox | 2 | A | raw, taped by "rb-canada"; low-gen |
LB-4785 | 8/4/97 | Lenox | 2 | A- | version "a"; Trade CD > EAC > FLAC > HD > |
LB-14000 | 8/4/97 | Lenox Mass. | 1 | B | nak100, 2 Nakamichi cm 100's>sony tc-d5m cassette |
LB-14960 | 8/4/97 | Lenox, MA | A | rb canada lta 48k, taper: "rb-canada", lineage:, | |
LB-2958 | 8/5/97 | Montreal | 2 | A- | raw, taped by "rb-canada", low-gen |
LB-9289 | 8/5/97 | Montreal, QU | 2 | B | BOOTLEG: power and greed and corruptable seed; In |
LB-13488 | 8/5/97 | Montreal, QC | A- | rb dolphinsmile, taped by RB, the dude who is the | |
LB-14740 | 8/5/97 | Montreal, QC | 2 | A- | stevemtl, Fine recording of Dylan and band. |
LB-14964 | 8/5/97 | Montral, QC | rb canada 48k, taper: "rb-canada", lineage:, Radio | ||
LB-2965 | 8/7/97 | Toronto | 2 | A | raw, taped by "rb-canada", low-gen |
LB-3051 | 8/7/97 | Toronto | 2 | incomplete; Uher 240 deck, AKG CE5 Mic, Source: | |
LB-6914 | 8/7/97 | Toronto | 1 | BOOTLEG: Can't Wait Vol. 2; cd > ultraplex > eac > | |
LB-14968 | 8/7/97 | Toronto, ON | rb canada lta 48k, taper: "rb-canada", lineage:, | ||
LB-15142 | 8/7/97 | Toronto, Canada | 2 | A | version "f", Alternative recording to LB-2965 |
LB-0762 | 8/8/97 | Darien Lake | 2 | A- | |
LB-9296 | 8/8/97 | Syracuse, New York | 2 | A- | version "b", unknown rec. Great sound |
LB-10716 | 8/8/97 | DARIEN CENTER NEW | 2 | B+ | bigdaddybflo 1gen, FIRST GEN from the collection |
LB-12498 | 8/8/97 | Darien Center, NY | 2 | A- | version "d", brand new transfer from dat, taped on |
LB-15604 | 8/8/97 | Darien Center, NY | scheops dolphinsmile 48, Taped with Scheops Mics | ||
LB-7035 | 8/9/97 | Burgettstown | 2 | A- | Lineage unknown>received in a trade>flac fronted |
LB-7747 | 8/9/97 | Burgettstown | 2 | B+ | version "a"; ***** This recording is not the same |
LB-13932 | 8/9/97 | Burgettstown, PA | 2 | B+ | sonic kingrue, Source : Sonic Studio DSM mics > |
LB-3474 | 8/10/97 | Clarkston | 2 | A- | trade(flac) > azareus > torrent > ....., no taper |
LB-5750 | 8/12/97 | Scranton | 2 | A- | Taper: Legendary Taper F (=Glen Dundas), Source: |
LB-6936 | 8/12/97 | Scranton | 2 | BOOTLEG: Cant Wait Vol.1; cd > ultraplex > eac > | |
LB-15332 | 8/12/97 | Scranton | A- | mk4v sxm2 sbm1 d100 schoepsinthehat er wav48f | |
LB-1083 | 8/13/97 | Hershey | 2 | A- | This recording is a "gem". I heard no glitches at |
LB-2576 | 8/13/97 | Star Pavilion | 2 | version "a" | |
LB-3467 | 8/13/97 | Hershey | 2 | datmaster>clone>cd>eac>flac | |
LB-4365 | 8/13/97 | Hershey | 2 | A- | Taper: Glen Dundas, Source: Audio disks from taper |
LB-9097 | 8/13/97 | Hershey, PA | 2 | A- | BOOTLEG: how sweet the sound; (Godfather Records |
LB-12885 | 8/13/97 | Hershey | A | sonics dolphinsmile 48k, and Ani DeFranco, taped | |
LB-4423 | 8/15/97 | Holmdel | 2 | B+ | Taper: Glen Dundas, Source: Audio disks from taper |
LB-10691 | 8/15/97 | Holmdel, New Jersey | 2 | A- | version "d", Alternative recording to Dundas., |
LB-15788 | 8/15/97 | Holmdel, NJ | A- | taped by g dolphinsmile, taped by G with Senn2002 | |
LB-3754 | 8/16/97 | Mansfield | 2 | B+ | Olav Remaster, With utmost bundled generosity from |
LB-5769 | 8/16/97 | Mansfield | 2 | A- | Taper: Legendary Taper F (=Glen Dundas), Source: |
LB-2129 | 8/17/97 | Jones Beach Theater | 2 | A- | Conversion: CD-r>EAC(secure)>FLAC Frontend |
LB-5761 | 8/17/97 | Wantaugh | 2 | A- | Taper: Legendary Taper F (=Glen Dundas), Source: |
LB-12866 | 8/17/97 | Wantagh, NY | A | ntm 48k, 16/48, NET Taper M, lineage:, Sennheiser | |
LB-13290 | 8/17/97 | Wantagh, NY | A | schoeps doplhinsmile 148, taped on dat with | |
LB-3464 | 8/18/97 | Wallingford | 2 | A | datmaster>clone>cd>eac>flac, There are about four |
LB-7489 | 8/18/97 | Wallingford | 2 | A | version "b"; (torrenters comment:"disc one is |
LB-8943 | 8/18/97 | Wallingford | 2 | A | net taper M, Sennheiser MKE 2002 -> portable |
LB-1394 | 8/20/97 | Mann Music Center | 2 | A | |
LB-4223 | 8/20/97 | Philadelphia | 2 | A | BOOTLEG: Clap For The Tambourine Man; Silver cd > |
LB-4851 | 8/20/97 | Philadelphia | 2 | A | Recorded By Travitz from Orchestra A Center Row F |
LB-7022 | 8/20/97 | PHIALDELPHIA, PA | 2 | B- | G2 MASTER AUDIENCE RECORDING, SONY D8 DAT |
LB-10586 | 8/20/97 | Philadelphia, PA | 2 | A- | version "f", Alternative recording to Schoeps & |
LB-15333 | 8/20/97 | Philadelphia | 2 | A | schoepsinthehat er reworked, A SchoepsInThe Hat |
LB-15750 | 8/20/97 | Philadelphia, PA | A | traviz lta, taper: travitz, lineage:, Schoeps | |
LB-3739 | 8/22/97 | Virginia Beach | 2 | A- | source: recording of unknown generation. No |
LB-12339 | 8/22/97 | Virginia Beach, VA | A- | nth 48k, 16/48, taper: NTH, lineage: | |
LB-12570 | 8/22/97 | Virginia Beach, VA | 2 | B+ | hce gw nak300 dolphinsmile, Taped by HCE-GW with |
LB-12867 | 8/22/97 | Virginia Beach, VA | A- | nth 48k, 16/48, ***Second New digital S/PDIF | |
LB-6428 | 8/23/97 | Vienna, Virginia | 2 | A- | low gen ALD > DAT > CD > EAC > Soundforge 6.0 > CD |
LB-6429 | 8/23/97 | Vienna, Virginia | 2 | A- | BOOTLEG: Back at Wolftrap; cd > ultraplex > eac > |
LB-6430 | 8/23/97 | Vienna, Virginia | 3 | A- | BOOTLEG: Weekend at Wolftrap; cd > ultraplex > eac |
LB-8635 | 8/23/97 | Vienna, VA | B | acidjack 48kdatm;, An acidjack master recording, | |
LB-11130 | 8/23/97 | Vienna, VA | 2 | A- | BOOTLEG: after the heart attack; Stereo Soundboard |
LB-12341 | 8/23/97 | Wolf Trap | 2 | A- | ald version "I", ALD, lineage: ALD (Assistive |
LB-12850 | 8/23/97 | Vienna, VA | A- | ald dolphinsmile 48k, Hard of hearing | |
LB-12886 | 8/23/97 | Vienna, VA | 2 | A- | ald lta 2, ALD, lineage: ALD (Assistive Listening |
LB-15315 | 8/23/97 | Vienna, VA | boiledgutsofbirds 2444, Source 1: acidjack AUD | ||
LB-6431 | 8/24/97 | Vienna | 2 | A- | BOOTLEG: After the Heart Attack Vol II; Midas |
LB-6432 | 8/24/97 | Vienna, Virginia | 2 | A- | low gen ALD > DAT > CD > EAC > Soundforge 6.0 > CD |
LB-8800 | 8/24/97 | Wolf Trap | 2 | A- | version "b", Source: SBD>DAT, Conversion : DAT @ |
LB-12931 | 8/24/97 | Vienna, Virginia | A- | ald dolphinsmile 48k, Hard of hearing | |
LB-15220 | 8/24/97 | Wolf Trap | A- | ald lta 48, ALD, Assistive Listening Device (ALD), | |
LB-2251 | 8/26/97 | Blossom Music Center | 2 | A- | AUD > ? > CD-R > EAC (secure) > WAV > FLAC |
LB-4286 | 8/26/97 | Cuyahoga Falls | 2 | A- | Off DAT clone(s), Taper: Net Taper A (NTA) |
LB-15688 | 8/26/97 | Cuyahoga Falls, OH | A- | dolphinmile 48, Dat clone>file cloned in | |
LB-3300 | 8/27/97 | Noblesville | 2 | A | |
LB-6203 | 8/27/97 | Noblesville, Indiana | 2 | A | version "a"; dropout in Mr. Tambourine Man, ?? -> |
LB-12396 | 8/27/97 | Noblesville | A- | c 48, From an old DAT (received in trade, | |
LB-0142 | 8/28/97 | World Music Theatre | 2 | A- | |
LB-4244 | 8/28/97 | Tinley Park | 2 | A- | version "a"; very good audience recording - |
LB-7718 | 8/28/97 | Tinley Park | 2 | A- | version "b"; * Seems this recording is the same as |
LB-4245 | 8/29/97 | St. Paul | 2 | B+ | good audience recording - samples in comments, |
LB-8178 | 8/29/97 | St. Paul, Minnesota | 2 | A- | net taper A ?, ?? -> portable DATrecorder -> DAT - |
LB-2011 | 8/31/97 | Kansas City | 2 | A | from dat master |
LB-7427 | 8/31/97 | Kansas City | 2 | A | version "a"; Taper: unidentified, Source/Lineage: |
LB-8180 | 8/31/97 | Kansas City | 2 | A | net taper A ?, ?? -> portable DATrecorder -> DAT - |
LB-12195 | 8/31/97 | Kansas City | A- | version "d", clone from dat master, recorded with | |
LB-4595 | 9/27/97 | Bologna | 1 | B+ | |
LB-4520 | 10/1/97 | Bournemouth | 2 | B+ | Taper: "Bach", Lineage: OKM II Rockversiom > Sony |
LB-5576 | 10/1/97 | Bournemouth | 2 | B+ | Net taper I, lineage, OKMII -> portable Sony |
LB-6319 | 10/1/97 | Bournemouth, England | 2 | B+ | ssrc; net taper I, OKMII -> portable Sony |
LB-6915 | 10/1/97 | Bournemouth | 2 | B+ | BOOTLEG: Tailgates & Substitutes; cd > ultraplex > |
LB-12967 | 10/1/97 | Bournemouth, England | 2 | B+ | ltj, Taper: LTJ, Lineage: Sennheiser MKE 2002 > |
LB-14985 | 10/1/97 | Bournemouth | B+ | nti lta 48k, taper: NET Taper I, lineage:, Sonic | |
LB-15014 | 10/1/97 | Bournemouth | B+ | nti lta fix 48, taper: NET Taper I, lineage:, | |
LB-3003 | 10/2/97 | Bournemouth | 2 | A- | Taper: Unknown, Source Direct DAT |
LB-5909 | 10/2/97 | Bournemouth, England | 2 | A- | net taper I, lineage, OKMII -> portable Sony |
LB-6324 | 10/2/97 | Bournemouth, England | 2 | A- | ssrc; net taper I, OKMII -> portable Sony |
LB-11618 | 10/2/97 | Bournemouth | 2 | A- | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
LB-15212 | 10/2/97 | Bournemouth | A- | nti lta 48, taper: Net Taper I, lineage:, Soundman | |
LB-5159 | 10/3/97 | Cardiff | 2 | A- | Taper: Legendary Taper D, Source: Transferred from |
LB-6327 | 10/3/97 | Cardiff, Wales | 2 | A- | net taper I, OKMII -> portable Sony DATrecorder - |
LB-6330 | 10/3/97 | Cardiff, Wales | 2 | A | BOOTLEG: Never Mind the Bollocks; cd > ultraplex > |
LB-6338 | 10/3/97 | Cardiff, Wales | 2 | A | legendary taper J, Sennheiser MKE 2002 -> portable |
LB-8264 | 10/3/97 | Cardiff | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-12932 | 10/3/97 | Cardiff, Wales | A- | okm ii dolphinsmile 48k, I got this set of shows | |
LB-14626 | 10/3/97 | Cardiff, Wales | A- | dolphinsmile 48k, Cardiff, Wales, dat clone | |
LB-15224 | 10/3/97 | Cardiff | A- | nti lta 48, (NTI), taper: Net Taper I, lineage: | |
LB-2304 | 10/5/97 | Wembley Arena | 2 | B+ | BOOTLEG: Love Sick at Wembley; crystal cat, CD > |
LB-5701 | 10/5/97 | London | 2 | A- | net taper I, lineage, OKMII -> portable Sony |
LB-6424 | 10/5/97 | London, England | 2 | A- | ssrc; net taper I, OKMII -> portable Sony |
LB-6434 | 10/5/97 | London, England | 2 | A- | Legendary taper J, Sennheiser MKE2002 -> portable |
LB-8265 | 10/5/97 | London | 2 | A- | Taper: "Bach", Lineage: OKM II Rockversion > Sony |
LB-11619 | 10/5/97 | London | 2 | A- | ebr, Recorded on Sonic Studios DSM-6 mics->Sony |
LB-15316 | 10/5/97 | London | A- | nti lta 48, taper: NET Taper I, lineage:, Soundman | |
LB-16120 | 10/5/97 | London, England | dolphinsmile 48, Dat clone>file cloned in | ||
LB-1907 | 10/24/97 | tarkville | 2 | B+ | Source: Audience recording, Lineage: CDR > EAC > |
LB-5077 | 10/24/97 | Starkville | 2 | B+ | version "a"; Unknown Audience>CDR>EAC>FLAC LEVEL 5 |
LB-8183 | 10/24/97 | Starkville | 2 | B+ | net taper A ?, ?? -> portable DATrecorder -> DAT - |
LB-2012 | 10/25/97 | Jackson | 2 | A | from dat master |
LB-4280 | 10/25/97 | Jackson | 2 | A | Off DAT clone(s); Taper: Net Taper A |
LB-2260 | 10/26/97 | Mobile Civic Center | 2 | A- | |
LB-5413 | 10/26/97 | Mobile | 2 | A- | Taper: NET Taper A, Source: transferred from DAT> |
LB-6314 | 10/28/97 | Athens, Georgia | 2 | B+ | net taper K, cut/drop before Tangled Up In Blue, |
LB-6318 | 10/28/97 | Athens, Georgia | 2 | B- | version "a"; Lineage: Trade CDRs > EAC (no errors) |
LB-7624 | 10/28/97 | Athens, Georgia | 2 | B- | version "b"; Received in trade as flac, each disc |
LB-6072 | 10/29/97 | Athens, Georgia | 2 | B | Lineage: Trade discs > EAC (no errors) > Frequency |
LB-7979 | 10/29/97 | Athens, Georgia | 2 | B | NTK; Lowgen audio discs received in trade from |
LB-5306 | 10/30/97 | Columbus | 2 | B | No LB # for this date., I received this one in |
LB-5307 | 10/30/97 | Columbus | 2 | B | This is the FIXED VERSION for my previous seed. |
LB-12519 | 10/30/97 | Columbus, GA | 2 | B | dolphinsmile, first time transfer from my master |
LB-12523 | 10/30/97 | Columbus | A | version "d" 48k, From my old DAT (received in | |
LB-14972 | 10/30/97 | Columbus, GA | 2 | B | cm dolphinsmile, cassette master>Dat>to me,cloned, |
LB-15593 | 10/30/97 | Columbus, GA | B | sonic dolphinsmile 48, New transfer, Sonic Studio | |
LB-5391 | 10/31/97 | Tuscaloosa | 2 | A | Taper: "PDub", Source: low-gen audio disks > |
LB-14932 | 10/31/97 | Tuscaloosa, AL | 2 | A | version "b", Alternative recording to LB-5391 PDub |
LB-0572 | 11/1/97 | Thomas Wolfe | 2 | B+ | DAT MASTER > Cassette > Sony MDS-JE500 > optical |
LB-5388 | 11/1/97 | Asheville | 2 | A- | Taper: PDub, Source: lowgen audio disks > (Feurio) |
LB-3226 | 11/2/97 | Columbia | 2 | A | Taper: PW, Source: Audio disks in trade > (feurio) |
LB-7631 | 11/2/97 | Columbia | 2 | A | version "a"; Received in trade as flac from my |
LB-7651 | 11/2/97 | Columbia | 2 | A | pdub, sonics ? -> portable DATrecorder -> DAT - |
LB-10582 | 11/2/97 | Columbia, SC | 2 | A | version "c", Alternative recording to (PDub |
LB-12999 | 11/2/97 | Columbia | 2 | A | x kmi84s dolphinsmile, Taped by X with Neumanns |
LB-2476 | 11/4/97 | Civic Auditorium | 2 | B+ | tape: unknown (digital aud. recording) cdr>shn, |
LB-4874 | 11/4/97 | Knoxville | 2 | A- | version "a"; Audience recording (Full spectrum) > |
LB-7640 | 11/4/97 | Knoxville, Tennessee | 2 | B- | version "b"; Taper & Equipment: unknown, Lineage: |
LB-13639 | 11/4/97 | Knoxville, TN | 2 | A- | g sonics dolphinsmile, Taped by G with Sonics and |
LB-4269 | 11/5/97 | Huntington | 2 | A- | audience recording - samples in comments, trade |
LB-4350 | 11/5/97 | Huntington | 2 | B | Off DAT clones, Taper: MKar, Info:, Drop at the |
LB-7418 | 11/5/97 | Huntington | 2 | A- | version "b"; Unidentified taper, Source/Lineage: |
LB-13199 | 11/5/97 | Huntington, WV | tarantula 48k, taper: tarantula, lineage:, Sony | ||
LB-0872 | 11/7/97 | Columbus | 2 | A- | |
LB-12921 | 11/7/97 | Columbus, Ohio | B+ | version "b"; 48k, 16/48, lineage:, taper: unknown, | |
LB-3753 | 11/8/97 | Dayton Hara Arena | 2 | B | Olav Remaster, With generous help from Christine |
LB-15213 | 11/8/97 | Dayton, OH | B | ntg lta 48, taper: NET Taper G, lineage:, | |
LB-3318 | 11/9/97 | Bloomington | 2 | A | Lineage: unknown, Sound: Excellent audio recording |
LB-4349 | 11/9/97 | Bloomington | 2 | A | Off DAT clone(s), Taper: NTA ;torrent comments: |
LB-7720 | 11/9/97 | Bloomington, Indiana | 2 | A | version "b"; ***** Not possible determining |
LB-1126 | 11/11/97 | Lisle | 2 | A- | DAT recording |
LB-4283 | 11/11/97 | Lisle, Illinois | 2 | A- | version "a"; audience recording, trade cd-r's > |
LB-4854 | 11/11/97 | Lisle | 2 | A | Recorded By Travitz, Schoeps MK4's>Schoeps |
LB-9042 | 11/11/97 | Lisle, Illinois | 2 | A | sullylove;, 13th Row Center Just a few seats off |
LB-13287 | 11/11/97 | Lisle, IL | 2 | A | jefft dolphinsmile, Taped by a buddy of mine Jeff |
LB-2730 | 11/12/97 | Milwaukee | 2 | A | ?Aud > ? > cdr > EAC > FLAC, Notes: Major level |
LB-5382 | 11/12/97 | Milwaukee | 2 | A | Taper: "PDub", Source: low gen audio disks > |
LB-9458 | 11/12/97 | Milwaukee, WI | 2 | A- | aud dsm6p arf, master audience recording, No LB |
LB-12795 | 11/12/97 | Milwaukee, WI | 2 | A- | hce b dolphinsmile, Taped by HCE B (AKA Mr W) with |
LB-15133 | 11/12/97 | Milwaukee, WI | 2 | B+ | version "f", Alternative recording to |
LB-6223 | 11/14/97 | San Jose, CA | 2 | B+ | BOOTLEG: You Ain't Goin' Nowhere,; Exclusive |
LB-6225 | 11/14/97 | San Jose, CA | 2 | A | BOOTLEG: Private Affairs of Bob Dylan; cd > |
LB-1122 | 12/1/97 | Atlanta | 2 | B+ | FOB/Schoeps CMC641>SXM2>D100 |
LB-3025 | 12/1/97 | Atlanta, Georgia | 1 | C- | Two Soundchecks, it could be much better, it sound |
LB-3250 | 12/1/97 | Atlanta, GA | 3 | B+ | version "a" |
LB-3472 | 12/1/97 | Atlanta | 2 | B+ | version "b"; Taper: Unknown (possibly Danial), |
LB-5113 | 12/1/97 | Atlanta | 1 | version "c"; Soundcheck for 12/1 and 12/2 | |
LB-6512 | 12/1/97 | Atlanta, GA | 2 | B+ | remaster of LB-3250; Taper: unknown, Dime |
LB-7151 | 12/1/97 | Atlanta, GA | 2 | B+ | version "e"; Liberated Bootleg, Source:Uknown |
LB-11253 | 12/1/97 | Atlanta, GA | 2 | B+ | version "i", Alternative recording to |
LB-14743 | 12/1/97 | Atlanta, GA | B+ | mk4 dolphinsmile 48k, Dat and Schoeps MK4s>clone | |
LB-0699 | 12/2/97 | Roxy | 2 | B+ | |
LB-3026 | 12/2/97 | Atlanta, Georgia | Soundcheck | ||
LB-7701 | 12/2/97 | Atlanta, Georgia | 2 | A- | version "a"; * This recording does not seem to |
LB-2815 | 12/4/97 | 9:30 Club | 2 | A- | CSB>SonyTCD-D7, near speaker, Transfer: 48k dat |
LB-3909 | 12/5/97 | 9:30 Club | 2 | A- | CSB>SonyTCD-D7, near speaker, microphone hidden |
LB-16114 | 12/5/97 | Washington, DC | dolphismile 48, taped with Sony dat recorder, and | ||
LB-0597 | 12/8/97 | Irving Plaza | 2 | B+ | |
LB-2102 | 12/8/97 | Irving Plaza, NYC | 2 | A | BOOTLEG: White Dove; soundboard recording, unknown |
LB-6937 | 12/8/97 | Irving Plaza | 2 | A | BOOTLEG: Tonight Ill Be Playing Here For You; cd |
LB-8669 | 12/8/97 | New York, NY | 2 | A- | fob bk4021;, SRC: B&K 4021's (FOB) > Sonosax SX-M2 |
LB-11909 | 12/8/97 | New York NY | 2 | A- | fob bk4021 ericv, Digital Master Recording, FOB |
LB-13061 | 12/8/97 | New York, NY | A- | bk4021 dolphinsmile 48k, B&K | |
LB-14961 | 12/8/97 | New York, NY | A- | ericv lta taper: EricV, location: FOB slightly | |
LB-15081 | 12/8/97 | New York, NY | 2 | A | sbd noel, Recording: SBD > Master Source, |
LB-15294 | 12/8/97 | Irving Plaza | boiledgutsofbirds remix 2444, Source One: SRC AUD | ||
LB-3741 | 12/9/97 | Boston, Ma, Avalon | 2 | B | source: recording of unknown generation. no |
LB-6532 | 12/9/97 | Bosto, Massachusetts | 2 | A- | nak cm300; This Recording has not yet been |
LB-6587 | 12/9/97 | Boston, MA | 2 | A- | version "b"; Alternative recording to LB-3741 & |
LB-4792 | 12/10/97 | Philadelphia | 2 | B+ | Taper: Glen Dundas, Source: Audio disks from taper |
LB-5150 | 12/10/97 | Philadelphia | 2 | A- | bourbon; Schoeps MK4V's>Sonosax SX-M2>Sony |
LB-5927 | 12/10/97 | PHILADELPHIA, PA | 2 | B+ | G2 MASTER RECORDING, SONY D8 DAT MASTER>STAND |
LB-12432 | 12/10/97 | PHILADELPHIA, PA | 2 | B+ | g2, G2 MASTER AUDIENCE RECORDING, SONY D8 DAT |
LB-14908 | 12/10/97 | Philadelphia | B+ | version "f" 48k, From my DAT (received in trade, | |
LB-15334 | 12/10/97 | Philadelphia, PA | A- | schoepsinthehat lta 48, taper: Bobby Bourbon, | |
LB-15335 | 12/10/97 | Philadelphia, PA | A- | schoepsinthehat split 48, A SchoepsInThe Hat | |
LB-5243 | 12/11/97 | Philadelphia | 2 | B+ | I received this one in trade as flac, part of a |
LB-6593 | 12/11/97 | Trocadero | 2 | A- | version "a"; Alternative recording to LB-5243, |
LB-7305 | 12/11/97 | PHILLY, USA | 2 | B+ | G2 MASTER AUDIENCE RECORDING, SONY D8 DAT |
LB-12433 | 12/11/97 | PHILLY, USA | 2 | B+ | g2, G2 MASTER AUDIENCE RECORDING, SONY D8 DAT |
LB-1120 | 12/13/97 | Chicago | 2 | A- | FOB/Schoeps CMC641>SXM2>D100 |
LB-3555 | 12/13/97 | Chicago | 2 | version "a"; ?>EAC(secure)>TLH(Flac lev8 + sums | |
LB-4656 | 12/13/97 | Chicago, Illinois | 2 | A- | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-7145 | 12/13/97 | Chicago, Il, USA | 2 | A- | version "c"; Source: Sonic Studio Mics PA-6 > Sony |
LB-15431 | 12/13/97 | Chicago, IL | 2 | A- | schoeps dolphinsmile, Dat and Schoeps mics>clone |
LB-3557 | 12/14/97 | Chicago | 2 | A- | Audience recording; Unknown taper > ? > CDR > EAC |
LB-3755 | 12/14/97 | Chicago | 2 | A- | version "a"; incomplete; Taper Unknown, A>D |
LB-13160 | 12/14/97 | Chicago, IL | 2 | A- | jeff t dolphinsmile, First two sons are David |
LB-13170 | 12/14/97 | Chicago, IL | 2 | A- | complete dolphinsmile,, First two sons are David |
LB-2732 | 12/16/97 | Los Angeles | 2 | A | CDR trade -> WAV -> FLAC (level 7), no artwork, |
LB-7599 | 12/16/97 | Los Angeles | 2 | A | net taper D, Schoeps ? -> portable DATrecorder -> |
LB-12555 | 12/16/97 | El Rey Theater | A | schoeps dolphinsmile 48k, same as Dec 17, taped on | |
LB-12619 | 12/16/97 | El Rey Theater | 2 | A | pdub dolphinsmile, Recorded by PDub with Sony dat |
LB-13149 | 12/16/97 | LOS ANGELES, CA | 2 | B+ | version "f", D3 Cassette Master -> Untracked Aiff |
LB-15369 | 12/16/97 | Los Angeles, CA | scheops dolphinsmile 48, Scheops mics and | ||
LB-4932 | 12/17/97 | Los Angeles | 2 | A | Unknown Audience>CDR>EAC>FLAC Level 5 |
LB-12556 | 12/17/97 | Los Angeles | 2 | A | schoeps dolphinsmile, taped by a GD enthusiast |
LB-15184 | 12/17/97 | Los Angeles, CA | A | severson sirmick 48, Source: Sonic Studios Dsm | |
LB-1598 | 12/18/97 | EL REY THEATER | 2 | A | |
LB-2455 | 12/18/97 | Los Angeles | 2 | A | version "a"; CDR trade -> WAV -> FLAC (level 8), |
LB-3530 | 12/18/97 | Los Angeles | 2 | A | source : marcsounds > sony tcd-d3, taper : markp |
LB-7641 | 12/18/97 | Los Angeles | 2 | A | legendary taper D, Sennheiser MKE2002 -> portable |
LB-7642 | 12/18/97 | Los Angeles | 2 | A | net taper D, diginoise, drop in intro, Schoeps ? |
LB-7643 | 12/18/97 | Los Angeles | 2 | A | pdub, Sonics -> portable DATrecorder -> DAT - |
LB-7970 | 12/18/97 | Los Angeles, CA | 2 | A | version "g"; Lineage: Trade CDR--> EAC(secure)--> |
LB-8001 | 12/18/97 | Los Angeles, CA | 2 | A | version "h"; Lineage: Trade CDR--> EAC(secure)--> |
LB-8980 | 12/18/97 | Los Angeles, Ca. | 2 | B | d5scott;, Recorded by The Weasel - "Da Weez", |
LB-12589 | 12/18/97 | Los Angeles, CA | 2 | A | schoeps dolphinsmile, recorded by the same taper |
LB-14205 | 12/18/97 | Los Angeles, CA | A | schoeps teddy ballgame 48k, From the Teddy | |
LB-0900 | 12/19/97 | El Rey Theater | 2 | A | BOOTLEG: Even After All These Years; Dandelion, / |
LB-2465 | 12/19/97 | El Rey Theater | 2 | A | Zipperman 001, Lineage: CDR > EAC > WAV > FLAC, |
LB-7195 | 12/19/97 | Los Angeles, Ca, USA | 2 | A | Source: Sonic Studio Mics PA-6 > Sony D8, |
LB-9478 | 12/19/97 | BOB DYLAN - "Even | 2 | A | BOOTLEG: even after all these years; jtt, (Factory |
LB-4978 | 12/20/97 | Los Angeles | 2 | A | PDub Master: Sonic Studios 6p mics > Sony D3, D7 |
LB-7211 | 12/20/97 | Los Angeles, Ca, USA | 2 | A | incomplete; Source: Sonic Studio Mics PA-6 > Sony |
LB-11174 | 12/20/97 | Los Angeles, CA | 2 | B+ | BOOTLEG: oh babe it aint no lie; Lineage: |
LB-13150 | 12/20/97 | LOS ANGELES | 2 | B+ | version "g", D3 Cassette Master -> Untracked Aiff |